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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 190 126 it is the complementary color RGB 181 65 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 190 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74 190 126 shade: RGB 79 190 121, RGB 96 208 140, RGB 113 226 159, RGB 130 244 178 and RGB 147 255 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 190 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74 190 126 shade: RGB 74 190 126, RGB 57 172 107, RGB 40 154 88, RGB 23 136 69 and RGB 6 118 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74 190 126 shade: RGB 75 190 126, RGB 75 190 95, RGB 85 190 75, RGB 116 190 75 and RGB 147 190 75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74 190 126 shade: RGB 75 190 126, RGB 75 190 157, RGB 75 190 188, RGB 75 160 190 and RGB 75 129 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74 190 126 shade matches the following richer shades: RGB 75 190 126, RGB 55 209 124, RGB 35 229 122 and RGB 15 249 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74 190 126 shade: RGB 75 190 126, RGB 94 170 128, RGB 114 150 130, RGB 134 130 132 and RGB 154 110 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74 190 126 shade: RGB 86 190 75, RGB 75 190 94, RGB 75 190 124, RGB 75 190 155 and RGB 75 190 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74 190 126 shade: RGB 48 134 86, RGB 59 164 106, RGB 75 190 126, RGB 105 201 148 and RGB 135 211 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74 190 126 shade: RGB 74 190 126, RGB 75 117 190 and RGB 190 78 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74 190 126 shade: RGB 74 190 126, RGB 124 75 190 and RGB 190 124 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74 190 126 shade: RGB 74 190 126, RGB 75 117 190, RGB 190 75 140 and RGB 190 147 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74 190 126 shade: RGB 74 190 126, RGB 75 82 190, RGB 190 75 140 and RGB 190 182 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 34 / 25

HEX #4ABE7E

RGB 74 190 126

HSL 146.9, 0.47%, 0.52%

LAB 69.32, -47.38, 22.86

 

Complementary color

CMYK 0 / 64 / 29 / 29

HEX #B54181

RGB 181 65 129

HSL 326.9, 0.47%, 0.48%

LAB 45.89, 53.19, -11.33

 

CMYK 58 / 0 / 36 / 25

HEX #4FBE79

RGB 79 190 121

HSL 142.7, 0.46%, 0.53%

LAB 69.38, -47.26, 25.62

 

CMYK 54 / 0 / 33 / 18

HEX #60D08C

RGB 96 208 140

HSL 143.57, 0.54%, 0.6%

LAB 75.76, -47.26, 24.31

 

CMYK 50 / 0 / 30 / 11

HEX #71E29F

RGB 113 226 159

HSL 144.42, 0.66%, 0.66%

LAB 82.06, -47.15, 23.09

 

CMYK 47 / 0 / 27 / 4

HEX #82F4B2

RGB 130 244 178

HSL 145.26, 0.84%, 0.73%

LAB 88.29, -46.98, 21.95

 

CMYK 42 / 0 / 23 / 0

HEX #93FFC5

RGB 147 255 197

HSL 147.78, 1%, 0.79%

LAB 92.47, -43.74, 18.13

 

CMYK 61 / 0 / 34 / 25

HEX #4ABE7E

RGB 74 190 126

HSL 146.9, 0.47%, 0.52%

LAB 69.32, -47.38, 22.86

 

CMYK 67 / 0 / 38 / 33

HEX #39AC6B

RGB 57 172 107

HSL 146.09, 0.5%, 0.45%

LAB 62.87, -47.14, 24.28

 

CMYK 74 / 0 / 43 / 40

HEX #289A58

RGB 40 154 88

HSL 145.26, 0.59%, 0.38%

LAB 56.35, -46.61, 25.84

 

CMYK 83 / 0 / 49 / 47

HEX #178845

RGB 23 136 69

HSL 144.42, 0.71%, 0.31%

LAB 49.76, -45.61, 27.55

 

CMYK 95 / 0 / 58 / 54

HEX #067632

RGB 6 118 50

HSL 143.57, 0.9%, 0.24%

LAB 43.1, -43.88, 29.36

 

CMYK 61 / 0 / 34 / 25

HEX #4BBE7E

RGB 75 190 126

HSL 146.61, 0.47%, 0.52%

LAB 69.35, -47.17, 22.91

 

