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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 110 198 it is the complementary color RGB 178 145 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 110 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 110 198 shade: RGB 82 110 193, RGB 99 128 212, RGB 116 146 231, RGB 133 164 250 and RGB 150 182 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 110 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 110 198 shade: RGB 77 110 198, RGB 60 92 179, RGB 43 74 160, RGB 26 56 141 and RGB 9 38 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 110 198 shade: RGB 77 110 197, RGB 77 78 197, RGB 109 77 197, RGB 142 77 197 and RGB 174 77 197

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 110 198 shade: RGB 77 110 197, RGB 77 78 197 and RGB 77 77 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 110 198 shade matches the following richer shades: RGB 77 110 197, RGB 58 101 216, RGB 39 93 235 and RGB 20 84 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 110 198 shade: RGB 77 110 197, RGB 96 119 178, RGB 115 127 159, RGB 134 136 140 and RGB 153 145 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 110 198 shade: RGB 77 175 197, RGB 77 143 197, RGB 77 111 197, RGB 77 79 197 and RGB 107 77 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 110 198 shade: RGB 47 74 145, RGB 57 89 176, RGB 77 110 197, RGB 109 135 207 and RGB 140 161 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 110 198 shade: RGB 77 110 198, RGB 187 77 197 and RGB 159 197 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 110 198 shade: RGB 77 110 198, RGB 197 77 111 and RGB 111 197 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 110 198 shade: RGB 77 110 198, RGB 187 77 197, RGB 197 163 77 and RGB 87 197 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 110 198 shade: RGB 77 110 198, RGB 197 77 171, RGB 197 163 77 and RGB 77 197 103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 44 / 0 / 22

HEX #4D6EC6

RGB 77 110 198

HSL 223.64, 0.51%, 0.54%

LAB 48.02, 15.55, -49.56

 

Complementary color

CMYK 0 / 19 / 68 / 30

HEX #B29139

RGB 178 145 57

HSL 43.64, 0.51%, 0.46%

LAB 61.66, 2.71, 49.71

 

CMYK 58 / 43 / 0 / 24

HEX #526EC1

RGB 82 110 193

HSL 224.86, 0.47%, 0.54%

LAB 48, 14.84, -46.69

 

CMYK 53 / 40 / 0 / 17

HEX #6380D4

RGB 99 128 212

HSL 224.6, 0.57%, 0.61%

LAB 54.91, 13.63, -46.48

 

CMYK 50 / 37 / 0 / 9

HEX #7492E7

RGB 116 146 231

HSL 224.35, 0.71%, 0.68%

LAB 61.69, 12.63, -46.31

 

CMYK 47 / 34 / 0 / 2

HEX #85A4FA

RGB 133 164 250

HSL 224.1, 0.92%, 0.75%

LAB 68.34, 11.78, -46.19

 

CMYK 41 / 29 / 0 / 0

HEX #96B6FF

RGB 150 182 255

HSL 221.71, 1%, 0.79%

LAB 74.29, 7.19, -39.51

 

CMYK 61 / 44 / 0 / 22

HEX #4D6EC6

RGB 77 110 198

HSL 223.64, 0.51%, 0.54%

LAB 48.02, 15.55, -49.56

 

CMYK 66 / 49 / 0 / 30

HEX #3C5CB3

RGB 60 92 179

HSL 223.87, 0.5%, 0.47%

LAB 41.01, 17.24, -49.81

 

CMYK 73 / 54 / 0 / 37

HEX #2B4AA0

RGB 43 74 160

HSL 224.1, 0.58%, 0.4%

LAB 33.88, 19.39, -50.06

 

CMYK 82 / 60 / 0 / 45

HEX #1A388D

RGB 26 56 141

HSL 224.35, 0.69%, 0.33%

LAB 26.65, 22.16, -50.24

 

CMYK 93 / 69 / 0 / 52

HEX #09267A

RGB 9 38 122

HSL 224.6, 0.86%, 0.26%

LAB 19.43, 25.7, -50.15

 

