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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72 254 140 it is the complementary color RGB 183 1 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72 254 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 72 254 140 shade: RGB 77 254 135, RGB 94 255 154, RGB 111 255 173, RGB 128 255 192 and RGB 145 255 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72 254 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 72 254 140 shade: RGB 72 254 140, RGB 55 236 121, RGB 38 218 102, RGB 21 200 83 and RGB 4 182 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 72 254 140 shade: RGB 72 254 140, RGB 72 254 91, RGB 102 254 72, RGB 151 254 72 and RGB 200 254 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 72 254 140 shade: RGB 72 254 140, RGB 72 254 189, RGB 72 254 238, RGB 72 220 254 and RGB 72 171 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 72 254 140 shade matches the following richer shades: RGB 72 254 140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 72 254 140 shade: RGB 72 254 140, RGB 87 239 143, RGB 102 224 147, RGB 116 209 151 and RGB 131 194 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 72 254 140 shade: RGB 102 254 72, RGB 72 254 90, RGB 72 254 138, RGB 72 254 187 and RGB 72 254 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 72 254 140 shade: RGB 1 242 91, RGB 31 253 114, RGB 72 254 140, RGB 113 254 166 and RGB 154 254 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 72 254 140 shade: RGB 72 254 140, RGB 72 151 254 and RGB 254 72 78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 72 254 140 shade: RGB 72 254 140, RGB 138 72 254 and RGB 254 138 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 72 254 140 shade: RGB 72 254 140, RGB 72 151 254, RGB 254 72 187 and RGB 254 175 72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 72 254 140 shade: RGB 72 254 140, RGB 72 96 254, RGB 254 72 187 and RGB 254 229 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 45 / 0

HEX #48FE8C

RGB 72 254 140

HSL 142.42, 0.99%, 0.64%

LAB 89, -69.18, 41.63

 

Complementary color

CMYK 0 / 99 / 37 / 28

HEX #B70173

RGB 183 1 115

HSL 322.42, 0.99%, 0.36%

LAB 40.13, 68, -11.37

 

CMYK 70 / 0 / 47 / 0

HEX #4DFE87

RGB 77 254 135

HSL 139.66, 0.99%, 0.65%

LAB 89.02, -69.21, 44.09

 

CMYK 63 / 0 / 40 / 0

HEX #5EFF9A

RGB 94 255 154

HSL 142.36, 1%, 0.68%

LAB 89.97, -63.6, 36.14

 

CMYK 56 / 0 / 32 / 0

HEX #6FFFAD

RGB 111 255 173

HSL 145.83, 1%, 0.72%

LAB 90.74, -56.85, 27.76

 

CMYK 50 / 0 / 25 / 0

HEX #80FFC0

RGB 128 255 192

HSL 150.24, 1%, 0.75%

LAB 91.65, -49.43, 19.44

 

CMYK 43 / 0 / 17 / 0

HEX #91FFD3

RGB 145 255 211

HSL 156, 1%, 0.78%

LAB 92.68, -41.47, 11.24

 

CMYK 72 / 0 / 45 / 0

HEX #48FE8C

RGB 72 254 140

HSL 142.42, 0.99%, 0.64%

LAB 89, -69.18, 41.63

 

CMYK 77 / 0 / 49 / 7

HEX #37EC79

RGB 55 236 121

HSL 141.88, 0.83%, 0.57%

LAB 83.01, -68.31, 43.15

 

CMYK 83 / 0 / 53 / 15

HEX #26DA66

RGB 38 218 102

HSL 141.33, 0.71%, 0.5%

LAB 76.99, -67.06, 44.73

 

CMYK 90 / 0 / 59 / 22

HEX #15C853

RGB 21 200 83

HSL 140.78, 0.81%, 0.43%

LAB 70.93, -65.3, 46.32

 

CMYK 98 / 0 / 65 / 29

HEX #04B640

RGB 4 182 64

HSL 140.22, 0.96%, 0.36%

LAB 64.84, -62.92, 47.81

 

