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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 216 246 it is the complementary color RGB 178 39 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 216 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 216 246 shade: RGB 82 216 241, RGB 99 234 255, RGB 116 252 255, RGB 133 255 255 and RGB 150 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 216 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 216 246 shade: RGB 77 216 246, RGB 60 198 227, RGB 43 180 208, RGB 26 162 189 and RGB 9 144 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 216 246 shade: RGB 75 215 245, RGB 75 169 245, RGB 75 123 245, RGB 75 78 245 and RGB 119 75 245

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 216 246 shade: RGB 75 215 245, RGB 75 169 245, RGB 75 123 245, RGB 75 78 245 and RGB 75 75 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 216 246 shade matches the following richer shades: RGB 75 215 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 216 246 shade: RGB 75 215 245, RGB 91 205 230, RGB 106 195 215, RGB 121 185 199 and RGB 136 176 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 216 246 shade: RGB 75 245 183, RGB 75 245 228, RGB 75 217 245, RGB 75 171 245 and RGB 75 126 245

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 216 246 shade: RGB 11 188 226, RGB 36 206 243, RGB 75 215 245, RGB 114 224 247 and RGB 154 232 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 216 246 shade: RGB 77 216 246, RGB 138 75 245 and RGB 245 205 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 216 246 shade: RGB 77 216 246, RGB 245 75 217 and RGB 217 245 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 216 246 shade: RGB 77 216 246, RGB 138 75 245, RGB 245 104 75 and RGB 183 245 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 216 246 shade: RGB 77 216 246, RGB 188 75 245, RGB 245 104 75 and RGB 132 245 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 12 / 0 / 4

HEX #4DD8F6

RGB 77 216 246

HSL 190.65, 0.9%, 0.63%

LAB 80.37, -27.87, -25.57

 

Complementary color

CMYK 0 / 78 / 95 / 30

HEX #B22709

RGB 178 39 9

HSL 10.65, 0.9%, 0.37%

LAB 39.47, 53.94, 49.23

 

CMYK 66 / 10 / 0 / 5

HEX #52D8F1

RGB 82 216 241

HSL 189.43, 0.85%, 0.63%

LAB 80.32, -28.65, -22.97

 

CMYK 61 / 8 / 0 / 0

HEX #63EAFF

RGB 99 234 255

HSL 188.08, 1%, 0.69%

LAB 86.36, -30.67, -21.17

 

CMYK 55 / 1 / 0 / 0

HEX #74FCFF

RGB 116 252 255

HSL 181.29, 1%, 0.73%

LAB 91.93, -36.16, -12.74

 

CMYK 48 / 0 / 0 / 0

HEX #85FFFF

RGB 133 255 255

HSL 180, 1%, 0.76%

LAB 93.33, -34.2, -10.6

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 69 / 12 / 0 / 4

HEX #4DD8F6

RGB 77 216 246

HSL 190.65, 0.9%, 0.63%

LAB 80.37, -27.87, -25.57

 

CMYK 74 / 13 / 0 / 11

HEX #3CC6E3

RGB 60 198 227

HSL 190.42, 0.75%, 0.56%

LAB 74.12, -26.95, -24.96

 

CMYK 79 / 13 / 0 / 18

HEX #2BB4D0

RGB 43 180 208

HSL 190.18, 0.66%, 0.49%

LAB 67.81, -25.78, -24.29

 

CMYK 86 / 14 / 0 / 26

HEX #1AA2BD

RGB 26 162 189

HSL 189.94, 0.76%, 0.42%

LAB 61.42, -24.28, -23.53

 

CMYK 95 / 15 / 0 / 33

HEX #0990AA

RGB 9 144 170

HSL 189.69, 0.9%, 0.35%

LAB 54.98, -22.34, -22.68

 

CMYK 69 / 12 / 0 / 4

HEX #4BD7F5

RGB 75 215 245

HSL 190.59, 0.89%, 0.63%

LAB 80, -27.95, -25.6

 

