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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 141 89 it is the complementary color RGB 178 114 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 141 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 141 89 shade: RGB 82 141 84, RGB 99 159 103, RGB 116 177 122, RGB 133 195 141 and RGB 150 213 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 141 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 141 89 shade: RGB 77 141 89, RGB 60 123 70, RGB 43 105 51, RGB 26 87 32 and RGB 9 69 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 141 89 shade: RGB 77 141 89, RGB 83 141 77, RGB 100 141 77, RGB 117 141 77 and RGB 134 141 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 141 89 shade: RGB 77 141 89, RGB 77 141 106, RGB 77 141 124, RGB 77 141 141 and RGB 77 124 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 141 89 shade matches the following richer shades: RGB 77 141 89, RGB 60 159 78, RGB 42 176 67, RGB 24 194 56 and RGB 6 212 45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 141 89 shade: RGB 77 141 89, RGB 95 123 100, RGB 113 105 111, RGB 131 88 123 and RGB 148 70 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 141 89 shade: RGB 100 141 77, RGB 83 141 77, RGB 77 141 89, RGB 77 141 106 and RGB 77 141 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 141 89 shade: RGB 48 88 55, RGB 63 114 72, RGB 77 141 89, RGB 94 166 107 and RGB 120 181 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 141 89 shade: RGB 77 141 89, RGB 77 117 141 and RGB 141 77 91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 141 89 shade: RGB 77 141 89, RGB 89 77 141 and RGB 141 89 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 141 89 shade: RGB 77 141 89, RGB 77 117 141, RGB 141 77 129 and RGB 141 102 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 141 89 shade: RGB 77 141 89, RGB 77 97 141, RGB 141 77 129 and RGB 141 121 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 37 / 45

HEX #4D8D59

RGB 77 141 89

HSL 131.25, 0.29%, 0.43%

LAB 53.33, -32.35, 21.52

 

Complementary color

CMYK 0 / 36 / 7 / 30

HEX #B272A6

RGB 178 114 166

HSL 311.25, 0.29%, 0.57%

LAB 56.34, 33.32, -17.45

 

CMYK 42 / 0 / 40 / 45

HEX #528D54

RGB 82 141 84

HSL 122.03, 0.26%, 0.44%

LAB 53.47, -31.65, 24.53

 

CMYK 38 / 0 / 35 / 38

HEX #639F67

RGB 99 159 103

HSL 124, 0.24%, 0.51%

LAB 60.27, -31.41, 23.25

 

CMYK 34 / 0 / 31 / 31

HEX #74B17A

RGB 116 177 122

HSL 125.9, 0.28%, 0.57%

LAB 66.95, -31.15, 22.07

 

CMYK 32 / 0 / 28 / 24

HEX #85C38D

RGB 133 195 141

HSL 127.74, 0.34%, 0.64%

LAB 73.51, -30.88, 20.97

 

CMYK 30 / 0 / 25 / 16

HEX #96D5A0

RGB 150 213 160

HSL 129.52, 0.43%, 0.71%

LAB 79.96, -30.63, 19.94

 

CMYK 45 / 0 / 37 / 45

HEX #4D8D59

RGB 77 141 89

HSL 131.25, 0.29%, 0.43%

LAB 53.33, -32.35, 21.52

 

CMYK 51 / 0 / 43 / 52

HEX #3C7B46

RGB 60 123 70

HSL 129.52, 0.34%, 0.36%

LAB 46.4, -32.53, 22.89

 

CMYK 59 / 0 / 51 / 59

HEX #2B6933

RGB 43 105 51

HSL 127.74, 0.42%, 0.29%

LAB 39.34, -32.54, 24.38

 

CMYK 70 / 0 / 63 / 66

HEX #1A5720

RGB 26 87 32

HSL 125.9, 0.54%, 0.22%

LAB 32.12, -32.15, 25.91

 

CMYK 87 / 0 / 81 / 73

HEX #09450D

RGB 9 69 13

HSL 124, 0.77%, 0.15%

LAB 24.78, -30.85, 27.1

 

CMYK 45 / 0 / 37 / 45

HEX #4D8D59

RGB 77 141 89

HSL 131.25, 0.29%, 0.43%

LAB 53.33, -32.35, 21.52

 

