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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 166 91 it is the complementary color RGB 181 89 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 166 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74 166 91 shade: RGB 79 166 86, RGB 96 184 105, RGB 113 202 124, RGB 130 220 143 and RGB 147 238 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 166 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74 166 91 shade: RGB 74 166 91, RGB 57 148 72, RGB 40 130 53, RGB 23 112 34 and RGB 6 94 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74 166 91 shade: RGB 74 165 91, RGB 82 165 74, RGB 106 165 74, RGB 131 165 74 and RGB 155 165 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74 166 91 shade: RGB 74 165 91, RGB 74 165 115, RGB 74 165 140, RGB 74 165 164 and RGB 74 141 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74 166 91 shade matches the following richer shades: RGB 74 165 91, RGB 54 184 78, RGB 35 204 66 and RGB 16 223 54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74 166 91 shade: RGB 74 165 91, RGB 93 146 103, RGB 113 126 115, RGB 132 107 127 and RGB 151 87 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74 166 91 shade: RGB 106 165 74, RGB 81 165 74, RGB 74 165 91, RGB 74 165 115 and RGB 74 165 139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74 166 91 shade: RGB 48 108 59, RGB 61 136 75, RGB 74 165 91, RGB 96 183 113 and RGB 125 196 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74 166 91 shade: RGB 74 166 91, RGB 74 130 165 and RGB 165 74 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74 166 91 shade: RGB 74 166 91, RGB 91 74 165 and RGB 165 91 74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74 166 91 shade: RGB 74 166 91, RGB 74 130 165, RGB 165 74 148 and RGB 165 109 74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74 166 91 shade: RGB 74 166 91, RGB 74 103 165, RGB 165 74 148 and RGB 165 136 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 45 / 35

HEX #4AA65B

RGB 74 166 91

HSL 131.09, 0.38%, 0.47%

LAB 61.21, -43.81, 30.7

 

Complementary color

CMYK 0 / 51 / 9 / 29

HEX #B559A4

RGB 181 89 164

HSL 311.09, 0.38%, 0.53%

LAB 51.44, 47.2, -23.76

 

CMYK 52 / 0 / 48 / 35

HEX #4FA656

RGB 79 166 86

HSL 124.83, 0.36%, 0.48%

LAB 61.31, -43.27, 33.47

 

CMYK 48 / 0 / 43 / 28

HEX #60B869

RGB 96 184 105

HSL 126.14, 0.38%, 0.55%

LAB 67.86, -43.21, 32.12

 

CMYK 44 / 0 / 39 / 21

HEX #71CA7C

RGB 113 202 124

HSL 127.42, 0.46%, 0.62%

LAB 74.32, -43.05, 30.83

 

CMYK 41 / 0 / 35 / 14

HEX #82DC8F

RGB 130 220 143

HSL 128.67, 0.56%, 0.69%

LAB 80.69, -42.84, 29.61

 

CMYK 38 / 0 / 32 / 7

HEX #93EEA2

RGB 147 238 162

HSL 129.89, 0.73%, 0.75%

LAB 86.98, -42.6, 28.47

 

CMYK 55 / 0 / 45 / 35

HEX #4AA65B

RGB 74 166 91

HSL 131.09, 0.38%, 0.47%

LAB 61.21, -43.81, 30.7

 

CMYK 61 / 0 / 51 / 42

HEX #399448

RGB 57 148 72

HSL 129.89, 0.44%, 0.4%

LAB 54.57, -43.65, 32.14

 

CMYK 69 / 0 / 59 / 49

HEX #288235

RGB 40 130 53

HSL 128.67, 0.53%, 0.33%

LAB 47.85, -43.15, 33.61

 

CMYK 79 / 0 / 70 / 56

HEX #177022

RGB 23 112 34

HSL 127.42, 0.66%, 0.26%

LAB 41.03, -42.04, 34.94

 

CMYK 94 / 0 / 84 / 63

HEX #065E0F

RGB 6 94 15

HSL 126.14, 0.88%, 0.2%

LAB 34.15, -39.88, 35.59

 

CMYK 55 / 0 / 45 / 35

HEX #4AA55B

RGB 74 165 91

HSL 131.21, 0.38%, 0.47%

LAB 60.89, -43.4, 30.29

 

