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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 250 160 it is the complementary color RGB 180 5 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 250 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 75 250 160 shade: RGB 80 250 155, RGB 97 255 174, RGB 114 255 193, RGB 131 255 212 and RGB 148 255 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 250 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 75 250 160 shade: RGB 75 250 160, RGB 58 232 141, RGB 41 214 122, RGB 24 196 103 and RGB 7 178 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 75 250 160 shade: RGB 75 250 160, RGB 75 250 113, RGB 85 250 75, RGB 132 250 75 and RGB 179 250 75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 75 250 160 shade: RGB 75 250 160, RGB 75 250 207, RGB 75 246 250, RGB 75 199 250 and RGB 75 151 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 75 250 160 shade matches the following richer shades: RGB 75 250 160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 75 250 160 shade: RGB 75 250 160, RGB 90 235 161, RGB 105 220 161, RGB 120 205 161 and RGB 135 190 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 75 250 160 shade: RGB 84 250 75, RGB 75 250 113, RGB 75 250 160, RGB 75 250 206 and RGB 75 247 250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 75 250 160 shade: RGB 6 237 118, RGB 35 249 139, RGB 75 250 160, RGB 116 251 181 and RGB 156 252 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 75 250 160 shade: RGB 75 250 160, RGB 75 131 250 and RGB 250 90 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 75 250 160 shade: RGB 75 250 160, RGB 160 75 250 and RGB 250 160 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 75 250 160 shade: RGB 75 250 160, RGB 75 131 250, RGB 250 75 166 and RGB 250 195 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 75 250 160 shade: RGB 75 250 160, RGB 75 78 250, RGB 250 75 166 and RGB 250 247 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 36 / 2

HEX #4BFAA0

RGB 75 250 160

HSL 149.14, 0.95%, 0.64%

LAB 88.16, -63.86, 30.68

 

Complementary color

CMYK 0 / 97 / 47 / 29

HEX #B4055F

RGB 180 5 95

HSL 329.14, 0.95%, 0.36%

LAB 38.96, 65.08, -0.52

 

CMYK 68 / 0 / 38 / 2

HEX #50FA9B

RGB 80 250 155

HSL 146.47, 0.94%, 0.65%

LAB 88.18, -64, 33.22

 

CMYK 62 / 0 / 32 / 0

HEX #61FFAE

RGB 97 255 174

HSL 149.24, 1%, 0.69%

LAB 90.38, -59.43, 26.69

 

CMYK 55 / 0 / 24 / 0

HEX #72FFC1

RGB 114 255 193

HSL 153.62, 1%, 0.72%

LAB 91.21, -52.33, 18.25

 

CMYK 49 / 0 / 17 / 0

HEX #83FFD4

RGB 131 255 212

HSL 159.19, 1%, 0.76%

LAB 92.18, -44.62, 9.93

 

CMYK 42 / 0 / 9 / 0

HEX #94FFE7

RGB 148 255 231

HSL 166.54, 1%, 0.79%

LAB 93.27, -36.44, 1.79

 

CMYK 70 / 0 / 36 / 2

HEX #4BFAA0

RGB 75 250 160

HSL 149.14, 0.95%, 0.64%

LAB 88.16, -63.86, 30.68

 

CMYK 75 / 0 / 39 / 9

HEX #3AE88D

RGB 58 232 141

HSL 148.62, 0.79%, 0.57%

LAB 82.13, -63.19, 32.16

 

CMYK 81 / 0 / 43 / 16

HEX #29D67A

RGB 41 214 122

HSL 148.09, 0.68%, 0.5%

LAB 76.05, -62.21, 33.75

 

CMYK 88 / 0 / 47 / 23

HEX #18C467

RGB 24 196 103

HSL 147.56, 0.78%, 0.43%

LAB 69.93, -60.8, 35.45

 

CMYK 96 / 0 / 53 / 30

HEX #07B254

RGB 7 178 84

HSL 147.02, 0.92%, 0.36%

LAB 63.78, -58.83, 37.23

 

