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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 235 40 it is the complementary color RGB 181 20 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 235 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74 235 40 shade: RGB 79 235 35, RGB 96 253 54, RGB 113 255 73, RGB 130 255 92 and RGB 147 255 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 235 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74 235 40 shade: RGB 74 235 40, RGB 57 217 21, RGB 40 199 2, RGB 23 181 0 and RGB 6 163 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74 235 40 shade: RGB 74 235 40, RGB 126 235 40, RGB 179 235 40, RGB 231 235 40 and RGB 235 185 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74 235 40 shade: RGB 74 235 40, RGB 40 235 58, RGB 40 235 111, RGB 40 235 163 and RGB 40 235 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74 235 40 shade matches the following richer shades: RGB 74 235 40 and RGB 61 254 21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74 235 40 shade: RGB 74 235 40, RGB 86 216 59, RGB 99 197 78, RGB 111 178 97 and RGB 123 159 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74 235 40 shade: RGB 179 235 40, RGB 127 235 40, RGB 76 235 40, RGB 40 235 56 and RGB 40 235 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74 235 40 shade: RGB 44 176 16, RGB 53 214 19, RGB 74 235 40, RGB 106 238 78 and RGB 137 242 115

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74 235 40 shade: RGB 74 235 40, RGB 40 231 235 and RGB 235 40 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74 235 40 shade: RGB 74 235 40, RGB 40 76 235 and RGB 235 40 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74 235 40 shade: RGB 74 235 40, RGB 40 231 235, RGB 199 40 235 and RGB 235 43 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74 235 40 shade: RGB 74 235 40, RGB 40 173 235, RGB 199 40 235 and RGB 235 102 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 83 / 8

HEX #4AEB28

RGB 74 235 40

HSL 109.54, 0.83%, 0.54%

LAB 82.39, -72.98, 73.62

 

Complementary color

CMYK 16 / 91 / 0 / 16

HEX #B514D7

RGB 181 20 215

HSL 289.54, 0.83%, 0.46%

LAB 45.95, 79.26, -62.08

 

CMYK 66 / 0 / 85 / 8

HEX #4FEB23

RGB 79 235 35

HSL 106.8, 0.83%, 0.53%

LAB 82.49, -72.25, 74.85

 

CMYK 62 / 0 / 79 / 1

HEX #60FD36

RGB 96 253 54

HSL 107.34, 0.98%, 0.6%

LAB 88.45, -73.61, 75.79

 

CMYK 56 / 0 / 71 / 0

HEX #71FF49

RGB 113 255 73

HSL 106.81, 1%, 0.64%

LAB 89.63, -69.19, 71.21

 

CMYK 49 / 0 / 64 / 0

HEX #82FF5C

RGB 130 255 92

HSL 106.01, 1%, 0.68%

LAB 90.34, -63.26, 65.06

 

CMYK 42 / 0 / 56 / 0

HEX #93FF6F

RGB 147 255 111

HSL 105, 1%, 0.72%

LAB 91.18, -56.56, 58.22

 

CMYK 69 / 0 / 83 / 8

HEX #4AEB28

RGB 74 235 40

HSL 109.54, 0.83%, 0.54%

LAB 82.39, -72.98, 73.62

 

CMYK 74 / 0 / 90 / 15

HEX #39D915

RGB 57 217 21

HSL 108.98, 0.82%, 0.47%

LAB 76.41, -71.1, 72

 

CMYK 80 / 0 / 99 / 22

HEX #28C702

RGB 40 199 2

HSL 108.43, 0.98%, 0.39%

LAB 70.39, -68.61, 69.18

 

CMYK 87 / 0 / 100 / 29

HEX #17B500

RGB 23 181 0

HSL 112.38, 1%, 0.35%

LAB 64.35, -65.29, 64.49

 

CMYK 96 / 0 / 100 / 36

HEX #06A300

RGB 6 163 0

HSL 117.79, 1%, 0.32%

LAB 58.26, -61.33, 59.56

 

CMYK 69 / 0 / 83 / 8

HEX #4AEB28

RGB 74 235 40

HSL 109.54, 0.83%, 0.54%

LAB 82.39, -72.98, 73.62

 

