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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 161 140 it is the complementary color RGB 178 94 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 161 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 161 140 shade: RGB 82 161 135, RGB 99 179 154, RGB 116 197 173, RGB 133 215 192 and RGB 150 233 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 161 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 161 140 shade: RGB 77 161 140, RGB 60 143 121, RGB 43 125 102, RGB 26 107 83 and RGB 9 89 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 161 140 shade: RGB 77 161 140, RGB 77 161 118, RGB 77 161 95, RGB 82 161 77 and RGB 105 161 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 161 140 shade: RGB 77 161 140, RGB 77 160 161, RGB 77 137 161, RGB 77 114 161 and RGB 77 92 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 161 140 shade matches the following richer shades: RGB 77 161 140, RGB 58 181 150, RGB 39 200 160, RGB 19 219 169 and RGB 0 239 179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 161 140 shade: RGB 77 161 140, RGB 97 142 131, RGB 116 123 121, RGB 136 103 111 and RGB 155 84 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 161 140 shade: RGB 77 161 96, RGB 77 161 118, RGB 77 161 140, RGB 77 160 161 and RGB 77 138 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 161 140 shade: RGB 51 106 92, RGB 64 133 116, RGB 77 161 140, RGB 100 180 160 and RGB 128 193 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 161 140 shade: RGB 77 161 140, RGB 77 82 161 and RGB 161 107 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 161 140 shade: RGB 77 161 140, RGB 140 77 161 and RGB 161 140 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 161 140 shade: RGB 77 161 140, RGB 77 82 161, RGB 161 77 98 and RGB 161 157 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 161 140 shade: RGB 77 161 140, RGB 98 77 161, RGB 161 77 98 and RGB 140 161 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 13 / 37

HEX #4DA18C

RGB 77 161 140

HSL 165, 0.35%, 0.47%

LAB 60.75, -30.76, 3.17

 

Complementary color

CMYK 0 / 47 / 35 / 30

HEX #B25E73

RGB 178 94 115

HSL 345, 0.35%, 0.53%

LAB 50.34, 36.34, 3.64

 

CMYK 49 / 0 / 16 / 37

HEX #52A187

RGB 82 161 135

HSL 160.25, 0.33%, 0.48%

LAB 60.81, -30.75, 6.1

 

CMYK 45 / 0 / 14 / 30

HEX #63B39A

RGB 99 179 154

HSL 161.25, 0.34%, 0.55%

LAB 67.45, -30.6, 5.16

 

CMYK 41 / 0 / 12 / 23

HEX #74C5AD

RGB 116 197 173

HSL 162.22, 0.41%, 0.61%

LAB 73.97, -30.42, 4.29

 

CMYK 38 / 0 / 11 / 16

HEX #85D7C0

RGB 133 215 192

HSL 163.17, 0.51%, 0.68%

LAB 80.4, -30.24, 3.47

 

CMYK 36 / 0 / 9 / 9

HEX #96E9D3

RGB 150 233 211

HSL 164.1, 0.65%, 0.75%

LAB 86.73, -30.05, 2.71

 

CMYK 52 / 0 / 13 / 37

HEX #4DA18C

RGB 77 161 140

HSL 165, 0.35%, 0.47%

LAB 60.75, -30.76, 3.17

 

CMYK 58 / 0 / 15 / 44

HEX #3C8F79

RGB 60 143 121

HSL 164.1, 0.41%, 0.4%

LAB 54.01, -30.75, 4.18

 

CMYK 66 / 0 / 18 / 51

HEX #2B7D66

RGB 43 125 102

HSL 163.17, 0.49%, 0.33%

LAB 47.16, -30.59, 5.32

 

CMYK 76 / 0 / 22 / 58

HEX #1A6B53

RGB 26 107 83

HSL 162.22, 0.61%, 0.26%

LAB 40.18, -30.15, 6.64

 

CMYK 90 / 0 / 28 / 65

HEX #095940

RGB 9 89 64

HSL 161.25, 0.82%, 0.19%

LAB 33.08, -29.19, 8.22

 

CMYK 52 / 0 / 13 / 37

HEX #4DA18C

RGB 77 161 140

HSL 165, 0.35%, 0.47%

LAB 60.75, -30.76, 3.17

 

