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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 168 163 it is the complementary color RGB 180 87 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 168 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 75 168 163 shade: RGB 80 168 158, RGB 97 186 177, RGB 114 204 196, RGB 131 222 215 and RGB 148 240 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 168 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 75 168 163 shade: RGB 75 168 163, RGB 58 150 144, RGB 41 132 125, RGB 24 114 106 and RGB 7 96 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 75 168 163 shade: RGB 75 168 163, RGB 75 168 138, RGB 75 168 113, RGB 75 168 88 and RGB 88 168 75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 75 168 163 shade: RGB 75 168 163, RGB 75 148 168, RGB 75 123 168, RGB 75 98 168 and RGB 75 75 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 75 168 163 shade matches the following richer shades: RGB 75 168 163, RGB 56 188 181, RGB 36 208 199 and RGB 16 228 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 75 168 163 shade: RGB 75 168 163, RGB 95 149 146, RGB 115 129 128, RGB 135 109 110 and RGB 155 89 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 75 168 163 shade: RGB 75 168 113, RGB 75 168 137, RGB 75 168 162, RGB 75 150 168 and RGB 75 125 168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 75 168 163 shade: RGB 50 111 108, RGB 63 140 136, RGB 75 168 163, RGB 100 185 180 and RGB 128 198 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 75 168 163 shade: RGB 75 168 163, RGB 88 75 168 and RGB 168 125 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 75 168 163 shade: RGB 75 168 163, RGB 162 75 168 and RGB 168 162 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 75 168 163 shade: RGB 75 168 163, RGB 88 75 168, RGB 168 75 82 and RGB 156 168 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 75 168 163 shade: RGB 75 168 163, RGB 116 75 168, RGB 168 75 82 and RGB 128 168 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 3 / 34

HEX #4BA8A3

RGB 75 168 163

HSL 176.77, 0.38%, 0.48%

LAB 63.46, -28.63, -5.77

 

Complementary color

CMYK 0 / 52 / 49 / 29

HEX #B4575C

RGB 180 87 92

HSL 356.77, 0.38%, 0.52%

LAB 48.63, 38.18, 15.03

 

CMYK 52 / 0 / 6 / 34

HEX #50A89E

RGB 80 168 158

HSL 173.18, 0.35%, 0.49%

LAB 63.49, -28.89, -2.91

 

CMYK 48 / 0 / 5 / 27

HEX #61BAB1

RGB 97 186 177

HSL 173.93, 0.39%, 0.55%

LAB 70.06, -28.91, -3.7

 

CMYK 44 / 0 / 4 / 20

HEX #72CCC4

RGB 114 204 196

HSL 174.67, 0.47%, 0.62%

LAB 76.53, -28.88, -4.43

 

CMYK 41 / 0 / 3 / 13

HEX #83DED7

RGB 131 222 215

HSL 175.38, 0.58%, 0.69%

LAB 82.9, -28.82, -5.11

 

CMYK 38 / 0 / 3 / 6

HEX #94F0EA

RGB 148 240 234

HSL 176.09, 0.75%, 0.76%

LAB 89.18, -28.74, -5.76

 

CMYK 55 / 0 / 3 / 34

HEX #4BA8A3

RGB 75 168 163

HSL 176.77, 0.38%, 0.48%

LAB 63.46, -28.63, -5.77

 

CMYK 61 / 0 / 4 / 41

HEX #3A9690

RGB 58 150 144

HSL 176.09, 0.44%, 0.41%

LAB 56.81, -28.38, -4.94

 

CMYK 69 / 0 / 5 / 48

HEX #29847D

RGB 41 132 125

HSL 175.38, 0.53%, 0.34%

LAB 50.04, -27.93, -4

 

CMYK 79 / 0 / 7 / 55

HEX #18726A

RGB 24 114 106

HSL 174.67, 0.65%, 0.27%

LAB 43.17, -27.17, -2.92

 

CMYK 93 / 0 / 9 / 62

HEX #076057

RGB 7 96 87

HSL 173.93, 0.86%, 0.2%

LAB 36.17, -25.9, -1.63

 

CMYK 55 / 0 / 3 / 34

HEX #4BA8A3

RGB 75 168 163

HSL 176.77, 0.38%, 0.48%

LAB 63.46, -28.63, -5.77

 

