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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 62 137 it is the complementary color RGB 178 193 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 62 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 62 137 shade: RGB 82 62 132, RGB 99 80 151, RGB 116 98 170, RGB 133 116 189 and RGB 150 134 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 62 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 62 137 shade: RGB 77 62 137, RGB 60 44 118, RGB 43 26 99, RGB 26 8 80 and RGB 9 0 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 62 137 shade: RGB 76 61 137, RGB 97 61 137, RGB 117 61 137, RGB 137 61 136 and RGB 137 61 116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 62 137 shade: RGB 76 61 137 and RGB 61 61 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 62 137 shade matches the following richer shades: RGB 76 61 137, RGB 67 45 153, RGB 57 29 169 and RGB 47 13 185

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 62 137 shade: RGB 76 61 137, RGB 86 77 121, RGB 96 93 105, RGB 105 109 88 and RGB 115 126 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 62 137 shade: RGB 61 86 137, RGB 61 66 137, RGB 76 61 137, RGB 96 61 137 and RGB 117 61 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 62 137 shade: RGB 44 36 80, RGB 60 48 108, RGB 76 61 137, RGB 92 74 165 and RGB 114 97 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 62 137 shade: RGB 77 62 137, RGB 137 61 107 and RGB 76 137 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 62 137 shade: RGB 77 62 137, RGB 137 76 61 and RGB 61 137 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 62 137 shade: RGB 77 62 137, RGB 137 61 107, RGB 122 137 61 and RGB 61 137 91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 62 137 shade: RGB 77 62 137, RGB 137 61 84, RGB 122 137 61 and RGB 61 137 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 55 / 0 / 46

HEX #4D3E89

RGB 77 62 137

HSL 252, 0.38%, 0.39%

LAB 31.41, 26.02, -39.89

 

Complementary color

CMYK 8 / 0 / 39 / 24

HEX #B2C176

RGB 178 193 118

HSL 72, 0.38%, 0.61%

LAB 75.4, -17.09, 36.04

 

CMYK 38 / 53 / 0 / 48

HEX #523E84

RGB 82 62 132

HSL 257.14, 0.36%, 0.38%

LAB 31.59, 25.83, -36.49

 

CMYK 34 / 47 / 0 / 41

HEX #635097

RGB 99 80 151

HSL 256.06, 0.31%, 0.45%

LAB 38.94, 24.71, -36.3

 

CMYK 32 / 42 / 0 / 33

HEX #7462AA

RGB 116 98 170

HSL 255, 0.3%, 0.53%

LAB 46.11, 23.74, -36.15

 

CMYK 30 / 39 / 0 / 26

HEX #8574BD

RGB 133 116 189

HSL 253.97, 0.36%, 0.6%

LAB 53.11, 22.89, -36.06

 

CMYK 28 / 36 / 0 / 18

HEX #9686D0

RGB 150 134 208

HSL 252.97, 0.44%, 0.67%

LAB 59.97, 22.14, -36.01

 

CMYK 44 / 55 / 0 / 46

HEX #4D3E89

RGB 77 62 137

HSL 252, 0.38%, 0.39%

LAB 31.41, 26.02, -39.89

 

CMYK 49 / 63 / 0 / 54

HEX #3C2C76

RGB 60 44 118

HSL 252.97, 0.46%, 0.32%

LAB 23.9, 27.47, -40.17

 

CMYK 57 / 74 / 0 / 61

HEX #2B1A63

RGB 43 26 99

HSL 253.97, 0.58%, 0.25%

LAB 16.27, 29.09, -40.33

 

CMYK 68 / 90 / 0 / 69

HEX #1A0850

RGB 26 8 80

HSL 255, 0.82%, 0.17%

LAB 8.76, 30.41, -39.92

 

CMYK 85 / 100 / 0 / 76

HEX #09003D

RGB 9 0 61

HSL 248.85, 1%, 0.12%

LAB 3.57, 23.55, -35.11

 

