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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 199 159 it is the complementary color RGB 180 56 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 199 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 75 199 159 shade: RGB 80 199 154, RGB 97 217 173, RGB 114 235 192, RGB 131 253 211 and RGB 148 255 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 199 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 75 199 159 shade: RGB 75 199 159, RGB 58 181 140, RGB 41 163 121, RGB 24 145 102 and RGB 7 127 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 75 199 159 shade: RGB 75 199 159, RGB 75 199 126, RGB 75 199 92, RGB 91 199 75 and RGB 125 199 75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 75 199 159 shade: RGB 75 199 159, RGB 75 199 193, RGB 75 172 199, RGB 75 139 199 and RGB 75 105 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 75 199 159 shade matches the following richer shades: RGB 75 199 159, RGB 56 218 166 and RGB 37 237 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 75 199 159 shade: RGB 75 199 159, RGB 94 180 153, RGB 113 161 146, RGB 132 142 139 and RGB 151 123 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 75 199 159 shade: RGB 75 199 92, RGB 75 199 125, RGB 75 199 158, RGB 75 199 191 and RGB 75 175 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 75 199 159 shade: RGB 45 147 114, RGB 55 179 139, RGB 75 199 159, RGB 107 209 176 and RGB 138 219 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 75 199 159 shade: RGB 75 199 159, RGB 75 92 199 and RGB 199 108 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 75 199 159 shade: RGB 75 199 159, RGB 158 75 199 and RGB 199 158 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 75 199 159 shade: RGB 75 199 159, RGB 75 92 199, RGB 199 75 116 and RGB 199 183 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 75 199 159 shade: RGB 75 199 159, RGB 96 75 199, RGB 199 75 116 and RGB 179 199 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 20 / 22

HEX #4BC79F

RGB 75 199 159

HSL 160.65, 0.53%, 0.54%

LAB 72.79, -43.87, 9.97

 

Complementary color

CMYK 0 / 69 / 47 / 29

HEX #B43860

RGB 180 56 96

HSL 340.65, 0.53%, 0.46%

LAB 43.32, 52.9, 5.16

 

CMYK 60 / 0 / 23 / 22

HEX #50C79A

RGB 80 199 154

HSL 157.31, 0.52%, 0.55%

LAB 72.82, -44.05, 12.72

 

CMYK 55 / 0 / 20 / 15

HEX #61D9AD

RGB 97 217 173

HSL 158, 0.61%, 0.62%

LAB 79.15, -44.1, 11.6

 

CMYK 51 / 0 / 18 / 8

HEX #72EBC0

RGB 114 235 192

HSL 158.68, 0.75%, 0.68%

LAB 85.4, -44.06, 10.56

 

CMYK 48 / 0 / 17 / 1

HEX #83FDD3

RGB 131 253 211

HSL 159.34, 0.97%, 0.75%

LAB 91.59, -43.96, 9.6

 

CMYK 42 / 0 / 10 / 0

HEX #94FFE6

RGB 148 255 230

HSL 165.98, 1%, 0.79%

LAB 93.25, -36.66, 2.27

 

CMYK 62 / 0 / 20 / 22

HEX #4BC79F

RGB 75 199 159

HSL 160.65, 0.53%, 0.54%

LAB 72.79, -43.87, 9.97

 

CMYK 68 / 0 / 23 / 29

HEX #3AB58C

RGB 58 181 140

HSL 160, 0.51%, 0.47%

LAB 66.4, -43.58, 11.18

 

CMYK 75 / 0 / 26 / 36

HEX #29A379

RGB 41 163 121

HSL 159.34, 0.6%, 0.4%

LAB 59.93, -43.04, 12.53

 

CMYK 83 / 0 / 30 / 43

HEX #189166

RGB 24 145 102

HSL 158.68, 0.72%, 0.33%

LAB 53.39, -42.14, 14.05

 

CMYK 94 / 0 / 35 / 50

HEX #077F53

RGB 7 127 83

HSL 158, 0.9%, 0.26%

LAB 46.78, -40.69, 15.78

 

CMYK 62 / 0 / 20 / 22

HEX #4BC79F

RGB 75 199 159

HSL 160.65, 0.53%, 0.54%

LAB 72.79, -43.87, 9.97

 

