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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 0 172 it is the complementary color RGB 180 255 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 0 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 75 0 172 shade: RGB 80 0 167, RGB 97 18 186, RGB 114 36 205, RGB 131 54 224 and RGB 148 72 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 0 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 75 0 172 shade: RGB 75 0 172, RGB 58 0 153, RGB 41 0 134, RGB 24 0 115 and RGB 7 0 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 75 0 172 shade: RGB 75 0 173, RGB 122 0 173, RGB 169 0 173, RGB 173 0 130 and RGB 173 0 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 75 0 172 shade: RGB 75 0 173, RGB 28 0 173 and RGB 0 0 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 75 0 172 shade matches the following richer shades: RGB 75 0 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 75 0 172 shade: RGB 75 0 173, RGB 77 14 159, RGB 79 28 145, RGB 80 42 131 and RGB 82 56 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 75 0 172 shade: RGB 0 17 173, RGB 28 0 173, RGB 75 0 173, RGB 121 0 173 and RGB 167 0 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 75 0 172 shade: RGB 39 0 90, RGB 57 0 132, RGB 75 0 173, RGB 93 0 214 and RGB 111 0 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 75 0 172 shade: RGB 75 0 172, RGB 173 0 63 and RGB 0 173 5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 75 0 172 shade: RGB 75 0 172, RGB 173 75 0 and RGB 0 173 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 75 0 172 shade: RGB 75 0 172, RGB 173 0 63, RGB 98 173 0 and RGB 0 173 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 75 0 172 shade: RGB 75 0 172, RGB 173 0 11, RGB 98 173 0 and RGB 0 173 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 100 / 0 / 33

HEX #4B00AC

RGB 75 0 172

HSL 266.16, 1%, 0.34%

LAB 25.18, 61.24, -71.45

 

Complementary color

CMYK 29 / 0 / 67 / 0

HEX #B4FF53

RGB 180 255 83

HSL 86.16, 1%, 0.66%

LAB 92.51, -48.18, 71.49

 

CMYK 52 / 100 / 0 / 35

HEX #5000A7

RGB 80 0 167

HSL 268.74, 1%, 0.33%

LAB 25.25, 60.47, -68.31

 

CMYK 48 / 90 / 0 / 27

HEX #6112BA

RGB 97 18 186

HSL 268.21, 0.82%, 0.4%

LAB 30.69, 62.88, -70.63

 

CMYK 44 / 82 / 0 / 20

HEX #7224CD

RGB 114 36 205

HSL 267.69, 0.7%, 0.47%

LAB 36.46, 64.13, -72.21

 

CMYK 42 / 76 / 0 / 12

HEX #8336E0

RGB 131 54 224

HSL 267.18, 0.73%, 0.55%

LAB 42.53, 64.33, -73.11

 

CMYK 39 / 70 / 0 / 5

HEX #9448F3

RGB 148 72 243

HSL 266.67, 0.88%, 0.62%

LAB 48.76, 63.94, -73.6

 

CMYK 56 / 100 / 0 / 33

HEX #4B00AC

RGB 75 0 172

HSL 266.16, 1%, 0.34%

LAB 25.18, 61.24, -71.45

 

CMYK 62 / 100 / 0 / 40

HEX #3A0099

RGB 58 0 153

HSL 262.75, 1%, 0.3%

LAB 20.83, 55.68, -67.17

 

CMYK 69 / 100 / 0 / 47

HEX #290086

RGB 41 0 134

HSL 258.36, 1%, 0.26%

LAB 16.47, 50.08, -62.62

 

CMYK 79 / 100 / 0 / 55

HEX #180073

RGB 24 0 115

HSL 252.52, 1%, 0.23%

LAB 12.17, 44.47, -57.66

 

CMYK 93 / 100 / 0 / 62

HEX #070060

RGB 7 0 96

HSL 244.38, 1%, 0.19%

LAB 8.04, 38.87, -52.05

 

CMYK 57 / 100 / 0 / 32

HEX #4B00AD

RGB 75 0 173

HSL 266.01, 1%, 0.34%

LAB 25.3, 61.47, -71.86

 

CMYK 29 / 100 / 0 / 32

HEX #7A00AD

RGB 122 0 173

HSL 282.31, 1%, 0.34%

LAB 32.16, 66, -60.33

 

CMYK 2 / 100 / 0 / 32

HEX #A900AD

RGB 169 0 173

HSL 298.61, 1%, 0.34%

LAB 40.33, 72.8, -46.69

 

CMYK 0 / 100 / 25 / 32

HEX #AD0082

RGB 173 0 130

HSL 314.91, 1%, 0.34%

LAB 38.72, 67.67, -23.06

 

CMYK 0 / 100 / 51 / 32

HEX #AD0054

RGB 173 0 84

HSL 330.87, 1%, 0.34%

LAB 36.97, 63.16, 3.47

 

CMYK 57 / 100 / 0 / 32

HEX #4B00AD

RGB 75 0 173

HSL 266.01, 1%, 0.34%

LAB 25.3, 61.47, -71.86

 

CMYK 84 / 100 / 0 / 32

HEX #1C00AD

RGB 28 0 173

HSL 249.71, 1%, 0.34%

LAB 21.07, 59.53, -79.01

 

CMYK 100 / 100 / 0 / 32

HEX #0000AD

RGB 0 0 173

HSL 240, 1%, 0.34%

LAB 20.11, 59.21, -80.64

 

CMYK 57 / 100 / 0 / 32

HEX #4B00AD

RGB 75 0 173

HSL 266.01, 1%, 0.34%

LAB 25.3, 61.47, -71.86

 

