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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 174 160 it is the complementary color RGB 180 81 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 174 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 75 174 160 shade: RGB 80 174 155, RGB 97 192 174, RGB 114 210 193, RGB 131 228 212 and RGB 148 246 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 174 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 75 174 160 shade: RGB 75 174 160, RGB 58 156 141, RGB 41 138 122, RGB 24 120 103 and RGB 7 102 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 75 174 160 shade: RGB 74 174 160, RGB 74 174 133, RGB 74 174 106, RGB 74 174 79 and RGB 96 174 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 75 174 160 shade: RGB 74 174 160, RGB 74 162 174, RGB 74 135 174, RGB 74 108 174 and RGB 74 81 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 75 174 160 shade matches the following richer shades: RGB 74 174 160, RGB 54 195 175, RGB 34 215 189 and RGB 14 235 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 75 174 160 shade: RGB 74 174 160, RGB 95 154 146, RGB 115 134 131, RGB 135 114 117 and RGB 155 94 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 75 174 160 shade: RGB 74 174 106, RGB 74 174 133, RGB 74 174 159, RGB 74 163 174 and RGB 74 136 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 75 174 160 shade: RGB 50 117 107, RGB 62 146 134, RGB 74 174 160, RGB 101 189 176 and RGB 130 201 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 75 174 160 shade: RGB 75 174 160, RGB 79 74 174 and RGB 174 119 74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 75 174 160 shade: RGB 75 174 160, RGB 159 74 174 and RGB 174 159 74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 75 174 160 shade: RGB 75 174 160, RGB 79 74 174, RGB 174 74 89 and RGB 169 174 74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 75 174 160 shade: RGB 75 174 160, RGB 109 74 174, RGB 174 74 89 and RGB 139 174 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 8 / 32

HEX #4BAEA0

RGB 75 174 160

HSL 171.52, 0.4%, 0.49%

LAB 65.2, -32.32, -1.53

 

Complementary color

CMYK 0 / 55 / 47 / 29

HEX #B4515F

RGB 180 81 95

HSL 351.52, 0.4%, 0.51%

LAB 47.51, 41.52, 11.69

 

CMYK 54 / 0 / 11 / 32

HEX #50AE9B

RGB 80 174 155

HSL 167.87, 0.37%, 0.5%

LAB 65.23, -32.55, 1.31

 

CMYK 49 / 0 / 9 / 25

HEX #61C0AE

RGB 97 192 174

HSL 168.63, 0.43%, 0.57%

LAB 71.76, -32.54, 0.43

 

CMYK 46 / 0 / 8 / 18

HEX #72D2C1

RGB 114 210 193

HSL 169.38, 0.52%, 0.64%

LAB 78.18, -32.48, -0.39

 

CMYK 43 / 0 / 7 / 11

HEX #83E4D4

RGB 131 228 212

HSL 170.1, 0.64%, 0.7%

LAB 84.52, -32.38, -1.15

 

CMYK 40 / 0 / 6 / 4

HEX #94F6E7

RGB 148 246 231

HSL 170.82, 0.84%, 0.77%

LAB 90.77, -32.27, -1.87

 

CMYK 57 / 0 / 8 / 32

HEX #4BAEA0

RGB 75 174 160

HSL 171.52, 0.4%, 0.49%

LAB 65.2, -32.32, -1.53

 

CMYK 63 / 0 / 10 / 39

HEX #3A9C8D

RGB 58 156 141

HSL 170.82, 0.46%, 0.42%

LAB 58.6, -32.1, -0.59

 

CMYK 70 / 0 / 12 / 46

HEX #298A7A

RGB 41 138 122

HSL 170.1, 0.54%, 0.35%

LAB 51.9, -31.68, 0.47

 

CMYK 80 / 0 / 14 / 53

HEX #187867

RGB 24 120 103

HSL 169.38, 0.67%, 0.28%

LAB 45.09, -30.94, 1.69

 

CMYK 93 / 0 / 18 / 60

HEX #076654

RGB 7 102 84

HSL 168.63, 0.87%, 0.21%

LAB 38.18, -29.69, 3.13

 

CMYK 57 / 0 / 8 / 32

HEX #4AAEA0

RGB 74 174 160

HSL 171.6, 0.4%, 0.49%

LAB 65.17, -32.52, -1.58

 

