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Color name
RGB 77 233 200

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 233 200 it is the complementary color RGB 178 22 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 233 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 233 200 shade: RGB 82 233 195, RGB 99 251 214, RGB 116 255 233, RGB 133 255 252 and RGB 150 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 233 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 233 200 shade: RGB 77 233 200, RGB 60 215 181, RGB 43 197 162, RGB 26 179 143 and RGB 9 161 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 233 200 shade: RGB 77 233 200, RGB 77 233 158, RGB 77 233 116, RGB 81 233 77 and RGB 122 233 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 233 200 shade: RGB 77 233 200, RGB 77 224 233, RGB 77 182 233, RGB 77 140 233 and RGB 77 98 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 233 200 shade matches the following richer shades: RGB 77 233 200 and RGB 61 249 209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 233 200 shade: RGB 77 233 200, RGB 94 217 191, RGB 110 200 181, RGB 126 184 172 and RGB 142 168 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 233 200 shade: RGB 77 233 116, RGB 77 233 158, RGB 77 233 199, RGB 77 225 233 and RGB 77 183 233

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 233 200 shade: RGB 25 203 165, RGB 41 228 188, RGB 77 233 200, RGB 114 237 211 and RGB 151 242 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 233 200 shade: RGB 77 233 200, RGB 77 80 233 and RGB 233 137 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 233 200 shade: RGB 77 233 200, RGB 199 77 233 and RGB 233 199 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 233 200 shade: RGB 77 233 200, RGB 77 80 233, RGB 233 77 111 and RGB 233 230 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 233 200 shade: RGB 77 233 200, RGB 121 77 233, RGB 233 77 111 and RGB 189 233 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 14 / 9

HEX #4DE9C8

RGB 77 233 200

HSL 167.31, 0.78%, 0.61%

LAB 83.98, -48.23, 4.19

 

Complementary color

CMYK 0 / 88 / 69 / 30

HEX #B21637

RGB 178 22 55

HSL 347.31, 0.78%, 0.39%

LAB 38.4, 59.58, 24.21

 

CMYK 65 / 0 / 16 / 9

HEX #52E9C3

RGB 82 233 195

HSL 164.9, 0.77%, 0.62%

LAB 83.97, -48.66, 6.82

 

CMYK 61 / 0 / 15 / 2

HEX #63FBD6

RGB 99 251 214

HSL 165.39, 0.95%, 0.69%

LAB 90.09, -48.93, 5.77

 

CMYK 55 / 0 / 9 / 0

HEX #74FFE9

RGB 116 255 233

HSL 170.5, 1%, 0.73%

LAB 92.18, -43.01, -0.97

 

CMYK 48 / 0 / 1 / 0

HEX #85FFFC

RGB 133 255 252

HSL 178.52, 1%, 0.76%

LAB 93.25, -34.94, -9.17

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 67 / 0 / 14 / 9

HEX #4DE9C8

RGB 77 233 200

HSL 167.31, 0.78%, 0.61%

LAB 83.98, -48.23, 4.19

 

CMYK 72 / 0 / 16 / 16

HEX #3CD7B5

RGB 60 215 181

HSL 166.84, 0.66%, 0.54%

LAB 77.81, -47.69, 5.31

 

CMYK 78 / 0 / 18 / 23

HEX #2BC5A2

RGB 43 197 162

HSL 166.36, 0.64%, 0.47%

LAB 71.59, -46.92, 6.55

 

CMYK 85 / 0 / 20 / 30

HEX #1AB38F

RGB 26 179 143

HSL 165.88, 0.75%, 0.4%

LAB 65.31, -45.82, 7.92

 

CMYK 94 / 0 / 23 / 37

HEX #09A17C

RGB 9 161 124

HSL 165.39, 0.89%, 0.33%

LAB 58.98, -44.28, 9.45

 

CMYK 67 / 0 / 14 / 9

HEX #4DE9C8

RGB 77 233 200

HSL 167.31, 0.78%, 0.61%

LAB 83.98, -48.23, 4.19

 