CMYK 69 / 31 / 0 / 4

HEX #4BA9F5

RGB 75 169 245

HSL 206.82, 0.89%, 0.63%

LAB 66.87, -3.78, -45.96

 

CMYK 69 / 50 / 0 / 4

HEX #4B7BF5

RGB 75 123 245

HSL 223.06, 0.89%, 0.63%

LAB 54.3, 23.5, -66

 

CMYK 69 / 68 / 0 / 4

HEX #4B4EF5

RGB 75 78 245

HSL 238.94, 0.89%, 0.63%

LAB 43.56, 50.76, -83.49

 

CMYK 51 / 69 / 0 / 4

HEX #774BF5

RGB 119 75 245

HSL 255.53, 0.89%, 0.63%

LAB 46.37, 58.22, -78.74

 

CMYK 69 / 12 / 0 / 4

HEX #4BD7F5

RGB 75 215 245

HSL 190.59, 0.89%, 0.63%

LAB 80, -27.95, -25.6

 

CMYK 69 / 31 / 0 / 4

HEX #4BA9F5

RGB 75 169 245

HSL 206.82, 0.89%, 0.63%

LAB 66.87, -3.78, -45.96

 

CMYK 69 / 50 / 0 / 4

HEX #4B7BF5

RGB 75 123 245

HSL 223.06, 0.89%, 0.63%

LAB 54.3, 23.5, -66

 

CMYK 69 / 68 / 0 / 4

HEX #4B4EF5

RGB 75 78 245

HSL 238.94, 0.89%, 0.63%

LAB 43.56, 50.76, -83.49

 

CMYK 69 / 69 / 0 / 4

HEX #4B4BF5

RGB 75 75 245

HSL 240, 0.89%, 0.63%

LAB 42.94, 52.45, -84.5

 

CMYK 69 / 12 / 0 / 4

HEX #4BD7F5

RGB 75 215 245

HSL 190.59, 0.89%, 0.63%

LAB 80, -27.95, -25.6

 

CMYK 69 / 12 / 0 / 4

HEX #4BD7F5

RGB 75 215 245

HSL 190.59, 0.89%, 0.63%

LAB 80, -27.95, -25.6

 

CMYK 60 / 11 / 0 / 10

HEX #5BCDE6

RGB 91 205 230

HSL 190.79, 0.74%, 0.63%

LAB 77.04, -25.01, -22.06

 

CMYK 51 / 9 / 0 / 16

HEX #6AC3D7

RGB 106 195 215

HSL 191.01, 0.58%, 0.63%

LAB 74.19, -21.3, -18.24

 

CMYK 39 / 7 / 0 / 22

HEX #79B9C7

RGB 121 185 199

HSL 190.77, 0.41%, 0.63%

LAB 71.48, -16.83, -13.54

 

CMYK 26 / 4 / 0 / 28

HEX #88B0B8

RGB 136 176 184

HSL 190, 0.25%, 0.63%

LAB 69.29, -11.54, -8.49

 

CMYK 69 / 0 / 25 / 4

HEX #4BF5B7

RGB 75 245 183

HSL 158.12, 0.89%, 0.63%

LAB 87.1, -57.33, 17.5

 

CMYK 69 / 0 / 7 / 4

HEX #4BF5E4

RGB 75 245 228

HSL 174, 0.89%, 0.63%

LAB 88.16, -46.54, -4.39

 

CMYK 69 / 11 / 0 / 4

HEX #4BD9F5

RGB 75 217 245

HSL 189.88, 0.89%, 0.63%

LAB 80.58, -28.93, -24.73

 

CMYK 69 / 30 / 0 / 4

HEX #4BABF5

RGB 75 171 245

HSL 206.12, 0.89%, 0.63%

LAB 67.44, -4.9, -45.07

 

CMYK 69 / 49 / 0 / 4

HEX #4B7EF5

RGB 75 126 245

HSL 222, 0.89%, 0.63%

LAB 55.08, 21.66, -64.73

 

