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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 212 67 it is the complementary color RGB 180 43 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 212 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 75 212 67 shade: RGB 80 212 62, RGB 97 230 81, RGB 114 248 100, RGB 131 255 119 and RGB 148 255 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 212 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 75 212 67 shade: RGB 75 212 67, RGB 58 194 48, RGB 41 176 29, RGB 24 158 10 and RGB 7 140 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 75 212 67 shade: RGB 75 212 67, RGB 114 212 67, RGB 153 212 67, RGB 192 212 67 and RGB 212 193 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 75 212 67 shade: RGB 75 212 67, RGB 67 212 98, RGB 67 212 137, RGB 67 212 176 and RGB 67 209 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 75 212 67 shade matches the following richer shades: RGB 75 212 67, RGB 59 231 49 and RGB 42 249 30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 75 212 67 shade: RGB 75 212 67, RGB 92 193 86, RGB 108 175 105, RGB 125 156 123 and RGB 142 138 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 75 212 67 shade: RGB 154 212 67, RGB 116 212 67, RGB 77 212 67, RGB 67 212 96 and RGB 67 212 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 75 212 67 shade: RGB 43 161 36, RGB 52 194 44, RGB 75 212 67, RGB 108 220 101 and RGB 140 227 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 75 212 67 shade: RGB 75 212 67, RGB 67 193 212 and RGB 212 67 135

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 75 212 67 shade: RGB 75 212 67, RGB 67 77 212 and RGB 212 67 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 75 212 67 shade: RGB 75 212 67, RGB 67 193 212, RGB 202 67 212 and RGB 212 87 67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 75 212 67 shade: RGB 75 212 67, RGB 67 149 212, RGB 202 67 212 and RGB 212 130 67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 68 / 17

HEX #4BD443

RGB 75 212 67

HSL 116.69, 0.63%, 0.55%

LAB 75.44, -63.62, 58.38

 

Complementary color

CMYK 4 / 77 / 0 / 26

HEX #B42BBC

RGB 180 43 188

HSL 296.69, 0.63%, 0.45%

LAB 45.72, 69.66, -46.82

 

CMYK 62 / 0 / 71 / 17

HEX #50D43E

RGB 80 212 62

HSL 112.8, 0.64%, 0.54%

LAB 75.54, -62.98, 60.41

 

CMYK 58 / 0 / 65 / 10

HEX #61E651

RGB 97 230 81

HSL 113.56, 0.75%, 0.61%

LAB 81.69, -63.68, 59.73

 

CMYK 54 / 0 / 60 / 3

HEX #72F864

RGB 114 248 100

HSL 114.32, 0.91%, 0.68%

LAB 87.79, -64.11, 58.77

 

CMYK 49 / 0 / 53 / 0

HEX #83FF77

RGB 131 255 119

HSL 114.71, 1%, 0.73%

LAB 90.63, -60.21, 53.86

 

CMYK 42 / 0 / 46 / 0

HEX #94FF8A

RGB 148 255 138

HSL 114.87, 1%, 0.77%

LAB 91.53, -53.08, 46.27

 

CMYK 65 / 0 / 68 / 17

HEX #4BD443

RGB 75 212 67

HSL 116.69, 0.63%, 0.55%

LAB 75.44, -63.62, 58.38

 

CMYK 70 / 0 / 75 / 24

HEX #3AC230

RGB 58 194 48

HSL 115.89, 0.6%, 0.47%

LAB 69.25, -62.49, 58.84

 

CMYK 77 / 0 / 84 / 31

HEX #29B01D

RGB 41 176 29

HSL 115.1, 0.72%, 0.4%

LAB 63.02, -60.77, 58.54

 

CMYK 85 / 0 / 94 / 38

HEX #189E0A

RGB 24 158 10

HSL 114.32, 0.88%, 0.33%

LAB 56.75, -58.25, 56.9

 

CMYK 95 / 0 / 100 / 45

HEX #078C00

RGB 7 140 0

HSL 117, 1%, 0.27%

LAB 50.45, -54.68, 53.31

 