CMYK 45 / 55 / 0 / 46

HEX #4C3D89

RGB 76 61 137

HSL 251.84, 0.38%, 0.39%

LAB 31.07, 26.4, -40.45

 

CMYK 29 / 55 / 0 / 46

HEX #613D89

RGB 97 61 137

HSL 268.42, 0.38%, 0.39%

LAB 33.32, 31.92, -36.72

 

CMYK 15 / 55 / 0 / 46

HEX #753D89

RGB 117 61 137

HSL 284.21, 0.38%, 0.39%

LAB 35.84, 37.56, -32.56

 

CMYK 0 / 55 / 1 / 46

HEX #893D88

RGB 137 61 136

HSL 300.79, 0.38%, 0.39%

LAB 38.61, 43.14, -27.39

 

CMYK 0 / 55 / 15 / 46

HEX #893D74

RGB 137 61 116

HSL 316.58, 0.38%, 0.39%

LAB 37.69, 39.59, -16.45

 

CMYK 45 / 55 / 0 / 46

HEX #4C3D89

RGB 76 61 137

HSL 251.84, 0.38%, 0.39%

LAB 31.07, 26.4, -40.45

 

CMYK 55 / 55 / 0 / 46

HEX #3D3D89

RGB 61 61 137

HSL 240, 0.38%, 0.39%

LAB 29.75, 22.9, -42.64

 

CMYK 45 / 55 / 0 / 46

HEX #4C3D89

RGB 76 61 137

HSL 251.84, 0.38%, 0.39%

LAB 31.07, 26.4, -40.45

 

CMYK 56 / 71 / 0 / 40

HEX #432D99

RGB 67 45 153

HSL 252.22, 0.55%, 0.39%

LAB 27.76, 39.28, -55.69

 

CMYK 66 / 83 / 0 / 34

HEX #391DA9

RGB 57 29 169

HSL 252, 0.71%, 0.39%

LAB 25.6, 50.98, -69

 

CMYK 75 / 93 / 0 / 27

HEX #2F0DB9

RGB 47 13 185

HSL 251.86, 0.87%, 0.39%

LAB 24.94, 60.17, -79.73

 

CMYK 45 / 55 / 0 / 46

HEX #4C3D89

RGB 76 61 137

HSL 251.84, 0.38%, 0.39%

LAB 31.07, 26.4, -40.45

 

CMYK 29 / 36 / 0 / 53

HEX #564D79

RGB 86 77 121

HSL 252.27, 0.22%, 0.39%

LAB 35.33, 14.32, -23.72

 

CMYK 9 / 11 / 0 / 59

HEX #605D69

RGB 96 93 105

HSL 255, 0.06%, 0.39%

LAB 40.14, 3.79, -6.4

 

CMYK 4 / 0 / 19 / 57

HEX #696D58

RGB 105 109 88

HSL 71.43, 0.11%, 0.39%

LAB 45.14, -5.57, 11.24

 

CMYK 9 / 0 / 43 / 51

HEX #737E48

RGB 115 126 72

HSL 72.22, 0.27%, 0.39%

LAB 50.73, -13.27, 28

 

CMYK 55 / 37 / 0 / 46

HEX #3D5689

RGB 61 86 137

HSL 220.26, 0.38%, 0.39%

LAB 36.84, 6.43, -31.32

 

CMYK 55 / 52 / 0 / 46

HEX #3D4289

RGB 61 66 137

HSL 236.05, 0.38%, 0.39%

LAB 31.1, 19.59, -40.46

 

CMYK 45 / 55 / 0 / 46

HEX #4C3D89

RGB 76 61 137

HSL 251.84, 0.38%, 0.39%

LAB 31.07, 26.4, -40.45

 

CMYK 30 / 55 / 0 / 46

HEX #603D89

RGB 96 61 137

HSL 267.63, 0.38%, 0.39%

LAB 33.2, 31.65, -36.92

 

