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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 138 92 it is the complementary color RGB 178 117 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 138 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 138 92 shade: RGB 82 138 87, RGB 99 156 106, RGB 116 174 125, RGB 133 192 144 and RGB 150 210 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 138 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 138 92 shade: RGB 77 138 92, RGB 60 120 73, RGB 43 102 54, RGB 26 84 35 and RGB 9 66 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 138 92 shade: RGB 77 137 91, RGB 78 137 77, RGB 94 137 77, RGB 110 137 77 and RGB 127 137 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 138 92 shade: RGB 77 137 91, RGB 77 137 108, RGB 77 137 124, RGB 77 133 137 and RGB 77 117 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 138 92 shade matches the following richer shades: RGB 77 137 91, RGB 59 154 83, RGB 42 171 74, RGB 25 189 65 and RGB 7 206 56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 138 92 shade: RGB 77 137 91, RGB 94 119 100, RGB 111 102 109, RGB 129 85 118 and RGB 146 67 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 138 92 shade: RGB 95 137 77, RGB 79 137 77, RGB 77 137 91, RGB 77 137 107 and RGB 77 137 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 138 92 shade: RGB 47 84 56, RGB 62 110 74, RGB 77 137 91, RGB 92 163 109 and RGB 118 178 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 138 92 shade: RGB 77 138 92, RGB 77 111 137 and RGB 137 77 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 138 92 shade: RGB 77 138 92, RGB 91 77 137 and RGB 137 91 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 138 92 shade: RGB 77 138 92, RGB 77 111 137, RGB 137 77 123 and RGB 137 103 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 138 92 shade: RGB 77 138 92, RGB 77 93 137, RGB 137 77 123 and RGB 137 121 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 33 / 46

HEX #4D8A5C

RGB 77 138 92

HSL 134.75, 0.28%, 0.42%

LAB 52.43, -30.38, 18.63

 

Complementary color

CMYK 0 / 34 / 8 / 30

HEX #B275A3

RGB 178 117 163

HSL 314.75, 0.28%, 0.58%

LAB 56.91, 31.13, -14.84

 

CMYK 41 / 0 / 37 / 46

HEX #528A57

RGB 82 138 87

HSL 125.36, 0.25%, 0.43%

LAB 52.57, -29.72, 21.68

 

CMYK 37 / 0 / 32 / 39

HEX #639C6A

RGB 99 156 106

HSL 127.37, 0.22%, 0.5%

LAB 59.41, -29.45, 20.44

 

CMYK 33 / 0 / 28 / 32

HEX #74AE7D

RGB 116 174 125

HSL 129.31, 0.26%, 0.57%

LAB 66.11, -29.18, 19.3

 

CMYK 31 / 0 / 25 / 25

HEX #85C090

RGB 133 192 144

HSL 131.19, 0.32%, 0.64%

LAB 72.69, -28.91, 18.25

 

CMYK 29 / 0 / 22 / 18

HEX #96D2A3

RGB 150 210 163

HSL 133, 0.4%, 0.71%

LAB 79.17, -28.66, 17.25

 

CMYK 44 / 0 / 33 / 46

HEX #4D8A5C

RGB 77 138 92

HSL 134.75, 0.28%, 0.42%

LAB 52.43, -30.38, 18.63

 

CMYK 50 / 0 / 39 / 53

HEX #3C7849

RGB 60 120 73

HSL 133, 0.33%, 0.35%

LAB 45.46, -30.6, 19.96

 

CMYK 58 / 0 / 47 / 60

HEX #2B6636

RGB 43 102 54

HSL 131.19, 0.41%, 0.28%

LAB 38.35, -30.69, 21.43

 

CMYK 69 / 0 / 58 / 67

HEX #1A5423

RGB 26 84 35

HSL 129.31, 0.53%, 0.22%

LAB 31.07, -30.44, 23.02

 

CMYK 86 / 0 / 76 / 74

HEX #094210

RGB 9 66 16

HSL 127.37, 0.76%, 0.15%

LAB 23.64, -29.38, 24.51

 

CMYK 44 / 0 / 34 / 46

HEX #4D895B

RGB 77 137 91

HSL 134, 0.28%, 0.42%

LAB 52.09, -30.1, 18.74

 

