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Color name
RGB 77 133 77

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 133 77 it is the complementary color RGB 178 122 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 133 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 133 77 shade: RGB 82 133 72, RGB 99 151 91, RGB 116 169 110, RGB 133 187 129 and RGB 150 205 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 133 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 133 77 shade: RGB 77 133 77, RGB 60 115 58, RGB 43 97 39, RGB 26 79 20 and RGB 9 61 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 133 77 shade: RGB 76 132 76, RGB 91 132 76, RGB 106 132 76, RGB 121 132 76 and RGB 132 128 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 133 77 shade: RGB 76 132 76, RGB 76 132 91, RGB 76 132 106, RGB 76 132 121 and RGB 76 128 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 133 77 shade matches the following richer shades: RGB 76 132 76, RGB 59 149 59, RGB 42 166 42, RGB 25 183 25 and RGB 8 200 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 133 77 shade: RGB 76 132 76, RGB 93 115 93, RGB 110 98 110, RGB 127 82 127 and RGB 143 65 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 133 77 shade: RGB 106 132 76, RGB 91 132 76, RGB 76 132 76, RGB 76 132 91 and RGB 76 132 106

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 133 77 shade: RGB 46 80 46, RGB 61 106 61, RGB 76 132 76, RGB 91 158 91 and RGB 116 175 116

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 133 77 shade: RGB 77 133 77, RGB 76 121 132 and RGB 132 76 98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 133 77 shade: RGB 77 133 77, RGB 76 76 132 and RGB 132 76 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 133 77 shade: RGB 77 133 77, RGB 76 121 132, RGB 132 76 132 and RGB 132 87 76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 133 77 shade: RGB 77 133 77, RGB 76 104 132, RGB 132 76 132 and RGB 132 104 76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 42 / 48

HEX #4D854D

RGB 77 133 77

HSL 120, 0.27%, 0.41%

LAB 50.56, -30.68, 24.54

 

Complementary color

CMYK 0 / 31 / 0 / 30

HEX #B27AB2

RGB 178 122 178

HSL 300, 0.27%, 0.59%

LAB 58.6, 31.12, -20.9

 

CMYK 38 / 0 / 46 / 48

HEX #528548

RGB 82 133 72

HSL 110.16, 0.3%, 0.4%

LAB 50.73, -29.77, 27.55

 

CMYK 34 / 0 / 40 / 41

HEX #63975B

RGB 99 151 91

HSL 112, 0.25%, 0.47%

LAB 57.6, -29.57, 26.25

 

CMYK 31 / 0 / 35 / 34

HEX #74A96E

RGB 116 169 110

HSL 113.9, 0.26%, 0.55%

LAB 64.33, -29.34, 25.03

 

CMYK 29 / 0 / 31 / 27

HEX #85BB81

RGB 133 187 129

HSL 115.86, 0.3%, 0.62%

LAB 70.95, -29.11, 23.89

 

CMYK 27 / 0 / 28 / 20

HEX #96CD94

RGB 150 205 148

HSL 117.89, 0.36%, 0.69%

LAB 77.45, -28.88, 22.81

 

CMYK 42 / 0 / 42 / 48

HEX #4D854D

RGB 77 133 77

HSL 120, 0.27%, 0.41%

LAB 50.56, -30.68, 24.54

 

CMYK 48 / 0 / 50 / 55

HEX #3C733A

RGB 60 115 58

HSL 117.89, 0.33%, 0.34%

LAB 43.55, -30.84, 25.92

 

CMYK 56 / 0 / 60 / 62

HEX #2B6127

RGB 43 97 39

HSL 115.86, 0.43%, 0.27%

LAB 36.38, -30.81, 27.34

 

CMYK 67 / 0 / 75 / 69

HEX #1A4F14

RGB 26 79 20

HSL 113.9, 0.6%, 0.19%

LAB 29.06, -30.33, 28.53

 

CMYK 85 / 0 / 98 / 76

HEX #093D01

RGB 9 61 1

HSL 112, 0.97%, 0.12%

LAB 21.57, -28.99, 28.75

 

CMYK 42 / 0 / 42 / 48

HEX #4C844C

RGB 76 132 76

HSL 120, 0.27%, 0.41%

LAB 50.17, -30.7, 24.58

 

