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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 168 77 it is the complementary color RGB 180 87 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 168 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 75 168 77 shade: RGB 80 168 72, RGB 97 186 91, RGB 114 204 110, RGB 131 222 129 and RGB 148 240 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 168 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 75 168 77 shade: RGB 75 168 77, RGB 58 150 58, RGB 41 132 39, RGB 24 114 20 and RGB 7 96 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 75 168 77 shade: RGB 75 168 77, RGB 98 168 75, RGB 124 168 75, RGB 149 168 75 and RGB 168 163 75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 75 168 77 shade: RGB 75 168 77, RGB 75 168 102, RGB 75 168 128, RGB 75 168 153 and RGB 75 159 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 75 168 77 shade matches the following richer shades: RGB 75 168 77, RGB 56 188 58, RGB 36 208 39 and RGB 16 228 21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 75 168 77 shade: RGB 75 168 77, RGB 95 149 96, RGB 115 129 115, RGB 135 109 134 and RGB 155 89 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 75 168 77 shade: RGB 123 168 75, RGB 99 168 75, RGB 75 168 77, RGB 75 168 102 and RGB 75 168 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 75 168 77 shade: RGB 50 111 51, RGB 63 140 64, RGB 75 168 77, RGB 100 185 102 and RGB 128 198 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 75 168 77 shade: RGB 75 168 77, RGB 75 148 168 and RGB 168 75 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 75 168 77 shade: RGB 75 168 77, RGB 77 75 168 and RGB 168 77 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 75 168 77 shade: RGB 75 168 77, RGB 75 148 168, RGB 168 75 167 and RGB 168 96 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 75 168 77 shade: RGB 75 168 77, RGB 75 120 168, RGB 168 75 167 and RGB 168 123 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 54 / 34

HEX #4BA84D

RGB 75 168 77

HSL 121.29, 0.38%, 0.48%

LAB 61.69, -46.43, 38.43

 

Complementary color

CMYK 0 / 52 / 1 / 29

HEX #B457B2

RGB 180 87 178

HSL 301.29, 0.38%, 0.52%

LAB 51.54, 50.34, -31.8

 

CMYK 52 / 0 / 57 / 34

HEX #50A848

RGB 80 168 72

HSL 115, 0.4%, 0.47%

LAB 61.81, -45.71, 41.05

 

CMYK 48 / 0 / 51 / 27

HEX #61BA5B

RGB 97 186 91

HSL 116.21, 0.41%, 0.54%

LAB 68.33, -45.79, 39.79

 

CMYK 44 / 0 / 46 / 20

HEX #72CC6E

RGB 114 204 110

HSL 117.45, 0.48%, 0.62%

LAB 74.75, -45.73, 38.51

 

CMYK 41 / 0 / 42 / 13

HEX #83DE81

RGB 131 222 129

HSL 118.71, 0.58%, 0.69%

LAB 81.1, -45.59, 37.26

 

CMYK 38 / 0 / 38 / 6

HEX #94F094

RGB 148 240 148

HSL 120, 0.75%, 0.76%

LAB 87.37, -45.39, 36.05

 

CMYK 55 / 0 / 54 / 34

HEX #4BA84D

RGB 75 168 77

HSL 121.29, 0.38%, 0.48%

LAB 61.69, -46.43, 38.43

 

CMYK 61 / 0 / 61 / 41

HEX #3A963A

RGB 58 150 58

HSL 120, 0.44%, 0.41%

LAB 55.09, -46.1, 39.72

 

CMYK 69 / 0 / 70 / 48

HEX #298427

RGB 41 132 39

HSL 118.71, 0.54%, 0.34%

LAB 48.41, -45.33, 40.79

 

CMYK 79 / 0 / 82 / 55

HEX #187214

RGB 24 114 20

HSL 117.45, 0.7%, 0.26%

LAB 41.66, -43.84, 41.17

 

CMYK 93 / 0 / 99 / 62

HEX #076001

RGB 7 96 1

HSL 116.21, 0.98%, 0.19%

LAB 34.83, -41.26, 40.48

 

CMYK 55 / 0 / 54 / 34

HEX #4BA84D

RGB 75 168 77

HSL 121.29, 0.38%, 0.48%

LAB 61.69, -46.43, 38.43

 

