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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72 221 168 it is the complementary color RGB 183 34 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72 221 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 72 221 168 shade: RGB 77 221 163, RGB 94 239 182, RGB 111 255 201, RGB 128 255 220 and RGB 145 255 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72 221 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 72 221 168 shade: RGB 72 221 168, RGB 55 203 149, RGB 38 185 130, RGB 21 167 111 and RGB 4 149 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 72 221 168 shade: RGB 69 221 167, RGB 69 221 126, RGB 69 221 85, RGB 94 221 69 and RGB 135 221 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 72 221 168 shade: RGB 69 221 167, RGB 69 221 207, RGB 69 193 221, RGB 69 152 221 and RGB 69 111 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 72 221 168 shade matches the following richer shades: RGB 69 221 167 and RGB 51 238 172

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 72 221 168 shade: RGB 69 221 167, RGB 87 203 162, RGB 105 185 156, RGB 122 167 151 and RGB 140 150 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 72 221 168 shade: RGB 69 221 84, RGB 69 221 125, RGB 69 221 165, RGB 69 221 205 and RGB 69 195 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 72 221 168 shade: RGB 32 175 124, RGB 38 210 149, RGB 69 221 167, RGB 104 227 183 and RGB 139 233 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 72 221 168 shade: RGB 72 221 168, RGB 69 94 221 and RGB 221 104 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 72 221 168 shade: RGB 72 221 168, RGB 165 69 221 and RGB 221 165 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 72 221 168 shade: RGB 72 221 168, RGB 69 94 221, RGB 221 69 125 and RGB 221 195 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 72 221 168 shade: RGB 72 221 168, RGB 89 69 221, RGB 221 69 125 and RGB 200 221 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 24 / 13

HEX #48DDA8

RGB 72 221 168

HSL 158.66, 0.69%, 0.57%

LAB 79.57, -51.52, 14.74

 

Complementary color

CMYK 0 / 81 / 52 / 28

HEX #B72257

RGB 183 34 87

HSL 338.66, 0.69%, 0.43%

LAB 41.06, 60.23, 7.65

 

CMYK 65 / 0 / 26 / 13

HEX #4DDDA3

RGB 77 221 163

HSL 155.83, 0.68%, 0.58%

LAB 79.58, -51.79, 17.4

 

CMYK 61 / 0 / 24 / 6

HEX #5EEFB6

RGB 94 239 182

HSL 156.41, 0.82%, 0.65%

LAB 85.75, -52.01, 16.18

 

CMYK 56 / 0 / 21 / 0

HEX #6FFFC9

RGB 111 255 201

HSL 157.5, 1%, 0.72%

LAB 91.29, -51.27, 14.24

 

CMYK 50 / 0 / 14 / 0

HEX #80FFDC

RGB 128 255 220

HSL 163.46, 1%, 0.75%

LAB 92.25, -43.54, 5.9

 

CMYK 43 / 0 / 6 / 0

HEX #91FFEF

RGB 145 255 239

HSL 171.27, 1%, 0.78%

LAB 93.35, -35.35, -2.24

 

CMYK 67 / 0 / 24 / 13

HEX #48DDA8

RGB 72 221 168

HSL 158.66, 0.69%, 0.57%

LAB 79.57, -51.52, 14.74

 

CMYK 73 / 0 / 27 / 20

HEX #37CB95

RGB 55 203 149

HSL 158.11, 0.59%, 0.51%

LAB 73.35, -51.02, 16.06

 

CMYK 79 / 0 / 30 / 27

HEX #26B982

RGB 38 185 130

HSL 157.55, 0.66%, 0.44%

LAB 67.07, -50.23, 17.51

 

CMYK 87 / 0 / 34 / 35

HEX #15A76F

RGB 21 167 111

HSL 156.99, 0.78%, 0.37%

LAB 60.73, -49.05, 19.12

 

CMYK 97 / 0 / 38 / 42

HEX #04955C

RGB 4 149 92

HSL 156.41, 0.95%, 0.3%

LAB 54.34, -47.36, 20.91

 

