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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 238 165 it is the complementary color RGB 178 17 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 238 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 238 165 shade: RGB 82 238 160, RGB 99 255 179, RGB 116 255 198, RGB 133 255 217 and RGB 150 255 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 238 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 238 165 shade: RGB 77 238 165, RGB 60 220 146, RGB 43 202 127, RGB 26 184 108 and RGB 9 166 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 238 165 shade: RGB 77 238 165, RGB 77 238 122, RGB 77 238 78, RGB 119 238 77 and RGB 163 238 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 238 165 shade: RGB 77 238 165, RGB 77 238 208, RGB 77 224 238, RGB 77 181 238 and RGB 77 137 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 238 165 shade matches the following richer shades: RGB 77 238 165 and RGB 61 254 167

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 238 165 shade: RGB 77 238 165, RGB 93 222 164, RGB 109 207 162, RGB 124 191 161 and RGB 140 175 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 238 165 shade: RGB 77 238 77, RGB 77 238 120, RGB 77 238 163, RGB 77 238 206 and RGB 77 227 238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 238 165 shade: RGB 19 213 125, RGB 39 235 146, RGB 77 238 165, RGB 115 242 184 and RGB 153 245 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 238 165 shade: RGB 77 238 165, RGB 77 120 238 and RGB 238 99 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 238 165 shade: RGB 77 238 165, RGB 163 77 238 and RGB 238 163 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 238 165 shade: RGB 77 238 165, RGB 77 120 238, RGB 238 77 152 and RGB 238 195 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 238 165 shade: RGB 77 238 165, RGB 83 77 238, RGB 238 77 152 and RGB 233 238 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 31 / 7

HEX #4DEEA5

RGB 77 238 165

HSL 152.8, 0.83%, 0.62%

LAB 84.71, -58.08, 23.46

 

Complementary color

CMYK 0 / 90 / 49 / 30

HEX #B2115A

RGB 178 17 90

HSL 332.8, 0.83%, 0.38%

LAB 38.91, 62.73, 2.53

 

CMYK 66 / 0 / 33 / 7

HEX #52EEA0

RGB 82 238 160

HSL 150, 0.82%, 0.63%

LAB 84.73, -58.25, 26.07

 

CMYK 61 / 0 / 30 / 0

HEX #63FFB3

RGB 99 255 179

HSL 150.77, 1%, 0.69%

LAB 90.52, -58.1, 24.36

 

CMYK 55 / 0 / 22 / 0

HEX #74FFC6

RGB 116 255 198

HSL 155.4, 1%, 0.73%

LAB 91.37, -50.88, 15.92

 

CMYK 48 / 0 / 15 / 0

HEX #85FFD9

RGB 133 255 217

HSL 161.31, 1%, 0.76%

LAB 92.36, -43.08, 7.63

 

CMYK 41 / 0 / 7 / 0

HEX #96FFEC

RGB 150 255 236

HSL 169.14, 1%, 0.79%

LAB 93.48, -34.83, -0.49

 

CMYK 68 / 0 / 31 / 7

HEX #4DEEA5

RGB 77 238 165

HSL 152.8, 0.83%, 0.62%

LAB 84.71, -58.08, 23.46

 

CMYK 73 / 0 / 34 / 14

HEX #3CDC92

RGB 60 220 146

HSL 152.25, 0.7%, 0.55%

LAB 78.59, -57.56, 24.87

 

CMYK 79 / 0 / 37 / 21

HEX #2BCA7F

RGB 43 202 127

HSL 151.7, 0.65%, 0.48%

LAB 72.42, -56.76, 26.4

 

CMYK 86 / 0 / 41 / 28

HEX #1AB86C

RGB 26 184 108

HSL 151.14, 0.75%, 0.41%

LAB 66.2, -55.57, 28.06

 

CMYK 95 / 0 / 46 / 35

HEX #09A659

RGB 9 166 89

HSL 150.57, 0.9%, 0.34%

LAB 59.94, -53.83, 29.87

 

CMYK 68 / 0 / 31 / 7

HEX #4DEEA5

RGB 77 238 165

HSL 152.8, 0.83%, 0.62%

LAB 84.71, -58.08, 23.46

 

