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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 204 52 it is the complementary color RGB 180 51 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 204 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 75 204 52 shade: RGB 80 204 47, RGB 97 222 66, RGB 114 240 85, RGB 131 255 104 and RGB 148 255 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 204 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 75 204 52 shade: RGB 75 204 52, RGB 58 186 33, RGB 41 168 14, RGB 24 150 0 and RGB 7 132 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 75 204 52 shade: RGB 74 204 51, RGB 115 204 51, RGB 156 204 51, RGB 197 204 51 and RGB 204 168 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 75 204 52 shade: RGB 74 204 51, RGB 51 204 69, RGB 51 204 110, RGB 51 204 151 and RGB 51 204 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 75 204 52 shade matches the following richer shades: RGB 74 204 51, RGB 59 224 30 and RGB 45 245 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 75 204 52 shade: RGB 74 204 51, RGB 88 183 71, RGB 102 162 92, RGB 117 142 112 and RGB 131 121 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 75 204 52 shade: RGB 158 204 51, RGB 117 204 51, RGB 76 204 51, RGB 51 204 66 and RGB 51 204 107

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 75 204 52 shade: RGB 50 137 34, RGB 62 170 42, RGB 74 204 51, RGB 103 212 84 and RGB 132 220 117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 75 204 52 shade: RGB 75 204 52, RGB 51 198 204 and RGB 204 51 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 75 204 52 shade: RGB 75 204 52, RGB 51 76 204 and RGB 204 51 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 75 204 52 shade: RGB 75 204 52, RGB 51 198 204, RGB 178 51 204 and RGB 204 56 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 75 204 52 shade: RGB 75 204 52, RGB 51 152 204, RGB 178 51 204 and RGB 204 101 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 75 / 20

HEX #4BCC34

RGB 75 204 52

HSL 110.92, 0.6%, 0.5%

LAB 72.85, -62.11, 61.18

 

Complementary color

CMYK 11 / 75 / 0 / 20

HEX #B433CB

RGB 180 51 203

HSL 290.92, 0.6%, 0.5%

LAB 47.47, 69.79, -52.73

 

CMYK 61 / 0 / 77 / 20

HEX #50CC2F

RGB 80 204 47

HSL 107.39, 0.63%, 0.49%

LAB 72.96, -61.31, 62.97

 

CMYK 56 / 0 / 70 / 13

HEX #61DE42

RGB 97 222 66

HSL 108.08, 0.7%, 0.56%

LAB 79.14, -62.14, 62.82

 

CMYK 53 / 0 / 65 / 6

HEX #72F055

RGB 114 240 85

HSL 108.77, 0.84%, 0.64%

LAB 85.28, -62.66, 62.18

 

CMYK 49 / 0 / 59 / 0

HEX #83FF68

RGB 131 255 104

HSL 109.27, 1%, 0.7%

LAB 90.48, -61.85, 60.28

 

CMYK 42 / 0 / 52 / 0

HEX #94FF7B

RGB 148 255 123

HSL 108.64, 1%, 0.74%

LAB 91.35, -54.95, 53.06

 

CMYK 63 / 0 / 75 / 20

HEX #4BCC34

RGB 75 204 52

HSL 110.92, 0.6%, 0.5%

LAB 72.85, -62.11, 61.18

 

CMYK 69 / 0 / 82 / 27

HEX #3ABA21

RGB 58 186 33

HSL 110.2, 0.7%, 0.43%

LAB 66.62, -60.82, 60.9

 

CMYK 76 / 0 / 92 / 34

HEX #29A80E

RGB 41 168 14

HSL 109.48, 0.85%, 0.36%

LAB 60.35, -58.9, 59.41

 

CMYK 84 / 0 / 100 / 41

HEX #189600

RGB 24 150 0

HSL 110.4, 1%, 0.29%

LAB 54.03, -56.14, 56.24

 

CMYK 95 / 0 / 100 / 48

HEX #078400

RGB 7 132 0

HSL 116.82, 1%, 0.26%

LAB 47.69, -52.33, 51.09

 

CMYK 64 / 0 / 75 / 20

HEX #4ACC33

RGB 74 204 51

HSL 110.98, 0.6%, 0.5%

LAB 72.81, -62.39, 61.48

 