CMYK 41 / 0 / 45 / 45

HEX #538D4D

RGB 83 141 77

HSL 114.38, 0.29%, 0.43%

LAB 53.41, -32.44, 28.26

 

CMYK 29 / 0 / 45 / 45

HEX #648D4D

RGB 100 141 77

HSL 98.44, 0.29%, 0.43%

LAB 54.34, -26.42, 29.63

 

CMYK 17 / 0 / 45 / 45

HEX #758D4D

RGB 117 141 77

HSL 82.5, 0.29%, 0.43%

LAB 55.45, -19.77, 31.26

 

CMYK 5 / 0 / 45 / 45

HEX #868D4D

RGB 134 141 77

HSL 66.56, 0.29%, 0.43%

LAB 56.74, -12.71, 33.15

 

CMYK 45 / 0 / 37 / 45

HEX #4D8D59

RGB 77 141 89

HSL 131.25, 0.29%, 0.43%

LAB 53.33, -32.35, 21.52

 

CMYK 45 / 0 / 25 / 45

HEX #4D8D6A

RGB 77 141 106

HSL 147.19, 0.29%, 0.43%

LAB 53.67, -29, 12.39

 

CMYK 45 / 0 / 12 / 45

HEX #4D8D7C

RGB 77 141 124

HSL 164.06, 0.29%, 0.43%

LAB 54.11, -24.86, 2.69

 

CMYK 45 / 0 / 0 / 45

HEX #4D8D8D

RGB 77 141 141

HSL 180, 0.29%, 0.43%

LAB 54.61, -20.47, -6.4

 

CMYK 45 / 12 / 0 / 45

HEX #4D7C8D

RGB 77 124 141

HSL 195.94, 0.29%, 0.43%

LAB 49.39, -11.22, -14.23

 

CMYK 45 / 0 / 37 / 45

HEX #4D8D59

RGB 77 141 89

HSL 131.25, 0.29%, 0.43%

LAB 53.33, -32.35, 21.52

 

CMYK 62 / 0 / 51 / 38

HEX #3C9F4E

RGB 60 159 78

HSL 130.91, 0.45%, 0.43%

LAB 58.33, -46.4, 33.72

 

CMYK 76 / 0 / 62 / 31

HEX #2AB043

RGB 42 176 67

HSL 131.19, 0.61%, 0.43%

LAB 63.3, -57.4, 44.85

 

CMYK 88 / 0 / 71 / 24

HEX #18C238

RGB 24 194 56

HSL 131.29, 0.78%, 0.43%

LAB 68.8, -66.23, 55.35

 

CMYK 97 / 0 / 79 / 17

HEX #06D42D

RGB 6 212 45

HSL 131.36, 0.94%, 0.43%

LAB 74.39, -73.18, 64.58

 

CMYK 45 / 0 / 37 / 45

HEX #4D8D59

RGB 77 141 89

HSL 131.25, 0.29%, 0.43%

LAB 53.33, -32.35, 21.52

 

CMYK 23 / 0 / 19 / 52

HEX #5F7B64

RGB 95 123 100

HSL 130.71, 0.13%, 0.43%

LAB 48.91, -15.07, 9.32

 

CMYK 0 / 7 / 2 / 56

HEX #71696F

RGB 113 105 111

HSL 315, 0.04%, 0.43%

LAB 45.31, 4.33, -2.23

 

CMYK 0 / 33 / 6 / 49

HEX #83587B

RGB 131 88 123

HSL 311.16, 0.2%, 0.43%

LAB 43.11, 23.69, -12.57

 

CMYK 0 / 53 / 9 / 42

HEX #944686

RGB 148 70 134

HSL 310.77, 0.36%, 0.43%

LAB 41.84, 41.52, -21.02

 

CMYK 29 / 0 / 45 / 45

HEX #648D4D

RGB 100 141 77

HSL 98.44, 0.29%, 0.43%

LAB 54.34, -26.42, 29.63

 

CMYK 41 / 0 / 45 / 45

HEX #538D4D

RGB 83 141 77

HSL 114.38, 0.29%, 0.43%

LAB 53.41, -32.44, 28.26

 

CMYK 45 / 0 / 37 / 45

HEX #4D8D59

RGB 77 141 89

HSL 131.25, 0.29%, 0.43%

LAB 53.33, -32.35, 21.52

 

