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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 182 172 it is the complementary color RGB 178 73 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 182 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 182 172 shade: RGB 82 182 167, RGB 99 200 186, RGB 116 218 205, RGB 133 236 224 and RGB 150 254 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 182 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 182 172 shade: RGB 77 182 172, RGB 60 164 153, RGB 43 146 134, RGB 26 128 115 and RGB 9 110 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 182 172 shade: RGB 77 182 172, RGB 77 182 144, RGB 77 182 115, RGB 77 182 87 and RGB 95 182 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 182 172 shade: RGB 77 182 172, RGB 77 164 182, RGB 77 135 182, RGB 77 107 182 and RGB 77 79 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 182 172 shade matches the following richer shades: RGB 77 182 172, RGB 57 202 188, RGB 37 222 205 and RGB 16 243 221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 182 172 shade: RGB 77 182 172, RGB 97 162 156, RGB 118 142 139, RGB 138 121 123 and RGB 158 101 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 182 172 shade: RGB 77 182 116, RGB 77 182 144, RGB 77 182 172, RGB 77 165 182 and RGB 77 137 182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 182 172 shade: RGB 51 126 118, RGB 63 155 146, RGB 77 182 172, RGB 106 194 186 and RGB 136 206 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 182 172 shade: RGB 77 182 172, RGB 88 77 182 and RGB 182 130 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 182 172 shade: RGB 77 182 172, RGB 172 77 182 and RGB 182 172 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 182 172 shade: RGB 77 182 172, RGB 88 77 182, RGB 182 77 88 and RGB 172 182 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 182 172 shade: RGB 77 182 172, RGB 119 77 182, RGB 182 77 88 and RGB 140 182 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 5 / 29

HEX #4DB6AC

RGB 77 182 172

HSL 174.29, 0.42%, 0.51%

LAB 68.03, -32.56, -4.02

 

Complementary color

CMYK 0 / 59 / 53 / 30

HEX #B24953

RGB 178 73 83

HSL 354.29, 0.42%, 0.49%

LAB 45.43, 43.6, 16.06

 

CMYK 55 / 0 / 8 / 29

HEX #52B6A7

RGB 82 182 167

HSL 171, 0.41%, 0.52%

LAB 68.05, -32.86, -1.21

 

CMYK 51 / 0 / 7 / 22

HEX #63C8BA

RGB 99 200 186

HSL 171.68, 0.48%, 0.59%

LAB 74.51, -32.91, -2.06

 

CMYK 47 / 0 / 6 / 15

HEX #74DACD

RGB 116 218 205

HSL 172.35, 0.58%, 0.65%

LAB 80.89, -32.9, -2.83

 

CMYK 44 / 0 / 5 / 7

HEX #85ECE0

RGB 133 236 224

HSL 173.01, 0.73%, 0.72%

LAB 87.17, -32.85, -3.56

 

CMYK 41 / 0 / 4 / 0

HEX #96FEF3

RGB 150 254 243

HSL 173.65, 0.98%, 0.79%

LAB 93.38, -32.77, -4.25

 

CMYK 58 / 0 / 5 / 29

HEX #4DB6AC

RGB 77 182 172

HSL 174.29, 0.42%, 0.51%

LAB 68.03, -32.56, -4.02

 

CMYK 63 / 0 / 7 / 36

HEX #3CA499

RGB 60 164 153

HSL 173.65, 0.46%, 0.44%

LAB 61.49, -32.28, -3.12

 

CMYK 71 / 0 / 8 / 43

HEX #2B9286

RGB 43 146 134

HSL 173.01, 0.54%, 0.37%

LAB 54.86, -31.79, -2.12

 

CMYK 80 / 0 / 10 / 50

HEX #1A8073

RGB 26 128 115

HSL 172.35, 0.66%, 0.3%

LAB 48.13, -31, -0.98

 

CMYK 92 / 0 / 13 / 57

HEX #096E60

RGB 9 110 96

HSL 171.68, 0.85%, 0.23%

LAB 41.3, -29.71, 0.36

 

CMYK 58 / 0 / 5 / 29

HEX #4DB6AC

RGB 77 182 172

HSL 174.29, 0.42%, 0.51%

LAB 68.03, -32.56, -4.02

 

