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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 203 26 it is the complementary color RGB 180 52 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 203 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 75 203 26 shade: RGB 80 203 21, RGB 97 221 40, RGB 114 239 59, RGB 131 255 78 and RGB 148 255 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 203 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 75 203 26 shade: RGB 75 203 26, RGB 58 185 7, RGB 41 167 0, RGB 24 149 0 and RGB 7 131 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 75 203 26 shade: RGB 75 203 26, RGB 122 203 26, RGB 170 203 26, RGB 203 187 26 and RGB 203 140 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 75 203 26 shade: RGB 75 203 26, RGB 27 203 26, RGB 26 203 72, RGB 26 203 120 and RGB 26 203 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 75 203 26 shade matches the following richer shades: RGB 75 203 26 and RGB 67 221 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 75 203 26 shade: RGB 75 203 26, RGB 83 184 44, RGB 91 165 63, RGB 100 147 82 and RGB 108 128 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 75 203 26 shade: RGB 170 203 26, RGB 123 203 26, RGB 76 203 26, RGB 29 203 26 and RGB 26 203 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 75 203 26 shade: RGB 48 130 16, RGB 61 166 21, RGB 75 203 26, RGB 94 227 43 and RGB 121 232 79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 75 203 26 shade: RGB 75 203 26, RGB 26 203 188 and RGB 203 26 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 75 203 26 shade: RGB 75 203 26, RGB 26 76 203 and RGB 203 26 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 75 203 26 shade: RGB 75 203 26, RGB 26 203 188, RGB 153 26 203 and RGB 203 26 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 75 203 26 shade: RGB 75 203 26, RGB 26 164 203, RGB 153 26 203 and RGB 203 64 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 87 / 20

HEX #4BCB1A

RGB 75 203 26

HSL 103.39, 0.77%, 0.45%

LAB 72.42, -63.14, 67.86

 

Complementary color

CMYK 21 / 77 / 0 / 10

HEX #B434E5

RGB 180 52 229

HSL 283.39, 0.77%, 0.55%

LAB 49.27, 74.26, -64.69

 

CMYK 61 / 0 / 90 / 20

HEX #50CB15

RGB 80 203 21

HSL 100.55, 0.81%, 0.44%

LAB 72.54, -62.15, 68.94

 

CMYK 56 / 0 / 82 / 13

HEX #61DD28

RGB 97 221 40

HSL 101.1, 0.73%, 0.51%

LAB 78.7, -63.39, 70.5

 

CMYK 52 / 0 / 75 / 6

HEX #72EF3B

RGB 114 239 59

HSL 101.67, 0.85%, 0.58%

LAB 84.81, -64.25, 71.04

 

CMYK 49 / 0 / 69 / 0

HEX #83FF4E

RGB 131 255 78

HSL 102.03, 1%, 0.65%

LAB 90.27, -64.11, 70.3

 

CMYK 42 / 0 / 62 / 0

HEX #94FF61

RGB 148 255 97

HSL 100.63, 1%, 0.69%

LAB 91.09, -57.61, 64.07

 

CMYK 63 / 0 / 87 / 20

HEX #4BCB1A

RGB 75 203 26

HSL 103.39, 0.77%, 0.45%

LAB 72.42, -63.14, 67.86

 

CMYK 69 / 0 / 96 / 27

HEX #3AB907

RGB 58 185 7

HSL 102.81, 0.93%, 0.38%

LAB 66.22, -61.38, 65.38

 

CMYK 75 / 0 / 100 / 35

HEX #29A700

RGB 41 167 0

HSL 105.27, 1%, 0.33%

LAB 59.99, -58.94, 61.11

 

CMYK 84 / 0 / 100 / 42

HEX #189500

RGB 24 149 0

HSL 110.34, 1%, 0.29%

LAB 53.7, -55.84, 55.97

 

CMYK 95 / 0 / 100 / 49

HEX #078300

RGB 7 131 0

HSL 116.79, 1%, 0.26%

LAB 47.34, -52.03, 50.81

 