CMYK 50 / 0 / 55 / 35

HEX #52A54A

RGB 82 165 74

HSL 114.73, 0.38%, 0.47%

LAB 60.96, -43.67, 39.1

 

CMYK 36 / 0 / 55 / 35

HEX #6AA54A

RGB 106 165 74

HSL 98.9, 0.38%, 0.47%

LAB 62.06, -35.94, 40.67

 

CMYK 21 / 0 / 55 / 35

HEX #83A54A

RGB 131 165 74

HSL 82.42, 0.38%, 0.47%

LAB 63.53, -26.56, 42.77

 

CMYK 6 / 0 / 55 / 35

HEX #9BA54A

RGB 155 165 74

HSL 66.59, 0.38%, 0.47%

LAB 65.26, -16.73, 45.22

 

CMYK 55 / 0 / 45 / 35

HEX #4AA55B

RGB 74 165 91

HSL 131.21, 0.38%, 0.47%

LAB 60.89, -43.4, 30.29

 

CMYK 55 / 0 / 30 / 35

HEX #4AA573

RGB 74 165 115

HSL 147.03, 0.38%, 0.47%

LAB 61.31, -38.98, 17.9

 

CMYK 55 / 0 / 15 / 35

HEX #4AA58C

RGB 74 165 140

HSL 163.52, 0.38%, 0.47%

LAB 61.88, -33.35, 4.79

 

CMYK 55 / 0 / 1 / 35

HEX #4AA5A4

RGB 74 165 164

HSL 179.34, 0.38%, 0.47%

LAB 62.55, -27.08, -7.7

 

CMYK 55 / 15 / 0 / 35

HEX #4A8DA5

RGB 74 141 165

HSL 195.82, 0.38%, 0.47%

LAB 55.3, -14.26, -19.19

 

CMYK 55 / 0 / 45 / 35

HEX #4AA55B

RGB 74 165 91

HSL 131.21, 0.38%, 0.47%

LAB 60.89, -43.4, 30.29

 

CMYK 71 / 0 / 58 / 28

HEX #36B84E

RGB 54 184 78

HSL 131.08, 0.55%, 0.47%

LAB 66.22, -56.84, 43.22

 

CMYK 83 / 0 / 68 / 20

HEX #23CC42

RGB 35 204 66

HSL 131.01, 0.71%, 0.47%

LAB 72.19, -67.32, 55.08

 

CMYK 93 / 0 / 76 / 13

HEX #10DF36

RGB 16 223 54

HSL 131.01, 0.87%, 0.47%

LAB 77.96, -75.26, 65.29

 

CMYK 55 / 0 / 45 / 35

HEX #4AA55B

RGB 74 165 91

HSL 131.21, 0.38%, 0.47%

LAB 60.89, -43.4, 30.29

 

CMYK 36 / 0 / 29 / 43

HEX #5D9267

RGB 93 146 103

HSL 131.32, 0.22%, 0.47%

LAB 55.95, -27.1, 17.36

 

CMYK 10 / 0 / 9 / 51

HEX #717E73

RGB 113 126 115

HSL 129.23, 0.05%, 0.47%

LAB 51.46, -7.07, 4.35

 

CMYK 0 / 19 / 4 / 48

HEX #846B7F

RGB 132 107 127

HSL 312, 0.1%, 0.47%

LAB 48.2, 13.58, -7.32

 

CMYK 0 / 42 / 7 / 41

HEX #97578C

RGB 151 87 140

HSL 310.31, 0.27%, 0.47%

LAB 46.03, 34.45, -18.18

 

CMYK 36 / 0 / 55 / 35

HEX #6AA54A

RGB 106 165 74

HSL 98.9, 0.38%, 0.47%

LAB 62.06, -35.94, 40.67

 

CMYK 51 / 0 / 55 / 35

HEX #51A54A

RGB 81 165 74

HSL 115.38, 0.38%, 0.47%

LAB 60.92, -43.96, 39.04

 

CMYK 55 / 0 / 45 / 35

HEX #4AA55B

RGB 74 165 91

HSL 131.21, 0.38%, 0.47%

LAB 60.89, -43.4, 30.29

 

