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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 156 26 it is the complementary color RGB 180 99 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 156 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 75 156 26 shade: RGB 80 156 21, RGB 97 174 40, RGB 114 192 59, RGB 131 210 78 and RGB 148 228 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 156 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 75 156 26 shade: RGB 75 156 26, RGB 58 138 7, RGB 41 120 0, RGB 24 102 0 and RGB 7 84 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 75 156 26 shade: RGB 75 156 26, RGB 110 156 26, RGB 146 156 26, RGB 156 132 26 and RGB 156 97 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 75 156 26 shade: RGB 75 156 26, RGB 40 156 26, RGB 26 156 47, RGB 26 156 82 and RGB 26 156 118

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 75 156 26 shade matches the following richer shades: RGB 75 156 26 and RGB 72 171 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 75 156 26 shade: RGB 75 156 26, RGB 79 142 41, RGB 83 127 56, RGB 86 112 71 and RGB 90 97 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 75 156 26 shade: RGB 146 156 26, RGB 111 156 26, RGB 76 156 26, RGB 41 156 26 and RGB 26 156 46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 75 156 26 shade: RGB 41 86 14, RGB 58 121 20, RGB 75 156 26, RGB 92 192 32 and RGB 111 219 46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 75 156 26 shade: RGB 75 156 26, RGB 26 156 133 and RGB 156 26 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 75 156 26 shade: RGB 75 156 26, RGB 26 76 156 and RGB 156 26 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 75 156 26 shade: RGB 75 156 26, RGB 26 156 133, RGB 107 26 156 and RGB 156 26 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 75 156 26 shade: RGB 75 156 26, RGB 26 141 156, RGB 107 26 156 and RGB 156 41 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 83 / 39

HEX #4B9C1A

RGB 75 156 26

HSL 97.38, 0.71%, 0.36%

LAB 57.41, -46.37, 54.57

 

Complementary color

CMYK 21 / 57 / 0 / 10

HEX #B463E5

RGB 180 99 229

HSL 277.38, 0.71%, 0.64%

LAB 56.37, 54.54, -53.29

 

CMYK 49 / 0 / 87 / 39

HEX #509C15

RGB 80 156 21

HSL 93.78, 0.76%, 0.35%

LAB 57.59, -45.04, 56.09

 

CMYK 44 / 0 / 77 / 32

HEX #61AE28

RGB 97 174 40

HSL 94.48, 0.63%, 0.42%

LAB 64.13, -45.8, 56.94

 

CMYK 41 / 0 / 69 / 25

HEX #72C03B

RGB 114 192 59

HSL 95.19, 0.53%, 0.49%

LAB 70.59, -46.26, 56.81

 

CMYK 38 / 0 / 63 / 18

HEX #83D24E

RGB 131 210 78

HSL 95.91, 0.59%, 0.56%

LAB 76.96, -46.52, 56.16

 

CMYK 35 / 0 / 57 / 11

HEX #94E461

RGB 148 228 97

HSL 96.64, 0.71%, 0.64%

LAB 83.26, -46.64, 55.25

 

CMYK 52 / 0 / 83 / 39

HEX #4B9C1A

RGB 75 156 26

HSL 97.38, 0.71%, 0.36%

LAB 57.41, -46.37, 54.57

 

CMYK 58 / 0 / 95 / 46

HEX #3A8A07

RGB 58 138 7

HSL 96.64, 0.9%, 0.28%

LAB 50.79, -45.2, 52.72

 

CMYK 66 / 0 / 100 / 53

HEX #297800

RGB 41 120 0

HSL 99.5, 1%, 0.24%

LAB 44.1, -43.33, 48.47

 

CMYK 76 / 0 / 100 / 60

HEX #186600

RGB 24 102 0

HSL 105.88, 1%, 0.2%

LAB 37.29, -40.78, 42.88

 

CMYK 92 / 0 / 100 / 67

HEX #075400

RGB 7 84 0

HSL 115, 1%, 0.16%

LAB 30.37, -37.43, 37.22

 