CMYK 65 / 0 / 68 / 17

HEX #4BD443

RGB 75 212 67

HSL 116.69, 0.63%, 0.55%

LAB 75.44, -63.62, 58.38

 

CMYK 46 / 0 / 68 / 17

HEX #72D443

RGB 114 212 67

HSL 100.55, 0.63%, 0.55%

LAB 76.72, -53.66, 60.12

 

CMYK 28 / 0 / 68 / 17

HEX #99D443

RGB 153 212 67

HSL 84.41, 0.63%, 0.55%

LAB 78.62, -40.48, 62.67

 

CMYK 9 / 0 / 68 / 17

HEX #C0D443

RGB 192 212 67

HSL 68.28, 0.63%, 0.55%

LAB 81.13, -25.24, 66.03

 

CMYK 0 / 9 / 68 / 17

HEX #D4C143

RGB 212 193 67

HSL 52.14, 0.63%, 0.55%

LAB 77.6, -7.42, 63

 

CMYK 65 / 0 / 68 / 17

HEX #4BD443

RGB 75 212 67

HSL 116.69, 0.63%, 0.55%

LAB 75.44, -63.62, 58.38

 

CMYK 68 / 0 / 54 / 17

HEX #43D462

RGB 67 212 98

HSL 132.83, 0.63%, 0.55%

LAB 75.55, -61.68, 44.99

 

CMYK 68 / 0 / 35 / 17

HEX #43D489

RGB 67 212 137

HSL 148.97, 0.63%, 0.55%

LAB 76.12, -55.24, 26.23

 

CMYK 68 / 0 / 17 / 17

HEX #43D4B0

RGB 67 212 176

HSL 165.1, 0.63%, 0.55%

LAB 76.93, -46.69, 6.73

 

CMYK 68 / 1 / 0 / 17

HEX #43D1D4

RGB 67 209 212

HSL 181.24, 0.63%, 0.55%

LAB 77.01, -35.82, -12.49

 

CMYK 65 / 0 / 68 / 17

HEX #4BD443

RGB 75 212 67

HSL 116.69, 0.63%, 0.55%

LAB 75.44, -63.62, 58.38

 

CMYK 74 / 0 / 79 / 9

HEX #3BE731

RGB 59 231 49

HSL 116.7, 0.79%, 0.55%

LAB 80.91, -73.77, 69.8

 

CMYK 83 / 0 / 88 / 2

HEX #2AF91E

RGB 42 249 30

HSL 116.71, 0.95%, 0.55%

LAB 86.17, -81.81, 78.78

 

CMYK 65 / 0 / 68 / 17

HEX #4BD443

RGB 75 212 67

HSL 116.69, 0.63%, 0.55%

LAB 75.44, -63.62, 58.38

 

CMYK 52 / 0 / 55 / 24

HEX #5CC156

RGB 92 193 86

HSL 116.64, 0.46%, 0.55%

LAB 70.24, -50.66, 44.46

 

CMYK 38 / 0 / 40 / 31

HEX #6CAF69

RGB 108 175 105

HSL 117.43, 0.3%, 0.55%

LAB 65.65, -35.61, 29.35

 

CMYK 20 / 0 / 21 / 39

HEX #7D9C7B

RGB 125 156 123

HSL 116.36, 0.14%, 0.55%

LAB 61.28, -17.42, 13.81

 

CMYK 0 / 3 / 0 / 44

HEX #8E8A8E

RGB 142 138 142

HSL 300, 0.02%, 0.55%

LAB 57.92, 2.26, -1.61

 

CMYK 27 / 0 / 68 / 17

HEX #9AD443

RGB 154 212 67

HSL 84, 0.63%, 0.55%

LAB 78.67, -40.11, 62.75

 

CMYK 45 / 0 / 68 / 17

HEX #74D443

RGB 116 212 67

HSL 99.72, 0.63%, 0.55%

LAB 76.8, -53.05, 60.23

 

CMYK 64 / 0 / 68 / 17

HEX #4DD443

RGB 77 212 67

HSL 115.86, 0.63%, 0.55%

LAB 75.49, -63.2, 58.45

 

CMYK 68 / 0 / 55 / 17

HEX #43D460

RGB 67 212 96

HSL 132, 0.63%, 0.55%

LAB 75.53, -61.95, 45.9

 

