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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 141 255 it is the complementary color RGB 180 114 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 141 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 75 141 255 shade: RGB 80 141 250, RGB 97 159 255, RGB 114 177 255, RGB 131 195 255 and RGB 148 213 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 141 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 75 141 255 shade: RGB 75 141 255, RGB 58 123 236, RGB 41 105 217, RGB 24 87 198 and RGB 7 69 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 75 141 255 shade: RGB 76 141 255, RGB 76 93 255, RGB 107 76 255, RGB 155 76 255 and RGB 203 76 255

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 75 141 255 shade: RGB 76 141 255, RGB 76 93 255 and RGB 76 76 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 75 141 255 shade matches the following richer shades: RGB 76 141 255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 75 141 255 shade: RGB 76 141 255, RGB 90 145 240, RGB 105 149 226, RGB 119 153 211 and RGB 134 157 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 75 141 255 shade: RGB 76 237 255, RGB 76 189 255, RGB 76 141 255, RGB 76 94 255 and RGB 106 76 255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 75 141 255 shade: RGB 0 91 248, RGB 35 115 255, RGB 76 141 255, RGB 117 168 255 and RGB 159 194 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 75 141 255 shade: RGB 75 141 255, RGB 225 76 255 and RGB 213 255 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 75 141 255 shade: RGB 75 141 255, RGB 255 76 141 and RGB 141 255 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 75 141 255 shade: RGB 75 141 255, RGB 225 76 255, RGB 255 189 76 and RGB 106 255 76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 75 141 255 shade: RGB 75 141 255, RGB 255 76 231, RGB 255 189 76 and RGB 76 255 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 45 / 0 / 0

HEX #4B8DFF

RGB 75 141 255

HSL 218, 1%, 0.65%

LAB 59.68, 16.03, -62.86

 

Complementary color

CMYK 0 / 37 / 100 / 29

HEX #B47200

RGB 180 114 0

HSL 38, 1%, 0.35%

LAB 53.75, 19.04, 60.62

 

CMYK 68 / 44 / 0 / 2

HEX #508DFA

RGB 80 141 250

HSL 218.47, 0.94%, 0.65%

LAB 59.58, 15, -60.26

 

CMYK 62 / 38 / 0 / 0

HEX #619FFF

RGB 97 159 255

HSL 216.46, 1%, 0.69%

LAB 65.4, 8.79, -53.68

 

CMYK 55 / 31 / 0 / 0

HEX #72B1FF

RGB 114 177 255

HSL 213.19, 1%, 0.72%

LAB 71.04, 1.74, -44.74

 

CMYK 49 / 24 / 0 / 0

HEX #83C3FF

RGB 131 195 255

HSL 209.03, 1%, 0.76%

LAB 76.72, -4.5, -35.82

 

CMYK 42 / 16 / 0 / 0

HEX #94D5FF

RGB 148 213 255

HSL 203.55, 1%, 0.79%

LAB 82.43, -10.03, -26.97

 

CMYK 71 / 45 / 0 / 0

HEX #4B8DFF

RGB 75 141 255

HSL 218, 1%, 0.65%

LAB 59.68, 16.03, -62.86

 

CMYK 75 / 48 / 0 / 7

HEX #3A7BEC

RGB 58 123 236

HSL 218.09, 0.82%, 0.58%

LAB 53.08, 18.12, -62.98

 

CMYK 81 / 52 / 0 / 15

HEX #2969D9

RGB 41 105 217

HSL 218.18, 0.7%, 0.51%

LAB 46.42, 20.65, -63.06

 

CMYK 88 / 56 / 0 / 22

HEX #1857C6

RGB 24 87 198

HSL 218.28, 0.78%, 0.44%

LAB 39.73, 23.71, -63.03

 

CMYK 96 / 61 / 0 / 30

HEX #0745B3

RGB 7 69 179

HSL 218.37, 0.92%, 0.36%

LAB 33.04, 27.4, -62.82

 

CMYK 70 / 45 / 0 / 0

HEX #4C8DFF

RGB 76 141 255

HSL 218.21, 1%, 0.65%

LAB 59.71, 16.17, -62.8

 

CMYK 70 / 64 / 0 / 0

HEX #4C5DFF

RGB 76 93 255

HSL 234.3, 1%, 0.65%

LAB 47.73, 45.41, -82.22

 

CMYK 58 / 70 / 0 / 0

HEX #6B4CFF

RGB 107 76 255

HSL 250.39, 1%, 0.65%

LAB 46.33, 58.78, -84.44

 

CMYK 39 / 70 / 0 / 0

HEX #9B4CFF

RGB 155 76 255

HSL 266.48, 1%, 0.65%

LAB 51.1, 66.23, -76.45

 

CMYK 20 / 70 / 0 / 0

HEX #CB4CFF

RGB 203 76 255

HSL 282.57, 1%, 0.65%

LAB 57.16, 75.12, -66.35

 

CMYK 70 / 45 / 0 / 0

HEX #4C8DFF

RGB 76 141 255

HSL 218.21, 1%, 0.65%

LAB 59.71, 16.17, -62.8

 

CMYK 70 / 64 / 0 / 0

HEX #4C5DFF

RGB 76 93 255

HSL 234.3, 1%, 0.65%

LAB 47.73, 45.41, -82.22

 

CMYK 70 / 70 / 0 / 0

HEX #4C4CFF

RGB 76 76 255

HSL 240, 1%, 0.65%

LAB 44.13, 55.17, -88.15

 

CMYK 70 / 45 / 0 / 0

HEX #4C8DFF

RGB 76 141 255

HSL 218.21, 1%, 0.65%

LAB 59.71, 16.17, -62.8

 