CMYK 45 / 0 / 25 / 45

HEX #4D8D6A

RGB 77 141 106

HSL 147.19, 0.29%, 0.43%

LAB 53.67, -29, 12.39

 

CMYK 45 / 0 / 13 / 45

HEX #4D8D7B

RGB 77 141 123

HSL 163.13, 0.29%, 0.43%

LAB 54.09, -25.11, 3.23

 

CMYK 45 / 0 / 38 / 65

HEX #305837

RGB 48 88 55

HSL 130.5, 0.29%, 0.27%

LAB 33.74, -22.2, 14.85

 

CMYK 45 / 0 / 37 / 55

HEX #3F7248

RGB 63 114 72

HSL 130.59, 0.29%, 0.35%

LAB 43.59, -26.99, 18.08

 

CMYK 45 / 0 / 37 / 45

HEX #4D8D59

RGB 77 141 89

HSL 131.25, 0.29%, 0.43%

LAB 53.33, -32.35, 21.52

 

CMYK 43 / 0 / 36 / 35

HEX #5EA66B

RGB 94 166 107

HSL 130.83, 0.29%, 0.51%

LAB 62.27, -35.53, 23.7

 

CMYK 34 / 0 / 27 / 29

HEX #78B584

RGB 120 181 132

HSL 131.8, 0.29%, 0.59%

LAB 68.54, -29.98, 18.87

 

CMYK 45 / 0 / 37 / 45

HEX #4D8D59

RGB 77 141 89

HSL 131.25, 0.29%, 0.43%

LAB 53.33, -32.35, 21.52

 

CMYK 45 / 17 / 0 / 45

HEX #4D758D

RGB 77 117 141

HSL 202.5, 0.29%, 0.43%

LAB 47.27, -7.21, -17.47

 

CMYK 0 / 45 / 35 / 45

HEX #8D4D5B

RGB 141 77 91

HSL 346.88, 0.29%, 0.43%

LAB 40.78, 28.6, 3.79

 

CMYK 45 / 0 / 37 / 45

HEX #4D8D59

RGB 77 141 89

HSL 131.25, 0.29%, 0.43%

LAB 53.33, -32.35, 21.52

 

CMYK 37 / 45 / 0 / 45

HEX #594D8D

RGB 89 77 141

HSL 251.25, 0.29%, 0.43%

LAB 36.66, 20.91, -33.91

 

CMYK 0 / 37 / 45 / 45

HEX #8D594D

RGB 141 89 77

HSL 11.25, 0.29%, 0.43%

LAB 43.28, 19.98, 15.86

 

CMYK 45 / 0 / 37 / 45

HEX #4D8D59

RGB 77 141 89

HSL 131.25, 0.29%, 0.43%

LAB 53.33, -32.35, 21.52

 

CMYK 45 / 17 / 0 / 45

HEX #4D758D

RGB 77 117 141

HSL 202.5, 0.29%, 0.43%

LAB 47.27, -7.21, -17.47

 

CMYK 0 / 45 / 9 / 45

HEX #8D4D81

RGB 141 77 129

HSL 311.25, 0.29%, 0.43%

LAB 42.09, 34.62, -17.68

 

CMYK 0 / 28 / 45 / 45

HEX #8D664D

RGB 141 102 77

HSL 23.44, 0.29%, 0.43%

LAB 46.58, 12.39, 20.29

 

CMYK 45 / 0 / 37 / 45

HEX #4D8D59

RGB 77 141 89

HSL 131.25, 0.29%, 0.43%

LAB 53.33, -32.35, 21.52

 

CMYK 45 / 31 / 0 / 45

HEX #4D618D

RGB 77 97 141

HSL 221.25, 0.29%, 0.43%

LAB 41.3, 4.86, -26.69

 

CMYK 0 / 45 / 9 / 45

HEX #8D4D81

RGB 141 77 129

HSL 311.25, 0.29%, 0.43%

LAB 42.09, 34.62, -17.68

 

CMYK 0 / 14 / 45 / 45

HEX #8D794D

RGB 141 121 77

HSL 41.25, 0.29%, 0.43%

LAB 51.69, 1.4, 26.94

 

Description

Color code: RGB 77 141 89 | qconv.com Color code: RGB 77 141 89 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 141 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 141 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 37 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 37% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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