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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 14 208 it is the complementary color RGB 180 241 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 14 208. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 75 14 208 shade: RGB 80 14 203, RGB 97 32 222, RGB 114 50 241, RGB 131 68 255 and RGB 148 86 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 14 208. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 75 14 208 shade: RGB 75 14 208, RGB 58 0 189, RGB 41 0 170, RGB 24 0 151 and RGB 7 0 132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 75 14 208 shade: RGB 75 14 209, RGB 128 14 209, RGB 181 14 209, RGB 209 14 185 and RGB 209 14 133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 75 14 208 shade: RGB 75 14 209, RGB 23 14 209 and RGB 14 14 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 75 14 208 shade matches the following richer shades: RGB 75 14 209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 75 14 208 shade: RGB 75 14 209, RGB 82 32 191, RGB 89 50 173, RGB 96 69 155 and RGB 102 87 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 75 14 208 shade: RGB 14 60 209, RGB 21 14 209, RGB 73 14 209, RGB 125 14 209 and RGB 177 14 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 75 14 208 shade: RGB 48 9 132, RGB 62 11 171, RGB 75 14 209, RGB 93 26 239 and RGB 120 65 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 75 14 208 shade: RGB 75 14 208, RGB 209 14 112 and RGB 34 209 14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 75 14 208 shade: RGB 75 14 208, RGB 209 73 14 and RGB 14 209 73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 75 14 208 shade: RGB 75 14 208, RGB 209 14 112, RGB 151 209 14 and RGB 14 209 112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 75 14 208 shade: RGB 75 14 208, RGB 209 14 53, RGB 151 209 14 and RGB 14 209 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 93 / 0 / 18

HEX #4B0ED0

RGB 75 14 208

HSL 258.87, 0.87%, 0.44%

LAB 30.31, 67.2, -84.25

 

Complementary color

CMYK 25 / 0 / 80 / 5

HEX #B4F12F

RGB 180 241 47

HSL 78.87, 0.87%, 0.56%

LAB 88.36, -44.09, 78.83

 

CMYK 61 / 93 / 0 / 20

HEX #500ECB

RGB 80 14 203

HSL 260.95, 0.87%, 0.43%

LAB 30.23, 66.31, -81.45

 

CMYK 56 / 86 / 0 / 13

HEX #6120DE

RGB 97 32 222

HSL 260.53, 0.75%, 0.5%

LAB 35.69, 67.64, -83.35

 

CMYK 53 / 79 / 0 / 5

HEX #7232F1

RGB 114 50 241

HSL 260.1, 0.87%, 0.57%

LAB 41.55, 67.79, -84.44

 

CMYK 49 / 73 / 0 / 0

HEX #8344FF

RGB 131 68 255

HSL 260.21, 1%, 0.63%

LAB 47.21, 65.99, -82.92

 

CMYK 42 / 66 / 0 / 0

HEX #9456FF

RGB 148 86 255

HSL 262.01, 1%, 0.67%

LAB 52.03, 60.27, -74.97

 

CMYK 64 / 93 / 0 / 18

HEX #4B0ED0

RGB 75 14 208

HSL 258.87, 0.87%, 0.44%

LAB 30.31, 67.2, -84.25

 

CMYK 69 / 100 / 0 / 26

HEX #3A00BD

RGB 58 0 189

HSL 258.41, 1%, 0.37%

LAB 25.48, 64.34, -81.17

 

CMYK 76 / 100 / 0 / 33

HEX #2900AA

RGB 41 0 170

HSL 254.47, 1%, 0.33%

LAB 21.48, 59.1, -76.5

 

CMYK 84 / 100 / 0 / 41

HEX #180097

RGB 24 0 151

HSL 249.54, 1%, 0.3%

LAB 17.59, 53.88, -71.4

 

CMYK 95 / 100 / 0 / 48

HEX #070084

RGB 7 0 132

HSL 243.18, 1%, 0.26%

LAB 13.89, 48.66, -65.71

 