CMYK 69 / 0 / 24 / 13

HEX #45DDA7

RGB 69 221 167

HSL 158.68, 0.69%, 0.57%

LAB 79.48, -52.2, 15.14

 

CMYK 69 / 0 / 43 / 13

HEX #45DD7E

RGB 69 221 126

HSL 142.5, 0.69%, 0.57%

LAB 78.74, -60.26, 35.32

 

CMYK 69 / 0 / 62 / 13

HEX #45DD55

RGB 69 221 85

HSL 126.32, 0.69%, 0.57%

LAB 78.25, -66, 54.03

 

CMYK 57 / 0 / 69 / 13

HEX #5EDD45

RGB 94 221 69

HSL 110.13, 0.69%, 0.57%

LAB 78.77, -62.29, 61.28

 

CMYK 39 / 0 / 69 / 13

HEX #87DD45

RGB 135 221 69

HSL 93.95, 0.69%, 0.57%

LAB 80.34, -50.45, 63.41

 

CMYK 69 / 0 / 24 / 13

HEX #45DDA7

RGB 69 221 167

HSL 158.68, 0.69%, 0.57%

LAB 79.48, -52.2, 15.14

 

CMYK 69 / 0 / 6 / 13

HEX #45DDCF

RGB 69 221 207

HSL 174.47, 0.69%, 0.57%

LAB 80.45, -42.38, -4.69

 

CMYK 69 / 13 / 0 / 13

HEX #45C1DD

RGB 69 193 221

HSL 191.05, 0.69%, 0.57%

LAB 72.64, -25.16, -23.95

 

CMYK 69 / 31 / 0 / 13

HEX #4598DD

RGB 69 152 221

HSL 207.24, 0.69%, 0.57%

LAB 60.73, -3.14, -42.42

 

CMYK 69 / 50 / 0 / 13

HEX #456FDD

RGB 69 111 221

HSL 223.42, 0.69%, 0.57%

LAB 49.32, 21.63, -60.6

 

CMYK 69 / 0 / 24 / 13

HEX #45DDA7

RGB 69 221 167

HSL 158.68, 0.69%, 0.57%

LAB 79.48, -52.2, 15.14

 

CMYK 79 / 0 / 28 / 7

HEX #33EEAC

RGB 51 238 172

HSL 158.82, 0.85%, 0.57%

LAB 84.4, -59.98, 19.35

 

CMYK 69 / 0 / 24 / 13

HEX #45DDA7

RGB 69 221 167

HSL 158.68, 0.69%, 0.57%

LAB 79.48, -52.2, 15.14

 

CMYK 57 / 0 / 20 / 20

HEX #57CBA2

RGB 87 203 162

HSL 158.79, 0.53%, 0.57%

LAB 74.41, -42.56, 10.7

 

CMYK 43 / 0 / 16 / 27

HEX #69B99C

RGB 105 185 156

HSL 158.25, 0.36%, 0.57%

LAB 69.54, -31.43, 7.1

 

CMYK 27 / 0 / 10 / 35

HEX #7AA797

RGB 122 167 151

HSL 158.67, 0.2%, 0.57%

LAB 64.97, -18.59, 3.39

 

CMYK 7 / 0 / 3 / 41

HEX #8C9692

RGB 140 150 146

HSL 156, 0.05%, 0.57%

LAB 61.19, -4.39, 0.86

 

CMYK 69 / 0 / 62 / 13

HEX #45DD54

RGB 69 221 84

HSL 125.92, 0.69%, 0.57%

LAB 78.24, -66.11, 54.45

 

CMYK 69 / 0 / 43 / 13

HEX #45DD7D

RGB 69 221 125

HSL 142.11, 0.69%, 0.57%

LAB 78.73, -60.43, 35.8

 

CMYK 69 / 0 / 25 / 13

HEX #45DDA5

RGB 69 221 165

HSL 157.89, 0.69%, 0.57%

LAB 79.44, -52.65, 16.13

 

CMYK 69 / 0 / 7 / 13

HEX #45DDCD

RGB 69 221 205

HSL 173.68, 0.69%, 0.57%

LAB 80.4, -42.91, -3.71

 

