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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 99 158 it is the complementary color RGB 180 156 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 99 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 75 99 158 shade: RGB 80 99 153, RGB 97 117 172, RGB 114 135 191, RGB 131 153 210 and RGB 148 171 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 99 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 75 99 158 shade: RGB 75 99 158, RGB 58 81 139, RGB 41 63 120, RGB 24 45 101 and RGB 7 27 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 75 99 158 shade: RGB 75 99 159, RGB 75 76 159, RGB 96 75 159, RGB 118 75 159 and RGB 141 75 159

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 75 99 158 shade: RGB 75 99 159, RGB 75 76 159 and RGB 75 75 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 75 99 158 shade matches the following richer shades: RGB 75 99 159, RGB 56 91 178, RGB 37 83 197 and RGB 18 75 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 75 99 158 shade: RGB 75 99 159, RGB 94 107 140, RGB 113 115 121, RGB 132 123 102 and RGB 150 131 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 75 99 158 shade: RGB 75 145 159, RGB 75 122 159, RGB 75 100 159, RGB 75 77 159 and RGB 94 75 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 75 99 158 shade: RGB 48 64 103, RGB 61 81 131, RGB 75 99 159, RGB 95 120 180 and RGB 123 143 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 75 99 158 shade: RGB 75 99 158, RGB 151 75 159 and RGB 134 159 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 75 99 158 shade: RGB 75 99 158, RGB 159 75 100 and RGB 100 159 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 75 99 158 shade: RGB 75 99 158, RGB 151 75 159, RGB 159 134 75 and RGB 83 159 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 75 99 158 shade: RGB 75 99 158, RGB 159 75 142, RGB 159 134 75 and RGB 75 159 91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 37 / 0 / 38

HEX #4B639E

RGB 75 99 158

HSL 222.65, 0.36%, 0.46%

LAB 42.59, 8.54, -34.82

 

Complementary color

CMYK 0 / 13 / 46 / 29

HEX #B49C61

RGB 180 156 97

HSL 42.65, 0.36%, 0.54%

LAB 65.23, 0.81, 34.07

 

CMYK 48 / 35 / 0 / 40

HEX #506399

RGB 80 99 153

HSL 224.38, 0.31%, 0.46%

LAB 42.66, 8.18, -31.73

 

CMYK 44 / 32 / 0 / 33

HEX #6175AC

RGB 97 117 172

HSL 224, 0.31%, 0.53%

LAB 49.79, 7.43, -31.65

 

CMYK 40 / 29 / 0 / 25

HEX #7287BF

RGB 114 135 191

HSL 223.64, 0.38%, 0.6%

LAB 56.75, 6.82, -31.63

 

CMYK 38 / 27 / 0 / 18

HEX #8399D2

RGB 131 153 210

HSL 223.29, 0.47%, 0.67%

LAB 63.56, 6.3, -31.66

 

CMYK 35 / 25 / 0 / 10

HEX #94ABE5

RGB 148 171 229

HSL 222.96, 0.61%, 0.74%

LAB 70.23, 5.85, -31.72

 

CMYK 53 / 37 / 0 / 38

HEX #4B639E

RGB 75 99 158

HSL 222.65, 0.36%, 0.46%

LAB 42.59, 8.54, -34.82

 

CMYK 58 / 42 / 0 / 45

HEX #3A518B

RGB 58 81 139

HSL 222.96, 0.41%, 0.39%

LAB 35.3, 9.68, -35

 

CMYK 66 / 48 / 0 / 53

HEX #293F78

RGB 41 63 120

HSL 223.29, 0.49%, 0.32%

LAB 27.8, 11.21, -35.23

 

CMYK 76 / 55 / 0 / 60

HEX #182D65

RGB 24 45 101

HSL 223.64, 0.62%, 0.25%

LAB 20.09, 13.36, -35.5

 

CMYK 91 / 67 / 0 / 68

HEX #071B52

RGB 7 27 82

HSL 224, 0.84%, 0.17%

LAB 12.21, 16.5, -35.67

 