CMYK 44 / 0 / 75 / 20

HEX #73CC33

RGB 115 204 51

HSL 94.9, 0.6%, 0.5%

LAB 74.23, -51.33, 63.35

 

CMYK 24 / 0 / 75 / 20

HEX #9CCC33

RGB 156 204 51

HSL 78.82, 0.6%, 0.5%

LAB 76.37, -36.72, 66.15

 

CMYK 3 / 0 / 75 / 20

HEX #C5CC33

RGB 197 204 51

HSL 62.75, 0.6%, 0.5%

LAB 79.21, -20.07, 69.83

 

CMYK 0 / 18 / 75 / 20

HEX #CCA833

RGB 204 168 51

HSL 45.88, 0.6%, 0.5%

LAB 70.23, 1.44, 61.62

 

CMYK 64 / 0 / 75 / 20

HEX #4ACC33

RGB 74 204 51

HSL 110.98, 0.6%, 0.5%

LAB 72.81, -62.39, 61.48

 

CMYK 75 / 0 / 66 / 20

HEX #33CC45

RGB 51 204 69

HSL 127.06, 0.6%, 0.5%

LAB 72.44, -65.04, 54.21

 

CMYK 75 / 0 / 46 / 20

HEX #33CC6E

RGB 51 204 110

HSL 143.14, 0.6%, 0.5%

LAB 72.9, -59.57, 35.77

 

CMYK 75 / 0 / 26 / 20

HEX #33CC97

RGB 51 204 151

HSL 159.22, 0.6%, 0.5%

LAB 73.63, -51.48, 15.37

 

CMYK 75 / 0 / 6 / 20

HEX #33CCC0

RGB 51 204 192

HSL 175.29, 0.6%, 0.5%

LAB 74.63, -41.12, -5.27

 

CMYK 64 / 0 / 75 / 20

HEX #4ACC33

RGB 74 204 51

HSL 110.98, 0.6%, 0.5%

LAB 72.81, -62.39, 61.48

 

CMYK 74 / 0 / 87 / 12

HEX #3BE01E

RGB 59 224 30

HSL 111.03, 0.76%, 0.5%

LAB 78.66, -72.59, 72.36

 

CMYK 82 / 0 / 96 / 4

HEX #2DF509

RGB 45 245 9

HSL 110.85, 0.93%, 0.5%

LAB 84.94, -80.89, 80.33

 

CMYK 64 / 0 / 75 / 20

HEX #4ACC33

RGB 74 204 51

HSL 110.98, 0.6%, 0.5%

LAB 72.81, -62.39, 61.48

 

CMYK 52 / 0 / 61 / 28

HEX #58B747

RGB 88 183 71

HSL 110.89, 0.44%, 0.5%

LAB 66.82, -49.55, 47.38

 

CMYK 37 / 0 / 43 / 36

HEX #66A25C

RGB 102 162 92

HSL 111.43, 0.28%, 0.5%

LAB 61.17, -33.58, 30.36

 

CMYK 18 / 0 / 21 / 44

HEX #758E70

RGB 117 142 112

HSL 110, 0.12%, 0.5%

LAB 56.38, -14.94, 13.1

 

CMYK 2 / 9 / 0 / 48

HEX #837985

RGB 131 121 133

HSL 290, 0.05%, 0.5%

LAB 52.06, 6.17, -5.15

 

CMYK 23 / 0 / 75 / 20

HEX #9ECC33

RGB 158 204 51

HSL 78.04, 0.6%, 0.5%

LAB 76.49, -35.94, 66.31

 

CMYK 43 / 0 / 75 / 20

HEX #75CC33

RGB 117 204 51

HSL 94.12, 0.6%, 0.5%

LAB 74.32, -50.69, 63.47

 

CMYK 63 / 0 / 75 / 20

HEX #4CCC33

RGB 76 204 51

HSL 110.2, 0.6%, 0.5%

LAB 72.87, -61.96, 61.55

 

CMYK 75 / 0 / 68 / 20

HEX #33CC42

RGB 51 204 66

HSL 125.88, 0.6%, 0.5%

LAB 72.42, -65.34, 55.4

 