CMYK 31 / 0 / 42 / 48

HEX #5B844C

RGB 91 132 76

HSL 103.93, 0.27%, 0.41%

LAB 50.98, -25.45, 25.78

 

CMYK 20 / 0 / 42 / 48

HEX #6A844C

RGB 106 132 76

HSL 87.86, 0.27%, 0.41%

LAB 51.94, -19.66, 27.21

 

CMYK 8 / 0 / 42 / 48

HEX #79844C

RGB 121 132 76

HSL 71.79, 0.27%, 0.41%

LAB 53.05, -13.49, 28.84

 

CMYK 0 / 3 / 42 / 48

HEX #84804C

RGB 132 128 76

HSL 55.71, 0.27%, 0.41%

LAB 52.8, -6.59, 28.73

 

CMYK 42 / 0 / 42 / 48

HEX #4C844C

RGB 76 132 76

HSL 120, 0.27%, 0.41%

LAB 50.17, -30.7, 24.58

 

CMYK 42 / 0 / 31 / 48

HEX #4C845B

RGB 76 132 91

HSL 136.07, 0.27%, 0.41%

LAB 50.45, -28, 16.5

 

CMYK 42 / 0 / 20 / 48

HEX #4C846A

RGB 76 132 106

HSL 152.14, 0.27%, 0.41%

LAB 50.78, -24.84, 8.32

 

CMYK 42 / 0 / 8 / 48

HEX #4C8479

RGB 76 132 121

HSL 168.21, 0.27%, 0.41%

LAB 51.17, -21.26, 0.15

 

CMYK 42 / 3 / 0 / 48

HEX #4C8084

RGB 76 128 132

HSL 184.29, 0.27%, 0.41%

LAB 50.26, -16.24, -7.64

 

CMYK 42 / 0 / 42 / 48

HEX #4C844C

RGB 76 132 76

HSL 120, 0.27%, 0.41%

LAB 50.17, -30.7, 24.58

 

CMYK 60 / 0 / 60 / 42

HEX #3B953B

RGB 59 149 59

HSL 120, 0.43%, 0.41%

LAB 54.8, -45.34, 38.93

 

CMYK 75 / 0 / 75 / 35

HEX #2AA62A

RGB 42 166 42

HSL 120, 0.6%, 0.41%

LAB 59.83, -56.59, 51.42

 

CMYK 86 / 0 / 86 / 28

HEX #19B719

RGB 25 183 25

HSL 120, 0.76%, 0.41%

LAB 65.08, -64.97, 61.27

 

CMYK 96 / 0 / 96 / 22

HEX #08C808

RGB 8 200 8

HSL 120, 0.92%, 0.41%

LAB 70.44, -71.28, 68.46

 

CMYK 42 / 0 / 42 / 48

HEX #4C844C

RGB 76 132 76

HSL 120, 0.27%, 0.41%

LAB 50.17, -30.7, 24.58

 

CMYK 19 / 0 / 19 / 55

HEX #5D735D

RGB 93 115 93

HSL 120, 0.11%, 0.41%

LAB 46.15, -12.8, 9.54

 

CMYK 0 / 11 / 0 / 57

HEX #6E626E

RGB 110 98 110

HSL 300, 0.06%, 0.41%

LAB 43.03, 7.17, -5.02

 

CMYK 0 / 35 / 0 / 50

HEX #7F527F

RGB 127 82 127

HSL 300, 0.22%, 0.41%

LAB 41.34, 26.6, -17.76

 

CMYK 0 / 55 / 0 / 44

HEX #8F418F

RGB 143 65 143

HSL 300, 0.38%, 0.41%

LAB 40.58, 44.19, -28.52

 

CMYK 20 / 0 / 42 / 48

HEX #6A844C

RGB 106 132 76

HSL 87.86, 0.27%, 0.41%

LAB 51.94, -19.66, 27.21

 

CMYK 31 / 0 / 42 / 48

HEX #5B844C

RGB 91 132 76

HSL 103.93, 0.27%, 0.41%

LAB 50.98, -25.45, 25.78

 

CMYK 42 / 0 / 42 / 48

HEX #4C844C

RGB 76 132 76

HSL 120, 0.27%, 0.41%

LAB 50.17, -30.7, 24.58

 