CMYK 42 / 0 / 55 / 34

HEX #62A84B

RGB 98 168 75

HSL 105.16, 0.38%, 0.48%

LAB 62.6, -39.87, 40.73

 

CMYK 26 / 0 / 55 / 34

HEX #7CA84B

RGB 124 168 75

HSL 88.39, 0.38%, 0.48%

LAB 64, -30.62, 42.72

 

CMYK 11 / 0 / 55 / 34

HEX #95A84B

RGB 149 168 75

HSL 72.26, 0.38%, 0.48%

LAB 65.67, -20.67, 45.1

 

CMYK 0 / 3 / 55 / 34

HEX #A8A34B

RGB 168 163 75

HSL 56.77, 0.38%, 0.48%

LAB 65.77, -10.08, 45.6

 

CMYK 55 / 0 / 54 / 34

HEX #4BA84D

RGB 75 168 77

HSL 121.29, 0.38%, 0.48%

LAB 61.69, -46.43, 38.43

 

CMYK 55 / 0 / 39 / 34

HEX #4BA866

RGB 75 168 102

HSL 137.42, 0.38%, 0.48%

LAB 62.05, -42.52, 25.97

 

CMYK 55 / 0 / 24 / 34

HEX #4BA880

RGB 75 168 128

HSL 154.19, 0.38%, 0.48%

LAB 62.56, -37.3, 12.45

 

CMYK 55 / 0 / 9 / 34

HEX #4BA899

RGB 75 168 153

HSL 170.32, 0.38%, 0.48%

LAB 63.18, -31.28, -0.6

 

CMYK 55 / 5 / 0 / 34

HEX #4B9FA8

RGB 75 159 168

HSL 185.81, 0.38%, 0.48%

LAB 60.89, -22.71, -12.43

 

CMYK 55 / 0 / 54 / 34

HEX #4BA84D

RGB 75 168 77

HSL 121.29, 0.38%, 0.48%

LAB 61.69, -46.43, 38.43

 

CMYK 70 / 0 / 69 / 26

HEX #38BC3A

RGB 56 188 58

HSL 120.91, 0.54%, 0.48%

LAB 67.36, -60.06, 53.21

 

CMYK 83 / 0 / 81 / 18

HEX #24D027

RGB 36 208 39

HSL 121.05, 0.7%, 0.48%

LAB 73.31, -70.46, 65.33

 

CMYK 93 / 0 / 91 / 11

HEX #10E415

RGB 16 228 21

HSL 121.42, 0.87%, 0.48%

LAB 79.41, -78.21, 74.36

 

CMYK 55 / 0 / 54 / 34

HEX #4BA84D

RGB 75 168 77

HSL 121.29, 0.38%, 0.48%

LAB 61.69, -46.43, 38.43

 

CMYK 36 / 0 / 36 / 42

HEX #5F9560

RGB 95 149 96

HSL 121.11, 0.22%, 0.48%

LAB 56.85, -29.15, 22.5

 

CMYK 11 / 0 / 11 / 49

HEX #738173

RGB 115 129 115

HSL 120, 0.06%, 0.48%

LAB 52.49, -8, 5.85

 

CMYK 0 / 19 / 1 / 47

HEX #876D86

RGB 135 109 134

HSL 302.31, 0.11%, 0.48%

LAB 49.26, 14.91, -9.86

 

CMYK 0 / 43 / 1 / 39

HEX #9B5999

RGB 155 89 153

HSL 301.82, 0.27%, 0.48%

LAB 47.51, 37.09, -23.61

 

CMYK 27 / 0 / 55 / 34

HEX #7BA84B

RGB 123 168 75

HSL 89.03, 0.38%, 0.48%

LAB 63.94, -31, 42.64

 

CMYK 41 / 0 / 55 / 34

HEX #63A84B

RGB 99 168 75

HSL 104.52, 0.38%, 0.48%

LAB 62.65, -39.54, 40.8

 

CMYK 55 / 0 / 54 / 34

HEX #4BA84D

RGB 75 168 77

HSL 121.29, 0.38%, 0.48%

LAB 61.69, -46.43, 38.43

 

