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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72 24 215 it is the complementary color RGB 183 231 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72 24 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 72 24 215 shade: RGB 77 24 210, RGB 94 42 229, RGB 111 60 248, RGB 128 78 255 and RGB 145 96 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72 24 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 72 24 215 shade: RGB 72 24 215, RGB 55 6 196, RGB 38 0 177, RGB 21 0 158 and RGB 4 0 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 72 24 215 shade: RGB 72 23 215, RGB 123 23 215, RGB 175 23 215, RGB 215 23 204 and RGB 215 23 152

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 72 24 215 shade: RGB 72 23 215 and RGB 23 23 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 72 24 215 shade matches the following richer shades: RGB 72 23 215 and RGB 62 4 235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 72 24 215 shade: RGB 72 23 215, RGB 81 43 196, RGB 91 62 176, RGB 101 82 157 and RGB 110 101 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 72 24 215 shade: RGB 23 78 215, RGB 23 27 215, RGB 71 23 215, RGB 123 23 215 and RGB 174 23 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 72 24 215 shade: RGB 47 15 141, RGB 59 19 178, RGB 72 23 215, RGB 94 48 232 and RGB 123 85 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 72 24 215 shade: RGB 72 24 215, RGB 215 23 129 and RGB 52 215 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 72 24 215 shade: RGB 72 24 215, RGB 215 71 23 and RGB 23 215 71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 72 24 215 shade: RGB 72 24 215, RGB 215 23 129, RGB 167 215 23 and RGB 23 215 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 72 24 215 shade: RGB 72 24 215, RGB 215 23 71, RGB 167 215 23 and RGB 23 215 167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 89 / 0 / 16

HEX #4818D7

RGB 72 24 215

HSL 255.08, 0.8%, 0.47%

LAB 31.66, 66.34, -86.07

 

Complementary color

CMYK 21 / 0 / 83 / 9

HEX #B7E728

RGB 183 231 40

HSL 75.08, 0.8%, 0.53%

LAB 85.69, -38.81, 78.24

 

CMYK 63 / 89 / 0 / 18

HEX #4D18D2

RGB 77 24 210

HSL 257.1, 0.79%, 0.46%

LAB 31.54, 65.4, -83.36

 

CMYK 59 / 82 / 0 / 10

HEX #5E2AE5

RGB 94 42 229

HSL 256.68, 0.78%, 0.53%

LAB 37.29, 65.66, -84.73

 

CMYK 55 / 76 / 0 / 3

HEX #6F3CF8

RGB 111 60 248

HSL 256.28, 0.93%, 0.6%

LAB 43.34, 65.06, -85.43

 

CMYK 50 / 69 / 0 / 0

HEX #804EFF

RGB 128 78 255

HSL 256.95, 1%, 0.65%

LAB 48.58, 60.83, -80.68

 

CMYK 43 / 62 / 0 / 0

HEX #9160FF

RGB 145 96 255

HSL 258.49, 1%, 0.69%

LAB 53.61, 54.6, -72.43

 

CMYK 67 / 89 / 0 / 16

HEX #4818D7

RGB 72 24 215

HSL 255.08, 0.8%, 0.47%

LAB 31.66, 66.34, -86.07

 

CMYK 72 / 97 / 0 / 23

HEX #3706C4

RGB 55 6 196

HSL 255.47, 0.94%, 0.4%

LAB 26.53, 64.73, -83.57

 

CMYK 79 / 100 / 0 / 31

HEX #2600B1

RGB 38 0 177

HSL 252.88, 1%, 0.35%

LAB 22.25, 60.75, -79.43

 

CMYK 87 / 100 / 0 / 38

HEX #15009E

RGB 21 0 158

HSL 247.97, 1%, 0.31%

LAB 18.49, 55.61, -74.22

 

CMYK 97 / 100 / 0 / 45

HEX #04008B

RGB 4 0 139

HSL 241.73, 1%, 0.27%

LAB 14.9, 50.47, -68.44

 

CMYK 67 / 89 / 0 / 16

HEX #4817D7

RGB 72 23 215

HSL 255.31, 0.81%, 0.47%

LAB 31.57, 66.62, -86.23

 

CMYK 43 / 89 / 0 / 16

HEX #7B17D7

RGB 123 23 215

HSL 271.25, 0.81%, 0.47%

LAB 37.35, 71.05, -76.48

 

CMYK 19 / 89 / 0 / 16

HEX #AF17D7

RGB 175 23 215

HSL 287.5, 0.81%, 0.47%

LAB 45.13, 77.9, -63.46

 

CMYK 0 / 89 / 5 / 16

HEX #D717CC

RGB 215 23 204

HSL 303.44, 0.81%, 0.47%

LAB 51.17, 82.73, -47.06

 

CMYK 0 / 89 / 29 / 16

HEX #D71798

RGB 215 23 152

HSL 319.69, 0.81%, 0.47%

LAB 48.67, 76.18, -20.44

 

CMYK 67 / 89 / 0 / 16

HEX #4817D7

RGB 72 23 215

HSL 255.31, 0.81%, 0.47%

LAB 31.57, 66.62, -86.23

 

CMYK 89 / 89 / 0 / 16

HEX #1717D7

RGB 23 23 215

HSL 240, 0.81%, 0.47%

LAB 28.65, 64.68, -91.18

 

CMYK 67 / 89 / 0 / 16

HEX #4817D7

RGB 72 23 215

HSL 255.31, 0.81%, 0.47%

LAB 31.57, 66.62, -86.23

 

CMYK 74 / 98 / 0 / 8

HEX #3E04EB

RGB 62 4 235

HSL 255.06, 0.97%, 0.47%

LAB 32.05, 74.72, -96.92

 