CMYK 62 / 0 / 37 / 22

HEX #4BC77E

RGB 75 199 126

HSL 144.68, 0.53%, 0.54%

LAB 72.13, -50.81, 26.64

 

CMYK 62 / 0 / 54 / 22

HEX #4BC75C

RGB 75 199 92

HSL 128.23, 0.53%, 0.54%

LAB 71.63, -56.28, 43.15

 

CMYK 54 / 0 / 62 / 22

HEX #5BC74B

RGB 91 199 75

HSL 112.26, 0.53%, 0.54%

LAB 71.95, -54.47, 51.42

 

CMYK 37 / 0 / 62 / 22

HEX #7DC74B

RGB 125 199 75

HSL 95.81, 0.53%, 0.54%

LAB 73.36, -44.17, 53.39

 

CMYK 62 / 0 / 20 / 22

HEX #4BC79F

RGB 75 199 159

HSL 160.65, 0.53%, 0.54%

LAB 72.79, -43.87, 9.97

 

CMYK 62 / 0 / 3 / 22

HEX #4BC7C1

RGB 75 199 193

HSL 177.1, 0.53%, 0.54%

LAB 73.67, -35.26, -7.18

 

CMYK 62 / 14 / 0 / 22

HEX #4BACC7

RGB 75 172 199

HSL 193.06, 0.53%, 0.54%

LAB 65.85, -20.24, -22.25

 

CMYK 62 / 30 / 0 / 22

HEX #4B8BC7

RGB 75 139 199

HSL 209.03, 0.53%, 0.54%

LAB 56.17, -2.05, -37.22

 

CMYK 62 / 47 / 0 / 22

HEX #4B69C7

RGB 75 105 199

HSL 225.48, 0.53%, 0.54%

LAB 46.61, 18.65, -52.4

 

CMYK 62 / 0 / 20 / 22

HEX #4BC79F

RGB 75 199 159

HSL 160.65, 0.53%, 0.54%

LAB 72.79, -43.87, 9.97

 

CMYK 74 / 0 / 24 / 15

HEX #38DAA6

RGB 56 218 166

HSL 160.74, 0.69%, 0.54%

LAB 78.31, -53.01, 13.98

 

CMYK 84 / 0 / 27 / 7

HEX #25EDAD

RGB 37 237 173

HSL 160.8, 0.85%, 0.54%

LAB 83.95, -60.6, 18.19

 

CMYK 62 / 0 / 20 / 22

HEX #4BC79F

RGB 75 199 159

HSL 160.65, 0.53%, 0.54%

LAB 72.79, -43.87, 9.97

 

CMYK 48 / 0 / 15 / 29

HEX #5EB499

RGB 94 180 153

HSL 161.16, 0.36%, 0.54%

LAB 67.52, -32.58, 5.78

 

CMYK 30 / 0 / 9 / 37

HEX #71A192

RGB 113 161 146

HSL 161.25, 0.2%, 0.54%

LAB 62.57, -19.41, 2.65

 

CMYK 7 / 0 / 2 / 44

HEX #848E8B

RGB 132 142 139

HSL 162, 0.04%, 0.54%

LAB 58.15, -4.23, 0.34

 

CMYK 0 / 19 / 13 / 41

HEX #977B84

RGB 151 123 132

HSL 340.71, 0.12%, 0.54%

LAB 54.46, 12.37, -0.8

 

CMYK 62 / 0 / 54 / 22

HEX #4BC75C

RGB 75 199 92

HSL 128.23, 0.53%, 0.54%

LAB 71.63, -56.28, 43.15

 

CMYK 62 / 0 / 37 / 22

HEX #4BC77D

RGB 75 199 125

HSL 144.19, 0.53%, 0.54%

LAB 72.11, -50.99, 27.14

 

CMYK 62 / 0 / 21 / 22

HEX #4BC79E

RGB 75 199 158

HSL 160.16, 0.53%, 0.54%

LAB 72.77, -44.1, 10.48

 

CMYK 62 / 0 / 4 / 22

HEX #4BC7BF

RGB 75 199 191

HSL 176.13, 0.53%, 0.54%

LAB 73.61, -35.81, -6.18

 