CMYK 67 / 0 / 32 / 9

HEX #4DE99E

RGB 77 233 158

HSL 151.15, 0.78%, 0.61%

LAB 83.09, -57.56, 24.84

 

CMYK 67 / 0 / 50 / 9

HEX #4DE974

RGB 77 233 116

HSL 135, 0.78%, 0.61%

LAB 82.44, -64.74, 44.92

 

CMYK 65 / 0 / 67 / 9

HEX #51E94D

RGB 81 233 77

HSL 118.46, 0.78%, 0.61%

LAB 82.14, -68.54, 61.68

 

CMYK 48 / 0 / 67 / 9

HEX #7AE94D

RGB 122 233 77

HSL 102.69, 0.78%, 0.61%

LAB 83.42, -58.55, 63.41

 

CMYK 67 / 0 / 14 / 9

HEX #4DE9C8

RGB 77 233 200

HSL 167.31, 0.78%, 0.61%

LAB 83.98, -48.23, 4.19

 

CMYK 67 / 4 / 0 / 9

HEX #4DE0E9

RGB 77 224 233

HSL 183.46, 0.78%, 0.61%

LAB 82.26, -35.49, -15.81

 

CMYK 67 / 22 / 0 / 9

HEX #4DB6E9

RGB 77 182 233

HSL 199.62, 0.78%, 0.61%

LAB 70.12, -14.54, -34.35

 

CMYK 67 / 40 / 0 / 9

HEX #4D8CE9

RGB 77 140 233

HSL 215.77, 0.78%, 0.61%

LAB 58.24, 9.27, -53.01

 

CMYK 67 / 58 / 0 / 9

HEX #4D62E9

RGB 77 98 233

HSL 231.92, 0.78%, 0.61%

LAB 47.23, 35.08, -70.73

 

CMYK 67 / 0 / 14 / 9

HEX #4DE9C8

RGB 77 233 200

HSL 167.31, 0.78%, 0.61%

LAB 83.98, -48.23, 4.19

 

CMYK 76 / 0 / 16 / 2

HEX #3DF9D1

RGB 61 249 209

HSL 167.23, 0.94%, 0.61%

LAB 88.61, -54.67, 6.14

 

CMYK 67 / 0 / 14 / 9

HEX #4DE9C8

RGB 77 233 200

HSL 167.31, 0.78%, 0.61%

LAB 83.98, -48.23, 4.19

 

CMYK 57 / 0 / 12 / 15

HEX #5ED9BF

RGB 94 217 191

HSL 167.32, 0.62%, 0.61%

LAB 79.48, -40.54, 2.49

 

CMYK 45 / 0 / 10 / 22

HEX #6EC8B5

RGB 110 200 181

HSL 167.33, 0.45%, 0.61%

LAB 74.8, -31.55, 1.12

 

CMYK 32 / 0 / 7 / 28

HEX #7EB8AC

RGB 126 184 172

HSL 167.59, 0.29%, 0.61%

LAB 70.66, -21.44, 0.08

 

CMYK 15 / 0 / 3 / 34

HEX #8EA8A3

RGB 142 168 163

HSL 168.46, 0.13%, 0.61%

LAB 66.82, -10.01, -0.44

 

CMYK 67 / 0 / 50 / 9

HEX #4DE974

RGB 77 233 116

HSL 135, 0.78%, 0.61%

LAB 82.44, -64.74, 44.92

 

CMYK 67 / 0 / 32 / 9

HEX #4DE99E

RGB 77 233 158

HSL 151.15, 0.78%, 0.61%

LAB 83.09, -57.56, 24.84

 

CMYK 67 / 0 / 15 / 9

HEX #4DE9C7

RGB 77 233 199

HSL 166.92, 0.78%, 0.61%

LAB 83.95, -48.47, 4.68

 

CMYK 67 / 3 / 0 / 9

HEX #4DE1E9

RGB 77 225 233

HSL 183.08, 0.78%, 0.61%

LAB 82.55, -35.95, -15.37

 

