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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 218 190 it is the complementary color RGB 178 37 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 218 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 218 190 shade: RGB 82 218 185, RGB 99 236 204, RGB 116 254 223, RGB 133 255 242 and RGB 150 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 218 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 218 190 shade: RGB 77 218 190, RGB 60 200 171, RGB 43 182 152, RGB 26 164 133 and RGB 9 146 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 218 190 shade: RGB 77 218 190, RGB 77 218 152, RGB 77 218 114, RGB 78 218 77 and RGB 116 218 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 218 190 shade: RGB 77 218 190, RGB 77 208 218, RGB 77 170 218, RGB 77 132 218 and RGB 77 94 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 218 190 shade matches the following richer shades: RGB 77 218 190, RGB 59 235 200 and RGB 42 253 211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 218 190 shade: RGB 77 218 190, RGB 94 201 180, RGB 111 183 169, RGB 129 166 159 and RGB 146 149 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 218 190 shade: RGB 77 218 114, RGB 77 218 152, RGB 77 218 190, RGB 77 209 218 and RGB 77 171 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 218 190 shade: RGB 36 177 149, RGB 43 211 177, RGB 77 218 190, RGB 111 225 202 and RGB 145 232 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 218 190 shade: RGB 77 218 190, RGB 77 77 218 and RGB 218 133 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 218 190 shade: RGB 77 218 190, RGB 190 77 218 and RGB 218 190 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 218 190 shade: RGB 77 218 190, RGB 77 77 218, RGB 218 77 105 and RGB 218 218 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 218 190 shade: RGB 77 218 190, RGB 119 77 218, RGB 218 77 105 and RGB 176 218 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 13 / 15

HEX #4DDABE

RGB 77 218 190

HSL 168.09, 0.66%, 0.58%

LAB 79.29, -44.27, 2.69

 

Complementary color

CMYK 0 / 79 / 63 / 30

HEX #B22541

RGB 178 37 65

HSL 348.09, 0.66%, 0.42%

LAB 39.86, 56.48, 19.77

 

CMYK 62 / 0 / 15 / 15

HEX #52DAB9

RGB 82 218 185

HSL 165.44, 0.65%, 0.59%

LAB 79.29, -44.66, 5.37

 

CMYK 58 / 0 / 14 / 7

HEX #63ECCC

RGB 99 236 204

HSL 165.99, 0.78%, 0.66%

LAB 85.51, -44.85, 4.36

 

CMYK 54 / 0 / 12 / 0

HEX #74FEDF

RGB 116 254 223

HSL 166.52, 0.99%, 0.73%

LAB 91.65, -44.94, 3.43

 

CMYK 48 / 0 / 5 / 0

HEX #85FFF2

RGB 133 255 242

HSL 173.61, 1%, 0.76%

LAB 92.98, -37.36, -4.4

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 65 / 0 / 13 / 15

HEX #4DDABE

RGB 77 218 190

HSL 168.09, 0.66%, 0.58%

LAB 79.29, -44.27, 2.69

 

CMYK 70 / 0 / 15 / 22

HEX #3CC8AB

RGB 60 200 171

HSL 167.57, 0.56%, 0.51%

LAB 73.03, -43.81, 3.78

 

CMYK 76 / 0 / 16 / 29

HEX #2BB698

RGB 43 182 152

HSL 167.05, 0.62%, 0.44%

LAB 66.7, -43.13, 4.98

 

CMYK 84 / 0 / 19 / 36

HEX #1AA485

RGB 26 164 133

HSL 166.52, 0.73%, 0.37%

LAB 60.31, -42.12, 6.32

 

CMYK 94 / 0 / 22 / 43

HEX #099272

RGB 9 146 114

HSL 165.99, 0.88%, 0.3%

LAB 53.85, -40.65, 7.84

 

CMYK 65 / 0 / 13 / 15

HEX #4DDABE

RGB 77 218 190

HSL 168.09, 0.66%, 0.58%

LAB 79.29, -44.27, 2.69

 

CMYK 65 / 0 / 30 / 15

HEX #4DDA98

RGB 77 218 152

HSL 151.91, 0.66%, 0.58%

LAB 78.45, -52.89, 21.62

 

