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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 178 149 it is the complementary color RGB 178 77 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 178 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 178 149 shade: RGB 82 178 144, RGB 99 196 163, RGB 116 214 182, RGB 133 232 201 and RGB 150 250 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 178 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 178 149 shade: RGB 77 178 149, RGB 60 160 130, RGB 43 142 111, RGB 26 124 92 and RGB 9 106 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 178 149 shade: RGB 76 178 149, RGB 76 178 121, RGB 76 178 94, RGB 86 178 76 and RGB 113 178 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 178 149 shade: RGB 76 178 149, RGB 76 178 176, RGB 76 152 178, RGB 76 125 178 and RGB 76 97 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 178 149 shade matches the following richer shades: RGB 76 178 149, RGB 55 199 157, RGB 35 219 166 and RGB 14 240 175

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 178 149 shade: RGB 76 178 149, RGB 97 157 140, RGB 117 137 131, RGB 138 116 122 and RGB 159 95 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 178 149 shade: RGB 76 178 93, RGB 76 178 120, RGB 76 178 147, RGB 76 178 175 and RGB 76 154 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 178 149 shade: RGB 51 120 100, RGB 64 149 125, RGB 76 178 149, RGB 105 190 166 and RGB 134 203 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 178 149 shade: RGB 77 178 149, RGB 76 86 178 and RGB 178 107 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 178 149 shade: RGB 77 178 149, RGB 147 76 178 and RGB 178 147 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 178 149 shade: RGB 77 178 149, RGB 76 86 178, RGB 178 76 107 and RGB 178 168 76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 178 149 shade: RGB 77 178 149, RGB 96 76 178, RGB 178 76 107 and RGB 158 178 76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 16 / 30

HEX #4DB295

RGB 77 178 149

HSL 162.77, 0.4%, 0.5%

LAB 66.2, -36.53, 6.02

 

Complementary color

CMYK 0 / 57 / 40 / 30

HEX #B24D6A

RGB 178 77 106

HSL 342.77, 0.4%, 0.5%

LAB 46.73, 43.95, 3.85

 

CMYK 54 / 0 / 19 / 30

HEX #52B290

RGB 82 178 144

HSL 158.75, 0.38%, 0.51%

LAB 66.25, -36.6, 8.87

 

CMYK 49 / 0 / 17 / 23

HEX #63C4A3

RGB 99 196 163

HSL 159.59, 0.45%, 0.58%

LAB 72.74, -36.52, 7.85

 

CMYK 46 / 0 / 15 / 16

HEX #74D6B6

RGB 116 214 182

HSL 160.41, 0.54%, 0.65%

LAB 79.15, -36.38, 6.9

 

CMYK 43 / 0 / 13 / 9

HEX #85E8C9

RGB 133 232 201

HSL 161.21, 0.68%, 0.72%

LAB 85.46, -36.22, 6.03

 

CMYK 40 / 0 / 12 / 2

HEX #96FADC

RGB 150 250 220

HSL 162, 0.91%, 0.78%

LAB 91.69, -36.04, 5.2

 

CMYK 57 / 0 / 16 / 30

HEX #4DB295

RGB 77 178 149

HSL 162.77, 0.4%, 0.5%

LAB 66.2, -36.53, 6.02

 

CMYK 63 / 0 / 19 / 37

HEX #3CA082

RGB 60 160 130

HSL 162, 0.45%, 0.43%

LAB 59.63, -36.41, 7.12

 

CMYK 70 / 0 / 22 / 44

HEX #2B8E6F

RGB 43 142 111

HSL 161.21, 0.54%, 0.36%

LAB 52.96, -36.11, 8.36

 

CMYK 79 / 0 / 26 / 51

HEX #1A7C5C

RGB 26 124 92

HSL 160.41, 0.65%, 0.29%

LAB 46.19, -35.48, 9.77

 

CMYK 92 / 0 / 31 / 58

HEX #096A49

RGB 9 106 73

HSL 159.59, 0.84%, 0.23%

LAB 39.32, -34.31, 11.42

 

CMYK 57 / 0 / 16 / 30

HEX #4CB295

RGB 76 178 149

HSL 162.94, 0.4%, 0.5%

LAB 66.17, -36.74, 5.97

 