CMYK 58 / 0 / 21 / 29

HEX #4DB690

RGB 77 182 144

HSL 158.29, 0.42%, 0.51%

LAB 67.31, -39.51, 10.36

 

CMYK 58 / 0 / 37 / 29

HEX #4DB673

RGB 77 182 115

HSL 141.71, 0.42%, 0.51%

LAB 66.73, -45.53, 25.25

 

CMYK 58 / 0 / 52 / 29

HEX #4DB657

RGB 77 182 87

HSL 125.71, 0.42%, 0.51%

LAB 66.31, -50.08, 39.13

 

CMYK 48 / 0 / 58 / 29

HEX #5FB64D

RGB 95 182 77

HSL 109.71, 0.42%, 0.51%

LAB 66.84, -46.47, 44.73

 

CMYK 58 / 0 / 5 / 29

HEX #4DB6AC

RGB 77 182 172

HSL 174.29, 0.42%, 0.51%

LAB 68.03, -32.56, -4.02

 

CMYK 58 / 10 / 0 / 29

HEX #4DA4B6

RGB 77 164 182

HSL 190.29, 0.42%, 0.51%

LAB 62.93, -20.81, -17.21

 

CMYK 58 / 26 / 0 / 29

HEX #4D87B6

RGB 77 135 182

HSL 206.86, 0.42%, 0.51%

LAB 54.33, -4.9, -30.43

 

CMYK 58 / 41 / 0 / 29

HEX #4D6BB6

RGB 77 107 182

HSL 222.86, 0.42%, 0.51%

LAB 46.27, 11.98, -43.09

 

CMYK 58 / 57 / 0 / 29

HEX #4D4FB6

RGB 77 79 182

HSL 238.86, 0.42%, 0.51%

LAB 38.81, 29.69, -55.07

 

CMYK 58 / 0 / 5 / 29

HEX #4DB6AC

RGB 77 182 172

HSL 174.29, 0.42%, 0.51%

LAB 68.03, -32.56, -4.02

 

CMYK 72 / 0 / 7 / 21

HEX #39CABC

RGB 57 202 188

HSL 174.21, 0.58%, 0.51%

LAB 74.02, -40.62, -3.99

 

CMYK 83 / 0 / 8 / 13

HEX #25DECD

RGB 37 222 205

HSL 174.49, 0.74%, 0.51%

LAB 80.2, -46.64, -4.05

 

CMYK 93 / 0 / 9 / 5

HEX #10F3DD

RGB 16 243 221

HSL 174.19, 0.9%, 0.51%

LAB 86.72, -52.14, -2.93

 

CMYK 58 / 0 / 5 / 29

HEX #4DB6AC

RGB 77 182 172

HSL 174.29, 0.42%, 0.51%

LAB 68.03, -32.56, -4.02

 

CMYK 40 / 0 / 4 / 36

HEX #61A29C

RGB 97 162 156

HSL 174.46, 0.26%, 0.51%

LAB 62.32, -22.23, -3.43

 

CMYK 17 / 0 / 2 / 44

HEX #768E8B

RGB 118 142 139

HSL 172.5, 0.1%, 0.51%

LAB 57.14, -9.16, -1.26

 

CMYK 0 / 12 / 11 / 46

HEX #8A797B

RGB 138 121 123

HSL 352.94, 0.07%, 0.51%

LAB 52.41, 6.9, 1.31

 

CMYK 0 / 36 / 32 / 38

HEX #9E656B

RGB 158 101 107

HSL 353.68, 0.23%, 0.51%

LAB 49.05, 23.81, 6.21

 

CMYK 58 / 0 / 36 / 29

HEX #4DB674

RGB 77 182 116

HSL 142.29, 0.42%, 0.51%

LAB 66.74, -45.35, 24.74

 

CMYK 58 / 0 / 21 / 29

HEX #4DB690

RGB 77 182 144

HSL 158.29, 0.42%, 0.51%

LAB 67.31, -39.51, 10.36

 

CMYK 58 / 0 / 5 / 29

HEX #4DB6AC

RGB 77 182 172

HSL 174.29, 0.42%, 0.51%

LAB 68.03, -32.56, -4.02

 

CMYK 58 / 9 / 0 / 29

HEX #4DA5B6

RGB 77 165 182

HSL 189.71, 0.42%, 0.51%

LAB 63.23, -21.33, -16.75

 