CMYK 55 / 0 / 30 / 35

HEX #4AA573

RGB 74 165 115

HSL 147.03, 0.38%, 0.47%

LAB 61.31, -38.98, 17.9

 

CMYK 55 / 0 / 16 / 35

HEX #4AA58B

RGB 74 165 139

HSL 162.86, 0.38%, 0.47%

LAB 61.85, -33.59, 5.32

 

CMYK 56 / 0 / 45 / 58

HEX #306C3B

RGB 48 108 59

HSL 131, 0.38%, 0.31%

LAB 40.69, -31.11, 21.62

 

CMYK 55 / 0 / 45 / 47

HEX #3D884B

RGB 61 136 75

HSL 131.2, 0.38%, 0.39%

LAB 50.81, -37.17, 25.83

 

CMYK 55 / 0 / 45 / 35

HEX #4AA55B

RGB 74 165 91

HSL 131.21, 0.38%, 0.47%

LAB 60.89, -43.4, 30.29

 

CMYK 48 / 0 / 38 / 28

HEX #60B771

RGB 96 183 113

HSL 131.72, 0.38%, 0.55%

LAB 67.68, -41.47, 27.7

 

CMYK 36 / 0 / 30 / 23

HEX #7DC48A

RGB 125 196 138

HSL 130.99, 0.38%, 0.63%

LAB 73.33, -34.4, 22.26

 

CMYK 55 / 0 / 45 / 35

HEX #4AA65B

RGB 74 166 91

HSL 131.09, 0.38%, 0.47%

LAB 61.21, -43.81, 30.7

 

CMYK 55 / 21 / 0 / 35

HEX #4A82A5

RGB 74 130 165

HSL 203.08, 0.38%, 0.47%

LAB 51.99, -8.09, -24.27

 

CMYK 0 / 55 / 43 / 35

HEX #A54A5E

RGB 165 74 94

HSL 346.81, 0.38%, 0.47%

LAB 43.81, 39.54, 6.74

 

CMYK 55 / 0 / 45 / 35

HEX #4AA65B

RGB 74 166 91

HSL 131.09, 0.38%, 0.47%

LAB 61.21, -43.81, 30.7

 

CMYK 45 / 55 / 0 / 35

HEX #5B4AA5

RGB 91 74 165

HSL 251.21, 0.38%, 0.47%

LAB 37.55, 30.41, -46.96

 

CMYK 0 / 45 / 55 / 35

HEX #A55B4A

RGB 165 91 74

HSL 11.21, 0.38%, 0.47%

LAB 46.94, 28.52, 23.11

 

CMYK 55 / 0 / 45 / 35

HEX #4AA65B

RGB 74 166 91

HSL 131.09, 0.38%, 0.47%

LAB 61.21, -43.81, 30.7

 

CMYK 55 / 21 / 0 / 35

HEX #4A82A5

RGB 74 130 165

HSL 203.08, 0.38%, 0.47%

LAB 51.99, -8.09, -24.27

 

CMYK 0 / 55 / 10 / 35

HEX #A54A94

RGB 165 74 148

HSL 311.21, 0.38%, 0.47%

LAB 45.68, 47.11, -23.34

 

CMYK 0 / 34 / 55 / 35

HEX #A56D4A

RGB 165 109 74

HSL 23.08, 0.38%, 0.47%

LAB 51.19, 18.42, 28.53

 

CMYK 55 / 0 / 45 / 35

HEX #4AA65B

RGB 74 166 91

HSL 131.09, 0.38%, 0.47%

LAB 61.21, -43.81, 30.7

 

CMYK 55 / 38 / 0 / 35

HEX #4A67A5

RGB 74 103 165

HSL 220.88, 0.38%, 0.47%

LAB 44.05, 8.12, -36.67

 

CMYK 0 / 55 / 10 / 35

HEX #A54A94

RGB 165 74 148

HSL 311.21, 0.38%, 0.47%

LAB 45.68, 47.11, -23.34

 

CMYK 0 / 18 / 55 / 35

HEX #A5884A

RGB 165 136 74

HSL 40.88, 0.38%, 0.47%

LAB 58.13, 3.18, 37.07

 

Description

Color code: RGB 74 166 91 | qconv.com Color code: RGB 74 166 91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 166 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 166 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 45 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 45% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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