CMYK 61 / 0 / 50 / 25

HEX #4BBE5F

RGB 75 190 95

HSL 130.43, 0.47%, 0.52%

LAB 68.86, -52.48, 38.3

 

CMYK 55 / 0 / 61 / 25

HEX #55BE4B

RGB 85 190 75

HSL 114.78, 0.47%, 0.52%

LAB 68.94, -52.63, 47.97

 

CMYK 39 / 0 / 61 / 25

HEX #74BE4B

RGB 116 190 75

HSL 98.61, 0.47%, 0.52%

LAB 70.21, -43.37, 49.75

 

CMYK 23 / 0 / 61 / 25

HEX #93BE4B

RGB 147 190 75

HSL 82.43, 0.47%, 0.52%

LAB 71.92, -32.16, 52.13

 

CMYK 61 / 0 / 34 / 25

HEX #4BBE7E

RGB 75 190 126

HSL 146.61, 0.47%, 0.52%

LAB 69.35, -47.17, 22.91

 

CMYK 61 / 0 / 17 / 25

HEX #4BBE9D

RGB 75 190 157

HSL 162.78, 0.47%, 0.52%

LAB 70.01, -40.41, 7.08

 

CMYK 61 / 0 / 1 / 25

HEX #4BBEBC

RGB 75 190 188

HSL 178.96, 0.47%, 0.52%

LAB 70.84, -32.4, -8.66

 

CMYK 61 / 16 / 0 / 25

HEX #4BA0BE

RGB 75 160 190

HSL 195.65, 0.47%, 0.52%

LAB 61.96, -16.67, -23.18

 

CMYK 61 / 32 / 0 / 25

HEX #4B81BE

RGB 75 129 190

HSL 211.83, 0.47%, 0.52%

LAB 52.86, 0.83, -37.31

 

CMYK 61 / 0 / 34 / 25

HEX #4BBE7E

RGB 75 190 126

HSL 146.61, 0.47%, 0.52%

LAB 69.35, -47.17, 22.91

 

CMYK 74 / 0 / 41 / 18

HEX #37D17C

RGB 55 209 124

HSL 146.88, 0.63%, 0.52%

LAB 74.74, -58.38, 31.06

 

CMYK 85 / 0 / 47 / 10

HEX #23E57A

RGB 35 229 122

HSL 146.91, 0.79%, 0.52%

LAB 80.63, -67.85, 39.61

 

CMYK 94 / 0 / 52 / 2

HEX #0FF978

RGB 15 249 120

HSL 146.92, 0.95%, 0.52%

LAB 86.61, -75.67, 48

 

CMYK 61 / 0 / 34 / 25

HEX #4BBE7E

RGB 75 190 126

HSL 146.61, 0.47%, 0.52%

LAB 69.35, -47.17, 22.91

 

CMYK 45 / 0 / 25 / 33

HEX #5EAA80

RGB 94 170 128

HSL 146.84, 0.31%, 0.52%

LAB 63.91, -33.36, 14.45

 

CMYK 24 / 0 / 13 / 41

HEX #729682

RGB 114 150 130

HSL 146.67, 0.15%, 0.52%

LAB 58.98, -16.76, 6.51

 

CMYK 0 / 3 / 1 / 47

HEX #868284

RGB 134 130 132

HSL 330, 0.02%, 0.52%

LAB 54.76, 1.89, -0.55

 

CMYK 0 / 29 / 13 / 40

HEX #9A6E86

RGB 154 110 134

HSL 327.27, 0.18%, 0.52%

LAB 51.55, 21.36, -6.24

 

CMYK 55 / 0 / 61 / 25

HEX #56BE4B

RGB 86 190 75

HSL 114.26, 0.47%, 0.52%

LAB 68.98, -52.37, 48.02

 

CMYK 61 / 0 / 51 / 25

HEX #4BBE5E

RGB 75 190 94

HSL 129.91, 0.47%, 0.52%

LAB 68.85, -52.63, 38.78

 

CMYK 61 / 0 / 35 / 25

HEX #4BBE7C

RGB 75 190 124

HSL 145.57, 0.47%, 0.52%

LAB 69.31, -47.56, 23.92

 

