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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 240 29 it is the complementary color RGB 180 15 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 240 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 75 240 29 shade: RGB 80 240 24, RGB 97 255 43, RGB 114 255 62, RGB 131 255 81 and RGB 148 255 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 240 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 75 240 29 shade: RGB 75 240 29, RGB 58 222 10, RGB 41 204 0, RGB 24 186 0 and RGB 7 168 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 75 240 29 shade: RGB 75 240 29, RGB 132 240 29, RGB 189 240 29, RGB 240 234 29 and RGB 240 178 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 75 240 29 shade: RGB 75 240 29, RGB 29 240 40, RGB 29 240 97, RGB 29 240 154 and RGB 29 240 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 75 240 29 shade matches the following richer shades: RGB 75 240 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 75 240 29 shade: RGB 75 240 29, RGB 86 221 49, RGB 97 201 68, RGB 108 182 87 and RGB 119 163 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 75 240 29 shade: RGB 191 240 29, RGB 135 240 29, RGB 78 240 29, RGB 29 240 36 and RGB 29 240 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 75 240 29 shade: RGB 47 176 11, RGB 57 215 13, RGB 75 240 29, RGB 106 243 68 and RGB 137 245 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 75 240 29 shade: RGB 75 240 29, RGB 29 240 233 and RGB 240 29 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 75 240 29 shade: RGB 75 240 29, RGB 29 78 240 and RGB 240 29 78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 75 240 29 shade: RGB 75 240 29, RGB 29 240 233, RGB 191 29 240 and RGB 240 29 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 75 240 29 shade: RGB 75 240 29, RGB 29 184 240, RGB 191 29 240 and RGB 240 85 29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 88 / 6

HEX #4BF01D

RGB 75 240 29

HSL 106.92, 0.88%, 0.53%

LAB 83.92, -74.75, 77.21

 

Complementary color

CMYK 20 / 93 / 0 / 11

HEX #B40FE2

RGB 180 15 226

HSL 286.92, 0.88%, 0.47%

LAB 46.36, 81.64, -67.71

 

CMYK 67 / 0 / 90 / 6

HEX #50F018

RGB 80 240 24

HSL 104.44, 0.88%, 0.52%

LAB 84.01, -73.97, 78.15

 

CMYK 62 / 0 / 83 / 0

HEX #61FF2B

RGB 97 255 43

HSL 104.72, 1%, 0.58%

LAB 89.03, -74.55, 79.08

 

CMYK 55 / 0 / 76 / 0

HEX #72FF3E

RGB 114 255 62

HSL 103.83, 1%, 0.62%

LAB 89.6, -69.65, 74.75

 

CMYK 49 / 0 / 68 / 0

HEX #83FF51

RGB 131 255 81

HSL 102.76, 1%, 0.66%

LAB 90.29, -63.88, 69.24

 

CMYK 42 / 0 / 61 / 0

HEX #94FF64

RGB 148 255 100

HSL 101.42, 1%, 0.7%

LAB 91.11, -57.34, 62.86

 

CMYK 69 / 0 / 88 / 6

HEX #4BF01D

RGB 75 240 29

HSL 106.92, 0.88%, 0.53%

LAB 83.92, -74.75, 77.21

 

CMYK 74 / 0 / 95 / 13

HEX #3ADE0A

RGB 58 222 10

HSL 106.42, 0.91%, 0.45%

LAB 77.97, -72.67, 74.65

 

CMYK 80 / 0 / 100 / 20

HEX #29CC00

RGB 41 204 0

HSL 107.94, 1%, 0.4%

LAB 72, -69.97, 70.69

 

CMYK 87 / 0 / 100 / 27

HEX #18BA00

RGB 24 186 0

HSL 112.26, 1%, 0.36%

LAB 65.99, -66.62, 65.81

 

CMYK 96 / 0 / 100 / 34

HEX #07A800

RGB 7 168 0

HSL 117.5, 1%, 0.33%

LAB 59.93, -62.68, 60.9

 