CMYK 70 / 0 / 36 / 2

HEX #4BFAA0

RGB 75 250 160

HSL 149.14, 0.95%, 0.64%

LAB 88.16, -63.86, 30.68

 

CMYK 70 / 0 / 55 / 2

HEX #4BFA71

RGB 75 250 113

HSL 133.03, 0.95%, 0.64%

LAB 87.51, -71.27, 52.47

 

CMYK 66 / 0 / 70 / 2

HEX #55FA4B

RGB 85 250 75

HSL 116.57, 0.95%, 0.64%

LAB 87.39, -73.47, 67.98

 

CMYK 47 / 0 / 70 / 2

HEX #84FA4B

RGB 132 250 75

HSL 100.46, 0.95%, 0.64%

LAB 88.82, -62.2, 69.9

 

CMYK 28 / 0 / 70 / 2

HEX #B3FA4B

RGB 179 250 75

HSL 84.34, 0.95%, 0.64%

LAB 90.99, -46.93, 72.8

 

CMYK 70 / 0 / 36 / 2

HEX #4BFAA0

RGB 75 250 160

HSL 149.14, 0.95%, 0.64%

LAB 88.16, -63.86, 30.68

 

CMYK 70 / 0 / 17 / 2

HEX #4BFACF

RGB 75 250 207

HSL 165.26, 0.95%, 0.64%

LAB 89.1, -53.87, 7.9

 

CMYK 70 / 2 / 0 / 2

HEX #4BF6FA

RGB 75 246 250

HSL 181.37, 0.95%, 0.64%

LAB 89.07, -41.05, -14.53

 

CMYK 70 / 20 / 0 / 2

HEX #4BC7FA

RGB 75 199 250

HSL 197.49, 0.95%, 0.64%

LAB 75.6, -18.34, -35.04

 

CMYK 70 / 40 / 0 / 2

HEX #4B97FA

RGB 75 151 250

HSL 213.94, 0.95%, 0.64%

LAB 62.11, 8.32, -56.23

 

CMYK 70 / 0 / 36 / 2

HEX #4BFAA0

RGB 75 250 160

HSL 149.14, 0.95%, 0.64%

LAB 88.16, -63.86, 30.68

 

CMYK 70 / 0 / 36 / 2

HEX #4BFAA0

RGB 75 250 160

HSL 149.14, 0.95%, 0.64%

LAB 88.16, -63.86, 30.68

 

CMYK 62 / 0 / 31 / 8

HEX #5AEBA1

RGB 90 235 161

HSL 149.38, 0.78%, 0.64%

LAB 84.05, -55.45, 24.66

 

CMYK 52 / 0 / 27 / 14

HEX #69DCA1

RGB 105 220 161

HSL 149.22, 0.62%, 0.64%

LAB 80.05, -46.13, 19.23

 

CMYK 41 / 0 / 21 / 20

HEX #78CDA1

RGB 120 205 161

HSL 148.94, 0.46%, 0.64%

LAB 76.21, -35.66, 13.96

 

CMYK 29 / 0 / 15 / 25

HEX #87BEA2

RGB 135 190 162

HSL 149.45, 0.3%, 0.64%

LAB 72.62, -23.85, 8.43

 

CMYK 66 / 0 / 70 / 2

HEX #54FA4B

RGB 84 250 75

HSL 116.91, 0.95%, 0.64%

LAB 87.37, -73.66, 67.94

 

CMYK 70 / 0 / 55 / 2

HEX #4BFA71

RGB 75 250 113

HSL 133.03, 0.95%, 0.64%

LAB 87.51, -71.27, 52.47

 

CMYK 70 / 0 / 36 / 2

HEX #4BFAA0

RGB 75 250 160

HSL 149.14, 0.95%, 0.64%

LAB 88.16, -63.86, 30.68

 

CMYK 70 / 0 / 18 / 2

HEX #4BFACE

RGB 75 250 206

HSL 164.91, 0.95%, 0.64%

LAB 89.08, -54.11, 8.39

 