CMYK 68 / 0 / 36 / 17

HEX #43D487

RGB 67 212 135

HSL 148.14, 0.63%, 0.55%

LAB 76.09, -55.62, 27.22

 

CMYK 73 / 0 / 78 / 37

HEX #2BA124

RGB 43 161 36

HSL 116.64, 0.63%, 0.39%

LAB 58.16, -55.23, 51.88

 

CMYK 73 / 0 / 77 / 24

HEX #34C22C

RGB 52 194 44

HSL 116.8, 0.63%, 0.47%

LAB 69.11, -63.8, 59.97

 

CMYK 65 / 0 / 68 / 17

HEX #4BD443

RGB 75 212 67

HSL 116.69, 0.63%, 0.55%

LAB 75.44, -63.62, 58.38

 

CMYK 51 / 0 / 54 / 14

HEX #6CDC65

RGB 108 220 101

HSL 116.47, 0.63%, 0.63%

LAB 79.22, -55.06, 48.27

 

CMYK 38 / 0 / 41 / 11

HEX #8CE387

RGB 140 227 135

HSL 116.74, 0.62%, 0.71%

LAB 83.05, -44.14, 36.86

 

CMYK 65 / 0 / 68 / 17

HEX #4BD443

RGB 75 212 67

HSL 116.69, 0.63%, 0.55%

LAB 75.44, -63.62, 58.38

 

CMYK 68 / 9 / 0 / 17

HEX #43C1D4

RGB 67 193 212

HSL 187.86, 0.63%, 0.55%

LAB 72.29, -28.17, -19.61

 

CMYK 0 / 68 / 36 / 17

HEX #D44387

RGB 212 67 135

HSL 331.86, 0.63%, 0.55%

LAB 51.57, 62.07, -5.92

 

CMYK 65 / 0 / 68 / 17

HEX #4BD443

RGB 75 212 67

HSL 116.69, 0.63%, 0.55%

LAB 75.44, -63.62, 58.38

 

CMYK 68 / 64 / 0 / 17

HEX #434DD4

RGB 67 77 212

HSL 235.86, 0.63%, 0.55%

LAB 40.01, 39.49, -70.6

 

CMYK 0 / 68 / 64 / 17

HEX #D4434D

RGB 212 67 77

HSL 355.86, 0.63%, 0.55%

LAB 50.15, 57.16, 26.96

 

CMYK 65 / 0 / 68 / 17

HEX #4BD443

RGB 75 212 67

HSL 116.69, 0.63%, 0.55%

LAB 75.44, -63.62, 58.38

 

CMYK 68 / 9 / 0 / 17

HEX #43C1D4

RGB 67 193 212

HSL 187.86, 0.63%, 0.55%

LAB 72.29, -28.17, -19.61

 

CMYK 5 / 68 / 0 / 17

HEX #CA43D4

RGB 202 67 212

HSL 295.86, 0.63%, 0.55%

LAB 53.3, 70.42, -48.38

 

CMYK 0 / 59 / 68 / 17

HEX #D45743

RGB 212 87 67

HSL 8.28, 0.63%, 0.55%

LAB 53.19, 48.06, 36.43

 

CMYK 65 / 0 / 68 / 17

HEX #4BD443

RGB 75 212 67

HSL 116.69, 0.63%, 0.55%

LAB 75.44, -63.62, 58.38

 

CMYK 68 / 30 / 0 / 17

HEX #4395D4

RGB 67 149 212

HSL 206.07, 0.63%, 0.55%

LAB 59.38, -4.79, -39.52

 

CMYK 5 / 68 / 0 / 17

HEX #CA43D4

RGB 202 67 212

HSL 295.86, 0.63%, 0.55%

LAB 53.3, 70.42, -48.38

 

CMYK 0 / 39 / 68 / 17

HEX #D48243

RGB 212 130 67

HSL 26.07, 0.63%, 0.55%

LAB 61.97, 26.18, 46.46

 

Description

Color code: RGB 75 212 67 | qconv.com Color code: RGB 75 212 67 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 212 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 212 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 68 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 68% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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