CMYK 95 / 17 / 0 / 11

HEX #0BBCE2

RGB 11 188 226

HSL 190.6, 0.91%, 0.46%

LAB 70.54, -25.75, -29.96

 

CMYK 85 / 15 / 0 / 5

HEX #24CEF3

RGB 36 206 243

HSL 190.72, 0.9%, 0.55%

LAB 76.67, -27.98, -29.7

 

CMYK 69 / 12 / 0 / 4

HEX #4BD7F5

RGB 75 215 245

HSL 190.59, 0.89%, 0.63%

LAB 80, -27.95, -25.6

 

CMYK 54 / 9 / 0 / 3

HEX #72E0F7

RGB 114 224 247

HSL 190.38, 0.89%, 0.71%

LAB 83.76, -25.34, -20.85

 

CMYK 38 / 7 / 0 / 2

HEX #9AE8F9

RGB 154 232 249

HSL 190.74, 0.89%, 0.79%

LAB 87.69, -19.74, -15.81

 

CMYK 69 / 12 / 0 / 4

HEX #4DD8F6

RGB 77 216 246

HSL 190.65, 0.9%, 0.63%

LAB 80.37, -27.87, -25.57

 

CMYK 44 / 69 / 0 / 4

HEX #8A4BF5

RGB 138 75 245

HSL 262.24, 0.89%, 0.63%

LAB 48.3, 61.31, -75.53

 

CMYK 0 / 16 / 69 / 4

HEX #F5CD4B

RGB 245 205 75

HSL 45.88, 0.89%, 0.63%

LAB 83.75, 0.77, 67.04

 

CMYK 69 / 12 / 0 / 4

HEX #4DD8F6

RGB 77 216 246

HSL 190.65, 0.9%, 0.63%

LAB 80.37, -27.87, -25.57

 

CMYK 0 / 69 / 11 / 4

HEX #F54BD9

RGB 245 75 217

HSL 309.88, 0.89%, 0.63%

LAB 61.18, 78.08, -38.35

 

CMYK 11 / 0 / 69 / 4

HEX #D9F54B

RGB 217 245 75

HSL 69.88, 0.89%, 0.63%

LAB 91.94, -30.37, 74.51

 

CMYK 69 / 12 / 0 / 4

HEX #4DD8F6

RGB 77 216 246

HSL 190.65, 0.9%, 0.63%

LAB 80.37, -27.87, -25.57

 

CMYK 44 / 69 / 0 / 4

HEX #8A4BF5

RGB 138 75 245

HSL 262.24, 0.89%, 0.63%

LAB 48.3, 61.31, -75.53

 

CMYK 0 / 58 / 69 / 4

HEX #F5684B

RGB 245 104 75

HSL 10.24, 0.89%, 0.63%

LAB 61.5, 52.38, 43.08

 

CMYK 25 / 0 / 69 / 4

HEX #B7F54B

RGB 183 245 75

HSL 81.88, 0.89%, 0.63%

LAB 89.8, -43.34, 71.68

 

CMYK 69 / 12 / 0 / 4

HEX #4DD8F6

RGB 77 216 246

HSL 190.65, 0.9%, 0.63%

LAB 80.37, -27.87, -25.57

 

CMYK 23 / 69 / 0 / 4

HEX #BC4BF5

RGB 188 75 245

HSL 279.88, 0.89%, 0.63%

LAB 54.36, 70.59, -65.41

 

CMYK 0 / 58 / 69 / 4

HEX #F5684B

RGB 245 104 75

HSL 10.24, 0.89%, 0.63%

LAB 61.5, 52.38, 43.08

 

CMYK 46 / 0 / 69 / 4

HEX #84F54B

RGB 132 245 75

HSL 99.88, 0.89%, 0.63%

LAB 87.35, -60.33, 68.39

 

Description

Color code: RGB 77 216 246 | qconv.com Color code: RGB 77 216 246 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 216 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 216 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 12 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 12% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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