CMYK 72 / 0 / 45 / 0

HEX #48FE8C

RGB 72 254 140

HSL 142.42, 0.99%, 0.64%

LAB 89, -69.18, 41.63

 

CMYK 72 / 0 / 64 / 0

HEX #48FE5B

RGB 72 254 91

HSL 126.26, 0.99%, 0.64%

LAB 88.46, -75.54, 62.95

 

CMYK 60 / 0 / 72 / 0

HEX #66FE48

RGB 102 254 72

HSL 110.11, 0.99%, 0.64%

LAB 89.01, -71.5, 70.81

 

CMYK 41 / 0 / 72 / 0

HEX #97FE48

RGB 151 254 72

HSL 93.96, 0.99%, 0.64%

LAB 90.75, -58.19, 73.13

 

CMYK 21 / 0 / 72 / 0

HEX #C8FE48

RGB 200 254 72

HSL 77.8, 0.99%, 0.64%

LAB 93.29, -41.13, 76.5

 

CMYK 72 / 0 / 45 / 0

HEX #48FE8C

RGB 72 254 140

HSL 142.42, 0.99%, 0.64%

LAB 89, -69.18, 41.63

 

CMYK 72 / 0 / 26 / 0

HEX #48FEBD

RGB 72 254 189

HSL 158.57, 0.99%, 0.64%

LAB 89.83, -59.94, 18.22

 

CMYK 72 / 0 / 6 / 0

HEX #48FEEE

RGB 72 254 238

HSL 174.73, 0.99%, 0.64%

LAB 90.98, -48.16, -5.46

 

CMYK 72 / 13 / 0 / 0

HEX #48DCFE

RGB 72 220 254

HSL 191.21, 0.99%, 0.64%

LAB 81.69, -28.05, -27.82

 

CMYK 72 / 33 / 0 / 0

HEX #48ABFE

RGB 72 171 254

HSL 207.36, 0.99%, 0.64%

LAB 67.77, -2.26, -49.45

 

CMYK 72 / 0 / 45 / 0

HEX #48FE8C

RGB 72 254 140

HSL 142.42, 0.99%, 0.64%

LAB 89, -69.18, 41.63

 

CMYK 72 / 0 / 45 / 0

HEX #48FE8C

RGB 72 254 140

HSL 142.42, 0.99%, 0.64%

LAB 89, -69.18, 41.63

 

CMYK 64 / 0 / 40 / 6

HEX #57EF8F

RGB 87 239 143

HSL 142.11, 0.83%, 0.64%

LAB 84.86, -60.83, 34.87

 

CMYK 54 / 0 / 34 / 12

HEX #66E093

RGB 102 224 147

HSL 142.13, 0.66%, 0.64%

LAB 80.87, -51.16, 27.62

 

CMYK 44 / 0 / 28 / 18

HEX #74D197

RGB 116 209 151

HSL 142.58, 0.5%, 0.64%

LAB 77.01, -40.52, 20.36

 

CMYK 32 / 0 / 20 / 24

HEX #83C29B

RGB 131 194 155

HSL 142.86, 0.34%, 0.64%

LAB 73.4, -28.44, 13.3

 

CMYK 60 / 0 / 72 / 0

HEX #66FE48

RGB 102 254 72

HSL 110.11, 0.99%, 0.64%

LAB 89.01, -71.5, 70.81

 

CMYK 72 / 0 / 65 / 0

HEX #48FE5A

RGB 72 254 90

HSL 125.93, 0.99%, 0.64%

LAB 88.45, -75.64, 63.34

 

CMYK 72 / 0 / 46 / 0

HEX #48FE8A

RGB 72 254 138

HSL 141.76, 0.99%, 0.64%

LAB 88.97, -69.5, 42.56

 

CMYK 72 / 0 / 26 / 0

HEX #48FEBB

RGB 72 254 187

HSL 157.91, 0.99%, 0.64%

LAB 89.79, -60.37, 19.18

 