CMYK 52 / 0 / 27 / 37

HEX #4DA176

RGB 77 161 118

HSL 149.29, 0.35%, 0.47%

LAB 60.23, -35.82, 14.76

 

CMYK 52 / 0 / 41 / 37

HEX #4DA15F

RGB 77 161 95

HSL 132.86, 0.35%, 0.47%

LAB 59.79, -40.25, 26.77

 

CMYK 49 / 0 / 52 / 37

HEX #52A14D

RGB 82 161 77

HSL 116.43, 0.35%, 0.47%

LAB 59.73, -41.61, 36.12

 

CMYK 35 / 0 / 52 / 37

HEX #69A14D

RGB 105 161 77

HSL 100, 0.35%, 0.47%

LAB 60.81, -34.12, 37.68

 

CMYK 52 / 0 / 13 / 37

HEX #4DA18C

RGB 77 161 140

HSL 165, 0.35%, 0.47%

LAB 60.75, -30.76, 3.17

 

CMYK 52 / 1 / 0 / 37

HEX #4DA0A1

RGB 77 160 161

HSL 180.71, 0.35%, 0.47%

LAB 61.04, -24.77, -8.24

 

CMYK 52 / 15 / 0 / 37

HEX #4D89A1

RGB 77 137 161

HSL 197.14, 0.35%, 0.47%

LAB 54.07, -12.59, -18.75

 

CMYK 52 / 29 / 0 / 37

HEX #4D72A1

RGB 77 114 161

HSL 213.57, 0.35%, 0.47%

LAB 47.22, 0.75, -29.33

 

CMYK 52 / 43 / 0 / 37

HEX #4D5CA1

RGB 77 92 161

HSL 229.29, 0.35%, 0.47%

LAB 40.9, 14.44, -39.28

 

CMYK 52 / 0 / 13 / 37

HEX #4DA18C

RGB 77 161 140

HSL 165, 0.35%, 0.47%

LAB 60.75, -30.76, 3.17

 

CMYK 68 / 0 / 17 / 29

HEX #3AB596

RGB 58 181 150

HSL 164.88, 0.51%, 0.47%

LAB 66.63, -41.15, 6.02

 

CMYK 81 / 0 / 20 / 22

HEX #27C8A0

RGB 39 200 160

HSL 165.09, 0.67%, 0.47%

LAB 72.41, -49.05, 8.8

 

CMYK 91 / 0 / 23 / 14

HEX #13DBA9

RGB 19 219 169

HSL 165, 0.84%, 0.47%

LAB 78.27, -55.75, 12.28

 

CMYK 100 / 0 / 25 / 6

HEX #00EFB3

RGB 0 239 179

HSL 164.94, 1%, 0.47%

LAB 84.48, -61.54, 15.78

 

CMYK 52 / 0 / 13 / 37

HEX #4DA18C

RGB 77 161 140

HSL 165, 0.35%, 0.47%

LAB 60.75, -30.76, 3.17

 

CMYK 32 / 0 / 8 / 44

HEX #618E83

RGB 97 142 131

HSL 165.33, 0.19%, 0.47%

LAB 55.61, -17.86, 0.95

 

CMYK 6 / 0 / 2 / 52

HEX #747B79

RGB 116 123 121

HSL 162.86, 0.03%, 0.47%

LAB 50.99, -3.02, 0.18

 

CMYK 0 / 24 / 18 / 47

HEX #88676F

RGB 136 103 111

HSL 345.45, 0.14%, 0.47%

LAB 47.08, 14.55, 0.65

 

CMYK 0 / 46 / 34 / 39

HEX #9B5466

RGB 155 84 102

HSL 344.79, 0.3%, 0.47%

LAB 44.62, 31.52, 2.8

 

CMYK 52 / 0 / 40 / 37

HEX #4DA160

RGB 77 161 96

HSL 133.57, 0.35%, 0.47%

LAB 59.81, -40.08, 26.26

 

CMYK 52 / 0 / 27 / 37

HEX #4DA176

RGB 77 161 118

HSL 149.29, 0.35%, 0.47%

LAB 60.23, -35.82, 14.76

 

CMYK 52 / 0 / 13 / 37

HEX #4DA18C

RGB 77 161 140

HSL 165, 0.35%, 0.47%

LAB 60.75, -30.76, 3.17

 