CMYK 69 / 0 / 88 / 6

HEX #4BF01D

RGB 75 240 29

HSL 106.92, 0.88%, 0.53%

LAB 83.92, -74.75, 77.21

 

CMYK 45 / 0 / 88 / 6

HEX #84F01D

RGB 132 240 29

HSL 90.71, 0.88%, 0.53%

LAB 85.66, -60.72, 79.39

 

CMYK 21 / 0 / 88 / 6

HEX #BDF01D

RGB 189 240 29

HSL 74.5, 0.88%, 0.53%

LAB 88.56, -40.77, 82.97

 

CMYK 0 / 3 / 88 / 6

HEX #F0EA1D

RGB 240 234 29

HSL 58.29, 0.88%, 0.53%

LAB 90.53, -17.37, 86.07

 

CMYK 0 / 26 / 88 / 6

HEX #F0B21D

RGB 240 178 29

HSL 42.37, 0.88%, 0.53%

LAB 76.35, 11.09, 74.91

 

CMYK 69 / 0 / 88 / 6

HEX #4BF01D

RGB 75 240 29

HSL 106.92, 0.88%, 0.53%

LAB 83.92, -74.75, 77.21

 

CMYK 88 / 0 / 83 / 6

HEX #1DF028

RGB 29 240 40

HSL 123.13, 0.88%, 0.53%

LAB 83.3, -80.01, 74.2

 

CMYK 88 / 0 / 60 / 6

HEX #1DF061

RGB 29 240 97

HSL 139.34, 0.88%, 0.53%

LAB 83.68, -75.31, 54.9

 

CMYK 88 / 0 / 36 / 6

HEX #1DF09A

RGB 29 240 154

HSL 155.55, 0.88%, 0.53%

LAB 84.44, -66.21, 28.6

 

CMYK 88 / 0 / 12 / 6

HEX #1DF0D3

RGB 29 240 211

HSL 171.75, 0.88%, 0.53%

LAB 85.65, -53.04, 0.75

 

CMYK 69 / 0 / 88 / 6

HEX #4BF01D

RGB 75 240 29

HSL 106.92, 0.88%, 0.53%

LAB 83.92, -74.75, 77.21

 

CMYK 69 / 0 / 88 / 6

HEX #4BF01D

RGB 75 240 29

HSL 106.92, 0.88%, 0.53%

LAB 83.92, -74.75, 77.21

 

CMYK 61 / 0 / 78 / 13

HEX #56DD31

RGB 86 221 49

HSL 107.09, 0.72%, 0.53%

LAB 78.41, -65.57, 67.65

 

CMYK 52 / 0 / 66 / 21

HEX #61C944

RGB 97 201 68

HSL 106.92, 0.55%, 0.53%

LAB 72.72, -54.28, 55.27

 

CMYK 41 / 0 / 52 / 29

HEX #6CB657

RGB 108 182 87

HSL 106.74, 0.39%, 0.53%

LAB 67.53, -41.24, 40.89

 

CMYK 27 / 0 / 34 / 36

HEX #77A36B

RGB 119 163 107

HSL 107.14, 0.23%, 0.53%

LAB 62.66, -25.85, 24.45

 

CMYK 20 / 0 / 88 / 6

HEX #BFF01D

RGB 191 240 29

HSL 73.93, 0.88%, 0.53%

LAB 88.68, -40, 83.12

 

CMYK 44 / 0 / 88 / 6

HEX #87F01D

RGB 135 240 29

HSL 89.86, 0.88%, 0.53%

LAB 85.79, -59.8, 79.54

 

CMYK 68 / 0 / 88 / 6

HEX #4EF01D

RGB 78 240 29

HSL 106.07, 0.88%, 0.53%

LAB 83.98, -74.2, 77.29

 

CMYK 88 / 0 / 85 / 6

HEX #1DF024

RGB 29 240 36

HSL 121.99, 0.88%, 0.53%

LAB 83.29, -80.19, 75.07

 

CMYK 88 / 0 / 62 / 6

HEX #1DF05C

RGB 29 240 92

HSL 137.91, 0.88%, 0.53%

LAB 83.63, -75.9, 56.99

 

