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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 130 50 it is the complementary color RGB 181 125 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 130 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74 130 50 shade: RGB 79 130 45, RGB 96 148 64, RGB 113 166 83, RGB 130 184 102 and RGB 147 202 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 130 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74 130 50 shade: RGB 74 130 50, RGB 57 112 31, RGB 40 94 12, RGB 23 76 0 and RGB 6 58 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74 130 50 shade: RGB 73 128 49, RGB 94 128 49, RGB 115 128 49, RGB 128 119 49 and RGB 128 98 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74 130 50 shade: RGB 73 128 49, RGB 52 128 49, RGB 49 128 68, RGB 49 128 89 and RGB 49 128 111

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74 130 50 shade matches the following richer shades: RGB 73 128 49, RGB 67 142 35, RGB 61 157 21 and RGB 56 171 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74 130 50 shade: RGB 73 128 49, RGB 79 114 64, RGB 85 99 78, RGB 90 85 93 and RGB 96 70 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74 130 50 shade: RGB 115 128 49, RGB 94 128 49, RGB 73 128 49, RGB 52 128 49 and RGB 49 128 68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74 130 50 shade: RGB 39 69 26, RGB 56 98 38, RGB 73 128 49, RGB 90 158 61 and RGB 108 185 75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74 130 50 shade: RGB 74 130 50, RGB 49 128 120 and RGB 128 49 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74 130 50 shade: RGB 74 130 50, RGB 49 73 128 and RGB 128 49 73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74 130 50 shade: RGB 74 130 50, RGB 49 128 120, RGB 104 49 128 and RGB 128 49 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74 130 50 shade: RGB 74 130 50, RGB 49 112 128, RGB 104 49 128 and RGB 128 65 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 62 / 49

HEX #4A8232

RGB 74 130 50

HSL 102, 0.44%, 0.35%

LAB 49.07, -34.02, 36.83

 

Complementary color

CMYK 12 / 39 / 0 / 20

HEX #B57DCD

RGB 181 125 205

HSL 282, 0.44%, 0.65%

LAB 60.69, 35.85, -32.97

 

CMYK 39 / 0 / 65 / 49

HEX #4F822D

RGB 79 130 45

HSL 96, 0.49%, 0.34%

LAB 49.27, -32.76, 39.49

 

CMYK 35 / 0 / 57 / 42

HEX #609440

RGB 96 148 64

HSL 97.14, 0.4%, 0.42%

LAB 56.12, -32.87, 38.45

 

CMYK 32 / 0 / 50 / 35

HEX #71A653

RGB 113 166 83

HSL 98.31, 0.33%, 0.49%

LAB 62.85, -32.84, 37.25

 

CMYK 29 / 0 / 45 / 28

HEX #82B866

RGB 130 184 102

HSL 99.51, 0.37%, 0.56%

LAB 69.46, -32.74, 36.03

 

CMYK 27 / 0 / 40 / 21

HEX #93CA79

RGB 147 202 121

HSL 100.74, 0.43%, 0.63%

LAB 75.96, -32.61, 34.83

 

CMYK 43 / 0 / 62 / 49

HEX #4A8232

RGB 74 130 50

HSL 102, 0.44%, 0.35%

LAB 49.07, -34.02, 36.83

 

CMYK 49 / 0 / 72 / 56

HEX #39701F

RGB 57 112 31

HSL 100.74, 0.57%, 0.28%

LAB 42.09, -33.76, 37.72

 

CMYK 57 / 0 / 87 / 63

HEX #285E0C

RGB 40 94 12

HSL 99.51, 0.77%, 0.21%

LAB 34.97, -33.05, 37.65

 

CMYK 70 / 0 / 100 / 70

HEX #174C00

RGB 23 76 0

HSL 101.84, 1%, 0.15%

LAB 27.71, -31.5, 35.22

 

CMYK 90 / 0 / 100 / 77

HEX #063A00

RGB 6 58 0

HSL 113.79, 1%, 0.11%

LAB 20.3, -28.65, 27.74

 

CMYK 43 / 0 / 62 / 50

HEX #498031

RGB 73 128 49

HSL 101.77, 0.45%, 0.35%

LAB 48.36, -33.58, 36.49

 