CMYK 42 / 0 / 31 / 48

HEX #4C845B

RGB 76 132 91

HSL 136.07, 0.27%, 0.41%

LAB 50.45, -28, 16.5

 

CMYK 42 / 0 / 20 / 48

HEX #4C846A

RGB 76 132 106

HSL 152.14, 0.27%, 0.41%

LAB 50.78, -24.84, 8.32

 

CMYK 43 / 0 / 43 / 69

HEX #2E502E

RGB 46 80 46

HSL 120, 0.27%, 0.25%

LAB 30.68, -20.47, 16.25

 

CMYK 42 / 0 / 42 / 58

HEX #3D6A3D

RGB 61 106 61

HSL 120, 0.27%, 0.33%

LAB 40.63, -25.71, 20.52

 

CMYK 42 / 0 / 42 / 48

HEX #4C844C

RGB 76 132 76

HSL 120, 0.27%, 0.41%

LAB 50.17, -30.7, 24.58

 

CMYK 42 / 0 / 42 / 38

HEX #5B9E5B

RGB 91 158 91

HSL 120, 0.27%, 0.49%

LAB 59.37, -35.49, 28.48

 

CMYK 34 / 0 / 34 / 31

HEX #74AF74

RGB 116 175 116

HSL 120, 0.27%, 0.57%

LAB 66.24, -31.22, 24.35

 

CMYK 42 / 0 / 42 / 48

HEX #4D854D

RGB 77 133 77

HSL 120, 0.27%, 0.41%

LAB 50.56, -30.68, 24.54

 

CMYK 42 / 8 / 0 / 48

HEX #4C7984

RGB 76 121 132

HSL 191.79, 0.27%, 0.41%

LAB 48.1, -12.36, -10.87

 

CMYK 0 / 42 / 26 / 48

HEX #844C62

RGB 132 76 98

HSL 336.43, 0.27%, 0.41%

LAB 39.51, 26.71, -2.57

 

CMYK 42 / 0 / 42 / 48

HEX #4D854D

RGB 77 133 77

HSL 120, 0.27%, 0.41%

LAB 50.56, -30.68, 24.54

 

CMYK 42 / 42 / 0 / 48

HEX #4C4C84

RGB 76 76 132

HSL 240, 0.27%, 0.41%

LAB 34.74, 15.17, -31.5

 

CMYK 0 / 42 / 42 / 48

HEX #844C4C

RGB 132 76 76

HSL 0, 0.27%, 0.41%

LAB 38.89, 23.66, 10.26

 

CMYK 42 / 0 / 42 / 48

HEX #4D854D

RGB 77 133 77

HSL 120, 0.27%, 0.41%

LAB 50.56, -30.68, 24.54

 

CMYK 42 / 8 / 0 / 48

HEX #4C7984

RGB 76 121 132

HSL 191.79, 0.27%, 0.41%

LAB 48.1, -12.36, -10.87

 

CMYK 0 / 42 / 0 / 48

HEX #844C84

RGB 132 76 132

HSL 300, 0.27%, 0.41%

LAB 40.8, 32.76, -21.59

 

CMYK 0 / 34 / 42 / 48

HEX #84574C

RGB 132 87 76

HSL 11.79, 0.27%, 0.41%

LAB 41.6, 17.21, 14

 

CMYK 42 / 0 / 42 / 48

HEX #4D854D

RGB 77 133 77

HSL 120, 0.27%, 0.41%

LAB 50.56, -30.68, 24.54

 

CMYK 42 / 21 / 0 / 48

HEX #4C6884

RGB 76 104 132

HSL 210, 0.27%, 0.41%

LAB 42.92, -2.46, -18.76

 

CMYK 0 / 42 / 0 / 48

HEX #844C84

RGB 132 76 132

HSL 300, 0.27%, 0.41%

LAB 40.8, 32.76, -21.59

 

CMYK 0 / 21 / 42 / 48

HEX #84684C

RGB 132 104 76

HSL 30, 0.27%, 0.41%

LAB 46.08, 7.16, 20.03

 

Description

Color code: RGB 77 133 77 | qconv.com Color code: RGB 77 133 77 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 133 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 133 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 42 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 42% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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