CMYK 57 / 0 / 24 / 32

HEX #4AAE85

RGB 74 174 133

HSL 155.4, 0.4%, 0.49%

LAB 64.5, -39.09, 12.42

 

CMYK 57 / 0 / 39 / 32

HEX #4AAE6A

RGB 74 174 106

HSL 139.2, 0.4%, 0.49%

LAB 63.97, -44.56, 26.36

 

CMYK 57 / 0 / 55 / 32

HEX #4AAE4F

RGB 74 174 79

HSL 123, 0.4%, 0.49%

LAB 63.58, -48.79, 39.73

 

CMYK 45 / 0 / 57 / 32

HEX #60AE4A

RGB 96 174 74

HSL 106.8, 0.4%, 0.49%

LAB 64.37, -43.19, 43.26

 

CMYK 57 / 0 / 8 / 32

HEX #4AAEA0

RGB 74 174 160

HSL 171.6, 0.4%, 0.49%

LAB 65.17, -32.52, -1.58

 

CMYK 57 / 7 / 0 / 32

HEX #4AA2AE

RGB 74 162 174

HSL 187.2, 0.4%, 0.49%

LAB 61.96, -22.72, -14.2

 

CMYK 57 / 22 / 0 / 32

HEX #4A87AE

RGB 74 135 174

HSL 203.4, 0.4%, 0.49%

LAB 53.86, -8.1, -26.58

 

CMYK 57 / 38 / 0 / 32

HEX #4A6CAE

RGB 74 108 174

HSL 219.6, 0.4%, 0.49%

LAB 45.96, 8.02, -38.94

 

CMYK 57 / 53 / 0 / 32

HEX #4A51AE

RGB 74 81 174

HSL 235.8, 0.4%, 0.49%

LAB 38.55, 25.16, -50.78

 

CMYK 57 / 0 / 8 / 32

HEX #4AAEA0

RGB 74 174 160

HSL 171.6, 0.4%, 0.49%

LAB 65.17, -32.52, -1.58

 

CMYK 72 / 0 / 10 / 24

HEX #36C3AF

RGB 54 195 175

HSL 171.49, 0.57%, 0.49%

LAB 71.49, -41.4, -0.65

 

CMYK 84 / 0 / 12 / 16

HEX #22D7BD

RGB 34 215 189

HSL 171.38, 0.73%, 0.49%

LAB 77.65, -48.21, 0.74

 

CMYK 94 / 0 / 13 / 8

HEX #0EEBCC

RGB 14 235 204

HSL 171.58, 0.89%, 0.49%

LAB 83.9, -53.45, 1.87

 

CMYK 57 / 0 / 8 / 32

HEX #4AAEA0

RGB 74 174 160

HSL 171.6, 0.4%, 0.49%

LAB 65.17, -32.52, -1.58

 

CMYK 38 / 0 / 5 / 40

HEX #5F9A92

RGB 95 154 146

HSL 171.86, 0.24%, 0.49%

LAB 59.54, -21.14, -1.88

 

CMYK 14 / 0 / 2 / 47

HEX #738683

RGB 115 134 131

HSL 170.53, 0.08%, 0.49%

LAB 54.38, -7.5, -0.71

 

CMYK 0 / 16 / 13 / 47

HEX #877275

RGB 135 114 117

HSL 351.43, 0.08%, 0.49%

LAB 50.06, 8.73, 1.39

 

CMYK 0 / 39 / 34 / 39

HEX #9B5E66

RGB 155 94 102

HSL 352.13, 0.24%, 0.49%

LAB 46.89, 25.93, 6.07

 

CMYK 57 / 0 / 39 / 32

HEX #4AAE6A

RGB 74 174 106

HSL 139.2, 0.4%, 0.49%

LAB 63.97, -44.56, 26.36

 

CMYK 57 / 0 / 24 / 32

HEX #4AAE85

RGB 74 174 133

HSL 155.4, 0.4%, 0.49%

LAB 64.5, -39.09, 12.42

 

CMYK 57 / 0 / 9 / 32

HEX #4AAE9F

RGB 74 174 159

HSL 171, 0.4%, 0.49%

LAB 65.15, -32.78, -1.07

 