CMYK 52 / 1 / 0 / 37

HEX #4DA0A1

RGB 77 160 161

HSL 180.71, 0.35%, 0.47%

LAB 61.04, -24.77, -8.24

 

CMYK 52 / 14 / 0 / 37

HEX #4D8AA1

RGB 77 138 161

HSL 196.43, 0.35%, 0.47%

LAB 54.37, -13.14, -18.29

 

CMYK 52 / 0 / 13 / 58

HEX #336A5C

RGB 51 106 92

HSL 164.73, 0.35%, 0.31%

LAB 40.87, -21.97, 2.29

 

CMYK 52 / 0 / 13 / 48

HEX #408574

RGB 64 133 116

HSL 165.22, 0.35%, 0.39%

LAB 50.83, -26.21, 2.51

 

CMYK 52 / 0 / 13 / 37

HEX #4DA18C

RGB 77 161 140

HSL 165, 0.35%, 0.47%

LAB 60.75, -30.76, 3.17

 

CMYK 44 / 0 / 11 / 29

HEX #64B4A0

RGB 100 180 160

HSL 165, 0.35%, 0.55%

LAB 67.94, -29.42, 2.57

 

CMYK 34 / 0 / 8 / 24

HEX #80C1B1

RGB 128 193 177

HSL 165.23, 0.34%, 0.63%

LAB 73.48, -24.25, 1.47

 

CMYK 52 / 0 / 13 / 37

HEX #4DA18C

RGB 77 161 140

HSL 165, 0.35%, 0.47%

LAB 60.75, -30.76, 3.17

 

CMYK 52 / 49 / 0 / 37

HEX #4D52A1

RGB 77 82 161

HSL 236.43, 0.35%, 0.47%

LAB 38.17, 20.84, -43.63

 

CMYK 0 / 34 / 52 / 37

HEX #A16B4D

RGB 161 107 77

HSL 21.43, 0.35%, 0.47%

LAB 50.25, 18.12, 25.53

 

CMYK 52 / 0 / 13 / 37

HEX #4DA18C

RGB 77 161 140

HSL 165, 0.35%, 0.47%

LAB 60.75, -30.76, 3.17

 

CMYK 13 / 52 / 0 / 37

HEX #8C4DA1

RGB 140 77 161

HSL 285, 0.35%, 0.47%

LAB 43.44, 40.69, -34.86

 

CMYK 0 / 13 / 52 / 37

HEX #A18C4D

RGB 161 140 77

HSL 45, 0.35%, 0.47%

LAB 58.85, -0.52, 36.28

 

CMYK 52 / 0 / 13 / 37

HEX #4DA18C

RGB 77 161 140

HSL 165, 0.35%, 0.47%

LAB 60.75, -30.76, 3.17

 

CMYK 52 / 49 / 0 / 37

HEX #4D52A1

RGB 77 82 161

HSL 236.43, 0.35%, 0.47%

LAB 38.17, 20.84, -43.63

 

CMYK 0 / 52 / 39 / 37

HEX #A14D62

RGB 161 77 98

HSL 345, 0.35%, 0.47%

LAB 43.9, 37.01, 4.33

 

CMYK 0 / 2 / 52 / 37

HEX #A19D4D

RGB 161 157 77

HSL 57.14, 0.35%, 0.47%

LAB 63.53, -9.73, 41.87

 

CMYK 52 / 0 / 13 / 37

HEX #4DA18C

RGB 77 161 140

HSL 165, 0.35%, 0.47%

LAB 60.75, -30.76, 3.17

 

CMYK 39 / 52 / 0 / 37

HEX #624DA1

RGB 98 77 161

HSL 255, 0.35%, 0.47%

LAB 38.69, 29.12, -42.71

 

CMYK 0 / 52 / 39 / 37

HEX #A14D62

RGB 161 77 98

HSL 345, 0.35%, 0.47%

LAB 43.9, 37.01, 4.33

 

CMYK 13 / 0 / 52 / 37

HEX #8CA14D

RGB 140 161 77

HSL 75, 0.35%, 0.47%

LAB 63.01, -20.64, 40.85

 

Description

Color code: RGB 77 161 140 | qconv.com Color code: RGB 77 161 140 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 161 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 161 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 13 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 13% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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