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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 57 51 it is the complementary color RGB 180 198 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 57 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 75 57 51 shade: RGB 80 57 46, RGB 97 75 65, RGB 114 93 84, RGB 131 111 103 and RGB 148 129 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 57 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 75 57 51 shade: RGB 75 57 51, RGB 58 39 32, RGB 41 21 13, RGB 24 3 0 and RGB 7 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 75 57 51 shade: RGB 75 57 51 and RGB 75 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 75 57 51 shade: RGB 75 57 51, RGB 75 64 51, RGB 75 70 51, RGB 74 75 51 and RGB 67 75 51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 75 57 51 shade matches the following richer shades: RGB 75 57 51, RGB 86 52 41, RGB 96 47 31, RGB 106 42 20 and RGB 117 37 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 75 57 51 shade: RGB 75 57 51, RGB 65 62 61, RGB 55 68 72, RGB 44 73 82 and RGB 34 78 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 75 57 51 shade: RGB 75 51 58, RGB 75 51 52, RGB 75 57 51, RGB 75 64 51 and RGB 75 70 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 75 57 51 shade: RGB 26 20 18, RGB 51 39 34, RGB 75 57 51, RGB 100 76 68 and RGB 124 95 85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 75 57 51 shade: RGB 75 57 51, RGB 64 75 51 and RGB 51 55 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 75 57 51 shade: RGB 75 57 51, RGB 51 75 57 and RGB 57 51 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 75 57 51 shade: RGB 75 57 51, RGB 64 75 51, RGB 51 69 75 and RGB 62 51 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 75 57 51 shade: RGB 75 57 51, RGB 57 75 51, RGB 51 69 75 and RGB 69 51 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 32 / 71

HEX #4B3933

RGB 75 57 51

HSL 15, 0.19%, 0.25%

LAB 25.75, 6.93, 6.79

 

Complementary color

CMYK 12 / 3 / 0 / 20

HEX #B4C6CC

RGB 180 198 204

HSL 195, 0.19%, 0.75%

LAB 78.72, -4.89, -5.09

 

CMYK 0 / 29 / 43 / 69

HEX #50392E

RGB 80 57 46

HSL 19.41, 0.27%, 0.25%

LAB 26.24, 8.52, 10.86

 

CMYK 0 / 23 / 33 / 62

HEX #614B41

RGB 97 75 65

HSL 18.75, 0.2%, 0.32%

LAB 33.89, 7.67, 9.51

 

CMYK 0 / 18 / 26 / 55

HEX #725D54

RGB 114 93 84

HSL 18, 0.15%, 0.39%

LAB 41.29, 7.02, 8.37

 

CMYK 0 / 15 / 21 / 49

HEX #836F67

RGB 131 111 103

HSL 17.14, 0.12%, 0.46%

LAB 48.48, 6.49, 7.36

 

CMYK 0 / 13 / 18 / 42

HEX #94817A

RGB 148 129 122

HSL 16.15, 0.11%, 0.53%

LAB 55.48, 6.04, 6.45

 

CMYK 0 / 24 / 32 / 71

HEX #4B3933

RGB 75 57 51

HSL 15, 0.19%, 0.25%

LAB 25.75, 6.93, 6.79

 

CMYK 0 / 33 / 45 / 77

HEX #3A2720

RGB 58 39 32

HSL 16.15, 0.29%, 0.18%

LAB 17.71, 7.83, 8.17

 

CMYK 0 / 49 / 68 / 84

HEX #29150D

RGB 41 21 13

HSL 17.14, 0.52%, 0.11%

LAB 9.29, 9.16, 8.66

 

CMYK 0 / 88 / 100 / 91

HEX #180300

RGB 24 3 0

HSL 7.5, 1%, 0.05%

LAB 2.34, 6.67, 3.63

 

CMYK 0 / 100 / 100 / 97

HEX #070000

RGB 7 0 0

HSL 0, 1%, 0.01%

LAB 0.41, 1.83, 0.64

 