CMYK 68 / 0 / 49 / 7

HEX #4DEE7A

RGB 77 238 122

HSL 136.77, 0.83%, 0.62%

LAB 84.03, -65.61, 44.04

 

CMYK 68 / 0 / 67 / 7

HEX #4DEE4E

RGB 77 238 78

HSL 120.37, 0.83%, 0.62%

LAB 83.59, -70.84, 62.81

 

CMYK 50 / 0 / 68 / 7

HEX #77EE4D

RGB 119 238 77

HSL 104.35, 0.83%, 0.62%

LAB 84.8, -61.27, 64.84

 

CMYK 32 / 0 / 68 / 7

HEX #A3EE4D

RGB 163 238 77

HSL 87.95, 0.83%, 0.62%

LAB 86.74, -47.39, 67.46

 

CMYK 68 / 0 / 31 / 7

HEX #4DEEA5

RGB 77 238 165

HSL 152.8, 0.83%, 0.62%

LAB 84.71, -58.08, 23.46

 

CMYK 68 / 0 / 13 / 7

HEX #4DEED0

RGB 77 238 208

HSL 168.82, 0.83%, 0.62%

LAB 85.65, -48.37, 2.4

 

CMYK 68 / 6 / 0 / 7

HEX #4DE0EE

RGB 77 224 238

HSL 185.22, 0.83%, 0.62%

LAB 82.41, -34.06, -18.23

 

CMYK 68 / 24 / 0 / 7

HEX #4DB5EE

RGB 77 181 238

HSL 201.24, 0.83%, 0.62%

LAB 70.03, -12.4, -37.19

 

CMYK 68 / 42 / 0 / 7

HEX #4D89EE

RGB 77 137 238

HSL 217.64, 0.83%, 0.62%

LAB 57.7, 12.8, -56.65

 

CMYK 68 / 0 / 31 / 7

HEX #4DEEA5

RGB 77 238 165

HSL 152.8, 0.83%, 0.62%

LAB 84.71, -58.08, 23.46

 

CMYK 76 / 0 / 34 / 0

HEX #3DFEA7

RGB 61 254 167

HSL 152.95, 0.99%, 0.62%

LAB 89.24, -65.82, 28.56

 

CMYK 68 / 0 / 31 / 7

HEX #4DEEA5

RGB 77 238 165

HSL 152.8, 0.83%, 0.62%

LAB 84.71, -58.08, 23.46

 

CMYK 58 / 0 / 26 / 13

HEX #5DDEA4

RGB 93 222 164

HSL 153.02, 0.66%, 0.62%

LAB 80.32, -48.99, 17.98

 

CMYK 47 / 0 / 22 / 19

HEX #6DCFA2

RGB 109 207 162

HSL 152.45, 0.51%, 0.62%

LAB 76.37, -39.27, 13.58

 

CMYK 35 / 0 / 16 / 25

HEX #7CBFA1

RGB 124 191 161

HSL 153.13, 0.34%, 0.62%

LAB 72.31, -27.89, 8.45

 

CMYK 20 / 0 / 9 / 31

HEX #8CAF9F

RGB 140 175 159

HSL 152.57, 0.18%, 0.62%

LAB 68.56, -15.2, 4.28

 

CMYK 68 / 0 / 68 / 7

HEX #4DEE4D

RGB 77 238 77

HSL 120, 0.83%, 0.62%

LAB 83.58, -70.93, 63.18

 

CMYK 68 / 0 / 50 / 7

HEX #4DEE78

RGB 77 238 120

HSL 136.02, 0.83%, 0.62%

LAB 84.01, -65.91, 44.96

 

CMYK 68 / 0 / 32 / 7

HEX #4DEEA3

RGB 77 238 163

HSL 152.05, 0.83%, 0.62%

LAB 84.67, -58.48, 24.44

 

CMYK 68 / 0 / 13 / 7

HEX #4DEECE

RGB 77 238 206

HSL 168.07, 0.83%, 0.62%

LAB 85.6, -48.87, 3.38

 

