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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 16 58 it is the complementary color RGB 181 239 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 16 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74 16 58 shade: RGB 79 16 53, RGB 96 34 72, RGB 113 52 91, RGB 130 70 110 and RGB 147 88 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 16 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74 16 58 shade: RGB 74 16 58, RGB 57 0 39, RGB 40 0 20, RGB 23 0 1 and RGB 6 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74 16 58 shade: RGB 75 16 59, RGB 75 16 43, RGB 75 16 27 and RGB 75 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74 16 58 shade: RGB 75 16 59, RGB 75 16 74, RGB 59 16 75, RGB 43 16 75 and RGB 28 16 75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74 16 58 shade matches the following richer shades: RGB 75 16 59, RGB 82 9 62 and RGB 90 1 65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74 16 58 shade: RGB 75 16 59, RGB 67 23 55, RGB 60 31 52, RGB 52 38 49 and RGB 45 46 45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74 16 58 shade: RGB 59 16 75, RGB 75 16 75, RGB 75 16 59, RGB 75 16 43 and RGB 75 16 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74 16 58 shade: RGB 7 1 5, RGB 41 9 32, RGB 75 16 59, RGB 109 23 85 and RGB 142 31 112

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74 16 58 shade: RGB 74 16 58, RGB 75 43 16 and RGB 16 75 67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74 16 58 shade: RGB 74 16 58, RGB 59 75 16 and RGB 16 59 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74 16 58 shade: RGB 74 16 58, RGB 75 43 16, RGB 16 75 32 and RGB 16 47 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74 16 58 shade: RGB 74 16 58, RGB 75 61 16, RGB 16 75 32 and RGB 16 30 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 22 / 71

HEX #4A103A

RGB 74 16 58

HSL 316.55, 0.64%, 0.18%

LAB 16.16, 31.92, -12.2

 

Complementary color

CMYK 24 / 0 / 18 / 6

HEX #B5EFC5

RGB 181 239 197

HSL 136.55, 0.64%, 0.82%

LAB 89.67, -26.54, 14.43

 

CMYK 0 / 80 / 33 / 69

HEX #4F1035

RGB 79 16 53

HSL 324.76, 0.66%, 0.19%

LAB 16.94, 32.69, -7.38

 

CMYK 0 / 65 / 25 / 62

HEX #602248

RGB 96 34 72

HSL 323.23, 0.48%, 0.25%

LAB 24, 32.76, -9.51

 

CMYK 0 / 54 / 19 / 56

HEX #71345B

RGB 113 52 91

HSL 321.64, 0.37%, 0.32%

LAB 31.17, 32.16, -10.89

 

CMYK 0 / 46 / 15 / 49

HEX #82466E

RGB 130 70 110

HSL 320, 0.3%, 0.39%

LAB 38.29, 31.36, -11.89

 

CMYK 0 / 40 / 12 / 42

HEX #935881

RGB 147 88 129

HSL 318.31, 0.25%, 0.46%

LAB 45.31, 30.53, -12.69

 

CMYK 0 / 78 / 22 / 71

HEX #4A103A

RGB 74 16 58

HSL 316.55, 0.64%, 0.18%

LAB 16.16, 31.92, -12.2

 

CMYK 0 / 100 / 32 / 78

HEX #390027

RGB 57 0 39

HSL 318.95, 1%, 0.11%

LAB 9.13, 30.95, -9.51

 

CMYK 0 / 100 / 50 / 84

HEX #280014

RGB 40 0 20

HSL 330, 1%, 0.08%

LAB 4.53, 21.11, -2.28

 

CMYK 0 / 100 / 96 / 91

HEX #170001

RGB 23 0 1

HSL 357.39, 1%, 0.05%

LAB 1.67, 7.52, 2.22

 

CMYK 0 / 100 / 100 / 98

HEX #060000

RGB 6 0 0

HSL 0, 1%, 0.01%

LAB 0.35, 1.57, 0.55

 