CMYK 53 / 38 / 0 / 38

HEX #4B639F

RGB 75 99 159

HSL 222.86, 0.36%, 0.46%

LAB 42.65, 8.87, -35.34

 

CMYK 53 / 52 / 0 / 38

HEX #4B4C9F

RGB 75 76 159

HSL 239.29, 0.36%, 0.46%

LAB 36.31, 23.58, -45.44

 

CMYK 40 / 53 / 0 / 38

HEX #604B9F

RGB 96 75 159

HSL 255, 0.36%, 0.46%

LAB 37.88, 29.26, -42.81

 

CMYK 26 / 53 / 0 / 38

HEX #764B9F

RGB 118 75 159

HSL 270.71, 0.36%, 0.46%

LAB 40.22, 35.13, -38.94

 

CMYK 11 / 53 / 0 / 38

HEX #8D4B9F

RGB 141 75 159

HSL 287.14, 0.36%, 0.46%

LAB 43.06, 41.62, -34.27

 

CMYK 53 / 38 / 0 / 38

HEX #4B639F

RGB 75 99 159

HSL 222.86, 0.36%, 0.46%

LAB 42.65, 8.87, -35.34

 

CMYK 53 / 52 / 0 / 38

HEX #4B4C9F

RGB 75 76 159

HSL 239.29, 0.36%, 0.46%

LAB 36.31, 23.58, -45.44

 

CMYK 53 / 53 / 0 / 38

HEX #4B4B9F

RGB 75 75 159

HSL 240, 0.36%, 0.46%

LAB 36.04, 24.22, -45.86

 

CMYK 53 / 38 / 0 / 38

HEX #4B639F

RGB 75 99 159

HSL 222.86, 0.36%, 0.46%

LAB 42.65, 8.87, -35.34

 

CMYK 69 / 49 / 0 / 30

HEX #385BB2

RGB 56 91 178

HSL 222.79, 0.52%, 0.46%

LAB 40.47, 16.87, -50.09

 

CMYK 81 / 58 / 0 / 23

HEX #2553C5

RGB 37 83 197

HSL 222.75, 0.68%, 0.46%

LAB 38.92, 26.93, -63.76

 

CMYK 92 / 65 / 0 / 15

HEX #124BD8

RGB 18 75 216

HSL 222.73, 0.85%, 0.46%

LAB 38.05, 38.17, -76.17

 

CMYK 53 / 38 / 0 / 38

HEX #4B639F

RGB 75 99 159

HSL 222.86, 0.36%, 0.46%

LAB 42.65, 8.87, -35.34

 

CMYK 33 / 24 / 0 / 45

HEX #5E6B8C

RGB 94 107 140

HSL 223.04, 0.2%, 0.46%

LAB 45.34, 3.41, -19.72

 

CMYK 7 / 5 / 0 / 53

HEX #717379

RGB 113 115 121

HSL 225, 0.03%, 0.46%

LAB 48.45, 0.5, -3.57

 

CMYK 0 / 7 / 23 / 48

HEX #847B66

RGB 132 123 102

HSL 42, 0.13%, 0.46%

LAB 51.87, -0.21, 12.74

 

CMYK 0 / 13 / 45 / 41

HEX #968353

RGB 150 131 83

HSL 42.99, 0.29%, 0.46%

LAB 55.42, 0.32, 28.56

 

CMYK 53 / 9 / 0 / 38

HEX #4B919F

RGB 75 145 159

HSL 190, 0.36%, 0.46%

LAB 56.34, -17.99, -14.17

 

CMYK 53 / 23 / 0 / 38

HEX #4B7A9F

RGB 75 122 159

HSL 206.43, 0.36%, 0.46%

LAB 49.4, -5.12, -24.78

 

CMYK 53 / 37 / 0 / 38

HEX #4B649F

RGB 75 100 159

HSL 222.14, 0.36%, 0.46%

LAB 42.93, 8.24, -34.88

 

CMYK 53 / 52 / 0 / 38

HEX #4B4D9F

RGB 75 77 159

HSL 238.57, 0.36%, 0.46%

LAB 36.57, 22.94, -45.02

 