CMYK 55 / 0 / 18 / 34

HEX #4BA88A

RGB 75 168 138

HSL 160.65, 0.38%, 0.48%

LAB 62.79, -35, 7.22

 

CMYK 55 / 0 / 33 / 34

HEX #4BA871

RGB 75 168 113

HSL 144.52, 0.38%, 0.48%

LAB 62.25, -40.45, 20.28

 

CMYK 55 / 0 / 48 / 34

HEX #4BA858

RGB 75 168 88

HSL 128.39, 0.38%, 0.48%

LAB 61.83, -44.85, 33.06

 

CMYK 48 / 0 / 55 / 34

HEX #58A84B

RGB 88 168 75

HSL 111.61, 0.38%, 0.48%

LAB 62.16, -43.02, 40.1

 

CMYK 55 / 0 / 3 / 34

HEX #4BA8A3

RGB 75 168 163

HSL 176.77, 0.38%, 0.48%

LAB 63.46, -28.63, -5.77

 

CMYK 55 / 12 / 0 / 34

HEX #4B94A8

RGB 75 148 168

HSL 192.9, 0.38%, 0.48%

LAB 57.56, -16.94, -17.46

 

CMYK 55 / 27 / 0 / 34

HEX #4B7BA8

RGB 75 123 168

HSL 209.03, 0.38%, 0.48%

LAB 50.08, -2.84, -28.96

 

CMYK 55 / 42 / 0 / 34

HEX #4B62A8

RGB 75 98 168

HSL 225.16, 0.38%, 0.48%

LAB 42.85, 12.49, -40.34

 

CMYK 55 / 55 / 0 / 34

HEX #4B4BA8

RGB 75 75 168

HSL 240, 0.38%, 0.48%

LAB 36.66, 27.19, -50.26

 

CMYK 55 / 0 / 3 / 34

HEX #4BA8A3

RGB 75 168 163

HSL 176.77, 0.38%, 0.48%

LAB 63.46, -28.63, -5.77

 

CMYK 70 / 0 / 4 / 26

HEX #38BCB5

RGB 56 188 181

HSL 176.82, 0.54%, 0.48%

LAB 69.57, -36.33, -6.75

 

CMYK 83 / 0 / 4 / 18

HEX #24D0C7

RGB 36 208 199

HSL 176.86, 0.7%, 0.48%

LAB 75.83, -42.31, -7.3

 

CMYK 93 / 0 / 5 / 11

HEX #10E4D8

RGB 16 228 216

HSL 176.6, 0.87%, 0.48%

LAB 82.14, -47.22, -7.05

 

CMYK 55 / 0 / 3 / 34

HEX #4BA8A3

RGB 75 168 163

HSL 176.77, 0.38%, 0.48%

LAB 63.46, -28.63, -5.77

 

CMYK 36 / 0 / 2 / 42

HEX #5F9592

RGB 95 149 146

HSL 176.67, 0.22%, 0.48%

LAB 58.04, -18.53, -4.09

 

CMYK 11 / 0 / 1 / 49

HEX #738180

RGB 115 129 128

HSL 175.71, 0.06%, 0.48%

LAB 52.84, -5.33, -1.21

 

CMYK 0 / 19 / 19 / 47

HEX #876D6E

RGB 135 109 110

HSL 357.69, 0.11%, 0.48%

LAB 48.53, 10.45, 3.33

 

CMYK 0 / 43 / 40 / 39

HEX #9B595D

RGB 155 89 93

HSL 356.36, 0.27%, 0.48%

LAB 45.5, 27.6, 9.55

 

CMYK 55 / 0 / 33 / 34

HEX #4BA871

RGB 75 168 113

HSL 144.52, 0.38%, 0.48%

LAB 62.25, -40.45, 20.28

 

CMYK 55 / 0 / 18 / 34

HEX #4BA889

RGB 75 168 137

HSL 160, 0.38%, 0.48%

LAB 62.77, -35.24, 7.75

 

CMYK 55 / 0 / 4 / 34

HEX #4BA8A2

RGB 75 168 162

HSL 176.13, 0.38%, 0.48%

LAB 63.43, -28.9, -5.26

 

