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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 199 69 it is the complementary color RGB 181 56 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 199 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74 199 69 shade: RGB 79 199 64, RGB 96 217 83, RGB 113 235 102, RGB 130 253 121 and RGB 147 255 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 199 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74 199 69 shade: RGB 74 199 69, RGB 57 181 50, RGB 40 163 31, RGB 23 145 12 and RGB 6 127 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74 199 69 shade: RGB 75 199 70, RGB 110 199 70, RGB 145 199 70, RGB 180 199 70 and RGB 199 184 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74 199 69 shade: RGB 75 199 70, RGB 70 199 100, RGB 70 199 135, RGB 70 199 170 and RGB 70 194 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74 199 69 shade matches the following richer shades: RGB 75 199 70, RGB 57 219 51 and RGB 39 238 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74 199 69 shade: RGB 75 199 70, RGB 93 180 89, RGB 111 161 109, RGB 129 141 128 and RGB 147 122 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74 199 69 shade: RGB 145 199 70, RGB 111 199 70, RGB 76 199 70, RGB 70 199 98 and RGB 70 199 132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74 199 69 shade: RGB 47 144 43, RGB 57 176 52, RGB 75 199 70, RGB 106 209 102 and RGB 137 218 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74 199 69 shade: RGB 74 199 69, RGB 70 180 199 and RGB 199 70 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74 199 69 shade: RGB 74 199 69, RGB 70 76 199 and RGB 199 70 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74 199 69 shade: RGB 74 199 69, RGB 70 180 199, RGB 193 70 199 and RGB 199 89 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74 199 69 shade: RGB 74 199 69, RGB 70 141 199, RGB 193 70 199 and RGB 199 128 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 65 / 22

HEX #4AC745

RGB 74 199 69

HSL 117.69, 0.54%, 0.53%

LAB 71.37, -59.17, 53.19

 

Complementary color

CMYK 3 / 70 / 0 / 27

HEX #B538BA

RGB 181 56 186

HSL 297.69, 0.54%, 0.47%

LAB 47.23, 65.34, -43.23

 

CMYK 60 / 0 / 68 / 22

HEX #4FC740

RGB 79 199 64

HSL 113.33, 0.55%, 0.52%

LAB 71.47, -58.51, 55.38

 

CMYK 56 / 0 / 62 / 15

HEX #60D953

RGB 96 217 83

HSL 114.18, 0.64%, 0.59%

LAB 77.72, -59.06, 54.49

 

CMYK 52 / 0 / 57 / 8

HEX #71EB66

RGB 113 235 102

HSL 115.04, 0.77%, 0.66%

LAB 83.91, -59.35, 53.4

 

CMYK 49 / 0 / 52 / 1

HEX #82FD79

RGB 130 253 121

HSL 115.91, 0.97%, 0.73%

LAB 90.03, -59.47, 52.22

 

CMYK 42 / 0 / 45 / 0

HEX #93FF8C

RGB 147 255 140

HSL 116.35, 1%, 0.77%

LAB 91.51, -53.1, 45.29

 

CMYK 63 / 0 / 65 / 22

HEX #4AC745

RGB 74 199 69

HSL 117.69, 0.54%, 0.53%

LAB 71.37, -59.17, 53.19

 

CMYK 69 / 0 / 72 / 29

HEX #39B532

RGB 57 181 50

HSL 116.79, 0.57%, 0.45%

LAB 65.08, -58.23, 53.92

 

CMYK 75 / 0 / 81 / 36

HEX #28A31F

RGB 40 163 31

HSL 115.91, 0.68%, 0.38%

LAB 58.74, -56.71, 54

 

CMYK 84 / 0 / 92 / 43

HEX #17910C

RGB 23 145 12

HSL 115.04, 0.85%, 0.31%

LAB 52.35, -54.37, 52.83

 

CMYK 95 / 0 / 100 / 50

HEX #067F00

RGB 6 127 0

HSL 117.17, 1%, 0.25%

LAB 45.93, -50.93, 49.68

 

CMYK 62 / 0 / 65 / 22

HEX #4BC746

RGB 75 199 70

HSL 117.67, 0.54%, 0.53%

LAB 71.41, -58.85, 52.82

 