CMYK 65 / 0 / 48 / 15

HEX #4DDA72

RGB 77 218 114

HSL 135.74, 0.66%, 0.58%

LAB 77.84, -59.67, 40.15

 

CMYK 64 / 0 / 65 / 15

HEX #4EDA4D

RGB 78 218 77

HSL 119.57, 0.66%, 0.58%

LAB 77.46, -64.11, 56.58

 

CMYK 47 / 0 / 65 / 15

HEX #74DA4D

RGB 116 218 77

HSL 103.4, 0.66%, 0.58%

LAB 78.69, -54.56, 58.27

 

CMYK 65 / 0 / 13 / 15

HEX #4DDABE

RGB 77 218 190

HSL 168.09, 0.66%, 0.58%

LAB 79.29, -44.27, 2.69

 

CMYK 65 / 5 / 0 / 15

HEX #4DD0DA

RGB 77 208 218

HSL 184.26, 0.66%, 0.58%

LAB 77.13, -32.21, -15.51

 

CMYK 65 / 22 / 0 / 15

HEX #4DAADA

RGB 77 170 218

HSL 200.43, 0.66%, 0.58%

LAB 66.05, -12.89, -32.43

 

CMYK 65 / 39 / 0 / 15

HEX #4D84DA

RGB 77 132 218

HSL 216.6, 0.66%, 0.58%

LAB 55.22, 8.91, -49.44

 

CMYK 65 / 57 / 0 / 15

HEX #4D5EDA

RGB 77 94 218

HSL 232.77, 0.66%, 0.58%

LAB 45.14, 32.44, -65.63

 

CMYK 65 / 0 / 13 / 15

HEX #4DDABE

RGB 77 218 190

HSL 168.09, 0.66%, 0.58%

LAB 79.29, -44.27, 2.69

 

CMYK 75 / 0 / 15 / 8

HEX #3BEBC8

RGB 59 235 200

HSL 168.07, 0.81%, 0.58%

LAB 84.23, -51.39, 4.51

 

CMYK 83 / 0 / 17 / 1

HEX #2AFDD3

RGB 42 253 211

HSL 168.06, 0.98%, 0.58%

LAB 89.6, -57.45, 6.49

 

CMYK 65 / 0 / 13 / 15

HEX #4DDABE

RGB 77 218 190

HSL 168.09, 0.66%, 0.58%

LAB 79.29, -44.27, 2.69

 

CMYK 53 / 0 / 10 / 21

HEX #5EC9B4

RGB 94 201 180

HSL 168.22, 0.5%, 0.58%

LAB 74.48, -35.95, 1.12

 

CMYK 39 / 0 / 8 / 28

HEX #6FB7A9

RGB 111 183 169

HSL 168.33, 0.33%, 0.58%

LAB 69.55, -25.87, 0.01

 

CMYK 22 / 0 / 4 / 35

HEX #81A69F

RGB 129 166 159

HSL 168.65, 0.17%, 0.58%

LAB 65.31, -14.08, -0.52

 

CMYK 2 / 0 / 1 / 42

HEX #929594

RGB 146 149 148

HSL 160, 0.01%, 0.58%

LAB 61.43, -1.28, 0.14

 

CMYK 65 / 0 / 48 / 15

HEX #4DDA72

RGB 77 218 114

HSL 135.74, 0.66%, 0.58%

LAB 77.84, -59.67, 40.15

 

CMYK 65 / 0 / 30 / 15

HEX #4DDA98

RGB 77 218 152

HSL 151.91, 0.66%, 0.58%

LAB 78.45, -52.89, 21.62

 

CMYK 65 / 0 / 13 / 15

HEX #4DDABE

RGB 77 218 190

HSL 168.09, 0.66%, 0.58%

LAB 79.29, -44.27, 2.69

 

CMYK 65 / 4 / 0 / 15

HEX #4DD1DA

RGB 77 209 218

HSL 183.83, 0.66%, 0.58%

LAB 77.42, -32.69, -15.07

 