CMYK 73 / 0 / 94 / 31

HEX #2FB00B

RGB 47 176 11

HSL 106.91, 0.88%, 0.37%

LAB 63.08, -60.48, 62.19

 

CMYK 73 / 0 / 94 / 16

HEX #39D70D

RGB 57 215 13

HSL 106.93, 0.89%, 0.45%

LAB 75.76, -70.7, 72.53

 

CMYK 69 / 0 / 88 / 6

HEX #4BF01D

RGB 75 240 29

HSL 106.92, 0.88%, 0.53%

LAB 83.92, -74.75, 77.21

 

CMYK 56 / 0 / 72 / 5

HEX #6AF344

RGB 106 243 68

HSL 106.97, 0.88%, 0.61%

LAB 85.8, -67.12, 68.98

 

CMYK 44 / 0 / 56 / 4

HEX #89F56B

RGB 137 245 107

HSL 106.96, 0.87%, 0.69%

LAB 87.82, -56, 55.97

 

CMYK 69 / 0 / 88 / 6

HEX #4BF01D

RGB 75 240 29

HSL 106.92, 0.88%, 0.53%

LAB 83.92, -74.75, 77.21

 

CMYK 88 / 0 / 3 / 6

HEX #1DF0E9

RGB 29 240 233

HSL 178.01, 0.88%, 0.53%

LAB 86.24, -47.06, -9.93

 

CMYK 0 / 88 / 32 / 6

HEX #F01DA3

RGB 240 29 163

HSL 321.9, 0.88%, 0.53%

LAB 54.08, 81.73, -18.29

 

CMYK 69 / 0 / 88 / 6

HEX #4BF01D

RGB 75 240 29

HSL 106.92, 0.88%, 0.53%

LAB 83.92, -74.75, 77.21

 

CMYK 88 / 68 / 0 / 6

HEX #1D4EF0

RGB 29 78 240

HSL 226.07, 0.88%, 0.53%

LAB 41.22, 45.51, -84.6

 

CMYK 0 / 88 / 68 / 6

HEX #F01D4E

RGB 240 29 78

HSL 346.07, 0.88%, 0.53%

LAB 51.79, 75.35, 29.53

 

CMYK 69 / 0 / 88 / 6

HEX #4BF01D

RGB 75 240 29

HSL 106.92, 0.88%, 0.53%

LAB 83.92, -74.75, 77.21

 

CMYK 88 / 0 / 3 / 6

HEX #1DF0E9

RGB 29 240 233

HSL 178.01, 0.88%, 0.53%

LAB 86.24, -47.06, -9.93

 

CMYK 20 / 88 / 0 / 6

HEX #BF1DF0

RGB 191 29 240

HSL 286.07, 0.88%, 0.53%

LAB 49.79, 83.63, -69.97

 

CMYK 0 / 88 / 85 / 6

HEX #F01D24

RGB 240 29 36

HSL 358.01, 0.88%, 0.53%

LAB 51.3, 73.97, 52.42

 

CMYK 69 / 0 / 88 / 6

HEX #4BF01D

RGB 75 240 29

HSL 106.92, 0.88%, 0.53%

LAB 83.92, -74.75, 77.21

 

CMYK 88 / 23 / 0 / 6

HEX #1DB8F0

RGB 29 184 240

HSL 195.92, 0.88%, 0.53%

LAB 70.06, -18.2, -38.31

 

CMYK 20 / 88 / 0 / 6

HEX #BF1DF0

RGB 191 29 240

HSL 286.07, 0.88%, 0.53%

LAB 49.79, 83.63, -69.97

 

CMYK 0 / 65 / 88 / 6

HEX #F0551D

RGB 240 85 29

HSL 15.92, 0.88%, 0.53%

LAB 57.18, 57.38, 60.07

 

Description

Color code: RGB 75 240 29 | qconv.com Color code: RGB 75 240 29 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 240 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 240 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 88 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 88% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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