CMYK 43 / 0 / 44 / 46

HEX #4E894D

RGB 78 137 77

HSL 119, 0.28%, 0.42%

LAB 51.89, -32.22, 26.27

 

CMYK 31 / 0 / 44 / 46

HEX #5E894D

RGB 94 137 77

HSL 103, 0.28%, 0.42%

LAB 52.74, -26.67, 27.53

 

CMYK 20 / 0 / 44 / 46

HEX #6E894D

RGB 110 137 77

HSL 87, 0.28%, 0.42%

LAB 53.75, -20.52, 29.03

 

CMYK 7 / 0 / 44 / 46

HEX #7F894D

RGB 127 137 77

HSL 70, 0.28%, 0.42%

LAB 55.01, -13.53, 30.87

 

CMYK 44 / 0 / 34 / 46

HEX #4D895B

RGB 77 137 91

HSL 134, 0.28%, 0.42%

LAB 52.09, -30.1, 18.74

 

CMYK 44 / 0 / 21 / 46

HEX #4D896C

RGB 77 137 108

HSL 151, 0.28%, 0.42%

LAB 52.46, -26.6, 9.54

 

CMYK 44 / 0 / 9 / 46

HEX #4D897C

RGB 77 137 124

HSL 167, 0.28%, 0.42%

LAB 52.87, -22.82, 0.88

 

CMYK 44 / 3 / 0 / 46

HEX #4D8589

RGB 77 133 137

HSL 184, 0.28%, 0.42%

LAB 52.02, -17.31, -7.94

 

CMYK 44 / 15 / 0 / 46

HEX #4D7589

RGB 77 117 137

HSL 200, 0.28%, 0.42%

LAB 47.11, -8.38, -15.33

 

CMYK 44 / 0 / 34 / 46

HEX #4D895B

RGB 77 137 91

HSL 134, 0.28%, 0.42%

LAB 52.09, -30.1, 18.74

 

CMYK 62 / 0 / 46 / 40

HEX #3B9A53

RGB 59 154 83

HSL 135.16, 0.45%, 0.42%

LAB 56.75, -43.85, 29.12

 

CMYK 75 / 0 / 57 / 33

HEX #2AAB4A

RGB 42 171 74

HSL 134.88, 0.61%, 0.42%

LAB 61.75, -54.79, 39.77

 

CMYK 87 / 0 / 66 / 26

HEX #19BD41

RGB 25 189 65

HSL 134.63, 0.77%, 0.42%

LAB 67.26, -63.74, 50.1

 

CMYK 97 / 0 / 73 / 19

HEX #07CE38

RGB 7 206 56

HSL 134.77, 0.93%, 0.42%

LAB 72.54, -70.65, 59.18

 

CMYK 44 / 0 / 34 / 46

HEX #4D895B

RGB 77 137 91

HSL 134, 0.28%, 0.42%

LAB 52.09, -30.1, 18.74

 

CMYK 21 / 0 / 16 / 53

HEX #5E7764

RGB 94 119 100

HSL 134.4, 0.12%, 0.42%

LAB 47.62, -13.24, 7.48

 

CMYK 0 / 8 / 2 / 56

HEX #6F666D

RGB 111 102 109

HSL 313.33, 0.04%, 0.42%

LAB 44.21, 4.94, -2.65

 

CMYK 0 / 34 / 9 / 49

HEX #815576

RGB 129 85 118

HSL 315, 0.21%, 0.42%

LAB 41.96, 23.78, -11.3

 

CMYK 0 / 54 / 13 / 43

HEX #92437F

RGB 146 67 127

HSL 314.43, 0.37%, 0.42%

LAB 40.67, 41.23, -18.57

 

CMYK 31 / 0 / 44 / 46

HEX #5F894D

RGB 95 137 77

HSL 102, 0.28%, 0.42%

LAB 52.8, -26.31, 27.61

 

CMYK 42 / 0 / 44 / 46

HEX #4F894D

RGB 79 137 77

HSL 118, 0.28%, 0.42%

LAB 51.94, -31.9, 26.34

 

CMYK 44 / 0 / 34 / 46

HEX #4D895B

RGB 77 137 91

HSL 134, 0.28%, 0.42%

LAB 52.09, -30.1, 18.74

 