CMYK 45 / 0 / 65 / 22

HEX #6EC746

RGB 110 199 70

HSL 101.4, 0.54%, 0.53%

LAB 72.63, -49.5, 54.51

 

CMYK 27 / 0 / 65 / 22

HEX #91C746

RGB 145 199 70

HSL 85.12, 0.54%, 0.53%

LAB 74.39, -37.45, 56.92

 

CMYK 10 / 0 / 65 / 22

HEX #B4C746

RGB 180 199 70

HSL 68.84, 0.54%, 0.53%

LAB 76.67, -23.67, 60.03

 

CMYK 0 / 8 / 65 / 22

HEX #C7B846

RGB 199 184 70

HSL 53.02, 0.54%, 0.53%

LAB 74.1, -8.15, 57.79

 

CMYK 62 / 0 / 65 / 22

HEX #4BC746

RGB 75 199 70

HSL 117.67, 0.54%, 0.53%

LAB 71.41, -58.85, 52.82

 

CMYK 65 / 0 / 50 / 22

HEX #46C764

RGB 70 199 100

HSL 133.95, 0.54%, 0.53%

LAB 71.6, -56.17, 39.2

 

CMYK 65 / 0 / 32 / 22

HEX #46C787

RGB 70 199 135

HSL 150.23, 0.54%, 0.53%

LAB 72.16, -50.01, 21.92

 

CMYK 65 / 0 / 15 / 22

HEX #46C7AA

RGB 70 199 170

HSL 166.51, 0.54%, 0.53%

LAB 72.93, -42.09, 4.2

 

CMYK 65 / 3 / 0 / 22

HEX #46C2C7

RGB 70 194 199

HSL 182.33, 0.54%, 0.53%

LAB 72.23, -32.03, -12.6

 

CMYK 62 / 0 / 65 / 22

HEX #4BC746

RGB 75 199 70

HSL 117.67, 0.54%, 0.53%

LAB 71.41, -58.85, 52.82

 

CMYK 74 / 0 / 77 / 14

HEX #39DB33

RGB 57 219 51

HSL 117.86, 0.7%, 0.53%

LAB 77.14, -70.32, 65.59

 

CMYK 84 / 0 / 87 / 7

HEX #27EE1F

RGB 39 238 31

HSL 117.68, 0.86%, 0.53%

LAB 82.74, -79.02, 75.62

 

CMYK 62 / 0 / 65 / 22

HEX #4BC746

RGB 75 199 70

HSL 117.67, 0.54%, 0.53%

LAB 71.41, -58.85, 52.82

 

CMYK 48 / 0 / 51 / 29

HEX #5DB459

RGB 93 180 89

HSL 117.36, 0.38%, 0.53%

LAB 66.28, -44.73, 38.24

 

CMYK 31 / 0 / 32 / 37

HEX #6FA16D

RGB 111 161 109

HSL 117.69, 0.22%, 0.53%

LAB 61.63, -27.34, 21.91

 

CMYK 9 / 0 / 9 / 45

HEX #818D80

RGB 129 141 128

HSL 115.38, 0.05%, 0.53%

LAB 57.34, -6.95, 5.45

 

CMYK 0 / 17 / 0 / 42

HEX #937A93

RGB 147 122 147

HSL 300, 0.1%, 0.53%

LAB 54.27, 14.28, -9.87

 

CMYK 27 / 0 / 65 / 22

HEX #91C746

RGB 145 199 70

HSL 85.12, 0.54%, 0.53%

LAB 74.39, -37.45, 56.92

 

CMYK 44 / 0 / 65 / 22

HEX #6FC746

RGB 111 199 70

HSL 100.93, 0.54%, 0.53%

LAB 72.67, -49.18, 54.56

 

CMYK 62 / 0 / 65 / 22

HEX #4CC746

RGB 76 199 70

HSL 117.21, 0.54%, 0.53%

LAB 71.44, -58.63, 52.86

 

CMYK 65 / 0 / 51 / 22

HEX #46C762

RGB 70 199 98

HSL 133.02, 0.54%, 0.53%

LAB 71.58, -56.47, 40.15

 