CMYK 55 / 0 / 39 / 34

HEX #4BA866

RGB 75 168 102

HSL 137.42, 0.38%, 0.48%

LAB 62.05, -42.52, 25.97

 

CMYK 55 / 0 / 24 / 34

HEX #4BA87F

RGB 75 168 127

HSL 153.55, 0.38%, 0.48%

LAB 62.54, -37.52, 12.98

 

CMYK 55 / 0 / 54 / 56

HEX #326F33

RGB 50 111 51

HSL 120.98, 0.38%, 0.32%

LAB 41.67, -33.18, 27.32

 

CMYK 55 / 0 / 54 / 45

HEX #3F8C40

RGB 63 140 64

HSL 120.78, 0.38%, 0.4%

LAB 52.04, -40.02, 33.22

 

CMYK 55 / 0 / 54 / 34

HEX #4BA84D

RGB 75 168 77

HSL 121.29, 0.38%, 0.48%

LAB 61.69, -46.43, 38.43

 

CMYK 46 / 0 / 45 / 27

HEX #64B966

RGB 100 185 102

HSL 121.41, 0.38%, 0.56%

LAB 68.29, -42.95, 34.24

 

CMYK 35 / 0 / 34 / 22

HEX #80C682

RGB 128 198 130

HSL 121.71, 0.38%, 0.64%

LAB 73.93, -35.75, 27.31

 

CMYK 55 / 0 / 54 / 34

HEX #4BA84D

RGB 75 168 77

HSL 121.29, 0.38%, 0.48%

LAB 61.69, -46.43, 38.43

 

CMYK 55 / 12 / 0 / 34

HEX #4B94A8

RGB 75 148 168

HSL 192.9, 0.38%, 0.48%

LAB 57.56, -16.94, -17.46

 

CMYK 0 / 55 / 34 / 34

HEX #A84B6F

RGB 168 75 111

HSL 336.77, 0.38%, 0.48%

LAB 44.95, 42.1, -1.98

 

CMYK 55 / 0 / 54 / 34

HEX #4BA84D

RGB 75 168 77

HSL 121.29, 0.38%, 0.48%

LAB 61.69, -46.43, 38.43

 

CMYK 54 / 55 / 0 / 34

HEX #4D4BA8

RGB 77 75 168

HSL 241.29, 0.38%, 0.48%

LAB 36.81, 27.61, -50

 

CMYK 0 / 54 / 55 / 34

HEX #A84D4B

RGB 168 77 75

HSL 1.29, 0.38%, 0.48%

LAB 44.43, 37.26, 19.3

 

CMYK 55 / 0 / 54 / 34

HEX #4BA84D

RGB 75 168 77

HSL 121.29, 0.38%, 0.48%

LAB 61.69, -46.43, 38.43

 

CMYK 55 / 12 / 0 / 34

HEX #4B94A8

RGB 75 148 168

HSL 192.9, 0.38%, 0.48%

LAB 57.56, -16.94, -17.46

 

CMYK 0 / 55 / 1 / 34

HEX #A84BA7

RGB 168 75 167

HSL 300.65, 0.38%, 0.48%

LAB 47.17, 50.8, -32.3

 

CMYK 0 / 43 / 55 / 34

HEX #A8604B

RGB 168 96 75

HSL 13.55, 0.38%, 0.48%

LAB 48.51, 27.07, 24.63

 

CMYK 55 / 0 / 54 / 34

HEX #4BA84D

RGB 75 168 77

HSL 121.29, 0.38%, 0.48%

LAB 61.69, -46.43, 38.43

 

CMYK 55 / 29 / 0 / 34

HEX #4B78A8

RGB 75 120 168

HSL 210.97, 0.38%, 0.48%

LAB 49.2, -1.06, -30.34

 

CMYK 0 / 55 / 1 / 34

HEX #A84BA7

RGB 168 75 167

HSL 300.65, 0.38%, 0.48%

LAB 47.17, 50.8, -32.3

 

CMYK 0 / 27 / 55 / 34

HEX #A87B4B

RGB 168 123 75

HSL 30.97, 0.38%, 0.48%

LAB 55.07, 11.87, 32.89

 

Description

Color code: RGB 75 168 77 | qconv.com Color code: RGB 75 168 77 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 168 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 168 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 54 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 54% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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