CMYK 0 / 79 / 21 / 71

HEX #4B103B

RGB 75 16 59

HSL 316.27, 0.65%, 0.18%

LAB 16.42, 32.38, -12.51

 

CMYK 0 / 79 / 43 / 71

HEX #4B102B

RGB 75 16 43

HSL 332.54, 0.65%, 0.18%

LAB 15.7, 30.07, -2.14

 

CMYK 0 / 79 / 64 / 71

HEX #4B101B

RGB 75 16 27

HSL 348.81, 0.65%, 0.18%

LAB 15.2, 28.39, 8.8

 

CMYK 0 / 79 / 79 / 71

HEX #4B1010

RGB 75 16 16

HSL 0, 0.65%, 0.18%

LAB 14.97, 27.61, 15.95

 

CMYK 0 / 79 / 21 / 71

HEX #4B103B

RGB 75 16 59

HSL 316.27, 0.65%, 0.18%

LAB 16.42, 32.38, -12.51

 

CMYK 0 / 79 / 1 / 71

HEX #4B104A

RGB 75 16 74

HSL 301.02, 0.65%, 0.18%

LAB 17.28, 35.04, -21.61

 

CMYK 21 / 79 / 0 / 71

HEX #3B104B

RGB 59 16 75

HSL 283.73, 0.65%, 0.18%

LAB 14.45, 31.2, -26.99

 

CMYK 43 / 79 / 0 / 71

HEX #2B104B

RGB 43 16 75

HSL 267.46, 0.65%, 0.18%

LAB 11.91, 27.45, -31.22

 

CMYK 63 / 79 / 0 / 71

HEX #1C104B

RGB 28 16 75

HSL 252.2, 0.65%, 0.18%

LAB 10, 24.46, -34.42

 

CMYK 0 / 79 / 21 / 71

HEX #4B103B

RGB 75 16 59

HSL 316.27, 0.65%, 0.18%

LAB 16.42, 32.38, -12.51

 

CMYK 0 / 89 / 24 / 68

HEX #52093E

RGB 82 9 62

HSL 316.44, 0.8%, 0.18%

LAB 17.16, 37.21, -13.34

 

CMYK 0 / 99 / 28 / 65

HEX #5A0141

RGB 90 1 65

HSL 316.85, 0.98%, 0.18%

LAB 18.26, 41.9, -13.61

 

CMYK 0 / 79 / 21 / 71

HEX #4B103B

RGB 75 16 59

HSL 316.27, 0.65%, 0.18%

LAB 16.42, 32.38, -12.51

 

CMYK 0 / 66 / 18 / 74

HEX #431737

RGB 67 23 55

HSL 316.36, 0.49%, 0.18%

LAB 15.91, 25.74, -10.58

 

CMYK 0 / 48 / 13 / 76

HEX #3C1F34

RGB 60 31 52

HSL 316.55, 0.32%, 0.18%

LAB 16.45, 17.69, -7.74

 

CMYK 0 / 27 / 6 / 80

HEX #342631

RGB 52 38 49

HSL 312.86, 0.16%, 0.18%

LAB 17.17, 8.9, -4.64

 

CMYK 2 / 0 / 2 / 82

HEX #2D2E2D

RGB 45 46 45

HSL 120, 0.01%, 0.18%

LAB 18.81, -0.68, 0.49

 

CMYK 21 / 79 / 0 / 71

HEX #3B104B

RGB 59 16 75

HSL 283.73, 0.65%, 0.18%

LAB 14.45, 31.2, -26.99

 

CMYK 0 / 79 / 0 / 71

HEX #4B104B

RGB 75 16 75

HSL 300, 0.65%, 0.18%

LAB 17.34, 35.23, -22.2

 

CMYK 0 / 79 / 21 / 71

HEX #4B103B

RGB 75 16 59

HSL 316.27, 0.65%, 0.18%

LAB 16.42, 32.38, -12.51

 

CMYK 0 / 79 / 43 / 71

HEX #4B102B

RGB 75 16 43

HSL 332.54, 0.65%, 0.18%

LAB 15.7, 30.07, -2.14

 