CMYK 46 / 0 / 83 / 8

HEX #7EEB28

RGB 126 235 40

HSL 93.54, 0.83%, 0.54%

LAB 83.97, -60.32, 75.62

 

CMYK 24 / 0 / 83 / 8

HEX #B3EB28

RGB 179 235 40

HSL 77.23, 0.83%, 0.54%

LAB 86.58, -42.11, 78.91

 

CMYK 2 / 0 / 83 / 8

HEX #E7EB28

RGB 231 235 40

HSL 61.23, 0.83%, 0.54%

LAB 90.12, -21.35, 83.33

 

CMYK 0 / 21 / 83 / 8

HEX #EBB928

RGB 235 185 40

HSL 44.62, 0.83%, 0.54%

LAB 77.59, 5.53, 72.95

 

CMYK 69 / 0 / 83 / 8

HEX #4AEB28

RGB 74 235 40

HSL 109.54, 0.83%, 0.54%

LAB 82.39, -72.98, 73.62

 

CMYK 83 / 0 / 75 / 8

HEX #28EB3A

RGB 40 235 58

HSL 125.54, 0.83%, 0.54%

LAB 81.93, -76.67, 67.99

 

CMYK 83 / 0 / 53 / 8

HEX #28EB6F

RGB 40 235 111

HSL 141.85, 0.83%, 0.54%

LAB 82.39, -71.06, 47.08

 

CMYK 83 / 0 / 31 / 8

HEX #28EBA3

RGB 40 235 163

HSL 157.85, 0.83%, 0.54%

LAB 83.19, -61.8, 22.3

 

CMYK 83 / 0 / 8 / 8

HEX #28EBD8

RGB 40 235 216

HSL 174.15, 0.83%, 0.54%

LAB 84.39, -48.96, -3.7

 

CMYK 69 / 0 / 83 / 8

HEX #4AEB28

RGB 74 235 40

HSL 109.54, 0.83%, 0.54%

LAB 82.39, -72.98, 73.62

 

CMYK 76 / 0 / 92 / 0

HEX #3DFE15

RGB 61 254 21

HSL 109.7, 0.99%, 0.54%

LAB 87.93, -81.27, 81.69

 

CMYK 69 / 0 / 83 / 8

HEX #4AEB28

RGB 74 235 40

HSL 109.54, 0.83%, 0.54%

LAB 82.39, -72.98, 73.62

 

CMYK 60 / 0 / 73 / 15

HEX #56D83B

RGB 86 216 59

HSL 109.68, 0.67%, 0.54%

LAB 76.92, -63.22, 62.95

 

CMYK 50 / 0 / 60 / 23

HEX #63C54E

RGB 99 197 78

HSL 109.41, 0.51%, 0.54%

LAB 71.65, -51.2, 49.84

 

CMYK 38 / 0 / 46 / 30

HEX #6FB261

RGB 111 178 97

HSL 109.63, 0.34%, 0.54%

LAB 66.58, -37.18, 34.74

 

CMYK 23 / 0 / 27 / 38

HEX #7B9F74

RGB 123 159 116

HSL 110.23, 0.18%, 0.54%

LAB 61.88, -20.92, 18.52

 

CMYK 24 / 0 / 83 / 8

HEX #B3EB28

RGB 179 235 40

HSL 77.23, 0.83%, 0.54%

LAB 86.58, -42.11, 78.91

 

CMYK 46 / 0 / 83 / 8

HEX #7FEB28

RGB 127 235 40

HSL 93.23, 0.83%, 0.54%

LAB 84.01, -60.02, 75.67

 

CMYK 68 / 0 / 83 / 8

HEX #4CEB28

RGB 76 235 40

HSL 108.92, 0.83%, 0.54%

LAB 82.44, -72.62, 73.67

 

CMYK 83 / 0 / 76 / 8

HEX #28EB38

RGB 40 235 56

HSL 124.92, 0.83%, 0.54%

LAB 81.92, -76.81, 68.6

 

