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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 103 54 it is the complementary color RGB 181 152 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 103 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74 103 54 shade: RGB 79 103 49, RGB 96 121 68, RGB 113 139 87, RGB 130 157 106 and RGB 147 175 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 103 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74 103 54 shade: RGB 74 103 54, RGB 57 85 35, RGB 40 67 16, RGB 23 49 0 and RGB 6 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74 103 54 shade: RGB 74 103 54, RGB 87 103 54, RGB 100 103 54, RGB 103 92 54 and RGB 103 79 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74 103 54 shade: RGB 74 103 54, RGB 61 103 54, RGB 54 103 60, RGB 54 103 74 and RGB 54 103 87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74 103 54 shade matches the following richer shades: RGB 74 103 54, RGB 72 116 41, RGB 69 129 28, RGB 67 141 16 and RGB 65 154 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74 103 54 shade: RGB 74 103 54, RGB 76 90 67, RGB 79 77 80, RGB 81 65 92 and RGB 83 52 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74 103 54 shade: RGB 101 103 54, RGB 88 103 54, RGB 74 103 54, RGB 61 103 54 and RGB 54 103 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74 103 54 shade: RGB 35 49 26, RGB 55 76 40, RGB 74 103 54, RGB 94 130 68 and RGB 113 157 83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74 103 54 shade: RGB 74 103 54, RGB 54 103 92 and RGB 103 54 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74 103 54 shade: RGB 74 103 54, RGB 54 74 103 and RGB 103 54 74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74 103 54 shade: RGB 74 103 54, RGB 54 103 92, RGB 83 54 103 and RGB 103 54 65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74 103 54 shade: RGB 74 103 54, RGB 54 99 103, RGB 83 54 103 and RGB 103 58 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 48 / 60

HEX #4A6736

RGB 74 103 54

HSL 95.51, 0.31%, 0.31%

LAB 40.28, -20.42, 24.22

 

Complementary color

CMYK 10 / 24 / 0 / 21

HEX #B598C9

RGB 181 152 201

HSL 275.51, 0.31%, 0.69%

LAB 66.9, 19.94, -21.18

 

CMYK 23 / 0 / 52 / 60

HEX #4F6731

RGB 79 103 49

HSL 86.67, 0.36%, 0.3%

LAB 40.55, -19.02, 27.4

 

CMYK 21 / 0 / 44 / 53

HEX #607944

RGB 96 121 68

HSL 88.3, 0.28%, 0.37%

LAB 47.73, -19.03, 26.11

 

CMYK 19 / 0 / 37 / 45

HEX #718B57

RGB 113 139 87

HSL 90, 0.23%, 0.44%

LAB 54.72, -18.98, 24.85

 

CMYK 17 / 0 / 32 / 38

HEX #829D6A

RGB 130 157 106

HSL 91.76, 0.21%, 0.52%

LAB 61.57, -18.91, 23.67

 

CMYK 16 / 0 / 29 / 31

HEX #93AF7D

RGB 147 175 125

HSL 93.6, 0.24%, 0.59%

LAB 68.27, -18.83, 22.56

 

CMYK 28 / 0 / 48 / 60

HEX #4A6736

RGB 74 103 54

HSL 95.51, 0.31%, 0.31%

LAB 40.28, -20.42, 24.22

 

CMYK 33 / 0 / 59 / 67

HEX #395523

RGB 57 85 35

HSL 93.6, 0.42%, 0.24%

LAB 32.89, -20.46, 25.55

 

CMYK 40 / 0 / 76 / 74

HEX #284310

RGB 40 67 16

HSL 91.76, 0.61%, 0.16%

LAB 25.27, -20.29, 26.61

 

CMYK 53 / 0 / 100 / 81

HEX #173100

RGB 23 49 0

HSL 91.84, 1%, 0.1%

LAB 17.36, -19.74, 24.46

 

CMYK 81 / 0 / 100 / 88

HEX #061F00

RGB 6 31 0

HSL 108.39, 1%, 0.06%

LAB 9.15, -16.27, 13.38

 

CMYK 28 / 0 / 48 / 60

HEX #4A6736

RGB 74 103 54

HSL 95.51, 0.31%, 0.31%

LAB 40.28, -20.42, 24.22

 