CMYK 55 / 11 / 0 / 34

HEX #4B96A8

RGB 75 150 168

HSL 191.61, 0.38%, 0.48%

LAB 58.17, -18, -16.54

 

CMYK 55 / 26 / 0 / 34

HEX #4B7DA8

RGB 75 125 168

HSL 207.74, 0.38%, 0.48%

LAB 50.68, -4.02, -28.04

 

CMYK 55 / 0 / 3 / 56

HEX #326F6C

RGB 50 111 108

HSL 177.05, 0.38%, 0.32%

LAB 42.96, -20.42, -4.35

 

CMYK 55 / 0 / 3 / 45

HEX #3F8C88

RGB 63 140 136

HSL 176.88, 0.38%, 0.4%

LAB 53.59, -24.62, -5.08

 

CMYK 55 / 0 / 3 / 34

HEX #4BA8A3

RGB 75 168 163

HSL 176.77, 0.38%, 0.48%

LAB 63.46, -28.63, -5.77

 

CMYK 46 / 0 / 3 / 27

HEX #64B9B4

RGB 100 185 180

HSL 176.47, 0.38%, 0.56%

LAB 69.97, -26.96, -5.47

 

CMYK 35 / 0 / 2 / 22

HEX #80C6C2

RGB 128 198 194

HSL 176.57, 0.38%, 0.64%

LAB 75.37, -22.83, -4.98

 

CMYK 55 / 0 / 3 / 34

HEX #4BA8A3

RGB 75 168 163

HSL 176.77, 0.38%, 0.48%

LAB 63.46, -28.63, -5.77

 

CMYK 48 / 55 / 0 / 34

HEX #584BA8

RGB 88 75 168

HSL 248.39, 0.38%, 0.48%

LAB 37.72, 30.01, -48.49

 

CMYK 0 / 26 / 55 / 34

HEX #A87D4B

RGB 168 125 75

HSL 32.26, 0.38%, 0.48%

LAB 55.58, 10.75, 33.52

 

CMYK 55 / 0 / 3 / 34

HEX #4BA8A3

RGB 75 168 163

HSL 176.77, 0.38%, 0.48%

LAB 63.46, -28.63, -5.77

 

CMYK 4 / 55 / 0 / 34

HEX #A24BA8

RGB 162 75 168

HSL 296.13, 0.38%, 0.48%

LAB 46.37, 49.32, -34.21

 

CMYK 0 / 4 / 55 / 34

HEX #A8A24B

RGB 168 162 75

HSL 56.13, 0.38%, 0.48%

LAB 65.49, -9.56, 45.29

 

CMYK 55 / 0 / 3 / 34

HEX #4BA8A3

RGB 75 168 163

HSL 176.77, 0.38%, 0.48%

LAB 63.46, -28.63, -5.77

 

CMYK 48 / 55 / 0 / 34

HEX #584BA8

RGB 88 75 168

HSL 248.39, 0.38%, 0.48%

LAB 37.72, 30.01, -48.49

 

CMYK 0 / 55 / 51 / 34

HEX #A84B52

RGB 168 75 82

HSL 355.48, 0.38%, 0.48%

LAB 44.18, 38.91, 14.71

 

CMYK 7 / 0 / 55 / 34

HEX #9CA84B

RGB 156 168 75

HSL 67.74, 0.38%, 0.48%

LAB 66.2, -17.76, 45.84

 

CMYK 55 / 0 / 3 / 34

HEX #4BA8A3

RGB 75 168 163

HSL 176.77, 0.38%, 0.48%

LAB 63.46, -28.63, -5.77

 

CMYK 31 / 55 / 0 / 34

HEX #744BA8

RGB 116 75 168

HSL 266.45, 0.38%, 0.48%

LAB 40.53, 36.87, -43.83

 

CMYK 0 / 55 / 51 / 34

HEX #A84B52

RGB 168 75 82

HSL 355.48, 0.38%, 0.48%

LAB 44.18, 38.91, 14.71

 

CMYK 24 / 0 / 55 / 34

HEX #80A84B

RGB 128 168 75

HSL 85.81, 0.38%, 0.48%

LAB 64.24, -29.08, 43.07

 

Description

Color code: RGB 75 168 163 | qconv.com Color code: RGB 75 168 163 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 168 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 168 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 3 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 3% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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