CMYK 57 / 6 / 0 / 32

HEX #4AA3AE

RGB 74 163 174

HSL 186.6, 0.4%, 0.49%

LAB 62.26, -23.23, -13.75

 

CMYK 57 / 22 / 0 / 32

HEX #4A88AE

RGB 74 136 174

HSL 202.8, 0.4%, 0.49%

LAB 54.15, -8.67, -26.12

 

CMYK 57 / 0 / 9 / 54

HEX #32756B

RGB 50 117 107

HSL 171.04, 0.4%, 0.33%

LAB 44.89, -23.84, -0.9

 

CMYK 58 / 0 / 8 / 43

HEX #3E9286

RGB 62 146 134

HSL 171.43, 0.4%, 0.41%

LAB 55.38, -28.38, -1.29

 

CMYK 57 / 0 / 8 / 32

HEX #4AAEA0

RGB 74 174 160

HSL 171.6, 0.4%, 0.49%

LAB 65.17, -32.52, -1.58

 

CMYK 47 / 0 / 7 / 26

HEX #65BDB0

RGB 101 189 176

HSL 171.14, 0.4%, 0.57%

LAB 71.07, -29.67, -1.64

 

CMYK 35 / 0 / 5 / 21

HEX #82C9BF

RGB 130 201 191

HSL 171.55, 0.4%, 0.65%

LAB 76.24, -24.48, -2.07

 

CMYK 57 / 0 / 8 / 32

HEX #4BAEA0

RGB 75 174 160

HSL 171.52, 0.4%, 0.49%

LAB 65.2, -32.32, -1.53

 

CMYK 55 / 57 / 0 / 32

HEX #4F4AAE

RGB 79 74 174

HSL 243, 0.4%, 0.49%

LAB 37.14, 30.6, -53.03

 

CMYK 0 / 32 / 57 / 32

HEX #AE774A

RGB 174 119 74

HSL 27, 0.4%, 0.49%

LAB 54.75, 16.64, 33.2

 

CMYK 57 / 0 / 8 / 32

HEX #4BAEA0

RGB 75 174 160

HSL 171.52, 0.4%, 0.49%

LAB 65.2, -32.32, -1.53

 

CMYK 9 / 57 / 0 / 32

HEX #9F4AAE

RGB 159 74 174

HSL 291, 0.4%, 0.49%

LAB 46.08, 50.15, -38.23

 

CMYK 0 / 9 / 57 / 32

HEX #AE9F4A

RGB 174 159 74

HSL 51, 0.4%, 0.49%

LAB 65.19, -5.46, 45.56

 

CMYK 57 / 0 / 8 / 32

HEX #4BAEA0

RGB 75 174 160

HSL 171.52, 0.4%, 0.49%

LAB 65.2, -32.32, -1.53

 

CMYK 55 / 57 / 0 / 32

HEX #4F4AAE

RGB 79 74 174

HSL 243, 0.4%, 0.49%

LAB 37.14, 30.6, -53.03

 

CMYK 0 / 57 / 49 / 32

HEX #AE4A59

RGB 174 74 89

HSL 351, 0.4%, 0.49%

LAB 45.11, 42.24, 11.85

 

CMYK 3 / 0 / 57 / 32

HEX #A9AE4A

RGB 169 174 74

HSL 63, 0.4%, 0.49%

LAB 68.9, -15.46, 49.64

 

CMYK 57 / 0 / 8 / 32

HEX #4BAEA0

RGB 75 174 160

HSL 171.52, 0.4%, 0.49%

LAB 65.2, -32.32, -1.53

 

CMYK 37 / 57 / 0 / 32

HEX #6D4AAE

RGB 109 74 174

HSL 261, 0.4%, 0.49%

LAB 39.92, 37.28, -48.41

 

CMYK 0 / 57 / 49 / 32

HEX #AE4A59

RGB 174 74 89

HSL 351, 0.4%, 0.49%

LAB 45.11, 42.24, 11.85

 

CMYK 20 / 0 / 57 / 32

HEX #8BAE4A

RGB 139 174 74

HSL 81, 0.4%, 0.49%

LAB 66.71, -27.77, 46.58

 

Description

Color code: RGB 75 174 160 | qconv.com Color code: RGB 75 174 160 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 174 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 174 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 8 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 8% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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