CMYK 16 / 0 / 48 / 60

HEX #576736

RGB 87 103 54

HSL 79.59, 0.31%, 0.31%

LAB 41.21, -14.97, 25.57

 

CMYK 3 / 0 / 48 / 60

HEX #646736

RGB 100 103 54

HSL 63.67, 0.31%, 0.31%

LAB 42.27, -9.2, 27.13

 

CMYK 0 / 11 / 48 / 60

HEX #675C36

RGB 103 92 54

HSL 46.53, 0.31%, 0.31%

LAB 39.25, -1.42, 23.43

 

CMYK 0 / 23 / 48 / 60

HEX #674F36

RGB 103 79 54

HSL 30.61, 0.31%, 0.31%

LAB 35.48, 6.46, 18.6

 

CMYK 28 / 0 / 48 / 60

HEX #4A6736

RGB 74 103 54

HSL 95.51, 0.31%, 0.31%

LAB 40.28, -20.42, 24.22

 

CMYK 41 / 0 / 48 / 60

HEX #3D6736

RGB 61 103 54

HSL 111.43, 0.31%, 0.31%

LAB 39.51, -25.38, 23.09

 

CMYK 48 / 0 / 42 / 60

HEX #36673C

RGB 54 103 60

HSL 127.35, 0.31%, 0.31%

LAB 39.26, -26.76, 19.24

 

CMYK 48 / 0 / 28 / 60

HEX #36674A

RGB 54 103 74

HSL 144.49, 0.31%, 0.31%

LAB 39.55, -23.94, 11.32

 

CMYK 48 / 0 / 16 / 60

HEX #366757

RGB 54 103 87

HSL 160.41, 0.31%, 0.31%

LAB 39.87, -20.86, 3.9

 

CMYK 28 / 0 / 48 / 60

HEX #4A6736

RGB 74 103 54

HSL 95.51, 0.31%, 0.31%

LAB 40.28, -20.42, 24.22

 

CMYK 38 / 0 / 65 / 55

HEX #487429

RGB 72 116 41

HSL 95.2, 0.48%, 0.31%

LAB 44.27, -29.25, 35.74

 

CMYK 47 / 0 / 78 / 49

HEX #45811C

RGB 69 129 28

HSL 95.64, 0.64%, 0.31%

LAB 48.32, -37.23, 45.34

 

CMYK 52 / 0 / 89 / 45

HEX #438D10

RGB 67 141 16

HSL 95.52, 0.8%, 0.31%

LAB 52.15, -43.4, 52.29

 

CMYK 58 / 0 / 98 / 40

HEX #419A03

RGB 65 154 3

HSL 95.36, 0.96%, 0.31%

LAB 56.33, -49.27, 58

 

CMYK 28 / 0 / 48 / 60

HEX #4A6736

RGB 74 103 54

HSL 95.51, 0.31%, 0.31%

LAB 40.28, -20.42, 24.22

 

CMYK 16 / 0 / 26 / 65

HEX #4C5A43

RGB 76 90 67

HSL 96.52, 0.15%, 0.31%

LAB 36.47, -10.28, 11.53

 

CMYK 1 / 4 / 0 / 69

HEX #4F4D50

RGB 79 77 80

HSL 280, 0.02%, 0.31%

LAB 33.03, 1.47, -1.48

 

CMYK 12 / 29 / 0 / 64

HEX #51415C

RGB 81 65 92

HSL 275.56, 0.17%, 0.31%

LAB 30.16, 12.73, -13.45

 

CMYK 21 / 50 / 0 / 59

HEX #533469

RGB 83 52 105

HSL 275.09, 0.34%, 0.31%

LAB 27.61, 24.98, -25.76

 

CMYK 2 / 0 / 48 / 60

HEX #656736

RGB 101 103 54

HSL 62.45, 0.31%, 0.31%

LAB 42.36, -8.75, 27.25

 

CMYK 15 / 0 / 48 / 60

HEX #586736

RGB 88 103 54

HSL 78.37, 0.31%, 0.31%

LAB 41.28, -14.53, 25.69

 

CMYK 28 / 0 / 48 / 60

HEX #4A6736

RGB 74 103 54

HSL 95.51, 0.31%, 0.31%

LAB 40.28, -20.42, 24.22

 