CMYK 63 / 0 / 87 / 20

HEX #4BCB1A

RGB 75 203 26

HSL 103.39, 0.77%, 0.45%

LAB 72.42, -63.14, 67.86

 

CMYK 40 / 0 / 87 / 20

HEX #7ACB1A

RGB 122 203 26

HSL 87.46, 0.77%, 0.45%

LAB 74.14, -49.75, 70.02

 

CMYK 16 / 0 / 87 / 20

HEX #AACB1A

RGB 170 203 26

HSL 71.19, 0.77%, 0.45%

LAB 76.88, -31.62, 73.42

 

CMYK 0 / 8 / 87 / 20

HEX #CBBB1A

RGB 203 187 26

HSL 54.58, 0.77%, 0.45%

LAB 75.02, -9.73, 72.96

 

CMYK 0 / 31 / 87 / 20

HEX #CB8C1A

RGB 203 140 26

HSL 38.64, 0.77%, 0.45%

LAB 62.95, 15.3, 63.28

 

CMYK 63 / 0 / 87 / 20

HEX #4BCB1A

RGB 75 203 26

HSL 103.39, 0.77%, 0.45%

LAB 72.42, -63.14, 67.86

 

CMYK 87 / 0 / 87 / 20

HEX #1BCB1A

RGB 27 203 26

HSL 119.66, 0.77%, 0.45%

LAB 71.57, -70.48, 66.79

 

CMYK 87 / 0 / 65 / 20

HEX #1ACB48

RGB 26 203 72

HSL 135.59, 0.77%, 0.45%

LAB 71.83, -67.2, 52.19

 

CMYK 87 / 0 / 41 / 20

HEX #1ACB78

RGB 26 203 120

HSL 151.86, 0.77%, 0.45%

LAB 72.42, -60.03, 30

 

CMYK 87 / 0 / 17 / 20

HEX #1ACBA8

RGB 26 203 168

HSL 168.14, 0.77%, 0.45%

LAB 73.39, -49.27, 5.86

 

CMYK 63 / 0 / 87 / 20

HEX #4BCB1A

RGB 75 203 26

HSL 103.39, 0.77%, 0.45%

LAB 72.42, -63.14, 67.86

 

CMYK 70 / 0 / 97 / 13

HEX #43DD07

RGB 67 221 7

HSL 103.18, 0.94%, 0.45%

LAB 77.83, -70.91, 74.88

 

CMYK 63 / 0 / 87 / 20

HEX #4BCB1A

RGB 75 203 26

HSL 103.39, 0.77%, 0.45%

LAB 72.42, -63.14, 67.86

 

CMYK 55 / 0 / 76 / 28

HEX #53B82C

RGB 83 184 44

HSL 103.29, 0.61%, 0.45%

LAB 66.75, -53.63, 57.96

 

CMYK 45 / 0 / 62 / 35

HEX #5BA53F

RGB 91 165 63

HSL 103.53, 0.45%, 0.45%

LAB 61.21, -42.19, 44.7

 

CMYK 32 / 0 / 44 / 42

HEX #649352

RGB 100 147 82

HSL 103.38, 0.28%, 0.45%

LAB 56.27, -28.64, 29.41

 

CMYK 16 / 0 / 22 / 50

HEX #6C8064

RGB 108 128 100

HSL 102.86, 0.12%, 0.45%

LAB 51.32, -12.93, 12.83

 

CMYK 16 / 0 / 87 / 20

HEX #AACB1A

RGB 170 203 26

HSL 71.19, 0.77%, 0.45%

LAB 76.88, -31.62, 73.42

 

CMYK 39 / 0 / 87 / 20

HEX #7BCB1A

RGB 123 203 26

HSL 87.12, 0.77%, 0.45%

LAB 74.19, -49.41, 70.08

 

CMYK 63 / 0 / 87 / 20

HEX #4CCB1A

RGB 76 203 26

HSL 103.05, 0.77%, 0.45%

LAB 72.44, -62.92, 67.89

 

CMYK 86 / 0 / 87 / 20

HEX #1DCB1A

RGB 29 203 26

HSL 118.98, 0.77%, 0.45%

LAB 71.59, -70.31, 66.81

 