CMYK 70 / 45 / 0 / 0

HEX #4C8DFF

RGB 76 141 255

HSL 218.21, 1%, 0.65%

LAB 59.71, 16.17, -62.8

 

CMYK 63 / 40 / 0 / 6

HEX #5A91F0

RGB 90 145 240

HSL 218, 0.83%, 0.65%

LAB 60.53, 10.83, -53.21

 

CMYK 54 / 34 / 0 / 11

HEX #6995E2

RGB 105 149 226

HSL 218.18, 0.68%, 0.65%

LAB 61.64, 6.89, -43.65

 

CMYK 44 / 27 / 0 / 17

HEX #7799D3

RGB 119 153 211

HSL 217.83, 0.51%, 0.65%

LAB 62.85, 3.4, -33.37

 

CMYK 32 / 20 / 0 / 23

HEX #869DC5

RGB 134 157 197

HSL 218.1, 0.35%, 0.65%

LAB 64.33, 1.45, -23.2

 

CMYK 70 / 7 / 0 / 0

HEX #4CEDFF

RGB 76 237 255

HSL 186.03, 1%, 0.65%

LAB 86.66, -35.39, -20.76

 

CMYK 70 / 26 / 0 / 0

HEX #4CBDFF

RGB 76 189 255

HSL 202.12, 1%, 0.65%

LAB 72.99, -11.32, -41.78

 

CMYK 70 / 45 / 0 / 0

HEX #4C8DFF

RGB 76 141 255

HSL 218.21, 1%, 0.65%

LAB 59.71, 16.17, -62.8

 

CMYK 70 / 63 / 0 / 0

HEX #4C5EFF

RGB 76 94 255

HSL 233.97, 1%, 0.65%

LAB 47.96, 44.82, -81.85

 

CMYK 58 / 70 / 0 / 0

HEX #6A4CFF

RGB 106 76 255

HSL 250.06, 1%, 0.65%

LAB 46.25, 58.65, -84.58

 

CMYK 100 / 63 / 0 / 3

HEX #005BF8

RGB 0 91 248

HSL 217.98, 1%, 0.49%

LAB 44.6, 39.53, -83.54

 

CMYK 86 / 55 / 0 / 0

HEX #2373FF

RGB 35 115 255

HSL 218.18, 1%, 0.57%

LAB 51.65, 28.21, -75.88

 

CMYK 70 / 45 / 0 / 0

HEX #4C8DFF

RGB 76 141 255

HSL 218.21, 1%, 0.65%

LAB 59.71, 16.17, -62.8

 

CMYK 54 / 34 / 0 / 0

HEX #75A8FF

RGB 117 168 255

HSL 217.83, 1%, 0.73%

LAB 68.76, 7.45, -48.31

 

CMYK 38 / 24 / 0 / 0

HEX #9FC2FF

RGB 159 194 255

HSL 218.13, 1%, 0.81%

LAB 77.98, 2.92, -33.76

 

CMYK 71 / 45 / 0 / 0

HEX #4B8DFF

RGB 75 141 255

HSL 218, 1%, 0.65%

LAB 59.68, 16.03, -62.86

 

CMYK 12 / 70 / 0 / 0

HEX #E14CFF

RGB 225 76 255

HSL 289.94, 1%, 0.65%

LAB 60.25, 79.47, -61.23

 

CMYK 16 / 0 / 70 / 0

HEX #D5FF4C

RGB 213 255 76

HSL 74.08, 1%, 0.65%

LAB 94.39, -36.44, 76.5

 

CMYK 71 / 45 / 0 / 0

HEX #4B8DFF

RGB 75 141 255

HSL 218, 1%, 0.65%

LAB 59.68, 16.03, -62.86

 

CMYK 0 / 70 / 45 / 0

HEX #FF4C8D

RGB 255 76 141

HSL 338.21, 1%, 0.65%

LAB 60.21, 71.44, 4.04

 

CMYK 45 / 0 / 70 / 0

HEX #8DFF4C

RGB 141 255 76

HSL 98.21, 1%, 0.65%

LAB 90.64, -61.37, 71.52

 

CMYK 71 / 45 / 0 / 0

HEX #4B8DFF

RGB 75 141 255

HSL 218, 1%, 0.65%

LAB 59.68, 16.03, -62.86

 

CMYK 12 / 70 / 0 / 0

HEX #E14CFF

RGB 225 76 255

HSL 289.94, 1%, 0.65%

LAB 60.25, 79.47, -61.23

 

CMYK 0 / 26 / 70 / 0

HEX #FFBD4C

RGB 255 189 76

HSL 37.88, 1%, 0.65%

LAB 80.84, 13.28, 63.98

 

CMYK 58 / 0 / 70 / 0

HEX #6AFF4C

RGB 106 255 76

HSL 109.94, 1%, 0.65%

LAB 89.44, -70.63, 69.9

 

CMYK 71 / 45 / 0 / 0

HEX #4B8DFF

RGB 75 141 255

HSL 218, 1%, 0.65%

LAB 59.68, 16.03, -62.86

 

CMYK 0 / 70 / 9 / 0

HEX #FF4CE7

RGB 255 76 231

HSL 308.04, 1%, 0.65%

LAB 63.51, 82, -42.44

 

CMYK 0 / 26 / 70 / 0

HEX #FFBD4C

RGB 255 189 76

HSL 37.88, 1%, 0.65%

LAB 80.84, 13.28, 63.98

 

CMYK 70 / 0 / 61 / 0

HEX #4CFF64

RGB 76 255 100

HSL 128.04, 1%, 0.65%

LAB 88.91, -74.29, 59.78

 

Description

Color code: RGB 75 141 255 | qconv.com Color code: RGB 75 141 255 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 141 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 141 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 45 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 45% 0% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - Simply book our serv...
Link: http://tarottom.simplybook.me

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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