CMYK 61 / 44 / 0 / 23

HEX #4D6EC5

RGB 77 110 197

HSL 223.5, 0.51%, 0.54%

LAB 47.96, 15.2, -49.08

 

CMYK 61 / 60 / 0 / 23

HEX #4D4EC5

RGB 77 78 197

HSL 239.5, 0.51%, 0.54%

LAB 39.68, 35.3, -62.43

 

CMYK 45 / 61 / 0 / 23

HEX #6D4DC5

RGB 109 77 197

HSL 256, 0.51%, 0.54%

LAB 42.14, 41.95, -58.31

 

CMYK 28 / 61 / 0 / 23

HEX #8E4DC5

RGB 142 77 197

HSL 272.5, 0.51%, 0.54%

LAB 45.76, 49.34, -52.3

 

CMYK 12 / 61 / 0 / 23

HEX #AE4DC5

RGB 174 77 197

HSL 288.5, 0.51%, 0.54%

LAB 49.9, 57.08, -45.43

 

CMYK 61 / 44 / 0 / 23

HEX #4D6EC5

RGB 77 110 197

HSL 223.5, 0.51%, 0.54%

LAB 47.96, 15.2, -49.08

 

CMYK 61 / 60 / 0 / 23

HEX #4D4EC5

RGB 77 78 197

HSL 239.5, 0.51%, 0.54%

LAB 39.68, 35.3, -62.43

 

CMYK 61 / 61 / 0 / 23

HEX #4D4DC5

RGB 77 77 197

HSL 240, 0.51%, 0.54%

LAB 39.44, 35.91, -62.82

 

CMYK 61 / 44 / 0 / 23

HEX #4D6EC5

RGB 77 110 197

HSL 223.5, 0.51%, 0.54%

LAB 47.96, 15.2, -49.08

 

CMYK 73 / 53 / 0 / 15

HEX #3A65D8

RGB 58 101 216

HSL 223.67, 0.67%, 0.54%

LAB 45.86, 24.66, -63.38

 

CMYK 83 / 60 / 0 / 8

HEX #275DEB

RGB 39 93 235

HSL 223.47, 0.83%, 0.54%

LAB 44.6, 34.92, -76.22

 

CMYK 92 / 67 / 0 / 0

HEX #1454FE

RGB 20 84 254

HSL 223.59, 0.99%, 0.54%

LAB 43.72, 46.52, -88.33

 

CMYK 61 / 44 / 0 / 23

HEX #4D6EC5

RGB 77 110 197

HSL 223.5, 0.51%, 0.54%

LAB 47.96, 15.2, -49.08

 

CMYK 46 / 33 / 0 / 30

HEX #6077B2

RGB 96 119 178

HSL 223.17, 0.35%, 0.54%

LAB 50.56, 7.76, -33.92

 

CMYK 28 / 20 / 0 / 38

HEX #737F9F

RGB 115 127 159

HSL 223.64, 0.19%, 0.54%

LAB 53.31, 3.15, -18.57

 

CMYK 4 / 3 / 0 / 45

HEX #86888C

RGB 134 136 140

HSL 220, 0.03%, 0.54%

LAB 56.65, 0.07, -2.4

 

CMYK 0 / 5 / 21 / 40

HEX #999179

RGB 153 145 121

HSL 45, 0.14%, 0.54%

LAB 60.25, -1.15, 13.82

 

CMYK 61 / 11 / 0 / 23

HEX #4DAFC5

RGB 77 175 197

HSL 191, 0.51%, 0.54%

LAB 66.72, -22.03, -19.8

 

CMYK 61 / 27 / 0 / 23

HEX #4D8FC5

RGB 77 143 197

HSL 207, 0.51%, 0.54%

LAB 57.32, -4.64, -34.29

 

CMYK 61 / 44 / 0 / 23

HEX #4D6FC5

RGB 77 111 197

HSL 223, 0.51%, 0.54%

LAB 48.23, 14.58, -48.64

 

CMYK 61 / 60 / 0 / 23

HEX #4D4FC5

RGB 77 79 197

HSL 239, 0.51%, 0.54%

LAB 39.92, 34.68, -62.04

 