CMYK 87 / 0 / 66 / 20

HEX #1ACB46

RGB 26 203 70

HSL 134.92, 0.77%, 0.45%

LAB 71.81, -67.41, 53.01

 

CMYK 63 / 0 / 88 / 49

HEX #308210

RGB 48 130 16

HSL 103.16, 0.78%, 0.29%

LAB 47.79, -44.6, 48.2

 

CMYK 63 / 0 / 87 / 35

HEX #3DA615

RGB 61 166 21

HSL 103.45, 0.78%, 0.37%

LAB 60.18, -54.03, 58.09

 

CMYK 63 / 0 / 87 / 20

HEX #4BCB1A

RGB 75 203 26

HSL 103.39, 0.77%, 0.45%

LAB 72.42, -63.14, 67.86

 

CMYK 59 / 0 / 81 / 11

HEX #5EE32B

RGB 94 227 43

HSL 103.37, 0.77%, 0.53%

LAB 80.46, -66.04, 71.3

 

CMYK 48 / 0 / 66 / 9

HEX #79E84F

RGB 121 232 79

HSL 103.53, 0.77%, 0.61%

LAB 83.1, -58.3, 62.28

 

CMYK 63 / 0 / 87 / 20

HEX #4BCB1A

RGB 75 203 26

HSL 103.39, 0.77%, 0.45%

LAB 72.42, -63.14, 67.86

 

CMYK 87 / 0 / 7 / 20

HEX #1ACBBC

RGB 26 203 188

HSL 174.92, 0.77%, 0.45%

LAB 73.91, -43.89, -4.21

 

CMYK 0 / 87 / 28 / 20

HEX #CB1A93

RGB 203 26 147

HSL 318.98, 0.77%, 0.45%

LAB 46.37, 72.6, -21.16

 

CMYK 63 / 0 / 87 / 20

HEX #4BCB1A

RGB 75 203 26

HSL 103.39, 0.77%, 0.45%

LAB 72.42, -63.14, 67.86

 

CMYK 87 / 63 / 0 / 20

HEX #1A4CCB

RGB 26 76 203

HSL 223.05, 0.77%, 0.45%

LAB 37.3, 32.99, -69.9

 

CMYK 0 / 87 / 63 / 20

HEX #CB1A4C

RGB 203 26 76

HSL 343.05, 0.77%, 0.45%

LAB 44.17, 66.47, 19.47

 

CMYK 63 / 0 / 87 / 20

HEX #4BCB1A

RGB 75 203 26

HSL 103.39, 0.77%, 0.45%

LAB 72.42, -63.14, 67.86

 

CMYK 87 / 0 / 7 / 20

HEX #1ACBBC

RGB 26 203 188

HSL 174.92, 0.77%, 0.45%

LAB 73.91, -43.89, -4.21

 

CMYK 25 / 87 / 0 / 20

HEX #991ACB

RGB 153 26 203

HSL 283.05, 0.77%, 0.45%

LAB 40.93, 71.88, -63.5

 

CMYK 0 / 87 / 80 / 20

HEX #CB1A29

RGB 203 26 41

HSL 354.92, 0.77%, 0.45%

LAB 43.65, 64.95, 39.96

 

CMYK 63 / 0 / 87 / 20

HEX #4BCB1A

RGB 75 203 26

HSL 103.39, 0.77%, 0.45%

LAB 72.42, -63.14, 67.86

 

CMYK 87 / 19 / 0 / 20

HEX #1AA4CB

RGB 26 164 203

HSL 193.22, 0.77%, 0.45%

LAB 62.58, -20.57, -29.58

 

CMYK 25 / 87 / 0 / 20

HEX #991ACB

RGB 153 26 203

HSL 283.05, 0.77%, 0.45%

LAB 40.93, 71.88, -63.5

 

CMYK 0 / 68 / 87 / 20

HEX #CB401A

RGB 203 64 26

HSL 12.88, 0.77%, 0.45%

LAB 47.54, 53.36, 50.91

 

Description

Color code: RGB 75 203 26 | qconv.com Color code: RGB 75 203 26 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 203 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 203 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 87 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 87% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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