CMYK 64 / 93 / 0 / 18

HEX #4B0ED1

RGB 75 14 209

HSL 258.77, 0.87%, 0.44%

LAB 30.43, 67.44, -84.63

 

CMYK 39 / 93 / 0 / 18

HEX #800ED1

RGB 128 14 209

HSL 275.08, 0.87%, 0.44%

LAB 36.94, 71.98, -73.66

 

CMYK 13 / 93 / 0 / 18

HEX #B50ED1

RGB 181 14 209

HSL 291.38, 0.87%, 0.44%

LAB 45.28, 79.01, -59.72

 

CMYK 0 / 93 / 11 / 18

HEX #D10EB9

RGB 209 14 185

HSL 307.38, 0.87%, 0.44%

LAB 48.73, 80.1, -39.98

 

CMYK 0 / 93 / 36 / 18

HEX #D10E85

RGB 209 14 133

HSL 323.38, 0.87%, 0.44%

LAB 46.4, 74.06, -12.52

 

CMYK 64 / 93 / 0 / 18

HEX #4B0ED1

RGB 75 14 209

HSL 258.77, 0.87%, 0.44%

LAB 30.43, 67.44, -84.63

 

CMYK 89 / 93 / 0 / 18

HEX #170ED1

RGB 23 14 209

HSL 242.77, 0.87%, 0.44%

LAB 27.02, 65.55, -90.41

 

CMYK 93 / 93 / 0 / 18

HEX #0E0ED1

RGB 14 14 209

HSL 240, 0.87%, 0.44%

LAB 26.77, 65.43, -90.84

 

CMYK 64 / 93 / 0 / 18

HEX #4B0ED1

RGB 75 14 209

HSL 258.77, 0.87%, 0.44%

LAB 30.43, 67.44, -84.63

 

CMYK 64 / 93 / 0 / 18

HEX #4B0ED1

RGB 75 14 209

HSL 258.77, 0.87%, 0.44%

LAB 30.43, 67.44, -84.63

 

CMYK 57 / 83 / 0 / 25

HEX #5220BF

RGB 82 32 191

HSL 258.87, 0.71%, 0.44%

LAB 30.85, 58.29, -73.37

 

CMYK 49 / 71 / 0 / 32

HEX #5932AD

RGB 89 50 173

HSL 259.02, 0.55%, 0.44%

LAB 32.75, 46.18, -59.54

 

CMYK 38 / 55 / 0 / 39

HEX #60459B

RGB 96 69 155

HSL 258.84, 0.38%, 0.44%

LAB 36.19, 31.77, -43.11

 

CMYK 26 / 36 / 0 / 46

HEX #665789

RGB 102 87 137

HSL 258, 0.22%, 0.44%

LAB 40.32, 17.48, -25.64

 

CMYK 93 / 71 / 0 / 18

HEX #0E3CD1

RGB 14 60 209

HSL 225.85, 0.87%, 0.44%

LAB 33.83, 44.82, -79.09

 

CMYK 90 / 93 / 0 / 18

HEX #150ED1

RGB 21 14 209

HSL 242.15, 0.87%, 0.44%

LAB 26.95, 65.52, -90.52

 

CMYK 65 / 93 / 0 / 18

HEX #490ED1

RGB 73 14 209

HSL 258.15, 0.87%, 0.44%

LAB 30.24, 67.32, -84.96

 

CMYK 40 / 93 / 0 / 18

HEX #7D0ED1

RGB 125 14 209

HSL 274.15, 0.87%, 0.44%

LAB 36.51, 71.65, -74.38

 

CMYK 15 / 93 / 0 / 18

HEX #B10ED1

RGB 177 14 209

HSL 290.15, 0.87%, 0.44%

LAB 44.61, 78.41, -60.83

 