CMYK 72 / 0 / 7 / 0

HEX #48FEEB

RGB 72 254 235

HSL 173.74, 0.99%, 0.64%

LAB 90.9, -48.94, -4.02

 

CMYK 100 / 0 / 62 / 5

HEX #01F25B

RGB 1 242 91

HSL 142.41, 0.99%, 0.48%

LAB 84.1, -77.76, 57.91

 

CMYK 88 / 0 / 55 / 1

HEX #1FFD72

RGB 31 253 114

HSL 142.43, 0.98%, 0.56%

LAB 87.85, -76.96, 52.28

 

CMYK 72 / 0 / 45 / 0

HEX #48FE8C

RGB 72 254 140

HSL 142.42, 0.99%, 0.64%

LAB 89, -69.18, 41.63

 

CMYK 56 / 0 / 35 / 0

HEX #71FEA6

RGB 113 254 166

HSL 142.55, 0.99%, 0.72%

LAB 90.39, -57.29, 30.82

 

CMYK 39 / 0 / 25 / 0

HEX #9AFEBF

RGB 154 254 191

HSL 142.2, 0.98%, 0.8%

LAB 92.36, -42.55, 21.1

 

CMYK 72 / 0 / 45 / 0

HEX #48FE8C

RGB 72 254 140

HSL 142.42, 0.99%, 0.64%

LAB 89, -69.18, 41.63

 

CMYK 72 / 41 / 0 / 0

HEX #4897FE

RGB 72 151 254

HSL 213.96, 0.99%, 0.64%

LAB 62.23, 9.31, -58.24

 

CMYK 0 / 72 / 69 / 0

HEX #FE484E

RGB 254 72 78

HSL 358.02, 0.99%, 0.64%

LAB 58.28, 68.27, 38.05

 

CMYK 72 / 0 / 45 / 0

HEX #48FE8C

RGB 72 254 140

HSL 142.42, 0.99%, 0.64%

LAB 89, -69.18, 41.63

 

CMYK 46 / 72 / 0 / 0

HEX #8A48FE

RGB 138 72 254

HSL 261.76, 0.99%, 0.64%

LAB 48.5, 64.98, -80.21

 

CMYK 0 / 46 / 72 / 0

HEX #FE8A48

RGB 254 138 72

HSL 21.76, 0.99%, 0.64%

LAB 69.27, 39.12, 53.58

 

CMYK 72 / 0 / 45 / 0

HEX #48FE8C

RGB 72 254 140

HSL 142.42, 0.99%, 0.64%

LAB 89, -69.18, 41.63

 

CMYK 72 / 41 / 0 / 0

HEX #4897FE

RGB 72 151 254

HSL 213.96, 0.99%, 0.64%

LAB 62.23, 9.31, -58.24

 

CMYK 0 / 72 / 26 / 0

HEX #FE48BB

RGB 254 72 187

HSL 322.09, 0.99%, 0.64%

LAB 61.04, 77.29, -21.39

 

CMYK 0 / 31 / 72 / 0

HEX #FEAF48

RGB 254 175 72

HSL 33.96, 0.99%, 0.64%

LAB 77.4, 19.98, 62.09

 

CMYK 72 / 0 / 45 / 0

HEX #48FE8C

RGB 72 254 140

HSL 142.42, 0.99%, 0.64%

LAB 89, -69.18, 41.63

 

CMYK 72 / 62 / 0 / 0

HEX #4860FE

RGB 72 96 254

HSL 232.09, 0.99%, 0.64%

LAB 48.13, 42.83, -81.02

 

CMYK 0 / 72 / 26 / 0

HEX #FE48BB

RGB 254 72 187

HSL 322.09, 0.99%, 0.64%

LAB 61.04, 77.29, -21.39

 

CMYK 0 / 10 / 72 / 0

HEX #FEE548

RGB 254 229 72

HSL 51.76, 0.99%, 0.64%

LAB 90.59, -7.76, 75.21

 

Description

Color code: RGB 72 254 140 | qconv.com Color code: RGB 72 254 140 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 254 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 254 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 45 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 45% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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