CMYK 0 / 24 / 32 / 71

HEX #4B3933

RGB 75 57 51

HSL 15, 0.19%, 0.25%

LAB 25.75, 6.93, 6.79

 

CMYK 0 / 32 / 32 / 71

HEX #4B3333

RGB 75 51 51

HSL 0, 0.19%, 0.25%

LAB 24.01, 10.86, 4.33

 

CMYK 0 / 24 / 32 / 71

HEX #4B3933

RGB 75 57 51

HSL 15, 0.19%, 0.25%

LAB 25.75, 6.93, 6.79

 

CMYK 0 / 15 / 32 / 71

HEX #4B4033

RGB 75 64 51

HSL 32.5, 0.19%, 0.25%

LAB 27.85, 2.4, 9.71

 

CMYK 0 / 7 / 32 / 71

HEX #4B4633

RGB 75 70 51

HSL 47.5, 0.19%, 0.25%

LAB 29.7, -1.4, 12.24

 

CMYK 1 / 0 / 32 / 71

HEX #4A4B33

RGB 74 75 51

HSL 62.5, 0.19%, 0.25%

LAB 31.18, -4.96, 14.21

 

CMYK 11 / 0 / 32 / 71

HEX #434B33

RGB 67 75 51

HSL 80, 0.19%, 0.25%

LAB 30.56, -8.12, 13.27

 

CMYK 0 / 24 / 32 / 71

HEX #4B3933

RGB 75 57 51

HSL 15, 0.19%, 0.25%

LAB 25.75, 6.93, 6.79

 

CMYK 0 / 40 / 52 / 66

HEX #563429

RGB 86 52 41

HSL 14.67, 0.35%, 0.25%

LAB 25.55, 13.91, 13.34

 

CMYK 0 / 51 / 68 / 62

HEX #602F1F

RGB 96 47 31

HSL 14.77, 0.51%, 0.25%

LAB 25.62, 20.66, 20.19

 

CMYK 0 / 60 / 81 / 58

HEX #6A2A14

RGB 106 42 20

HSL 15.35, 0.68%, 0.25%

LAB 26.07, 27.22, 27.79

 

CMYK 0 / 68 / 91 / 54

HEX #75250A

RGB 117 37 10

HSL 15.14, 0.84%, 0.25%

LAB 27.09, 33.85, 34.52

 

CMYK 0 / 24 / 32 / 71

HEX #4B3933

RGB 75 57 51

HSL 15, 0.19%, 0.25%

LAB 25.75, 6.93, 6.79

 

CMYK 0 / 5 / 6 / 75

HEX #413E3D

RGB 65 62 61

HSL 15, 0.03%, 0.25%

LAB 26.47, 1.07, 1.07

 

CMYK 24 / 6 / 0 / 72

HEX #374448

RGB 55 68 72

HSL 194.12, 0.13%, 0.25%

LAB 27.88, -4.18, -4.16

 

CMYK 46 / 11 / 0 / 68

HEX #2C4952

RGB 44 73 82

HSL 194.21, 0.3%, 0.25%

LAB 29.18, -8.11, -8.77

 

CMYK 63 / 15 / 0 / 64

HEX #224E5C

RGB 34 78 92

HSL 194.48, 0.46%, 0.25%

LAB 30.79, -10.46, -12.79

 

CMYK 0 / 32 / 23 / 71

HEX #4B333A

RGB 75 51 58

HSL 342.5, 0.19%, 0.25%

LAB 24.22, 12.07, -0.06

 

CMYK 0 / 32 / 31 / 71

HEX #4B3334

RGB 75 51 52

HSL 357.5, 0.19%, 0.25%

LAB 24.04, 11.02, 3.7

 

CMYK 0 / 24 / 32 / 71

HEX #4B3933

RGB 75 57 51

HSL 15, 0.19%, 0.25%

LAB 25.75, 6.93, 6.79

 

CMYK 0 / 15 / 32 / 71

HEX #4B4033

RGB 75 64 51

HSL 32.5, 0.19%, 0.25%

LAB 27.85, 2.4, 9.71

 