CMYK 57 / 100 / 0 / 32

HEX #4B00AD

RGB 75 0 173

HSL 266.01, 1%, 0.34%

LAB 25.3, 61.47, -71.86

 

CMYK 52 / 91 / 0 / 38

HEX #4D0E9F

RGB 77 14 159

HSL 266.07, 0.84%, 0.34%

LAB 24.94, 55.39, -63.97

 

CMYK 46 / 81 / 0 / 43

HEX #4F1C91

RGB 79 28 145

HSL 266.15, 0.68%, 0.34%

LAB 25.37, 47.44, -54.63

 

CMYK 39 / 68 / 0 / 49

HEX #502A83

RGB 80 42 131

HSL 265.62, 0.51%, 0.34%

LAB 26.74, 37.03, -43.69

 

CMYK 30 / 52 / 0 / 54

HEX #523875

RGB 82 56 117

HSL 265.57, 0.35%, 0.34%

LAB 29.18, 25.35, -30.94

 

CMYK 100 / 90 / 0 / 32

HEX #0011AD

RGB 0 17 173

HSL 234.1, 1%, 0.34%

LAB 21.65, 54.49, -78.08

 

CMYK 84 / 100 / 0 / 32

HEX #1C00AD

RGB 28 0 173

HSL 249.71, 1%, 0.34%

LAB 21.07, 59.53, -79.01

 

CMYK 57 / 100 / 0 / 32

HEX #4B00AD

RGB 75 0 173

HSL 266.01, 1%, 0.34%

LAB 25.3, 61.47, -71.86

 

CMYK 30 / 100 / 0 / 32

HEX #7900AD

RGB 121 0 173

HSL 281.97, 1%, 0.34%

LAB 31.99, 65.88, -60.6

 

CMYK 3 / 100 / 0 / 32

HEX #A700AD

RGB 167 0 173

HSL 297.92, 1%, 0.34%

LAB 39.97, 72.48, -47.29

 

CMYK 57 / 100 / 0 / 65

HEX #27005A

RGB 39 0 90

HSL 266, 1%, 0.18%

LAB 10.33, 38.73, -44.1

 

CMYK 57 / 100 / 0 / 48

HEX #390084

RGB 57 0 132

HSL 265.91, 1%, 0.26%

LAB 18.08, 50.54, -58.62

 

CMYK 57 / 100 / 0 / 32

HEX #4B00AD

RGB 75 0 173

HSL 266.01, 1%, 0.34%

LAB 25.3, 61.47, -71.86

 

CMYK 57 / 100 / 0 / 16

HEX #5D00D6

RGB 93 0 214

HSL 266.07, 1%, 0.42%

LAB 32.22, 71.94, -84.51

 

CMYK 56 / 100 / 0 / 0

HEX #6F00FF

RGB 111 0 255

HSL 266.12, 1%, 0.5%

LAB 38.9, 82.04, -96.7

 

CMYK 56 / 100 / 0 / 33

HEX #4B00AC

RGB 75 0 172

HSL 266.16, 1%, 0.34%

LAB 25.18, 61.24, -71.45

 

CMYK 0 / 100 / 64 / 32

HEX #AD003F

RGB 173 0 63

HSL 338.15, 1%, 0.34%

LAB 36.45, 61.76, 16.36

 

CMYK 100 / 0 / 97 / 32

HEX #00AD05

RGB 0 173 5

HSL 121.73, 1%, 0.34%

LAB 61.57, -64.31, 61.52

 

CMYK 56 / 100 / 0 / 33

HEX #4B00AC

RGB 75 0 172

HSL 266.16, 1%, 0.34%

LAB 25.18, 61.24, -71.45

 

CMYK 0 / 57 / 100 / 32

HEX #AD4B00

RGB 173 75 0

HSL 26.01, 1%, 0.34%

LAB 44.11, 37.04, 54.2

 

CMYK 100 / 0 / 57 / 32

HEX #00AD4B

RGB 0 173 75

HSL 146.01, 1%, 0.34%

LAB 61.99, -58.88, 39.47

 

CMYK 56 / 100 / 0 / 33

HEX #4B00AC

RGB 75 0 172

HSL 266.16, 1%, 0.34%

LAB 25.18, 61.24, -71.45

 

CMYK 0 / 100 / 64 / 32

HEX #AD003F

RGB 173 0 63

HSL 338.15, 1%, 0.34%

LAB 36.45, 61.76, 16.36

 

CMYK 43 / 0 / 100 / 32

HEX #62AD00

RGB 98 173 0

HSL 86.01, 1%, 0.34%

LAB 63.74, -46.41, 64.84

 

CMYK 100 / 0 / 37 / 32

HEX #00AD6D

RGB 0 173 109

HSL 157.8, 1%, 0.34%

LAB 62.5, -52.81, 22.58

 

CMYK 56 / 100 / 0 / 33

HEX #4B00AC

RGB 75 0 172

HSL 266.16, 1%, 0.34%

LAB 25.18, 61.24, -71.45

 

CMYK 0 / 100 / 94 / 32

HEX #AD000B

RGB 173 0 11

HSL 356.18, 1%, 0.34%

LAB 35.81, 60.02, 45.77

 

CMYK 43 / 0 / 100 / 32

HEX #62AD00

RGB 98 173 0

HSL 86.01, 1%, 0.34%

LAB 63.74, -46.41, 64.84

 

CMYK 100 / 0 / 7 / 32

HEX #00ADA1

RGB 0 173 161

HSL 175.84, 1%, 0.34%

LAB 63.72, -39.56, -4.41

 

Description

Color code: RGB 75 0 172 | qconv.com Color code: RGB 75 0 172 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, none green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 0 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 100 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 100% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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