CMYK 46 / 61 / 0 / 23

HEX #6B4DC5

RGB 107 77 197

HSL 255, 0.51%, 0.54%

LAB 41.95, 41.54, -58.64

 

CMYK 68 / 49 / 0 / 43

HEX #2F4A91

RGB 47 74 145

HSL 223.47, 0.51%, 0.38%

LAB 33.02, 14.32, -42.34

 

CMYK 68 / 49 / 0 / 31

HEX #3959B0

RGB 57 89 176

HSL 223.87, 0.51%, 0.46%

LAB 39.83, 17.6, -49.95

 

CMYK 61 / 44 / 0 / 23

HEX #4D6EC5

RGB 77 110 197

HSL 223.5, 0.51%, 0.54%

LAB 47.96, 15.2, -49.08

 

CMYK 47 / 35 / 0 / 19

HEX #6D87CF

RGB 109 135 207

HSL 224.08, 0.51%, 0.62%

LAB 57.16, 10.21, -40.07

 

CMYK 35 / 26 / 0 / 15

HEX #8CA1D9

RGB 140 161 217

HSL 223.64, 0.5%, 0.7%

LAB 66.58, 6.11, -30.82

 

CMYK 61 / 44 / 0 / 22

HEX #4D6EC6

RGB 77 110 198

HSL 223.64, 0.51%, 0.54%

LAB 48.02, 15.55, -49.56

 

CMYK 5 / 61 / 0 / 23

HEX #BB4DC5

RGB 187 77 197

HSL 295, 0.51%, 0.54%

LAB 51.73, 60.29, -42.43

 

CMYK 19 / 0 / 61 / 23

HEX #9FC54D

RGB 159 197 77

HSL 79, 0.51%, 0.54%

LAB 74.72, -30.62, 54.57

 

CMYK 61 / 44 / 0 / 22

HEX #4D6EC6

RGB 77 110 198

HSL 223.64, 0.51%, 0.54%

LAB 48.02, 15.55, -49.56

 

CMYK 0 / 61 / 44 / 23

HEX #C54D6F

RGB 197 77 111

HSL 343, 0.51%, 0.54%

LAB 49.89, 50.85, 5.76

 

CMYK 44 / 0 / 61 / 23

HEX #6FC54D

RGB 111 197 77

HSL 103, 0.51%, 0.54%

LAB 72.13, -47.71, 50.96

 

CMYK 61 / 44 / 0 / 22

HEX #4D6EC6

RGB 77 110 198

HSL 223.64, 0.51%, 0.54%

LAB 48.02, 15.55, -49.56

 

CMYK 5 / 61 / 0 / 23

HEX #BB4DC5

RGB 187 77 197

HSL 295, 0.51%, 0.54%

LAB 51.73, 60.29, -42.43

 

CMYK 0 / 17 / 61 / 23

HEX #C5A34D

RGB 197 163 77

HSL 43, 0.51%, 0.54%

LAB 68.46, 2.54, 48.43

 

CMYK 56 / 0 / 61 / 23

HEX #57C54D

RGB 87 197 77

HSL 115, 0.51%, 0.54%

LAB 71.21, -54.54, 49.67

 

CMYK 61 / 44 / 0 / 22

HEX #4D6EC6

RGB 77 110 198

HSL 223.64, 0.51%, 0.54%

LAB 48.02, 15.55, -49.56

 

CMYK 0 / 61 / 13 / 23

HEX #C54DAB

RGB 197 77 171

HSL 313, 0.51%, 0.54%

LAB 51.97, 58.55, -26.84

 

CMYK 0 / 17 / 61 / 23

HEX #C5A34D

RGB 197 163 77

HSL 43, 0.51%, 0.54%

LAB 68.46, 2.54, 48.43

 

CMYK 61 / 0 / 48 / 23

HEX #4DC567

RGB 77 197 103

HSL 133, 0.51%, 0.54%

LAB 71.21, -53.52, 37.26

 

Description

Color code: RGB 77 110 198 | qconv.com Color code: RGB 77 110 198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 110 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 110 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 44 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 44% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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