CMYK 0 / 7 / 32 / 71

HEX #4B4633

RGB 75 70 51

HSL 47.5, 0.19%, 0.25%

LAB 29.7, -1.4, 12.24

 

CMYK 0 / 23 / 31 / 90

HEX #1A1412

RGB 26 20 18

HSL 15, 0.18%, 0.09%

LAB 6.9, 2.44, 2.19

 

CMYK 0 / 24 / 33 / 80

HEX #332722

RGB 51 39 34

HSL 17.65, 0.2%, 0.17%

LAB 16.85, 4.69, 5.44

 

CMYK 0 / 24 / 32 / 71

HEX #4B3933

RGB 75 57 51

HSL 15, 0.19%, 0.25%

LAB 25.75, 6.93, 6.79

 

CMYK 0 / 24 / 32 / 61

HEX #644C44

RGB 100 76 68

HSL 15, 0.19%, 0.33%

LAB 34.59, 8.84, 8.65

 

CMYK 0 / 23 / 31 / 51

HEX #7C5F55

RGB 124 95 85

HSL 15.38, 0.19%, 0.41%

LAB 42.95, 10.23, 10.25

 

CMYK 0 / 24 / 32 / 71

HEX #4B3933

RGB 75 57 51

HSL 15, 0.19%, 0.25%

LAB 25.75, 6.93, 6.79

 

CMYK 15 / 0 / 32 / 71

HEX #404B33

RGB 64 75 51

HSL 87.5, 0.19%, 0.25%

LAB 30.31, -9.44, 12.89

 

CMYK 32 / 27 / 0 / 71

HEX #33374B

RGB 51 55 75

HSL 230, 0.19%, 0.25%

LAB 23.49, 3.74, -12.82

 

CMYK 0 / 24 / 32 / 71

HEX #4B3933

RGB 75 57 51

HSL 15, 0.19%, 0.25%

LAB 25.75, 6.93, 6.79

 

CMYK 32 / 0 / 24 / 71

HEX #334B39

RGB 51 75 57

HSL 135, 0.19%, 0.25%

LAB 29.49, -13.61, 7.82

 

CMYK 24 / 32 / 0 / 71

HEX #39334B

RGB 57 51 75

HSL 255, 0.19%, 0.25%

LAB 22.81, 8.65, -13.81

 

CMYK 0 / 24 / 32 / 71

HEX #4B3933

RGB 75 57 51

HSL 15, 0.19%, 0.25%

LAB 25.75, 6.93, 6.79

 

CMYK 15 / 0 / 32 / 71

HEX #404B33

RGB 64 75 51

HSL 87.5, 0.19%, 0.25%

LAB 30.31, -9.44, 12.89

 

CMYK 32 / 8 / 0 / 71

HEX #33454B

RGB 51 69 75

HSL 195, 0.19%, 0.25%

LAB 28.03, -5.43, -5.93

 

CMYK 17 / 32 / 0 / 71

HEX #3E334B

RGB 62 51 75

HSL 267.5, 0.19%, 0.25%

LAB 23.34, 10.52, -12.96

 

CMYK 0 / 24 / 32 / 71

HEX #4B3933

RGB 75 57 51

HSL 15, 0.19%, 0.25%

LAB 25.75, 6.93, 6.79

 

CMYK 24 / 0 / 32 / 71

HEX #394B33

RGB 57 75 51

HSL 105, 0.19%, 0.25%

LAB 29.77, -12.44, 12.07

 

CMYK 32 / 8 / 0 / 71

HEX #33454B

RGB 51 69 75

HSL 195, 0.19%, 0.25%

LAB 28.03, -5.43, -5.93

 

CMYK 8 / 32 / 0 / 71

HEX #45334B

RGB 69 51 75

HSL 285, 0.19%, 0.25%

LAB 24.13, 13.21, -11.67

 

Description

Color code: RGB 75 57 51 | qconv.com Color code: RGB 75 57 51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 57 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 57 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 32 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 32% 71% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

35% - You - Creative HTML ...
Link: http://you.html.themeplayers.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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