CMYK 57 / 0 / 32 / 30

HEX #4CB279

RGB 76 178 121

HSL 146.47, 0.4%, 0.5%

LAB 65.56, -42.93, 20.45

 

CMYK 57 / 0 / 47 / 30

HEX #4CB25E

RGB 76 178 94

HSL 130.59, 0.4%, 0.5%

LAB 65.11, -47.72, 34.12

 

CMYK 52 / 0 / 57 / 30

HEX #56B24C

RGB 86 178 76

HSL 114.12, 0.4%, 0.5%

LAB 65.23, -47.57, 43.23

 

CMYK 37 / 0 / 57 / 30

HEX #71B24C

RGB 113 178 76

HSL 98.24, 0.4%, 0.5%

LAB 66.42, -39.09, 44.92

 

CMYK 57 / 0 / 16 / 30

HEX #4CB295

RGB 76 178 149

HSL 162.94, 0.4%, 0.5%

LAB 66.17, -36.74, 5.97

 

CMYK 57 / 0 / 1 / 30

HEX #4CB2B0

RGB 76 178 176

HSL 178.82, 0.4%, 0.5%

LAB 66.91, -29.75, -7.89

 

CMYK 57 / 15 / 0 / 30

HEX #4C98B2

RGB 76 152 178

HSL 195.29, 0.4%, 0.5%

LAB 59.17, -15.86, -20.69

 

CMYK 57 / 30 / 0 / 30

HEX #4C7DB2

RGB 76 125 178

HSL 211.18, 0.4%, 0.5%

LAB 51.17, -0.56, -33.05

 

CMYK 57 / 46 / 0 / 30

HEX #4C61B2

RGB 76 97 178

HSL 227.65, 0.4%, 0.5%

LAB 43.21, 16.71, -45.64

 

CMYK 57 / 0 / 16 / 30

HEX #4CB295

RGB 76 178 149

HSL 162.94, 0.4%, 0.5%

LAB 66.17, -36.74, 5.97

 

CMYK 72 / 0 / 21 / 22

HEX #37C79D

RGB 55 199 157

HSL 162.5, 0.57%, 0.5%

LAB 72.29, -47.54, 10.28

 

CMYK 84 / 0 / 24 / 14

HEX #23DBA6

RGB 35 219 166

HSL 162.72, 0.72%, 0.5%

LAB 78.33, -55.5, 13.97

 

CMYK 94 / 0 / 27 / 6

HEX #0EF0AF

RGB 14 240 175

HSL 162.74, 0.89%, 0.5%

LAB 84.75, -62.45, 18.23

 

CMYK 57 / 0 / 16 / 30

HEX #4CB295

RGB 76 178 149

HSL 162.94, 0.4%, 0.5%

LAB 66.17, -36.74, 5.97

 

CMYK 38 / 0 / 11 / 38

HEX #619D8C

RGB 97 157 140

HSL 163, 0.24%, 0.5%

LAB 60.38, -23.54, 2.75

 

CMYK 15 / 0 / 4 / 46

HEX #758983

RGB 117 137 131

HSL 162, 0.08%, 0.5%

LAB 55.39, -8.47, 0.79

 

CMYK 0 / 16 / 12 / 46

HEX #8A747A

RGB 138 116 122

HSL 343.64, 0.09%, 0.5%

LAB 51.04, 9.63, -0.1

 

CMYK 0 / 40 / 28 / 38

HEX #9F5F72

RGB 159 95 114

HSL 342.19, 0.25%, 0.5%

LAB 47.97, 28.58, 0.47

 

CMYK 57 / 0 / 48 / 30

HEX #4CB25D

RGB 76 178 93

HSL 130, 0.4%, 0.5%

LAB 65.1, -47.87, 34.61

 

CMYK 57 / 0 / 33 / 30

HEX #4CB278

RGB 76 178 120

HSL 145.88, 0.4%, 0.5%

LAB 65.54, -43.12, 20.96

 

CMYK 57 / 0 / 17 / 30

HEX #4CB293

RGB 76 178 147

HSL 161.76, 0.4%, 0.5%

LAB 66.12, -37.22, 7.01

 