CMYK 61 / 0 / 18 / 25

HEX #4BBE9B

RGB 75 190 155

HSL 161.74, 0.47%, 0.52%

LAB 69.96, -40.89, 8.1

 

CMYK 61 / 0 / 2 / 25

HEX #4BBEBA

RGB 75 190 186

HSL 177.91, 0.47%, 0.52%

LAB 70.78, -32.95, -7.65

 

CMYK 64 / 0 / 36 / 47

HEX #308656

RGB 48 134 86

HSL 146.51, 0.47%, 0.36%

LAB 49.92, -37.38, 18.45

 

CMYK 64 / 0 / 35 / 36

HEX #3BA46A

RGB 59 164 106

HSL 146.86, 0.47%, 0.44%

LAB 60.36, -43.7, 21.46

 

CMYK 61 / 0 / 34 / 25

HEX #4BBE7E

RGB 75 190 126

HSL 146.61, 0.47%, 0.52%

LAB 69.35, -47.17, 22.91

 

CMYK 48 / 0 / 26 / 21

HEX #69C994

RGB 105 201 148

HSL 146.88, 0.47%, 0.6%

LAB 74.14, -40.47, 17.9

 

CMYK 36 / 0 / 20 / 17

HEX #87D3A9

RGB 135 211 169

HSL 146.84, 0.46%, 0.68%

LAB 78.81, -32.59, 13.46

 

CMYK 61 / 0 / 34 / 25

HEX #4ABE7E

RGB 74 190 126

HSL 146.9, 0.47%, 0.52%

LAB 69.32, -47.38, 22.86

 

CMYK 61 / 38 / 0 / 25

HEX #4B75BE

RGB 75 117 190

HSL 218.09, 0.47%, 0.52%

LAB 49.42, 8.09, -42.73

 

CMYK 0 / 59 / 61 / 25

HEX #BE4E4B

RGB 190 78 75

HSL 1.57, 0.47%, 0.52%

LAB 48.14, 44.88, 24.81

 

CMYK 61 / 0 / 34 / 25

HEX #4ABE7E

RGB 74 190 126

HSL 146.9, 0.47%, 0.52%

LAB 69.32, -47.38, 22.86

 

CMYK 35 / 61 / 0 / 25

HEX #7C4BBE

RGB 124 75 190

HSL 265.57, 0.47%, 0.52%

LAB 42.82, 44.48, -53.07

 

CMYK 0 / 35 / 61 / 25

HEX #BE7C4B

RGB 190 124 75

HSL 25.57, 0.47%, 0.52%

LAB 57.91, 20.75, 36.95

 

CMYK 61 / 0 / 34 / 25

HEX #4ABE7E

RGB 74 190 126

HSL 146.9, 0.47%, 0.52%

LAB 69.32, -47.38, 22.86

 

CMYK 61 / 38 / 0 / 25

HEX #4B75BE

RGB 75 117 190

HSL 218.09, 0.47%, 0.52%

LAB 49.42, 8.09, -42.73

 

CMYK 0 / 61 / 26 / 25

HEX #BE4B8C

RGB 190 75 140

HSL 326.09, 0.47%, 0.52%

LAB 49.34, 52.96, -12.62

 

CMYK 0 / 23 / 61 / 25

HEX #BE934B

RGB 190 147 75

HSL 37.57, 0.47%, 0.52%

LAB 63.61, 8.06, 43.66

 

CMYK 61 / 0 / 34 / 25

HEX #4ABE7E

RGB 74 190 126

HSL 146.9, 0.47%, 0.52%

LAB 69.32, -47.38, 22.86

 

CMYK 61 / 57 / 0 / 25

HEX #4B52BE

RGB 75 82 190

HSL 236.35, 0.47%, 0.52%

LAB 40, 30.12, -57.84

 

CMYK 0 / 61 / 26 / 25

HEX #BE4B8C

RGB 190 75 140

HSL 326.09, 0.47%, 0.52%

LAB 49.34, 52.96, -12.62

 

CMYK 0 / 4 / 61 / 25

HEX #BEB64B

RGB 190 182 75

HSL 55.83, 0.47%, 0.52%

LAB 72.83, -10.62, 54.03

 

Description

Color code: RGB 74 190 126 | qconv.com Color code: RGB 74 190 126 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 190 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 190 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 34 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 34% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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