CMYK 75 / 0 / 48 / 20

HEX #33CC6B

RGB 51 204 107

HSL 141.96, 0.6%, 0.5%

LAB 72.86, -60.06, 37.22

 

CMYK 64 / 0 / 75 / 46

HEX #328922

RGB 50 137 34

HSL 110.68, 0.6%, 0.34%

LAB 50.32, -45.56, 44.86

 

CMYK 64 / 0 / 75 / 33

HEX #3EAA2A

RGB 62 170 42

HSL 110.63, 0.6%, 0.42%

LAB 61.6, -54.01, 53.35

 

CMYK 64 / 0 / 75 / 20

HEX #4ACC33

RGB 74 204 51

HSL 110.98, 0.6%, 0.5%

LAB 72.81, -62.39, 61.48

 

CMYK 51 / 0 / 60 / 17

HEX #67D454

RGB 103 212 84

HSL 111.09, 0.6%, 0.58%

LAB 76.44, -55.26, 52.68

 

CMYK 40 / 0 / 47 / 14

HEX #84DC75

RGB 132 220 117

HSL 111.26, 0.6%, 0.66%

LAB 80.39, -46.1, 42.29

 

CMYK 63 / 0 / 75 / 20

HEX #4BCC34

RGB 75 204 52

HSL 110.92, 0.6%, 0.5%

LAB 72.85, -62.11, 61.18

 

CMYK 75 / 3 / 0 / 20

HEX #33C6CC

RGB 51 198 204

HSL 182.35, 0.6%, 0.5%

LAB 73.19, -34.94, -13.93

 

CMYK 0 / 75 / 33 / 20

HEX #CC3389

RGB 204 51 137

HSL 326.27, 0.6%, 0.5%

LAB 48.27, 65.65, -12.2

 

CMYK 63 / 0 / 75 / 20

HEX #4BCC34

RGB 75 204 52

HSL 110.92, 0.6%, 0.5%

LAB 72.85, -62.11, 61.18

 

CMYK 75 / 63 / 0 / 20

HEX #334CCC

RGB 51 76 204

HSL 230.2, 0.6%, 0.5%

LAB 38.26, 35.43, -68.88

 

CMYK 0 / 75 / 63 / 20

HEX #CC334C

RGB 204 51 76

HSL 350.2, 0.6%, 0.5%

LAB 46.61, 60.37, 22.72

 

CMYK 63 / 0 / 75 / 20

HEX #4BCC34

RGB 75 204 52

HSL 110.92, 0.6%, 0.5%

LAB 72.85, -62.11, 61.18

 

CMYK 75 / 3 / 0 / 20

HEX #33C6CC

RGB 51 198 204

HSL 182.35, 0.6%, 0.5%

LAB 73.19, -34.94, -13.93

 

CMYK 13 / 75 / 0 / 20

HEX #B233CC

RGB 178 51 204

HSL 289.8, 0.6%, 0.5%

LAB 47.23, 69.58, -53.72

 

CMYK 0 / 73 / 75 / 20

HEX #CC3833

RGB 204 56 51

HSL 1.96, 0.6%, 0.5%

LAB 46.85, 57.43, 37.79

 

CMYK 63 / 0 / 75 / 20

HEX #4BCC34

RGB 75 204 52

HSL 110.92, 0.6%, 0.5%

LAB 72.85, -62.11, 61.18

 

CMYK 75 / 25 / 0 / 20

HEX #3398CC

RGB 51 152 204

HSL 200.39, 0.6%, 0.5%

LAB 59.45, -11.44, -34.96

 

CMYK 13 / 75 / 0 / 20

HEX #B233CC

RGB 178 51 204

HSL 289.8, 0.6%, 0.5%

LAB 47.23, 69.58, -53.72

 

CMYK 0 / 50 / 75 / 20

HEX #CC6533

RGB 204 101 51

HSL 19.61, 0.6%, 0.5%

LAB 54.43, 37.43, 45.91

 

Description

Color code: RGB 75 204 52 | qconv.com Color code: RGB 75 204 52 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 204 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 204 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 75 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 75% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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