CMYK 44 / 0 / 22 / 46

HEX #4D896B

RGB 77 137 107

HSL 150, 0.28%, 0.42%

LAB 52.43, -26.82, 10.08

 

CMYK 44 / 0 / 10 / 46

HEX #4D897B

RGB 77 137 123

HSL 166, 0.28%, 0.42%

LAB 52.84, -23.07, 1.41

 

CMYK 44 / 0 / 33 / 67

HEX #2F5438

RGB 47 84 56

HSL 134.59, 0.28%, 0.26%

LAB 32.33, -20.25, 12.32

 

CMYK 44 / 0 / 33 / 57

HEX #3E6E4A

RGB 62 110 74

HSL 135, 0.28%, 0.34%

LAB 42.26, -24.95, 15.11

 

CMYK 44 / 0 / 34 / 46

HEX #4D895B

RGB 77 137 91

HSL 134, 0.28%, 0.42%

LAB 52.09, -30.1, 18.74

 

CMYK 44 / 0 / 33 / 36

HEX #5CA36D

RGB 92 163 109

HSL 134.37, 0.28%, 0.5%

LAB 61.28, -34.39, 21.28

 

CMYK 34 / 0 / 25 / 30

HEX #76B285

RGB 118 178 133

HSL 135, 0.28%, 0.58%

LAB 67.57, -28.99, 16.97

 

CMYK 44 / 0 / 33 / 46

HEX #4D8A5C

RGB 77 138 92

HSL 134.75, 0.28%, 0.42%

LAB 52.43, -30.38, 18.63

 

CMYK 44 / 19 / 0 / 46

HEX #4D6F89

RGB 77 111 137

HSL 206, 0.28%, 0.42%

LAB 45.29, -4.87, -18.11

 

CMYK 0 / 44 / 36 / 46

HEX #894D57

RGB 137 77 87

HSL 350, 0.28%, 0.42%

LAB 40.1, 26.5, 5.23

 

CMYK 44 / 0 / 33 / 46

HEX #4D8A5C

RGB 77 138 92

HSL 134.75, 0.28%, 0.42%

LAB 52.43, -30.38, 18.63

 

CMYK 34 / 44 / 0 / 46

HEX #5B4D89

RGB 91 77 137

HSL 254, 0.28%, 0.42%

LAB 36.63, 20.34, -31.51

 

CMYK 0 / 34 / 44 / 46

HEX #895B4D

RGB 137 91 77

HSL 14, 0.28%, 0.42%

LAB 43.27, 17.11, 15.76

 

CMYK 44 / 0 / 33 / 46

HEX #4D8A5C

RGB 77 138 92

HSL 134.75, 0.28%, 0.42%

LAB 52.43, -30.38, 18.63

 

CMYK 44 / 19 / 0 / 46

HEX #4D6F89

RGB 77 111 137

HSL 206, 0.28%, 0.42%

LAB 45.29, -4.87, -18.11

 

CMYK 0 / 44 / 10 / 46

HEX #894D7B

RGB 137 77 123

HSL 314, 0.28%, 0.42%

LAB 41.31, 32.17, -15.25

 

CMYK 0 / 25 / 44 / 46

HEX #89674D

RGB 137 103 77

HSL 26, 0.28%, 0.42%

LAB 46.38, 10.06, 19.95

 

CMYK 44 / 0 / 33 / 46

HEX #4D8A5C

RGB 77 138 92

HSL 134.75, 0.28%, 0.42%

LAB 52.43, -30.38, 18.63

 

CMYK 44 / 32 / 0 / 46

HEX #4D5D89

RGB 77 93 137

HSL 224, 0.28%, 0.42%

LAB 39.94, 6.12, -26.39

 

CMYK 0 / 44 / 10 / 46

HEX #894D7B

RGB 137 77 123

HSL 314, 0.28%, 0.42%

LAB 41.31, 32.17, -15.25

 

CMYK 0 / 12 / 44 / 46

HEX #89794D

RGB 137 121 77

HSL 44, 0.28%, 0.42%

LAB 51.3, -0.36, 26.36

 

Description

Color code: RGB 77 138 92 | qconv.com Color code: RGB 77 138 92 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 138 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 138 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 33 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 33% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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