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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 48 30 it is the complementary color RGB 179 207 225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 48 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 48 30 shade: RGB 81 48 25, RGB 98 66 44, RGB 115 84 63, RGB 132 102 82 and RGB 149 120 101

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 48 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 48 30 shade: RGB 76 48 30, RGB 59 30 11, RGB 42 12 0, RGB 25 0 0 and RGB 8 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 48 30 shade: RGB 76 48 30, RGB 76 36 30 and RGB 76 30 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 48 30 shade: RGB 76 48 30, RGB 76 60 30, RGB 76 73 30, RGB 67 76 30 and RGB 54 76 30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 48 30 shade matches the following richer shades: RGB 76 48 30, RGB 85 46 21, RGB 93 44 13 and RGB 102 42 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 48 30 shade: RGB 76 48 30, RGB 67 50 39, RGB 59 52 47, RGB 50 54 56 and RGB 41 56 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 48 30 shade: RGB 76 30 37, RGB 76 35 30, RGB 76 48 30, RGB 76 60 30 and RGB 76 72 30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 48 30 shade: RGB 17 11 7, RGB 47 29 18, RGB 76 48 30, RGB 106 67 42 and RGB 135 85 54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 48 30 shade: RGB 76 48 30, RGB 49 76 30 and RGB 30 31 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 48 30 shade: RGB 76 48 30, RGB 30 76 48 and RGB 48 30 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 48 30 shade: RGB 76 48 30, RGB 49 76 30, RGB 30 58 76 and RGB 57 30 76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 48 30 shade: RGB 76 48 30, RGB 35 76 30, RGB 30 58 76 and RGB 71 30 76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 61 / 70

HEX #4C301E

RGB 76 48 30

HSL 23.48, 0.43%, 0.21%

LAB 22.81, 10.5, 16.67

 

Complementary color

CMYK 20 / 8 / 0 / 12

HEX #B3CFE1

RGB 179 207 225

HSL 203.48, 0.43%, 0.79%

LAB 81.65, -5.51, -12.02

 

CMYK 0 / 41 / 69 / 68

HEX #513019

RGB 81 48 25

HSL 24.64, 0.53%, 0.21%

LAB 23.45, 12.51, 20.77

 

CMYK 0 / 33 / 55 / 62

HEX #62422C

RGB 98 66 44

HSL 24.44, 0.38%, 0.28%

LAB 31.06, 11.06, 18.9

 

CMYK 0 / 27 / 45 / 55

HEX #73543F

RGB 115 84 63

HSL 24.23, 0.29%, 0.35%

LAB 38.45, 9.96, 17.31

 

CMYK 0 / 23 / 38 / 48

HEX #846652

RGB 132 102 82

HSL 24, 0.23%, 0.42%

LAB 45.66, 9.1, 15.92

 

CMYK 0 / 19 / 32 / 42

HEX #957865

RGB 149 120 101

HSL 23.75, 0.19%, 0.49%

LAB 52.69, 8.39, 14.7

 

CMYK 0 / 37 / 61 / 70

HEX #4C301E

RGB 76 48 30

HSL 23.48, 0.43%, 0.21%

LAB 22.81, 10.5, 16.67

 

CMYK 0 / 49 / 81 / 77

HEX #3B1E0B

RGB 59 30 11

HSL 23.75, 0.69%, 0.14%

LAB 14.86, 12.2, 17.65

 

CMYK 0 / 71 / 100 / 84

HEX #2A0C00

RGB 42 12 0

HSL 17.14, 1%, 0.08%

LAB 6.82, 14.26, 10.5

 

CMYK 0 / 100 / 100 / 90

HEX #190000

RGB 25 0 0

HSL 0, 1%, 0.05%

LAB 1.87, 8.38, 2.95

 

CMYK 0 / 100 / 100 / 97

HEX #080000

RGB 8 0 0

HSL 0, 1%, 0.02%

LAB 0.47, 2.09, 0.74

 

CMYK 0 / 37 / 61 / 70

HEX #4C301E

RGB 76 48 30

HSL 23.48, 0.43%, 0.21%

LAB 22.81, 10.5, 16.67

 