CMYK 83 / 0 / 54 / 8

HEX #28EB6C

RGB 40 235 108

HSL 140.92, 0.83%, 0.54%

LAB 82.35, -71.48, 48.43

 

CMYK 75 / 0 / 91 / 31

HEX #2CB010

RGB 44 176 16

HSL 109.5, 0.83%, 0.38%

LAB 63.03, -60.84, 61.37

 

CMYK 75 / 0 / 91 / 16

HEX #35D613

RGB 53 214 19

HSL 109.54, 0.84%, 0.46%

LAB 75.39, -70.87, 71.41

 

CMYK 69 / 0 / 83 / 8

HEX #4AEB28

RGB 74 235 40

HSL 109.54, 0.83%, 0.54%

LAB 82.39, -72.98, 73.62

 

CMYK 55 / 0 / 67 / 7

HEX #6AEE4E

RGB 106 238 78

HSL 109.5, 0.82%, 0.62%

LAB 84.36, -64.6, 63.86

 

CMYK 43 / 0 / 52 / 5

HEX #89F273

RGB 137 242 115

HSL 109.61, 0.83%, 0.7%

LAB 87.03, -53.91, 51.42

 

CMYK 69 / 0 / 83 / 8

HEX #4AEB28

RGB 74 235 40

HSL 109.54, 0.83%, 0.54%

LAB 82.39, -72.98, 73.62

 

CMYK 83 / 2 / 0 / 8

HEX #28E7EB

RGB 40 231 235

HSL 181.23, 0.83%, 0.54%

LAB 83.76, -41.9, -14.67

 

CMYK 0 / 83 / 35 / 8

HEX #EB2899

RGB 235 40 153

HSL 325.23, 0.83%, 0.54%

LAB 53.47, 77.64, -13.38

 

CMYK 69 / 0 / 83 / 8

HEX #4AEB28

RGB 74 235 40

HSL 109.54, 0.83%, 0.54%

LAB 82.39, -72.98, 73.62

 

CMYK 83 / 68 / 0 / 8

HEX #284CEB

RGB 40 76 235

HSL 228.92, 0.83%, 0.54%

LAB 40.6, 45.55, -82.78

 

CMYK 0 / 83 / 68 / 8

HEX #EB284C

RGB 235 40 76

HSL 348.92, 0.83%, 0.54%

LAB 51.5, 71.91, 30.15

 

CMYK 69 / 0 / 83 / 8

HEX #4AEB28

RGB 74 235 40

HSL 109.54, 0.83%, 0.54%

LAB 82.39, -72.98, 73.62

 

CMYK 83 / 2 / 0 / 8

HEX #28E7EB

RGB 40 231 235

HSL 181.23, 0.83%, 0.54%

LAB 83.76, -41.9, -14.67

 

CMYK 15 / 83 / 0 / 8

HEX #C728EB

RGB 199 40 235

HSL 288.92, 0.83%, 0.54%

LAB 51.45, 81.79, -64.42

 

CMYK 0 / 82 / 83 / 8

HEX #EB2B28

RGB 235 43 40

HSL 0.92, 0.83%, 0.54%

LAB 51.32, 69.95, 50.09

 

CMYK 69 / 0 / 83 / 8

HEX #4AEB28

RGB 74 235 40

HSL 109.54, 0.83%, 0.54%

LAB 82.39, -72.98, 73.62

 

CMYK 83 / 26 / 0 / 8

HEX #28ADEB

RGB 40 173 235

HSL 199.08, 0.83%, 0.54%

LAB 66.78, -13.31, -40.7

 

CMYK 15 / 83 / 0 / 8

HEX #C728EB

RGB 199 40 235

HSL 288.92, 0.83%, 0.54%

LAB 51.45, 81.79, -64.42

 

CMYK 0 / 57 / 83 / 8

HEX #EB6628

RGB 235 102 40

HSL 19.08, 0.83%, 0.54%

LAB 59.27, 48.37, 57.19

 

Description

Color code: RGB 74 235 40 | qconv.com Color code: RGB 74 235 40 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 235 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 235 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 83 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 83% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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