CMYK 69 / 12 / 0 / 13

HEX #45C3DD

RGB 69 195 221

HSL 190.26, 0.69%, 0.57%

LAB 73.23, -26.16, -23.06

 

CMYK 82 / 0 / 29 / 31

HEX #20AF7C

RGB 32 175 124

HSL 158.6, 0.69%, 0.41%

LAB 63.69, -48.28, 16.09

 

CMYK 82 / 0 / 29 / 18

HEX #26D295

RGB 38 210 149

HSL 158.72, 0.69%, 0.49%

LAB 75.25, -55.66, 18.66

 

CMYK 69 / 0 / 24 / 13

HEX #45DDA7

RGB 69 221 167

HSL 158.68, 0.69%, 0.57%

LAB 79.48, -52.2, 15.14

 

CMYK 54 / 0 / 19 / 11

HEX #68E3B7

RGB 104 227 183

HSL 158.54, 0.69%, 0.65%

LAB 82.54, -44.73, 11.16

 

CMYK 40 / 0 / 14 / 9

HEX #8BE9C8

RGB 139 233 200

HSL 158.94, 0.68%, 0.73%

LAB 85.97, -35.35, 7.32

 

CMYK 67 / 0 / 24 / 13

HEX #48DDA8

RGB 72 221 168

HSL 158.66, 0.69%, 0.57%

LAB 79.57, -51.52, 14.74

 

CMYK 69 / 57 / 0 / 13

HEX #455EDD

RGB 69 94 221

HSL 230.13, 0.69%, 0.57%

LAB 44.93, 32.31, -67.71

 

CMYK 0 / 53 / 69 / 13

HEX #DD6845

RGB 221 104 69

HSL 13.82, 0.69%, 0.57%

LAB 57.75, 43.33, 41.01

 

CMYK 67 / 0 / 24 / 13

HEX #48DDA8

RGB 72 221 168

HSL 158.66, 0.69%, 0.57%

LAB 79.57, -51.52, 14.74

 

CMYK 25 / 69 / 0 / 13

HEX #A545DD

RGB 165 69 221

HSL 277.89, 0.69%, 0.57%

LAB 48.85, 63.5, -60.93

 

CMYK 0 / 25 / 69 / 13

HEX #DDA545

RGB 221 165 69

HSL 37.89, 0.69%, 0.57%

LAB 71.36, 11.26, 55.98

 

CMYK 67 / 0 / 24 / 13

HEX #48DDA8

RGB 72 221 168

HSL 158.66, 0.69%, 0.57%

LAB 79.57, -51.52, 14.74

 

CMYK 69 / 57 / 0 / 13

HEX #455EDD

RGB 69 94 221

HSL 230.13, 0.69%, 0.57%

LAB 44.93, 32.31, -67.71

 

CMYK 0 / 69 / 43 / 13

HEX #DD457D

RGB 221 69 125

HSL 337.89, 0.69%, 0.57%

LAB 53.07, 62.87, 2.44

 

CMYK 0 / 12 / 69 / 13

HEX #DDC345

RGB 221 195 69

HSL 49.74, 0.69%, 0.57%

LAB 78.94, -4.52, 63.83

 

CMYK 67 / 0 / 24 / 13

HEX #48DDA8

RGB 72 221 168

HSL 158.66, 0.69%, 0.57%

LAB 79.57, -51.52, 14.74

 

CMYK 60 / 69 / 0 / 13

HEX #5945DD

RGB 89 69 221

HSL 247.89, 0.69%, 0.57%

LAB 40.57, 50.03, -74.77

 

CMYK 0 / 69 / 43 / 13

HEX #DD457D

RGB 221 69 125

HSL 337.89, 0.69%, 0.57%

LAB 53.07, 62.87, 2.44

 

CMYK 10 / 0 / 69 / 13

HEX #C8DD45

RGB 200 221 69

HSL 68.29, 0.69%, 0.57%

LAB 84.18, -26.2, 68.55

 

Description

Color code: RGB 72 221 168 | qconv.com Color code: RGB 72 221 168 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 221 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 221 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 24 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 24% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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