CMYK 57 / 0 / 2 / 30

HEX #4CB2AF

RGB 76 178 175

HSL 178.24, 0.4%, 0.5%

LAB 66.88, -30.03, -7.39

 

CMYK 57 / 13 / 0 / 30

HEX #4C9AB2

RGB 76 154 178

HSL 194.12, 0.4%, 0.5%

LAB 59.76, -16.94, -19.78

 

CMYK 58 / 0 / 17 / 53

HEX #337864

RGB 51 120 100

HSL 162.61, 0.4%, 0.34%

LAB 45.71, -26.99, 4.47

 

CMYK 57 / 0 / 16 / 42

HEX #40957D

RGB 64 149 125

HSL 163.06, 0.4%, 0.42%

LAB 56.15, -31.73, 4.99

 

CMYK 57 / 0 / 16 / 30

HEX #4CB295

RGB 76 178 149

HSL 162.94, 0.4%, 0.5%

LAB 66.17, -36.74, 5.97

 

CMYK 45 / 0 / 13 / 25

HEX #69BEA6

RGB 105 190 166

HSL 163.06, 0.4%, 0.58%

LAB 71.27, -31.54, 4.13

 

CMYK 34 / 0 / 10 / 20

HEX #86CBB7

RGB 134 203 183

HSL 162.61, 0.4%, 0.66%

LAB 76.8, -26.13, 3.08

 

CMYK 57 / 0 / 16 / 30

HEX #4DB295

RGB 77 178 149

HSL 162.77, 0.4%, 0.5%

LAB 66.2, -36.53, 6.02

 

CMYK 57 / 52 / 0 / 30

HEX #4C56B2

RGB 76 86 178

HSL 234.12, 0.4%, 0.5%

LAB 40.26, 23.72, -50.38

 

CMYK 0 / 40 / 57 / 30

HEX #B26B4C

RGB 178 107 76

HSL 18.24, 0.4%, 0.5%

LAB 52.4, 25.2, 29.28

 

CMYK 57 / 0 / 16 / 30

HEX #4DB295

RGB 77 178 149

HSL 162.77, 0.4%, 0.5%

LAB 66.2, -36.53, 6.02

 

CMYK 17 / 57 / 0 / 30

HEX #934CB2

RGB 147 76 178

HSL 281.76, 0.4%, 0.5%

LAB 45.06, 46.8, -42.29

 

CMYK 0 / 17 / 57 / 30

HEX #B2934C

RGB 178 147 76

HSL 41.76, 0.4%, 0.5%

LAB 62.38, 2.94, 41.42

 

CMYK 57 / 0 / 16 / 30

HEX #4DB295

RGB 77 178 149

HSL 162.77, 0.4%, 0.5%

LAB 66.2, -36.53, 6.02

 

CMYK 57 / 52 / 0 / 30

HEX #4C56B2

RGB 76 86 178

HSL 234.12, 0.4%, 0.5%

LAB 40.26, 23.72, -50.38

 

CMYK 0 / 57 / 40 / 30

HEX #B24C6B

RGB 178 76 107

HSL 341.76, 0.4%, 0.5%

LAB 46.57, 44.55, 3.02

 

CMYK 0 / 6 / 57 / 30

HEX #B2A84C

RGB 178 168 76

HSL 54.12, 0.4%, 0.5%

LAB 68.01, -8.36, 47.92

 

CMYK 57 / 0 / 16 / 30

HEX #4DB295

RGB 77 178 149

HSL 162.77, 0.4%, 0.5%

LAB 66.2, -36.53, 6.02

 

CMYK 46 / 57 / 0 / 30

HEX #604CB2

RGB 96 76 178

HSL 251.76, 0.4%, 0.5%

LAB 39.36, 34.22, -51.74

 

CMYK 0 / 57 / 40 / 30

HEX #B24C6B

RGB 178 76 107

HSL 341.76, 0.4%, 0.5%

LAB 46.57, 44.55, 3.02

 

CMYK 11 / 0 / 57 / 30

HEX #9EB24C

RGB 158 178 76

HSL 71.76, 0.4%, 0.5%

LAB 69.21, -21.89, 48.84

 

Description

Color code: RGB 77 178 149 | qconv.com Color code: RGB 77 178 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 178 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 178 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 16 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 16% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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