CMYK 52 / 0 / 83 / 39

HEX #4B9C1A

RGB 75 156 26

HSL 97.38, 0.71%, 0.36%

LAB 57.41, -46.37, 54.57

 

CMYK 29 / 0 / 83 / 39

HEX #6E9C1A

RGB 110 156 26

HSL 81.23, 0.71%, 0.36%

LAB 59.13, -34.03, 56.76

 

CMYK 6 / 0 / 83 / 39

HEX #929C1A

RGB 146 156 26

HSL 64.62, 0.71%, 0.36%

LAB 61.62, -18.86, 59.9

 

CMYK 0 / 15 / 83 / 39

HEX #9C841A

RGB 156 132 26

HSL 48.92, 0.71%, 0.36%

LAB 55.73, -1.5, 55.18

 

CMYK 0 / 38 / 83 / 39

HEX #9C611A

RGB 156 97 26

HSL 32.77, 0.71%, 0.36%

LAB 46.57, 18.35, 47.15

 

CMYK 52 / 0 / 83 / 39

HEX #4B9C1A

RGB 75 156 26

HSL 97.38, 0.71%, 0.36%

LAB 57.41, -46.37, 54.57

 

CMYK 74 / 0 / 83 / 39

HEX #289C1A

RGB 40 156 26

HSL 113.54, 0.71%, 0.36%

LAB 56.39, -54.74, 53.26

 

CMYK 83 / 0 / 70 / 39

HEX #1A9C2F

RGB 26 156 47

HSL 129.69, 0.71%, 0.36%

LAB 56.29, -55.12, 45.74

 

CMYK 83 / 0 / 47 / 39

HEX #1A9C52

RGB 26 156 82

HSL 145.85, 0.71%, 0.36%

LAB 56.69, -50.28, 29.43

 

CMYK 83 / 0 / 24 / 39

HEX #1A9C76

RGB 26 156 118

HSL 162.46, 0.71%, 0.36%

LAB 57.37, -42.59, 10.58

 

CMYK 52 / 0 / 83 / 39

HEX #4B9C1A

RGB 75 156 26

HSL 97.38, 0.71%, 0.36%

LAB 57.41, -46.37, 54.57

 

CMYK 58 / 0 / 94 / 33

HEX #48AB0B

RGB 72 171 11

HSL 97.13, 0.88%, 0.36%

LAB 62.11, -53.33, 61.65

 

CMYK 52 / 0 / 83 / 39

HEX #4B9C1A

RGB 75 156 26

HSL 97.38, 0.71%, 0.36%

LAB 57.41, -46.37, 54.57

 

CMYK 44 / 0 / 71 / 44

HEX #4F8E29

RGB 79 142 41

HSL 97.43, 0.55%, 0.36%

LAB 53.13, -38.42, 45.34

 

CMYK 35 / 0 / 56 / 50

HEX #537F38

RGB 83 127 56

HSL 97.18, 0.39%, 0.36%

LAB 48.64, -28.69, 33.46

 

CMYK 23 / 0 / 37 / 56

HEX #567047

RGB 86 112 71

HSL 98.05, 0.22%, 0.36%

LAB 44.26, -17.81, 19.79

 

CMYK 7 / 0 / 11 / 62

HEX #5A6156

RGB 90 97 86

HSL 98.18, 0.06%, 0.36%

LAB 40.24, -5.03, 5.34

 

CMYK 6 / 0 / 83 / 39

HEX #929C1A

RGB 146 156 26

HSL 64.62, 0.71%, 0.36%

LAB 61.62, -18.86, 59.9

 

CMYK 29 / 0 / 83 / 39

HEX #6F9C1A

RGB 111 156 26

HSL 80.77, 0.71%, 0.36%

LAB 59.19, -33.64, 56.83

 

CMYK 51 / 0 / 83 / 39

HEX #4C9C1A

RGB 76 156 26

HSL 96.92, 0.71%, 0.36%

LAB 57.45, -46.07, 54.62

 

CMYK 74 / 0 / 83 / 39

HEX #299C1A

RGB 41 156 26

HSL 113.08, 0.71%, 0.36%

LAB 56.41, -54.57, 53.28

 