CMYK 65 / 22 / 0 / 15

HEX #4DABDA

RGB 77 171 218

HSL 200, 0.66%, 0.58%

LAB 66.34, -13.43, -31.98

 

CMYK 80 / 0 / 16 / 31

HEX #24B195

RGB 36 177 149

HSL 168.09, 0.66%, 0.42%

LAB 64.95, -42.53, 4.1

 

CMYK 80 / 0 / 16 / 17

HEX #2BD3B1

RGB 43 211 177

HSL 167.86, 0.66%, 0.5%

LAB 76.24, -48.93, 5.14

 

CMYK 65 / 0 / 13 / 15

HEX #4DDABE

RGB 77 218 190

HSL 168.09, 0.66%, 0.58%

LAB 79.29, -44.27, 2.69

 

CMYK 51 / 0 / 10 / 12

HEX #6FE1CA

RGB 111 225 202

HSL 167.89, 0.66%, 0.66%

LAB 82.64, -37.98, 1.31

 

CMYK 38 / 0 / 7 / 9

HEX #91E8D7

RGB 145 232 215

HSL 168.28, 0.65%, 0.74%

LAB 86.33, -30.03, -0.02

 

CMYK 65 / 0 / 13 / 15

HEX #4DDABE

RGB 77 218 190

HSL 168.09, 0.66%, 0.58%

LAB 79.29, -44.27, 2.69

 

CMYK 65 / 65 / 0 / 15

HEX #4D4DDA

RGB 77 77 218

HSL 240, 0.66%, 0.58%

LAB 41.13, 42.82, -72.17

 

CMYK 0 / 39 / 65 / 15

HEX #DA854D

RGB 218 133 77

HSL 23.83, 0.66%, 0.58%

LAB 63.52, 27.64, 43.39

 

CMYK 65 / 0 / 13 / 15

HEX #4DDABE

RGB 77 218 190

HSL 168.09, 0.66%, 0.58%

LAB 79.29, -44.27, 2.69

 

CMYK 13 / 65 / 0 / 15

HEX #BE4DDA

RGB 190 77 218

HSL 288.09, 0.66%, 0.58%

LAB 53.29, 64.89, -51.91

 

CMYK 0 / 13 / 65 / 15

HEX #DABE4D

RGB 218 190 77

HSL 48.09, 0.66%, 0.58%

LAB 77.44, -2.76, 58.87

 

CMYK 65 / 0 / 13 / 15

HEX #4DDABE

RGB 77 218 190

HSL 168.09, 0.66%, 0.58%

LAB 79.29, -44.27, 2.69

 

CMYK 65 / 65 / 0 / 15

HEX #4D4DDA

RGB 77 77 218

HSL 240, 0.66%, 0.58%

LAB 41.13, 42.82, -72.17

 

CMYK 0 / 65 / 52 / 15

HEX #DA4D69

RGB 218 77 105

HSL 348.09, 0.66%, 0.58%

LAB 53.2, 57.05, 14.52

 

CMYK 0 / 0 / 65 / 15

HEX #DADA4D

RGB 218 218 77

HSL 60, 0.66%, 0.58%

LAB 84.78, -16.94, 66.57

 

CMYK 65 / 0 / 13 / 15

HEX #4DDABE

RGB 77 218 190

HSL 168.09, 0.66%, 0.58%

LAB 79.29, -44.27, 2.69

 

CMYK 45 / 65 / 0 / 15

HEX #774DDA

RGB 119 77 218

HSL 257.87, 0.66%, 0.58%

LAB 44.65, 49.79, -66.29

 

CMYK 0 / 65 / 52 / 15

HEX #DA4D69

RGB 218 77 105

HSL 348.09, 0.66%, 0.58%

LAB 53.2, 57.05, 14.52

 

CMYK 19 / 0 / 65 / 15

HEX #B0DA4D

RGB 176 218 77

HSL 77.87, 0.66%, 0.58%

LAB 81.79, -33.79, 62.52

 

Description

Color code: RGB 77 218 190 | qconv.com Color code: RGB 77 218 190 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 218 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 218 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 13 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 13% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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