CMYK 58 / 25 / 0 / 29

HEX #4D89B6

RGB 77 137 182

HSL 205.71, 0.42%, 0.51%

LAB 54.91, -6.06, -29.51

 

CMYK 60 / 0 / 6 / 51

HEX #337E76

RGB 51 126 118

HSL 173.6, 0.42%, 0.35%

LAB 48.18, -25.12, -2.6

 

CMYK 59 / 0 / 6 / 39

HEX #3F9B92

RGB 63 155 146

HSL 174.13, 0.42%, 0.43%

LAB 58.58, -29.31, -3.45

 

CMYK 58 / 0 / 5 / 29

HEX #4DB6AC

RGB 77 182 172

HSL 174.29, 0.42%, 0.51%

LAB 68.03, -32.56, -4.02

 

CMYK 45 / 0 / 4 / 24

HEX #6AC2BA

RGB 106 194 186

HSL 174.55, 0.42%, 0.59%

LAB 73.02, -28.42, -4.22

 

CMYK 34 / 0 / 3 / 19

HEX #88CEC7

RGB 136 206 199

HSL 174, 0.42%, 0.67%

LAB 78.17, -23.46, -3.51

 

CMYK 58 / 0 / 5 / 29

HEX #4DB6AC

RGB 77 182 172

HSL 174.29, 0.42%, 0.51%

LAB 68.03, -32.56, -4.02

 

CMYK 52 / 58 / 0 / 29

HEX #584DB6

RGB 88 77 182

HSL 246.29, 0.42%, 0.51%

LAB 39.17, 33.12, -54.44

 

CMYK 0 / 29 / 58 / 29

HEX #B6824D

RGB 182 130 77

HSL 30.29, 0.42%, 0.51%

LAB 58.46, 14.17, 36.32

 

CMYK 58 / 0 / 5 / 29

HEX #4DB6AC

RGB 77 182 172

HSL 174.29, 0.42%, 0.51%

LAB 68.03, -32.56, -4.02

 

CMYK 5 / 58 / 0 / 29

HEX #AC4DB6

RGB 172 77 182

HSL 294.29, 0.42%, 0.51%

LAB 48.83, 53.69, -38.45

 

CMYK 0 / 5 / 58 / 29

HEX #B6AC4D

RGB 182 172 77

HSL 54.29, 0.42%, 0.51%

LAB 69.46, -8.67, 49.18

 

CMYK 58 / 0 / 5 / 29

HEX #4DB6AC

RGB 77 182 172

HSL 174.29, 0.42%, 0.51%

LAB 68.03, -32.56, -4.02

 

CMYK 52 / 58 / 0 / 29

HEX #584DB6

RGB 88 77 182

HSL 246.29, 0.42%, 0.51%

LAB 39.17, 33.12, -54.44

 

CMYK 0 / 58 / 52 / 29

HEX #B64D58

RGB 182 77 88

HSL 353.71, 0.42%, 0.51%

LAB 46.92, 43.54, 15.15

 

CMYK 5 / 0 / 58 / 29

HEX #ACB64D

RGB 172 182 77

HSL 65.71, 0.42%, 0.51%

LAB 71.39, -18.04, 51.13

 

CMYK 58 / 0 / 5 / 29

HEX #4DB6AC

RGB 77 182 172

HSL 174.29, 0.42%, 0.51%

LAB 68.03, -32.56, -4.02

 

CMYK 35 / 58 / 0 / 29

HEX #774DB6

RGB 119 77 182

HSL 264, 0.42%, 0.51%

LAB 42.17, 40.12, -49.46

 

CMYK 0 / 58 / 52 / 29

HEX #B64D58

RGB 182 77 88

HSL 353.71, 0.42%, 0.51%

LAB 46.92, 43.54, 15.15

 

CMYK 23 / 0 / 58 / 29

HEX #8CB64D

RGB 140 182 77

HSL 84, 0.42%, 0.51%

LAB 69.16, -30.92, 48

 

Description

Color code: RGB 77 182 172 | qconv.com Color code: RGB 77 182 172 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 182 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 182 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 5 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 5% 29% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

96% - Evolwebapp
Link: http://evolwebapp.azurewebsites.net

87% - Gtn7museum
Link: http://gtn7museum.890m.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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