CMYK 0 / 53 / 61 / 70

HEX #4C241E

RGB 76 36 30

HSL 7.83, 0.43%, 0.21%

LAB 19.61, 18.18, 12.57

 

CMYK 0 / 61 / 61 / 70

HEX #4C1E1E

RGB 76 30 30

HSL 0, 0.43%, 0.21%

LAB 18.18, 21.8, 10.69

 

CMYK 0 / 37 / 61 / 70

HEX #4C301E

RGB 76 48 30

HSL 23.48, 0.43%, 0.21%

LAB 22.81, 10.5, 16.67

 

CMYK 0 / 21 / 61 / 70

HEX #4C3C1E

RGB 76 60 30

HSL 39.13, 0.43%, 0.21%

LAB 26.34, 2.72, 21.01

 

CMYK 0 / 4 / 61 / 70

HEX #4C491E

RGB 76 73 30

HSL 56.09, 0.43%, 0.21%

LAB 30.39, -5.42, 25.78

 

CMYK 12 / 0 / 61 / 70

HEX #434C1E

RGB 67 76 30

HSL 71.74, 0.43%, 0.21%

LAB 30.53, -11.58, 25.73

 

CMYK 29 / 0 / 61 / 70

HEX #364C1E

RGB 54 76 30

HSL 88.7, 0.43%, 0.21%

LAB 29.53, -17.54, 24.3

 

CMYK 0 / 37 / 61 / 70

HEX #4C301E

RGB 76 48 30

HSL 23.48, 0.43%, 0.21%

LAB 22.81, 10.5, 16.67

 

CMYK 0 / 46 / 75 / 67

HEX #552E15

RGB 85 46 21

HSL 23.44, 0.6%, 0.21%

LAB 23.47, 15.43, 23.37

 

CMYK 0 / 53 / 86 / 64

HEX #5D2C0D

RGB 93 44 13

HSL 23.25, 0.75%, 0.21%

LAB 24.19, 20.03, 28.91

 

CMYK 0 / 59 / 96 / 60

HEX #662A04

RGB 102 42 4

HSL 23.27, 0.92%, 0.21%

LAB 25.23, 24.96, 34.23

 

CMYK 0 / 37 / 61 / 70

HEX #4C301E

RGB 76 48 30

HSL 23.48, 0.43%, 0.21%

LAB 22.81, 10.5, 16.67

 

CMYK 0 / 25 / 42 / 74

HEX #433227

RGB 67 50 39

HSL 23.57, 0.26%, 0.21%

LAB 22.38, 5.88, 9.96

 

CMYK 0 / 12 / 20 / 77

HEX #3B342F

RGB 59 52 47

HSL 25, 0.11%, 0.21%

LAB 22.27, 2.09, 4.29

 

CMYK 11 / 4 / 0 / 78

HEX #323638

RGB 50 54 56

HSL 200, 0.06%, 0.21%

LAB 22.31, -1.22, -1.85

 

CMYK 37 / 14 / 0 / 75

HEX #293841

RGB 41 56 65

HSL 202.5, 0.23%, 0.21%

LAB 22.59, -3.5, -7.57

 

CMYK 0 / 61 / 51 / 70

HEX #4C1E25

RGB 76 30 37

HSL 350.87, 0.43%, 0.21%

LAB 18.36, 22.55, 6.01

 

CMYK 0 / 54 / 61 / 70

HEX #4C231E

RGB 76 35 30

HSL 6.52, 0.43%, 0.21%

LAB 19.36, 18.8, 12.25

 

CMYK 0 / 37 / 61 / 70

HEX #4C301E

RGB 76 48 30

HSL 23.48, 0.43%, 0.21%

LAB 22.81, 10.5, 16.67

 

CMYK 0 / 21 / 61 / 70

HEX #4C3C1E

RGB 76 60 30

HSL 39.13, 0.43%, 0.21%

LAB 26.34, 2.72, 21.01

 