CMYK 41 / 0 / 48 / 60

HEX #3D6736

RGB 61 103 54

HSL 111.43, 0.31%, 0.31%

LAB 39.51, -25.38, 23.09

 

CMYK 48 / 0 / 42 / 60

HEX #36673C

RGB 54 103 60

HSL 127.35, 0.31%, 0.31%

LAB 39.26, -26.76, 19.24

 

CMYK 29 / 0 / 47 / 81

HEX #23311A

RGB 35 49 26

HSL 96.52, 0.31%, 0.15%

LAB 18.49, -11.14, 12.83

 

CMYK 28 / 0 / 47 / 70

HEX #374C28

RGB 55 76 40

HSL 95, 0.31%, 0.23%

LAB 29.75, -15.74, 18.79

 

CMYK 28 / 0 / 48 / 60

HEX #4A6736

RGB 74 103 54

HSL 95.51, 0.31%, 0.31%

LAB 40.28, -20.42, 24.22

 

CMYK 28 / 0 / 48 / 49

HEX #5E8244

RGB 94 130 68

HSL 94.84, 0.31%, 0.39%

LAB 50.41, -24.45, 29.45

 

CMYK 28 / 0 / 47 / 38

HEX #719D53

RGB 113 157 83

HSL 95.68, 0.31%, 0.47%

LAB 60.11, -28.57, 33.87

 

CMYK 28 / 0 / 48 / 60

HEX #4A6736

RGB 74 103 54

HSL 95.51, 0.31%, 0.31%

LAB 40.28, -20.42, 24.22

 

CMYK 48 / 0 / 11 / 60

HEX #36675C

RGB 54 103 92

HSL 166.53, 0.31%, 0.31%

LAB 40.01, -19.57, 1.05

 

CMYK 0 / 48 / 9 / 60

HEX #67365E

RGB 103 54 94

HSL 311.02, 0.31%, 0.31%

LAB 30.23, 28.06, -14.39

 

CMYK 28 / 0 / 48 / 60

HEX #4A6736

RGB 74 103 54

HSL 95.51, 0.31%, 0.31%

LAB 40.28, -20.42, 24.22

 

CMYK 48 / 28 / 0 / 60

HEX #364A67

RGB 54 74 103

HSL 215.51, 0.31%, 0.31%

LAB 31.02, 0.93, -19.34

 

CMYK 0 / 48 / 28 / 60

HEX #67364A

RGB 103 54 74

HSL 335.51, 0.31%, 0.31%

LAB 29.45, 24.55, -2.55

 

CMYK 28 / 0 / 48 / 60

HEX #4A6736

RGB 74 103 54

HSL 95.51, 0.31%, 0.31%

LAB 40.28, -20.42, 24.22

 

CMYK 48 / 0 / 11 / 60

HEX #36675C

RGB 54 103 92

HSL 166.53, 0.31%, 0.31%

LAB 40.01, -19.57, 1.05

 

CMYK 19 / 48 / 0 / 60

HEX #533667

RGB 83 54 103

HSL 275.51, 0.31%, 0.31%

LAB 28, 23.22, -23.87

 

CMYK 0 / 48 / 37 / 60

HEX #673641

RGB 103 54 65

HSL 346.53, 0.31%, 0.31%

LAB 29.17, 23.21, 2.95

 

CMYK 28 / 0 / 48 / 60

HEX #4A6736

RGB 74 103 54

HSL 95.51, 0.31%, 0.31%

LAB 40.28, -20.42, 24.22

 

CMYK 48 / 4 / 0 / 60

HEX #366367

RGB 54 99 103

HSL 184.9, 0.31%, 0.31%

LAB 39.05, -14.29, -7.11

 

CMYK 19 / 48 / 0 / 60

HEX #533667

RGB 83 54 103

HSL 275.51, 0.31%, 0.31%

LAB 28, 23.22, -23.87

 

CMYK 0 / 44 / 48 / 60

HEX #673A36

RGB 103 58 54

HSL 4.9, 0.31%, 0.31%

LAB 29.85, 19.39, 11.09

 

Description

Color code: RGB 74 103 54 | qconv.com Color code: RGB 74 103 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 103 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 103 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 48 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 48% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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