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Color name
RGB 77 27 243

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 27 243 it is the complementary color RGB 178 228 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 27 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 27 243 shade: RGB 82 27 238, RGB 99 45 255, RGB 116 63 255, RGB 133 81 255 and RGB 150 99 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 27 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 27 243 shade: RGB 77 27 243, RGB 60 9 224, RGB 43 0 205, RGB 26 0 186 and RGB 9 0 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 27 243 shade: RGB 77 27 243, RGB 135 27 243, RGB 193 27 243, RGB 243 27 234 and RGB 243 27 176

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 27 243 shade: RGB 77 27 243 and RGB 27 27 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 27 243 shade matches the following richer shades: RGB 77 27 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 27 243 shade: RGB 77 27 243, RGB 87 46 223, RGB 98 66 204, RGB 108 85 184 and RGB 118 104 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 27 243 shade: RGB 27 95 243, RGB 27 38 243, RGB 74 27 243, RGB 131 27 243 and RGB 189 27 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 27 243 shade: RGB 48 9 178, RGB 59 11 217, RGB 77 27 243, RGB 107 66 245 and RGB 138 105 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 27 243 shade: RGB 77 27 243, RGB 243 27 153 and RGB 66 243 27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 27 243 shade: RGB 77 27 243, RGB 243 74 27 and RGB 27 243 74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 27 243 shade: RGB 77 27 243, RGB 243 27 153, RGB 196 243 27 and RGB 27 243 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 27 243 shade: RGB 77 27 243, RGB 243 27 88, RGB 196 243 27 and RGB 27 243 181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 89 / 0 / 5

HEX #4D1BF3

RGB 77 27 243

HSL 253.89, 0.9%, 0.53%

LAB 35.66, 72.88, -95.42

 

Complementary color

CMYK 22 / 0 / 95 / 11

HEX #B2E40C

RGB 178 228 12

HSL 73.89, 0.9%, 0.47%

LAB 84.47, -40.03, 81.64

 

CMYK 66 / 89 / 0 / 7

HEX #521BEE

RGB 82 27 238

HSL 255.64, 0.86%, 0.52%

LAB 35.5, 71.92, -92.84

 

CMYK 61 / 82 / 0 / 0

HEX #632DFF

RGB 99 45 255

HSL 255.43, 1%, 0.59%

LAB 40.82, 71.72, -93.56

 

CMYK 55 / 75 / 0 / 0

HEX #743FFF

RGB 116 63 255

HSL 256.56, 1%, 0.62%

LAB 44.92, 66.2, -86.72

 

CMYK 48 / 68 / 0 / 0

HEX #8551FF

RGB 133 81 255

HSL 257.93, 1%, 0.66%

LAB 49.61, 60.14, -78.98

 

CMYK 41 / 61 / 0 / 0

HEX #9663FF

RGB 150 99 255

HSL 259.62, 1%, 0.69%

LAB 54.69, 54, -70.65

 

CMYK 68 / 89 / 0 / 5

HEX #4D1BF3

RGB 77 27 243

HSL 253.89, 0.9%, 0.53%

LAB 35.66, 72.88, -95.42

 

CMYK 73 / 96 / 0 / 12

HEX #3C09E0

RGB 60 9 224

HSL 254.23, 0.92%, 0.46%

LAB 30.73, 71.25, -92.84

 

CMYK 79 / 100 / 0 / 20

HEX #2B00CD

RGB 43 0 205

HSL 252.59, 1%, 0.4%

LAB 26.51, 67.71, -88.9

 

CMYK 86 / 100 / 0 / 27

HEX #1A00BA

RGB 26 0 186

HSL 248.39, 1%, 0.36%

LAB 22.88, 62.73, -83.79

 

CMYK 95 / 100 / 0 / 35

HEX #0900A7

RGB 9 0 167

HSL 243.23, 1%, 0.33%

LAB 19.42, 57.76, -78.15

 

CMYK 68 / 89 / 0 / 5

HEX #4D1BF3

RGB 77 27 243

HSL 253.89, 0.9%, 0.53%

LAB 35.66, 72.88, -95.42

 

CMYK 44 / 89 / 0 / 5

HEX #871BF3

RGB 135 27 243

HSL 270, 0.9%, 0.53%

LAB 41.85, 77.52, -84.97

 

CMYK 21 / 89 / 0 / 5

HEX #C11BF3

RGB 193 27 243

HSL 286.11, 0.9%, 0.53%

LAB 50.21, 84.77, -70.98

 

CMYK 0 / 89 / 4 / 5

HEX #F31BEA

RGB 243 27 234

HSL 302.5, 0.9%, 0.53%

LAB 57.83, 91.26, -53.23

 

CMYK 0 / 89 / 28 / 5

HEX #F31BB0

RGB 243 27 176

HSL 318.61, 0.9%, 0.53%

LAB 55.04, 84.02, -24.39

 

CMYK 68 / 89 / 0 / 5

HEX #4D1BF3

RGB 77 27 243

HSL 253.89, 0.9%, 0.53%

LAB 35.66, 72.88, -95.42

 

CMYK 89 / 89 / 0 / 5

HEX #1B1BF3

RGB 27 27 243

HSL 240, 0.9%, 0.53%

LAB 32.89, 71.09, -100.1

 

CMYK 68 / 89 / 0 / 5

HEX #4D1BF3

RGB 77 27 243

HSL 253.89, 0.9%, 0.53%

LAB 35.66, 72.88, -95.42

 

CMYK 68 / 89 / 0 / 5

HEX #4D1BF3

RGB 77 27 243

HSL 253.89, 0.9%, 0.53%

LAB 35.66, 72.88, -95.42

 