CMYK 0 / 5 / 61 / 70

HEX #4C481E

RGB 76 72 30

HSL 54.78, 0.43%, 0.21%

LAB 30.07, -4.81, 25.41

 

CMYK 0 / 35 / 59 / 93

HEX #110B07

RGB 17 11 7

HSL 24, 0.42%, 0.05%

LAB 3.38, 1.39, 2.21

 

CMYK 0 / 38 / 62 / 82

HEX #2F1D12

RGB 47 29 18

HSL 22.76, 0.45%, 0.13%

LAB 12.78, 7.25, 10.93

 

CMYK 0 / 37 / 61 / 70

HEX #4C301E

RGB 76 48 30

HSL 23.48, 0.43%, 0.21%

LAB 22.81, 10.5, 16.67

 

CMYK 0 / 37 / 60 / 58

HEX #6A432A

RGB 106 67 42

HSL 23.44, 0.43%, 0.29%

LAB 32.36, 13.99, 22

 

CMYK 0 / 37 / 60 / 47

HEX #875536

RGB 135 85 54

HSL 22.96, 0.43%, 0.37%

LAB 41.08, 17.43, 26.52

 

CMYK 0 / 37 / 61 / 70

HEX #4C301E

RGB 76 48 30

HSL 23.48, 0.43%, 0.21%

LAB 22.81, 10.5, 16.67

 

CMYK 36 / 0 / 61 / 70

HEX #314C1E

RGB 49 76 30

HSL 95.22, 0.43%, 0.21%

LAB 29.2, -19.67, 23.83

 

CMYK 61 / 59 / 0 / 70

HEX #1E1F4C

RGB 30 31 76

HSL 238.7, 0.43%, 0.21%

LAB 14.28, 14.75, -28.14

 

CMYK 0 / 37 / 61 / 70

HEX #4C301E

RGB 76 48 30

HSL 23.48, 0.43%, 0.21%

LAB 22.81, 10.5, 16.67

 

CMYK 61 / 0 / 37 / 70

HEX #1E4C30

RGB 30 76 48

HSL 143.48, 0.43%, 0.21%

LAB 28.53, -23.21, 12.03

 

CMYK 37 / 61 / 0 / 70

HEX #301E4C

RGB 48 30 76

HSL 263.48, 0.43%, 0.21%

LAB 15.9, 20.32, -25.44

 

CMYK 0 / 37 / 61 / 70

HEX #4C301E

RGB 76 48 30

HSL 23.48, 0.43%, 0.21%

LAB 22.81, 10.5, 16.67

 

CMYK 36 / 0 / 61 / 70

HEX #314C1E

RGB 49 76 30

HSL 95.22, 0.43%, 0.21%

LAB 29.2, -19.67, 23.83

 

CMYK 61 / 24 / 0 / 70

HEX #1E3A4C

RGB 30 58 76

HSL 203.48, 0.43%, 0.21%

LAB 23.08, -4.47, -14.23

 

CMYK 25 / 61 / 0 / 70

HEX #391E4C

RGB 57 30 76

HSL 275.22, 0.43%, 0.21%

LAB 17.09, 23.04, -23.47

 

CMYK 0 / 37 / 61 / 70

HEX #4C301E

RGB 76 48 30

HSL 23.48, 0.43%, 0.21%

LAB 22.81, 10.5, 16.67

 

CMYK 54 / 0 / 61 / 70

HEX #234C1E

RGB 35 76 30

HSL 113.48, 0.43%, 0.21%

LAB 28.43, -24.98, 22.74

 

CMYK 61 / 24 / 0 / 70

HEX #1E3A4C

RGB 30 58 76

HSL 203.48, 0.43%, 0.21%

LAB 23.08, -4.47, -14.23

 

CMYK 7 / 61 / 0 / 70

HEX #471E4C

RGB 71 30 76

HSL 293.48, 0.43%, 0.21%

LAB 19.18, 27.44, -20.01

 

Description

Color code: RGB 76 48 30 | qconv.com Color code: RGB 76 48 30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 48 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 48 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 61 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 61% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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