CMYK 68 / 5 / 0 / 7

HEX #4DE3EE

RGB 77 227 238

HSL 184.1, 0.83%, 0.62%

LAB 83.28, -35.47, -16.92

 

CMYK 91 / 0 / 41 / 16

HEX #13D57D

RGB 19 213 125

HSL 152.78, 0.84%, 0.45%

LAB 75.58, -62.99, 31.57

 

CMYK 83 / 0 / 38 / 8

HEX #27EB92

RGB 39 235 146

HSL 152.76, 0.83%, 0.54%

LAB 82.87, -65.31, 30.57

 

CMYK 68 / 0 / 31 / 7

HEX #4DEEA5

RGB 77 238 165

HSL 152.8, 0.83%, 0.62%

LAB 84.71, -58.08, 23.46

 

CMYK 52 / 0 / 24 / 5

HEX #73F2B8

RGB 115 242 184

HSL 152.6, 0.83%, 0.7%

LAB 87.3, -48.52, 17.4

 

CMYK 38 / 0 / 17 / 4

HEX #99F5CB

RGB 153 245 203

HSL 152.61, 0.82%, 0.78%

LAB 90.04, -36.49, 11.65

 

CMYK 68 / 0 / 31 / 7

HEX #4DEEA5

RGB 77 238 165

HSL 152.8, 0.83%, 0.62%

LAB 84.71, -58.08, 23.46

 

CMYK 68 / 50 / 0 / 7

HEX #4D78EE

RGB 77 120 238

HSL 223.98, 0.83%, 0.62%

LAB 53.15, 23.19, -63.95

 

CMYK 0 / 58 / 68 / 7

HEX #EE634D

RGB 238 99 77

HSL 8.2, 0.83%, 0.62%

LAB 59.56, 52.29, 39.47

 

CMYK 68 / 0 / 31 / 7

HEX #4DEEA5

RGB 77 238 165

HSL 152.8, 0.83%, 0.62%

LAB 84.71, -58.08, 23.46

 

CMYK 32 / 68 / 0 / 7

HEX #A34DEE

RGB 163 77 238

HSL 272.05, 0.83%, 0.62%

LAB 51, 63.31, -67.08

 

CMYK 0 / 32 / 68 / 7

HEX #EEA34D

RGB 238 163 77

HSL 32.05, 0.83%, 0.62%

LAB 72.83, 19.92, 54.5

 

CMYK 68 / 0 / 31 / 7

HEX #4DEEA5

RGB 77 238 165

HSL 152.8, 0.83%, 0.62%

LAB 84.71, -58.08, 23.46

 

CMYK 68 / 50 / 0 / 7

HEX #4D78EE

RGB 77 120 238

HSL 223.98, 0.83%, 0.62%

LAB 53.15, 23.19, -63.95

 

CMYK 0 / 68 / 36 / 7

HEX #EE4D98

RGB 238 77 152

HSL 332.05, 0.83%, 0.62%

LAB 57.8, 67.45, -6.25

 

CMYK 0 / 18 / 68 / 7

HEX #EEC34D

RGB 238 195 77

HSL 43.98, 0.83%, 0.62%

LAB 80.6, 3.09, 62.77

 

CMYK 68 / 0 / 31 / 7

HEX #4DEEA5

RGB 77 238 165

HSL 152.8, 0.83%, 0.62%

LAB 84.71, -58.08, 23.46

 

CMYK 65 / 68 / 0 / 7

HEX #534DEE

RGB 83 77 238

HSL 242.24, 0.83%, 0.62%

LAB 43.24, 50.03, -80.06

 

CMYK 0 / 68 / 36 / 7

HEX #EE4D98

RGB 238 77 152

HSL 332.05, 0.83%, 0.62%

LAB 57.8, 67.45, -6.25

 

CMYK 2 / 0 / 68 / 7

HEX #E9EE4D

RGB 233 238 77

HSL 61.86, 0.83%, 0.62%

LAB 91.24, -20.55, 73.49

 

Description

Color code: RGB 77 238 165 | qconv.com Color code: RGB 77 238 165 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 238 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 238 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 31 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 31% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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