CMYK 15 / 55 / 0 / 46

HEX #753D89

RGB 117 61 137

HSL 284.21, 0.38%, 0.39%

LAB 35.84, 37.56, -32.56

 

CMYK 45 / 55 / 0 / 69

HEX #2C2450

RGB 44 36 80

HSL 250.91, 0.38%, 0.23%

LAB 17.35, 16.3, -25.86

 

CMYK 44 / 56 / 0 / 58

HEX #3C306C

RGB 60 48 108

HSL 252, 0.38%, 0.31%

LAB 24.18, 21.66, -33.3

 

CMYK 45 / 55 / 0 / 46

HEX #4C3D89

RGB 76 61 137

HSL 251.84, 0.38%, 0.39%

LAB 31.07, 26.4, -40.45

 

CMYK 44 / 55 / 0 / 35

HEX #5C4AA5

RGB 92 74 165

HSL 251.87, 0.38%, 0.47%

LAB 37.64, 30.64, -46.81

 

CMYK 38 / 47 / 0 / 28

HEX #7261B8

RGB 114 97 184

HSL 251.72, 0.38%, 0.55%

LAB 46.43, 27.64, -43.85

 

CMYK 44 / 55 / 0 / 46

HEX #4D3E89

RGB 77 62 137

HSL 252, 0.38%, 0.39%

LAB 31.41, 26.02, -39.89

 

CMYK 0 / 55 / 22 / 46

HEX #893D6B

RGB 137 61 107

HSL 323.68, 0.38%, 0.39%

LAB 37.33, 38.14, -11.38

 

CMYK 45 / 0 / 55 / 46

HEX #4C893D

RGB 76 137 61

HSL 108.16, 0.38%, 0.39%

LAB 51.57, -35.17, 34.31

 

CMYK 44 / 55 / 0 / 46

HEX #4D3E89

RGB 77 62 137

HSL 252, 0.38%, 0.39%

LAB 31.41, 26.02, -39.89

 

CMYK 0 / 45 / 55 / 46

HEX #894C3D

RGB 137 76 61

HSL 11.84, 0.38%, 0.39%

LAB 39.28, 24.15, 20.15

 

CMYK 55 / 0 / 45 / 46

HEX #3D894C

RGB 61 137 76

HSL 131.84, 0.38%, 0.39%

LAB 51.16, -37.43, 25.73

 

CMYK 44 / 55 / 0 / 46

HEX #4D3E89

RGB 77 62 137

HSL 252, 0.38%, 0.39%

LAB 31.41, 26.02, -39.89

 

CMYK 0 / 55 / 22 / 46

HEX #893D6B

RGB 137 61 107

HSL 323.68, 0.38%, 0.39%

LAB 37.33, 38.14, -11.38

 

CMYK 11 / 0 / 55 / 46

HEX #7A893D

RGB 122 137 61

HSL 71.84, 0.38%, 0.39%

LAB 54.41, -17.36, 38.36

 

CMYK 55 / 0 / 34 / 46

HEX #3D895B

RGB 61 137 91

HSL 143.68, 0.38%, 0.39%

LAB 51.43, -34.62, 17.73

 

CMYK 44 / 55 / 0 / 46

HEX #4D3E89

RGB 77 62 137

HSL 252, 0.38%, 0.39%

LAB 31.41, 26.02, -39.89

 

CMYK 0 / 55 / 39 / 46

HEX #893D54

RGB 137 61 84

HSL 341.84, 0.38%, 0.39%

LAB 36.55, 34.93, 2

 

CMYK 11 / 0 / 55 / 46

HEX #7A893D

RGB 122 137 61

HSL 71.84, 0.38%, 0.39%

LAB 54.41, -17.36, 38.36

 

CMYK 55 / 0 / 17 / 46

HEX #3D8972

RGB 61 137 114

HSL 161.84, 0.38%, 0.39%

LAB 51.95, -29.41, 5.26

 

Description

Color code: RGB 77 62 137 | qconv.com Color code: RGB 77 62 137 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 62 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 62 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 55 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 55% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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