CMYK 0 / 79 / 63 / 71

HEX #4B101C

RGB 75 16 28

HSL 347.8, 0.65%, 0.18%

LAB 15.22, 28.47, 8.11

 

CMYK 0 / 86 / 29 / 97

HEX #070105

RGB 7 1 5

HSL 320, 0.75%, 0.02%

LAB 0.7, 2.13, -0.96

 

CMYK 0 / 78 / 22 / 84

HEX #290920

RGB 41 9 32

HSL 316.88, 0.64%, 0.1%

LAB 6.97, 19.75, -7.79

 

CMYK 0 / 79 / 21 / 71

HEX #4B103B

RGB 75 16 59

HSL 316.27, 0.65%, 0.18%

LAB 16.42, 32.38, -12.51

 

CMYK 0 / 79 / 22 / 57

HEX #6D1755

RGB 109 23 85

HSL 316.74, 0.65%, 0.26%

LAB 25.32, 43.3, -15.98

 

CMYK 0 / 78 / 21 / 44

HEX #8E1F70

RGB 142 31 112

HSL 316.22, 0.64%, 0.34%

LAB 33.78, 53.05, -19.91

 

CMYK 0 / 78 / 22 / 71

HEX #4A103A

RGB 74 16 58

HSL 316.55, 0.64%, 0.18%

LAB 16.16, 31.92, -12.2

 

CMYK 0 / 43 / 79 / 71

HEX #4B2B10

RGB 75 43 16

HSL 27.46, 0.65%, 0.18%

LAB 21.06, 12.11, 23.21

 

CMYK 79 / 0 / 11 / 71

HEX #104B43

RGB 16 75 67

HSL 171.86, 0.65%, 0.18%

LAB 28.24, -20.59, -0.6

 

CMYK 0 / 78 / 22 / 71

HEX #4A103A

RGB 74 16 58

HSL 316.55, 0.64%, 0.18%

LAB 16.16, 31.92, -12.2

 

CMYK 21 / 0 / 79 / 71

HEX #3B4B10

RGB 59 75 16

HSL 76.27, 0.65%, 0.18%

LAB 29.41, -16.02, 31.27

 

CMYK 79 / 21 / 0 / 71

HEX #103B4B

RGB 16 59 75

HSL 196.27, 0.65%, 0.18%

LAB 22.81, -8.45, -14.03

 

CMYK 0 / 78 / 22 / 71

HEX #4A103A

RGB 74 16 58

HSL 316.55, 0.64%, 0.18%

LAB 16.16, 31.92, -12.2

 

CMYK 0 / 43 / 79 / 71

HEX #4B2B10

RGB 75 43 16

HSL 27.46, 0.65%, 0.18%

LAB 21.06, 12.11, 23.21

 

CMYK 79 / 0 / 57 / 71

HEX #104B20

RGB 16 75 32

HSL 136.27, 0.65%, 0.18%

LAB 27.43, -29.33, 20.22

 

CMYK 79 / 37 / 0 / 71

HEX #102F4B

RGB 16 47 75

HSL 208.47, 0.65%, 0.18%

LAB 18.59, -0.39, -20.62

 

CMYK 0 / 78 / 22 / 71

HEX #4A103A

RGB 74 16 58

HSL 316.55, 0.64%, 0.18%

LAB 16.16, 31.92, -12.2

 

CMYK 0 / 19 / 79 / 71

HEX #4B3D10

RGB 75 61 16

HSL 45.76, 0.65%, 0.18%

LAB 26.36, 0.45, 28.72

 

CMYK 79 / 0 / 57 / 71

HEX #104B20

RGB 16 75 32

HSL 136.27, 0.65%, 0.18%

LAB 27.43, -29.33, 20.22

 

CMYK 79 / 60 / 0 / 71

HEX #101E4B

RGB 16 30 75

HSL 225.76, 0.65%, 0.18%

LAB 12.9, 12.25, -29.72

 

Description

Color code: RGB 74 16 58 | qconv.com Color code: RGB 74 16 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 16 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 16 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 22 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 22% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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