CMYK 65 / 0 / 34 / 22

HEX #46C784

RGB 70 199 132

HSL 148.84, 0.54%, 0.53%

LAB 72.1, -50.62, 23.44

 

CMYK 67 / 0 / 70 / 44

HEX #2F902B

RGB 47 144 43

HSL 117.62, 0.54%, 0.37%

LAB 52.65, -48.01, 43.65

 

CMYK 68 / 0 / 70 / 31

HEX #39B034

RGB 57 176 52

HSL 117.58, 0.54%, 0.45%

LAB 63.48, -56.36, 51.5

 

CMYK 62 / 0 / 65 / 22

HEX #4BC746

RGB 75 199 70

HSL 117.67, 0.54%, 0.53%

LAB 71.41, -58.85, 52.82

 

CMYK 49 / 0 / 51 / 18

HEX #6AD166

RGB 106 209 102

HSL 117.76, 0.54%, 0.61%

LAB 75.84, -51.15, 43.7

 

CMYK 37 / 0 / 39 / 15

HEX #89DA85

RGB 137 218 133

HSL 117.18, 0.53%, 0.69%

LAB 80.27, -41.43, 34.22

 

CMYK 63 / 0 / 65 / 22

HEX #4AC745

RGB 74 199 69

HSL 117.69, 0.54%, 0.53%

LAB 71.37, -59.17, 53.19

 

CMYK 65 / 10 / 0 / 22

HEX #46B4C7

RGB 70 180 199

HSL 188.84, 0.54%, 0.53%

LAB 68.07, -25.17, -18.88

 

CMYK 0 / 65 / 36 / 22

HEX #C74680

RGB 199 70 128

HSL 333.02, 0.54%, 0.53%

LAB 49.59, 56.33, -4.88

 

CMYK 63 / 0 / 65 / 22

HEX #4AC745

RGB 74 199 69

HSL 117.69, 0.54%, 0.53%

LAB 71.37, -59.17, 53.19

 

CMYK 65 / 62 / 0 / 22

HEX #464CC7

RGB 70 76 199

HSL 237.21, 0.54%, 0.53%

LAB 38.89, 36.1, -64.9

 

CMYK 0 / 65 / 62 / 22

HEX #C7464C

RGB 199 70 76

HSL 357.21, 0.54%, 0.53%

LAB 48.32, 51.66, 24.74

 

CMYK 63 / 0 / 65 / 22

HEX #4AC745

RGB 74 199 69

HSL 117.69, 0.54%, 0.53%

LAB 71.37, -59.17, 53.19

 

CMYK 65 / 10 / 0 / 22

HEX #46B4C7

RGB 70 180 199

HSL 188.84, 0.54%, 0.53%

LAB 68.07, -25.17, -18.88

 

CMYK 3 / 65 / 0 / 22

HEX #C146C7

RGB 193 70 199

HSL 297.21, 0.54%, 0.53%

LAB 51.66, 65.01, -43.63

 

CMYK 0 / 55 / 65 / 22

HEX #C75946

RGB 199 89 70

HSL 8.84, 0.54%, 0.53%

LAB 51.53, 42.53, 32.27

 

CMYK 63 / 0 / 65 / 22

HEX #4AC745

RGB 74 199 69

HSL 117.69, 0.54%, 0.53%

LAB 71.37, -59.17, 53.19

 

CMYK 65 / 29 / 0 / 22

HEX #468DC7

RGB 70 141 199

HSL 206.98, 0.54%, 0.53%

LAB 56.56, -4.1, -36.63

 

CMYK 3 / 65 / 0 / 22

HEX #C146C7

RGB 193 70 199

HSL 297.21, 0.54%, 0.53%

LAB 51.66, 65.01, -43.63

 

CMYK 0 / 36 / 65 / 22

HEX #C78046

RGB 199 128 70

HSL 26.98, 0.54%, 0.53%

LAB 59.91, 22, 42.18

 

Description

Color code: RGB 74 199 69 | qconv.com Color code: RGB 74 199 69 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 199 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 199 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 65 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 65% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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