CMYK 67 / 21 / 0 / 9

HEX #4DB7E9

RGB 77 183 233

HSL 199.23, 0.78%, 0.61%

LAB 70.41, -15.07, -33.9

 

CMYK 88 / 0 / 19 / 20

HEX #19CBA5

RGB 25 203 165

HSL 167.19, 0.78%, 0.45%

LAB 73.31, -50.1, 7.36

 

CMYK 82 / 0 / 18 / 11

HEX #29E4BC

RGB 41 228 188

HSL 167.17, 0.78%, 0.53%

LAB 81.61, -53.27, 7.03

 

CMYK 67 / 0 / 14 / 9

HEX #4DE9C8

RGB 77 233 200

HSL 167.31, 0.78%, 0.61%

LAB 83.98, -48.23, 4.19

 

CMYK 52 / 0 / 11 / 7

HEX #72EDD3

RGB 114 237 211

HSL 167.32, 0.77%, 0.69%

LAB 86.43, -40.64, 2.09

 

CMYK 38 / 0 / 8 / 5

HEX #97F2DE

RGB 151 242 222

HSL 166.81, 0.78%, 0.77%

LAB 89.56, -31.64, 1.07

 

CMYK 67 / 0 / 14 / 9

HEX #4DE9C8

RGB 77 233 200

HSL 167.31, 0.78%, 0.61%

LAB 83.98, -48.23, 4.19

 

CMYK 67 / 66 / 0 / 9

HEX #4D50E9

RGB 77 80 233

HSL 238.85, 0.78%, 0.61%

LAB 43.06, 45.95, -77.55

 

CMYK 0 / 41 / 67 / 9

HEX #E9894D

RGB 233 137 77

HSL 23.08, 0.78%, 0.61%

LAB 66.33, 31.6, 47.11

 

CMYK 67 / 0 / 14 / 9

HEX #4DE9C8

RGB 77 233 200

HSL 167.31, 0.78%, 0.61%

LAB 83.98, -48.23, 4.19

 

CMYK 15 / 67 / 0 / 9

HEX #C74DE9

RGB 199 77 233

HSL 286.92, 0.78%, 0.61%

LAB 55.41, 69.71, -56.92

 

CMYK 0 / 15 / 67 / 9

HEX #E9C74D

RGB 233 199 77

HSL 46.92, 0.78%, 0.61%

LAB 81.13, -1.08, 63.18

 

CMYK 67 / 0 / 14 / 9

HEX #4DE9C8

RGB 77 233 200

HSL 167.31, 0.78%, 0.61%

LAB 83.98, -48.23, 4.19

 

CMYK 67 / 66 / 0 / 9

HEX #4D50E9

RGB 77 80 233

HSL 238.85, 0.78%, 0.61%

LAB 43.06, 45.95, -77.55

 

CMYK 0 / 67 / 52 / 9

HEX #E94D6F

RGB 233 77 111

HSL 346.92, 0.78%, 0.61%

LAB 55.87, 62.18, 15.03

 

CMYK 0 / 1 / 67 / 9

HEX #E9E64D

RGB 233 230 77

HSL 58.85, 0.78%, 0.61%

LAB 89.14, -16.67, 71.38

 

CMYK 67 / 0 / 14 / 9

HEX #4DE9C8

RGB 77 233 200

HSL 167.31, 0.78%, 0.61%

LAB 83.98, -48.23, 4.19

 

CMYK 48 / 67 / 0 / 9

HEX #794DE9

RGB 121 77 233

HSL 256.92, 0.78%, 0.61%

LAB 45.98, 54.24, -72.62

 

CMYK 0 / 67 / 52 / 9

HEX #E94D6F

RGB 233 77 111

HSL 346.92, 0.78%, 0.61%

LAB 55.87, 62.18, 15.03

 

CMYK 19 / 0 / 67 / 9

HEX #BDE94D

RGB 189 233 77

HSL 76.92, 0.78%, 0.61%

LAB 86.82, -35.64, 68.02

 

Description

Color code: RGB 77 233 200 | qconv.com Color code: RGB 77 233 200 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 233 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 233 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 14 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 14% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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