CMYK 41 / 53 / 0 / 38

HEX #5E4B9F

RGB 94 75 159

HSL 253.57, 0.36%, 0.46%

LAB 37.69, 28.75, -43.13

 

CMYK 53 / 38 / 0 / 60

HEX #304067

RGB 48 64 103

HSL 222.55, 0.36%, 0.3%

LAB 27.5, 5.89, -24.87

 

CMYK 53 / 38 / 0 / 49

HEX #3D5183

RGB 61 81 131

HSL 222.86, 0.36%, 0.38%

LAB 35.03, 7.61, -30.5

 

CMYK 53 / 38 / 0 / 38

HEX #4B639F

RGB 75 99 159

HSL 222.86, 0.36%, 0.46%

LAB 42.65, 8.87, -35.34

 

CMYK 47 / 33 / 0 / 29

HEX #5F78B4

RGB 95 120 180

HSL 222.35, 0.36%, 0.54%

LAB 50.88, 7.52, -34.6

 

CMYK 36 / 26 / 0 / 24

HEX #7B8FC1

RGB 123 143 193

HSL 222.86, 0.36%, 0.62%

LAB 59.62, 5.21, -28.26

 

CMYK 53 / 37 / 0 / 38

HEX #4B639E

RGB 75 99 158

HSL 222.65, 0.36%, 0.46%

LAB 42.59, 8.54, -34.82

 

CMYK 5 / 53 / 0 / 38

HEX #974B9F

RGB 151 75 159

HSL 294.29, 0.36%, 0.46%

LAB 44.4, 44.49, -32.07

 

CMYK 16 / 0 / 53 / 38

HEX #869F4B

RGB 134 159 75

HSL 77.86, 0.36%, 0.46%

LAB 61.97, -22.28, 40.51

 

CMYK 53 / 37 / 0 / 38

HEX #4B639E

RGB 75 99 158

HSL 222.65, 0.36%, 0.46%

LAB 42.59, 8.54, -34.82

 

CMYK 0 / 53 / 37 / 38

HEX #9F4B64

RGB 159 75 100

HSL 342.14, 0.36%, 0.46%

LAB 43.25, 37.57, 2.12

 

CMYK 37 / 0 / 53 / 38

HEX #649F4B

RGB 100 159 75

HSL 102.14, 0.36%, 0.46%

LAB 59.9, -35.2, 37.53

 

CMYK 53 / 37 / 0 / 38

HEX #4B639E

RGB 75 99 158

HSL 222.65, 0.36%, 0.46%

LAB 42.59, 8.54, -34.82

 

CMYK 5 / 53 / 0 / 38

HEX #974B9F

RGB 151 75 159

HSL 294.29, 0.36%, 0.46%

LAB 44.4, 44.49, -32.07

 

CMYK 0 / 16 / 53 / 38

HEX #9F864B

RGB 159 134 75

HSL 42.14, 0.36%, 0.46%

LAB 57.01, 1.76, 35.04

 

CMYK 48 / 0 / 53 / 38

HEX #539F4B

RGB 83 159 75

HSL 114.29, 0.36%, 0.46%

LAB 59.11, -40.73, 36.38

 

CMYK 53 / 37 / 0 / 38

HEX #4B639E

RGB 75 99 158

HSL 222.65, 0.36%, 0.46%

LAB 42.59, 8.54, -34.82

 

CMYK 0 / 53 / 11 / 38

HEX #9F4B8E

RGB 159 75 142

HSL 312.14, 0.36%, 0.46%

LAB 44.74, 43.77, -21.27

 

CMYK 0 / 16 / 53 / 38

HEX #9F864B

RGB 159 134 75

HSL 42.14, 0.36%, 0.46%

LAB 57.01, 1.76, 35.04

 

CMYK 53 / 0 / 43 / 38

HEX #4B9F5B

RGB 75 159 91

HSL 131.43, 0.36%, 0.46%

LAB 59.02, -40.61, 27.89

 

Description

Color code: RGB 75 99 158 | qconv.com Color code: RGB 75 99 158 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 99 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 99 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 37 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 37% 0% 38% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - MercadoLibre Venezue...
Link: http://www.mercadolibre.com.ve

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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