CMYK 61 / 79 / 0 / 13

HEX #572EDF

RGB 87 46 223

HSL 253.9, 0.73%, 0.53%

LAB 36.57, 61.74, -82.51

 

CMYK 52 / 68 / 0 / 20

HEX #6242CC

RGB 98 66 204

HSL 253.91, 0.58%, 0.53%

LAB 39.33, 48.02, -66.99

 

CMYK 41 / 54 / 0 / 28

HEX #6C55B8

RGB 108 85 184

HSL 253.94, 0.41%, 0.53%

LAB 42.98, 33.35, -49.38

 

CMYK 28 / 37 / 0 / 35

HEX #7668A5

RGB 118 104 165

HSL 253.77, 0.25%, 0.53%

LAB 47.58, 19.37, -30.89

 

CMYK 89 / 61 / 0 / 5

HEX #1B5FF3

RGB 27 95 243

HSL 221.11, 0.9%, 0.53%

LAB 45.48, 35.93, -79.28

 

CMYK 89 / 84 / 0 / 5

HEX #1B26F3

RGB 27 38 243

HSL 236.94, 0.9%, 0.53%

LAB 34.17, 67.23, -97.97

 

CMYK 70 / 89 / 0 / 5

HEX #4A1BF3

RGB 74 27 243

HSL 253.06, 0.9%, 0.53%

LAB 35.42, 72.71, -95.82

 

CMYK 46 / 89 / 0 / 5

HEX #831BF3

RGB 131 27 243

HSL 268.89, 0.9%, 0.53%

LAB 41.34, 77.11, -85.83

 

CMYK 22 / 89 / 0 / 5

HEX #BD1BF3

RGB 189 27 243

HSL 285, 0.9%, 0.53%

LAB 49.59, 84.21, -72.01

 

CMYK 73 / 95 / 0 / 30

HEX #3009B2

RGB 48 9 178

HSL 253.85, 0.9%, 0.37%

LAB 23.8, 59.3, -77.44

 

CMYK 73 / 95 / 0 / 15

HEX #3B0BD9

RGB 59 11 217

HSL 253.98, 0.9%, 0.45%

LAB 29.86, 69.17, -90.26

 

CMYK 68 / 89 / 0 / 5

HEX #4D1BF3

RGB 77 27 243

HSL 253.89, 0.9%, 0.53%

LAB 35.66, 72.88, -95.42

 

CMYK 56 / 73 / 0 / 4

HEX #6B42F5

RGB 107 66 245

HSL 253.74, 0.9%, 0.61%

LAB 43.68, 60.96, -83.21

 

CMYK 44 / 57 / 0 / 3

HEX #8A69F7

RGB 138 105 247

HSL 253.94, 0.9%, 0.69%

LAB 54.26, 46.14, -66.96

 

CMYK 68 / 89 / 0 / 5

HEX #4D1BF3

RGB 77 27 243

HSL 253.89, 0.9%, 0.53%

LAB 35.66, 72.88, -95.42

 

CMYK 0 / 89 / 37 / 5

HEX #F31B99

RGB 243 27 153

HSL 325, 0.9%, 0.53%

LAB 54.17, 81.67, -12.17

 

CMYK 73 / 0 / 89 / 5

HEX #42F31B

RGB 66 243 27

HSL 109.17, 0.9%, 0.53%

LAB 84.66, -77.22, 78.11

 

CMYK 68 / 89 / 0 / 5

HEX #4D1BF3

RGB 77 27 243

HSL 253.89, 0.9%, 0.53%

LAB 35.66, 72.88, -95.42

 

CMYK 0 / 70 / 89 / 5

HEX #F34A1B

RGB 243 74 27

HSL 13.06, 0.9%, 0.53%

LAB 56.12, 62.61, 60.22

 

CMYK 89 / 0 / 70 / 5

HEX #1BF34A

RGB 27 243 74

HSL 133.06, 0.9%, 0.53%

LAB 84.4, -78.71, 64.95

 

CMYK 68 / 89 / 0 / 5

HEX #4D1BF3

RGB 77 27 243

HSL 253.89, 0.9%, 0.53%

LAB 35.66, 72.88, -95.42

 

CMYK 0 / 89 / 37 / 5

HEX #F31B99

RGB 243 27 153

HSL 325, 0.9%, 0.53%

LAB 54.17, 81.67, -12.17

 

CMYK 19 / 0 / 89 / 5

HEX #C4F31B

RGB 196 243 27

HSL 73.06, 0.9%, 0.53%

LAB 89.82, -39.43, 84.5

 

CMYK 89 / 0 / 52 / 5

HEX #1BF375

RGB 27 243 117

HSL 145, 0.9%, 0.53%

LAB 84.8, -73.69, 47.2

 

CMYK 68 / 89 / 0 / 5

HEX #4D1BF3

RGB 77 27 243

HSL 253.89, 0.9%, 0.53%

LAB 35.66, 72.88, -95.42

 

CMYK 0 / 89 / 64 / 5

HEX #F31B58

RGB 243 27 88

HSL 343.06, 0.9%, 0.53%

LAB 52.45, 76.89, 24.48

 

CMYK 19 / 0 / 89 / 5

HEX #C4F31B

RGB 196 243 27

HSL 73.06, 0.9%, 0.53%

LAB 89.82, -39.43, 84.5

 

CMYK 89 / 0 / 26 / 5

HEX #1BF3B5

RGB 27 243 181

HSL 162.78, 0.9%, 0.53%

LAB 85.84, -61.66, 16.67

 

Description

Color code: RGB 77 27 243 | qconv.com Color code: RGB 77 27 243 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 27 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 27 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 89 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 89% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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