CMYK 70 / 1 / 0 / 2

HEX #4BF7FA

RGB 75 247 250

HSL 181.03, 0.95%, 0.64%

LAB 89.36, -41.5, -14.1

 

CMYK 97 / 0 / 50 / 7

HEX #06ED76

RGB 6 237 118

HSL 149.09, 0.95%, 0.48%

LAB 82.87, -72.51, 44.32

 

CMYK 86 / 0 / 44 / 2

HEX #23F98B

RGB 35 249 139

HSL 149.16, 0.95%, 0.56%

LAB 86.98, -71.62, 39.43

 

CMYK 70 / 0 / 36 / 2

HEX #4BFAA0

RGB 75 250 160

HSL 149.14, 0.95%, 0.64%

LAB 88.16, -63.86, 30.68

 

CMYK 54 / 0 / 28 / 2

HEX #74FBB5

RGB 116 251 181

HSL 148.89, 0.94%, 0.72%

LAB 89.88, -52.64, 22.54

 

CMYK 38 / 0 / 19 / 1

HEX #9CFCCB

RGB 156 252 203

HSL 149.38, 0.94%, 0.8%

LAB 92.13, -38.84, 14.64

 

CMYK 70 / 0 / 36 / 2

HEX #4BFAA0

RGB 75 250 160

HSL 149.14, 0.95%, 0.64%

LAB 88.16, -63.86, 30.68

 

CMYK 70 / 48 / 0 / 2

HEX #4B83FA

RGB 75 131 250

HSL 220.8, 0.95%, 0.64%

LAB 56.71, 20.35, -64.87

 

CMYK 0 / 64 / 70 / 2

HEX #FA5A4B

RGB 250 90 75

HSL 5.14, 0.95%, 0.64%

LAB 60.02, 60.15, 41.59

 

CMYK 70 / 0 / 36 / 2

HEX #4BFAA0

RGB 75 250 160

HSL 149.14, 0.95%, 0.64%

LAB 88.16, -63.86, 30.68

 

CMYK 36 / 70 / 0 / 2

HEX #A04BFA

RGB 160 75 250

HSL 269.14, 0.95%, 0.64%

LAB 51.16, 66.38, -73.54

 

CMYK 0 / 36 / 70 / 2

HEX #FAA04B

RGB 250 160 75

HSL 29.14, 0.95%, 0.64%

LAB 73.53, 26.33, 56.58

 

CMYK 70 / 0 / 36 / 2

HEX #4BFAA0

RGB 75 250 160

HSL 149.14, 0.95%, 0.64%

LAB 88.16, -63.86, 30.68

 

CMYK 70 / 48 / 0 / 2

HEX #4B83FA

RGB 75 131 250

HSL 220.8, 0.95%, 0.64%

LAB 56.71, 20.35, -64.87

 

CMYK 0 / 70 / 34 / 2

HEX #FA4BA6

RGB 250 75 166

HSL 328.8, 0.95%, 0.64%

LAB 59.99, 72.9, -10.94

 

CMYK 0 / 22 / 70 / 2

HEX #FAC34B

RGB 250 195 75

HSL 41.14, 0.95%, 0.64%

LAB 81.76, 8.02, 65.18

 

CMYK 70 / 0 / 36 / 2

HEX #4BFAA0

RGB 75 250 160

HSL 149.14, 0.95%, 0.64%

LAB 88.16, -63.86, 30.68

 

CMYK 70 / 69 / 0 / 2

HEX #4B4EFA

RGB 75 78 250

HSL 238.97, 0.95%, 0.64%

LAB 44.01, 52.37, -85.55

 

CMYK 0 / 70 / 34 / 2

HEX #FA4BA6

RGB 250 75 166

HSL 328.8, 0.95%, 0.64%

LAB 59.99, 72.9, -10.94

 

CMYK 0 / 1 / 70 / 2

HEX #FAF74B

RGB 250 247 75

HSL 58.97, 0.95%, 0.64%

LAB 94.89, -18.08, 78.22

 

Description

Color code: RGB 75 250 160 | qconv.com Color code: RGB 75 250 160 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 250 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 250 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 36 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 36% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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