CMYK 83 / 0 / 71 / 39

HEX #1A9C2E

RGB 26 156 46

HSL 129.23, 0.71%, 0.36%

LAB 56.28, -55.22, 46.14

 

CMYK 52 / 0 / 84 / 66

HEX #29560E

RGB 41 86 14

HSL 97.5, 0.72%, 0.2%

LAB 32.17, -29.15, 34.37

 

CMYK 52 / 0 / 83 / 53

HEX #3A7914

RGB 58 121 20

HSL 97.43, 0.72%, 0.28%

LAB 45.12, -38.02, 44.79

 

CMYK 52 / 0 / 83 / 39

HEX #4B9C1A

RGB 75 156 26

HSL 97.38, 0.71%, 0.36%

LAB 57.41, -46.37, 54.57

 

CMYK 52 / 0 / 83 / 25

HEX #5CC020

RGB 92 192 32

HSL 97.5, 0.71%, 0.44%

LAB 69.53, -54.72, 64.17

 

CMYK 49 / 0 / 79 / 14

HEX #6FDB2E

RGB 111 219 46

HSL 97.46, 0.71%, 0.52%

LAB 78.6, -58.56, 68.99

 

CMYK 52 / 0 / 83 / 39

HEX #4B9C1A

RGB 75 156 26

HSL 97.38, 0.71%, 0.36%

LAB 57.41, -46.37, 54.57

 

CMYK 83 / 0 / 15 / 39

HEX #1A9C85

RGB 26 156 133

HSL 169.38, 0.71%, 0.36%

LAB 57.74, -38.66, 2.62

 

CMYK 0 / 83 / 18 / 39

HEX #9C1A80

RGB 156 26 128

HSL 312.92, 0.71%, 0.36%

LAB 36.68, 59.94, -25.24

 

CMYK 52 / 0 / 83 / 39

HEX #4B9C1A

RGB 75 156 26

HSL 97.38, 0.71%, 0.36%

LAB 57.41, -46.37, 54.57

 

CMYK 83 / 51 / 0 / 39

HEX #1A4C9C

RGB 26 76 156

HSL 216.92, 0.71%, 0.36%

LAB 33.54, 14.46, -48.22

 

CMYK 0 / 83 / 51 / 39

HEX #9C1A4C

RGB 156 26 76

HSL 336.92, 0.71%, 0.36%

LAB 34.66, 54.14, 4.87

 

CMYK 52 / 0 / 83 / 39

HEX #4B9C1A

RGB 75 156 26

HSL 97.38, 0.71%, 0.36%

LAB 57.41, -46.37, 54.57

 

CMYK 83 / 0 / 15 / 39

HEX #1A9C85

RGB 26 156 133

HSL 169.38, 0.71%, 0.36%

LAB 57.74, -38.66, 2.62

 

CMYK 31 / 83 / 0 / 39

HEX #6B1A9C

RGB 107 26 156

HSL 277.38, 0.71%, 0.36%

LAB 30.07, 55.24, -53.55

 

CMYK 0 / 83 / 68 / 39

HEX #9C1A32

RGB 156 26 50

HSL 348.92, 0.71%, 0.36%

LAB 34.06, 52.34, 20.97

 

CMYK 52 / 0 / 83 / 39

HEX #4B9C1A

RGB 75 156 26

HSL 97.38, 0.71%, 0.36%

LAB 57.41, -46.37, 54.57

 

CMYK 83 / 10 / 0 / 39

HEX #1A8D9C

RGB 26 141 156

HSL 186.92, 0.71%, 0.36%

LAB 53.67, -24.52, -16.61

 

CMYK 31 / 83 / 0 / 39

HEX #6B1A9C

RGB 107 26 156

HSL 277.38, 0.71%, 0.36%

LAB 30.07, 55.24, -53.55

 

CMYK 0 / 74 / 83 / 39

HEX #9C291A

RGB 156 41 26

HSL 6.92, 0.71%, 0.36%

LAB 35.46, 46.53, 36.95

 

Description

Color code: RGB 75 156 26 | qconv.com Color code: RGB 75 156 26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 156 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 156 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 83 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 83% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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