CMYK 27 / 0 / 62 / 50

HEX #5E8031

RGB 94 128 49

HSL 85.82, 0.45%, 0.35%

LAB 49.54, -25.63, 38.15

 

CMYK 10 / 0 / 62 / 50

HEX #738031

RGB 115 128 49

HSL 69.87, 0.45%, 0.35%

LAB 51.04, -16.72, 40.24

 

CMYK 0 / 7 / 62 / 50

HEX #807731

RGB 128 119 49

HSL 53.16, 0.45%, 0.35%

LAB 49.5, -5.95, 38.85

 

CMYK 0 / 23 / 62 / 50

HEX #806231

RGB 128 98 49

HSL 37.22, 0.45%, 0.35%

LAB 43.58, 6.16, 32.1

 

CMYK 43 / 0 / 62 / 50

HEX #498031

RGB 73 128 49

HSL 101.77, 0.45%, 0.35%

LAB 48.36, -33.58, 36.49

 

CMYK 59 / 0 / 62 / 50

HEX #348031

RGB 52 128 49

HSL 117.72, 0.45%, 0.35%

LAB 47.48, -40.05, 35.26

 

CMYK 62 / 0 / 47 / 50

HEX #318044

RGB 49 128 68

HSL 134.43, 0.45%, 0.35%

LAB 47.63, -38.02, 25.51

 

CMYK 62 / 0 / 30 / 50

HEX #318059

RGB 49 128 89

HSL 150.38, 0.45%, 0.35%

LAB 48.02, -33.87, 14.16

 

CMYK 62 / 0 / 13 / 50

HEX #31806F

RGB 49 128 111

HSL 167.09, 0.45%, 0.35%

LAB 48.56, -28.46, 2.07

 

CMYK 43 / 0 / 62 / 50

HEX #498031

RGB 73 128 49

HSL 101.77, 0.45%, 0.35%

LAB 48.36, -33.58, 36.49

 

CMYK 53 / 0 / 75 / 44

HEX #438E23

RGB 67 142 35

HSL 102.06, 0.6%, 0.35%

LAB 52.58, -42.74, 46.95

 

CMYK 61 / 0 / 87 / 38

HEX #3D9D15

RGB 61 157 21

HSL 102.35, 0.76%, 0.35%

LAB 57.23, -50.86, 55.5

 

CMYK 67 / 0 / 96 / 33

HEX #38AB06

RGB 56 171 6

HSL 101.82, 0.93%, 0.35%

LAB 61.64, -57.27, 61.74

 

CMYK 43 / 0 / 62 / 50

HEX #498031

RGB 73 128 49

HSL 101.77, 0.45%, 0.35%

LAB 48.36, -33.58, 36.49

 

CMYK 31 / 0 / 44 / 55

HEX #4F7240

RGB 79 114 64

HSL 102, 0.28%, 0.35%

LAB 44.33, -22.69, 23.78

 

CMYK 14 / 0 / 21 / 61

HEX #55634E

RGB 85 99 78

HSL 100, 0.12%, 0.35%

LAB 40.25, -9.76, 10.18

 

CMYK 3 / 9 / 0 / 64

HEX #5A555D

RGB 90 85 93

HSL 277.5, 0.04%, 0.35%

LAB 36.86, 3.73, -3.91

 

CMYK 10 / 35 / 0 / 58

HEX #60466B

RGB 96 70 107

HSL 282.16, 0.21%, 0.35%

LAB 33.83, 18.6, -17.21

 

CMYK 10 / 0 / 62 / 50

HEX #738031

RGB 115 128 49

HSL 69.87, 0.45%, 0.35%

LAB 51.04, -16.72, 40.24

 

CMYK 27 / 0 / 62 / 50

HEX #5E8031

RGB 94 128 49

HSL 85.82, 0.45%, 0.35%

LAB 49.54, -25.63, 38.15

 

CMYK 43 / 0 / 62 / 50

HEX #498031

RGB 73 128 49

HSL 101.77, 0.45%, 0.35%

LAB 48.36, -33.58, 36.49

 