CMYK 67 / 89 / 0 / 16

HEX #4817D7

RGB 72 23 215

HSL 255.31, 0.81%, 0.47%

LAB 31.57, 66.62, -86.23

 

CMYK 59 / 78 / 0 / 23

HEX #512BC4

RGB 81 43 196

HSL 254.9, 0.64%, 0.47%

LAB 32.84, 54.93, -73.04

 

CMYK 48 / 65 / 0 / 31

HEX #5B3EB0

RGB 91 62 176

HSL 255.26, 0.48%, 0.47%

LAB 35.6, 40.83, -56.66

 

CMYK 36 / 48 / 0 / 38

HEX #65529D

RGB 101 82 157

HSL 255.2, 0.31%, 0.47%

LAB 39.97, 25.71, -38.25

 

CMYK 20 / 27 / 0 / 46

HEX #6E658A

RGB 110 101 138

HSL 254.59, 0.15%, 0.47%

LAB 44.88, 11.75, -19.13

 

CMYK 89 / 64 / 0 / 16

HEX #174ED7

RGB 23 78 215

HSL 222.81, 0.81%, 0.47%

LAB 38.79, 36.09, -74.38

 

CMYK 89 / 87 / 0 / 16

HEX #171BD7

RGB 23 27 215

HSL 238.75, 0.81%, 0.47%

LAB 29.09, 63.34, -90.44

 

CMYK 67 / 89 / 0 / 16

HEX #4717D7

RGB 71 23 215

HSL 255, 0.81%, 0.47%

LAB 31.48, 66.55, -86.37

 

CMYK 43 / 89 / 0 / 16

HEX #7B17D7

RGB 123 23 215

HSL 271.25, 0.81%, 0.47%

LAB 37.35, 71.05, -76.48

 

CMYK 19 / 89 / 0 / 16

HEX #AE17D7

RGB 174 23 215

HSL 287.19, 0.81%, 0.47%

LAB 44.97, 77.75, -63.73

 

CMYK 67 / 89 / 0 / 45

HEX #2F0F8D

RGB 47 15 141

HSL 255.24, 0.81%, 0.31%

LAB 19.51, 47.67, -61.94

 

CMYK 67 / 89 / 0 / 30

HEX #3B13B2

RGB 59 19 178

HSL 255.09, 0.81%, 0.39%

LAB 25.59, 57.33, -74.43

 

CMYK 67 / 89 / 0 / 16

HEX #4817D7

RGB 72 23 215

HSL 255.31, 0.81%, 0.47%

LAB 31.57, 66.62, -86.23

 

CMYK 59 / 79 / 0 / 9

HEX #5E30E8

RGB 94 48 232

HSL 255, 0.8%, 0.55%

LAB 38.41, 64.05, -84.58

 

CMYK 48 / 64 / 0 / 7

HEX #7B55EC

RGB 123 85 236

HSL 255.1, 0.8%, 0.63%

LAB 47.96, 51.18, -71.09

 

CMYK 67 / 89 / 0 / 16

HEX #4818D7

RGB 72 24 215

HSL 255.08, 0.8%, 0.47%

LAB 31.66, 66.34, -86.07

 

CMYK 0 / 89 / 40 / 16

HEX #D71781

RGB 215 23 129

HSL 326.88, 0.81%, 0.47%

LAB 47.81, 73.85, -7.84

 

CMYK 76 / 0 / 89 / 16

HEX #34D717

RGB 52 215 23

HSL 110.94, 0.81%, 0.47%

LAB 75.7, -71.2, 71.04

 

CMYK 67 / 89 / 0 / 16

HEX #4818D7

RGB 72 24 215

HSL 255.08, 0.8%, 0.47%

LAB 31.66, 66.34, -86.07

 

CMYK 0 / 67 / 89 / 16

HEX #D74717

RGB 215 71 23

HSL 15, 0.81%, 0.47%

LAB 50.71, 54.54, 55.44

 

CMYK 89 / 0 / 67 / 16

HEX #17D747

RGB 23 215 71

HSL 135, 0.81%, 0.47%

LAB 75.6, -71.12, 56.73

 

CMYK 67 / 89 / 0 / 16

HEX #4818D7

RGB 72 24 215

HSL 255.08, 0.8%, 0.47%

LAB 31.66, 66.34, -86.07

 

CMYK 0 / 89 / 40 / 16

HEX #D71781

RGB 215 23 129

HSL 326.88, 0.81%, 0.47%

LAB 47.81, 73.85, -7.84

 

CMYK 22 / 0 / 89 / 16

HEX #A7D717

RGB 167 215 23

HSL 75, 0.81%, 0.47%

LAB 80.11, -38.36, 76.51

 

CMYK 89 / 0 / 49 / 16

HEX #17D76E

RGB 23 215 110

HSL 147.19, 0.81%, 0.47%

LAB 76.01, -66.04, 39.64

 

CMYK 67 / 89 / 0 / 16

HEX #4818D7

RGB 72 24 215

HSL 255.08, 0.8%, 0.47%

LAB 31.66, 66.34, -86.07

 

CMYK 0 / 89 / 67 / 16

HEX #D71747

RGB 215 23 71

HSL 345, 0.81%, 0.47%

LAB 46.33, 69.74, 25.84

 

CMYK 22 / 0 / 89 / 16

HEX #A7D717

RGB 167 215 23

HSL 75, 0.81%, 0.47%

LAB 80.11, -38.36, 76.51

 

CMYK 89 / 0 / 22 / 16

HEX #17D7A7

RGB 23 215 167

HSL 165, 0.81%, 0.47%

LAB 77.02, -54.48, 11.58

 

Description

Color code: RGB 72 24 215 | qconv.com Color code: RGB 72 24 215 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 24 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 24 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 89 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 89% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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