CMYK 64 / 93 / 0 / 48

HEX #300984

RGB 48 9 132

HSL 259.02, 0.87%, 0.28%

LAB 17.87, 47.18, -59

 

CMYK 64 / 94 / 0 / 33

HEX #3E0BAB

RGB 62 11 171

HSL 259.13, 0.88%, 0.36%

LAB 24.33, 57.84, -72.3

 

CMYK 64 / 93 / 0 / 18

HEX #4B0ED1

RGB 75 14 209

HSL 258.77, 0.87%, 0.44%

LAB 30.43, 67.44, -84.63

 

CMYK 61 / 89 / 0 / 6

HEX #5D1AEF

RGB 93 26 239

HSL 258.87, 0.87%, 0.52%

LAB 36.55, 73.16, -91.63

 

CMYK 50 / 73 / 0 / 5

HEX #7841F1

RGB 120 65 241

HSL 258.75, 0.86%, 0.6%

LAB 44.41, 62.14, -79.71

 

CMYK 64 / 93 / 0 / 18

HEX #4B0ED0

RGB 75 14 208

HSL 258.87, 0.87%, 0.44%

LAB 30.31, 67.2, -84.25

 

CMYK 0 / 93 / 46 / 18

HEX #D10E70

RGB 209 14 112

HSL 329.85, 0.87%, 0.44%

LAB 45.69, 72.16, -0.66

 

CMYK 84 / 0 / 93 / 18

HEX #22D10E

RGB 34 209 14

HSL 113.85, 0.87%, 0.44%

LAB 73.53, -71.9, 70.42

 

CMYK 64 / 93 / 0 / 18

HEX #4B0ED0

RGB 75 14 208

HSL 258.87, 0.87%, 0.44%

LAB 30.31, 67.2, -84.25

 

CMYK 0 / 65 / 93 / 18

HEX #D1490E

RGB 209 73 14

HSL 18.15, 0.87%, 0.44%

LAB 49.92, 51.52, 57.25

 

CMYK 93 / 0 / 65 / 18

HEX #0ED149

RGB 14 209 73

HSL 138.15, 0.87%, 0.44%

LAB 73.66, -69.63, 53.78

 

CMYK 64 / 93 / 0 / 18

HEX #4B0ED0

RGB 75 14 208

HSL 258.87, 0.87%, 0.44%

LAB 30.31, 67.2, -84.25

 

CMYK 0 / 93 / 46 / 18

HEX #D10E70

RGB 209 14 112

HSL 329.85, 0.87%, 0.44%

LAB 45.69, 72.16, -0.66

 

CMYK 28 / 0 / 93 / 18

HEX #97D10E

RGB 151 209 14

HSL 77.85, 0.87%, 0.44%

LAB 77.41, -42.06, 75.19

 

CMYK 93 / 0 / 46 / 18

HEX #0ED170

RGB 14 209 112

HSL 150.15, 0.87%, 0.44%

LAB 74.1, -64.19, 36.22

 

CMYK 64 / 93 / 0 / 18

HEX #4B0ED0

RGB 75 14 208

HSL 258.87, 0.87%, 0.44%

LAB 30.31, 67.2, -84.25

 

CMYK 0 / 93 / 75 / 18

HEX #D10E35

RGB 209 14 53

HSL 348, 0.87%, 0.44%

LAB 44.41, 68.66, 34.17

 

CMYK 28 / 0 / 93 / 18

HEX #97D10E

RGB 151 209 14

HSL 77.85, 0.87%, 0.44%

LAB 77.41, -42.06, 75.19

 

CMYK 93 / 0 / 19 / 18

HEX #0ED1AA

RGB 14 209 170

HSL 168, 0.87%, 0.44%

LAB 75.2, -51.77, 7.37

 

Description

Color code: RGB 75 14 208 | qconv.com Color code: RGB 75 14 208 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 14 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 14 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 93 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 93% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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