CMYK 59 / 0 / 62 / 50

HEX #348031

RGB 52 128 49

HSL 117.72, 0.45%, 0.35%

LAB 47.48, -40.05, 35.26

 

CMYK 62 / 0 / 47 / 50

HEX #318044

RGB 49 128 68

HSL 134.43, 0.45%, 0.35%

LAB 47.63, -38.02, 25.51

 

CMYK 43 / 0 / 62 / 73

HEX #27451A

RGB 39 69 26

HSL 101.86, 0.45%, 0.19%

LAB 26.05, -20.61, 22.21

 

CMYK 43 / 0 / 61 / 62

HEX #386226

RGB 56 98 38

HSL 102, 0.44%, 0.27%

LAB 37.33, -26.99, 29.12

 

CMYK 43 / 0 / 62 / 50

HEX #498031

RGB 73 128 49

HSL 101.77, 0.45%, 0.35%

LAB 48.36, -33.58, 36.49

 

CMYK 43 / 0 / 61 / 38

HEX #5A9E3D

RGB 90 158 61

HSL 102.06, 0.44%, 0.43%

LAB 58.94, -39.74, 43.04

 

CMYK 42 / 0 / 59 / 27

HEX #6CB94B

RGB 108 185 75

HSL 102, 0.44%, 0.51%

LAB 68.31, -43.89, 47.49

 

CMYK 43 / 0 / 62 / 49

HEX #4A8232

RGB 74 130 50

HSL 102, 0.44%, 0.35%

LAB 49.07, -34.02, 36.83

 

CMYK 62 / 0 / 6 / 50

HEX #318078

RGB 49 128 120

HSL 173.92, 0.45%, 0.35%

LAB 48.82, -25.97, -2.84

 

CMYK 0 / 62 / 19 / 50

HEX #803168

RGB 128 49 104

HSL 318.23, 0.45%, 0.35%

LAB 33.53, 40.76, -15.4

 

CMYK 43 / 0 / 62 / 49

HEX #4A8232

RGB 74 130 50

HSL 102, 0.44%, 0.35%

LAB 49.07, -34.02, 36.83

 

CMYK 62 / 43 / 0 / 50

HEX #314980

RGB 49 73 128

HSL 221.77, 0.45%, 0.35%

LAB 31.75, 9.06, -33.9

 

CMYK 0 / 62 / 43 / 50

HEX #803149

RGB 128 49 73

HSL 341.77, 0.45%, 0.35%

LAB 32.41, 36.5, 2.9

 

CMYK 43 / 0 / 62 / 49

HEX #4A8232

RGB 74 130 50

HSL 102, 0.44%, 0.35%

LAB 49.07, -34.02, 36.83

 

CMYK 62 / 0 / 6 / 50

HEX #318078

RGB 49 128 120

HSL 173.92, 0.45%, 0.35%

LAB 48.82, -25.97, -2.84

 

CMYK 19 / 62 / 0 / 50

HEX #683180

RGB 104 49 128

HSL 281.77, 0.45%, 0.35%

LAB 31.11, 38.39, -34.61

 

CMYK 0 / 62 / 55 / 50

HEX #803139

RGB 128 49 57

HSL 353.92, 0.45%, 0.35%

LAB 31.99, 34.86, 12.73

 

CMYK 43 / 0 / 62 / 49

HEX #4A8232

RGB 74 130 50

HSL 102, 0.44%, 0.35%

LAB 49.07, -34.02, 36.83

 

CMYK 62 / 13 / 0 / 50

HEX #317080

RGB 49 112 128

HSL 192.15, 0.45%, 0.35%

LAB 43.94, -15.04, -14.9

 

CMYK 19 / 62 / 0 / 50

HEX #683180

RGB 104 49 128

HSL 281.77, 0.45%, 0.35%

LAB 31.11, 38.39, -34.61

 

CMYK 0 / 49 / 62 / 50

HEX #804131

RGB 128 65 49

HSL 12.15, 0.45%, 0.35%

LAB 35.19, 25.57, 21.95

 

Description

Color code: RGB 74 130 50 | qconv.com Color code: RGB 74 130 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 130 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 130 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 62 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 62% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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