CMYK 62 / 12 / 0 / 22

HEX #4BAFC7

RGB 75 175 199

HSL 191.61, 0.53%, 0.54%

LAB 66.73, -21.79, -20.9

 

CMYK 69 / 0 / 22 / 42

HEX #2D9372

RGB 45 147 114

HSL 160.59, 0.53%, 0.38%

LAB 54.7, -37.25, 9.12

 

CMYK 69 / 0 / 22 / 30

HEX #37B38B

RGB 55 179 139

HSL 160.65, 0.53%, 0.46%

LAB 65.68, -43.44, 10.71

 

CMYK 62 / 0 / 20 / 22

HEX #4BC79F

RGB 75 199 159

HSL 160.65, 0.53%, 0.54%

LAB 72.79, -43.87, 9.97

 

CMYK 49 / 0 / 16 / 18

HEX #6BD1B0

RGB 107 209 176

HSL 160.59, 0.53%, 0.62%

LAB 77.2, -37.62, 7.26

 

CMYK 37 / 0 / 12 / 14

HEX #8ADBC1

RGB 138 219 193

HSL 160.74, 0.53%, 0.7%

LAB 81.79, -30.56, 4.98

 

CMYK 62 / 0 / 20 / 22

HEX #4BC79F

RGB 75 199 159

HSL 160.65, 0.53%, 0.54%

LAB 72.79, -43.87, 9.97

 

CMYK 62 / 54 / 0 / 22

HEX #4B5CC7

RGB 75 92 199

HSL 231.77, 0.53%, 0.54%

LAB 43.17, 26.87, -57.93

 

CMYK 0 / 46 / 62 / 22

HEX #C76C4B

RGB 199 108 75

HSL 15.97, 0.53%, 0.54%

LAB 55.46, 33.13, 34.26

 

CMYK 62 / 0 / 20 / 22

HEX #4BC79F

RGB 75 199 159

HSL 160.65, 0.53%, 0.54%

LAB 72.79, -43.87, 9.97

 

CMYK 21 / 62 / 0 / 22

HEX #9E4BC7

RGB 158 75 199

HSL 280.16, 0.53%, 0.54%

LAB 47.53, 54.56, -50.51

 

CMYK 0 / 21 / 62 / 22

HEX #C79E4B

RGB 199 158 75

HSL 40.16, 0.53%, 0.54%

LAB 67.35, 5.96, 48.19

 

CMYK 62 / 0 / 20 / 22

HEX #4BC79F

RGB 75 199 159

HSL 160.65, 0.53%, 0.54%

LAB 72.79, -43.87, 9.97

 

CMYK 62 / 54 / 0 / 22

HEX #4B5CC7

RGB 75 92 199

HSL 231.77, 0.53%, 0.54%

LAB 43.17, 26.87, -57.93

 

CMYK 0 / 62 / 42 / 22

HEX #C74B74

RGB 199 75 116

HSL 340.16, 0.53%, 0.54%

LAB 50.02, 52.89, 2.97

 

CMYK 0 / 8 / 62 / 22

HEX #C7B74B

RGB 199 183 75

HSL 52.26, 0.53%, 0.54%

LAB 73.88, -7.31, 55.4

 

CMYK 62 / 0 / 20 / 22

HEX #4BC79F

RGB 75 199 159

HSL 160.65, 0.53%, 0.54%

LAB 72.79, -43.87, 9.97

 

CMYK 52 / 62 / 0 / 22

HEX #604BC7

RGB 96 75 199

HSL 250.16, 0.53%, 0.54%

LAB 40.64, 41.1, -61.96

 

CMYK 0 / 62 / 42 / 22

HEX #C74B74

RGB 199 75 116

HSL 340.16, 0.53%, 0.54%

LAB 50.02, 52.89, 2.97

 

CMYK 10 / 0 / 62 / 22

HEX #B3C74B

RGB 179 199 75

HSL 69.68, 0.53%, 0.54%

LAB 76.64, -23.74, 57.91

 

Description

Color code: RGB 75 199 159 | qconv.com Color code: RGB 75 199 159 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 199 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 199 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 20 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 20% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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