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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72 219 90 it is the complementary color RGB 183 36 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72 219 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 72 219 90 shade: RGB 77 219 85, RGB 94 237 104, RGB 111 255 123, RGB 128 255 142 and RGB 145 255 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72 219 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 72 219 90 shade: RGB 72 219 90, RGB 55 201 71, RGB 38 183 52, RGB 21 165 33 and RGB 4 147 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 72 219 90 shade: RGB 71 218 89, RGB 93 218 71, RGB 133 218 71, RGB 172 218 71 and RGB 212 218 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 72 219 90 shade: RGB 71 218 89, RGB 71 218 129, RGB 71 218 169, RGB 71 218 208 and RGB 71 189 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 72 219 90 shade matches the following richer shades: RGB 71 218 89, RGB 54 236 76 and RGB 36 254 63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 72 219 90 shade: RGB 71 218 89, RGB 89 201 103, RGB 107 183 116, RGB 125 165 130 and RGB 142 147 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 72 219 90 shade: RGB 133 218 71, RGB 93 218 71, RGB 71 218 89, RGB 71 218 128 and RGB 71 218 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 72 219 90 shade: RGB 34 173 51, RGB 41 208 61, RGB 71 218 89, RGB 106 225 120 and RGB 140 232 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 72 219 90 shade: RGB 72 219 90, RGB 71 172 218 and RGB 218 71 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 72 219 90 shade: RGB 72 219 90, RGB 89 71 218 and RGB 218 89 71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 72 219 90 shade: RGB 72 219 90, RGB 71 172 218, RGB 218 71 201 and RGB 218 118 71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 72 219 90 shade: RGB 72 219 90, RGB 71 128 218, RGB 218 71 201 and RGB 218 162 71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 59 / 14

HEX #48DB5A

RGB 72 219 90

HSL 127.35, 0.67%, 0.57%

LAB 77.74, -64.21, 51.28

 

Complementary color

CMYK 0 / 80 / 10 / 28

HEX #B724A5

RGB 183 36 165

HSL 307.35, 0.67%, 0.43%

LAB 44.3, 68.58, -35.46

 

CMYK 65 / 0 / 61 / 14

HEX #4DDB55

RGB 77 219 85

HSL 123.38, 0.66%, 0.58%

LAB 77.81, -63.82, 53.59

 

CMYK 60 / 0 / 56 / 7

HEX #5EED68

RGB 94 237 104

HSL 124.2, 0.8%, 0.65%

LAB 83.94, -64.38, 52.39

 

CMYK 56 / 0 / 52 / 0

HEX #6FFF7B

RGB 111 255 123

HSL 125, 1%, 0.72%

LAB 90.01, -64.7, 51.13

 

CMYK 50 / 0 / 44 / 0

HEX #80FF8E

RGB 128 255 142

HSL 126.61, 1%, 0.75%

LAB 90.81, -57.98, 43.28

 

CMYK 43 / 0 / 37 / 0

HEX #91FFA1

RGB 145 255 161

HSL 128.73, 1%, 0.78%

LAB 91.74, -50.59, 35.31

 

CMYK 67 / 0 / 59 / 14

HEX #48DB5A

RGB 72 219 90

HSL 127.35, 0.67%, 0.57%

LAB 77.74, -64.21, 51.28

 

CMYK 73 / 0 / 65 / 21

HEX #37C947

RGB 55 201 71

HSL 126.58, 0.57%, 0.5%

LAB 71.58, -63.25, 52.46

 

CMYK 79 / 0 / 72 / 28

HEX #26B734

RGB 38 183 52

HSL 125.79, 0.66%, 0.43%

LAB 65.38, -61.78, 53.36

 

CMYK 87 / 0 / 80 / 35

HEX #15A521

RGB 21 165 33

HSL 125, 0.77%, 0.36%

LAB 59.14, -59.58, 53.68

 

CMYK 97 / 0 / 90 / 42

HEX #04930E

RGB 4 147 14

HSL 124.2, 0.95%, 0.3%

LAB 52.87, -56.45, 52.82

 

CMYK 67 / 0 / 59 / 15

HEX #47DA59

RGB 71 218 89

HSL 127.35, 0.67%, 0.57%

LAB 77.4, -64.17, 51.33

 

CMYK 57 / 0 / 67 / 15

HEX #5DDA47

RGB 93 218 71

HSL 111.02, 0.67%, 0.57%

LAB 77.83, -61.3, 59.51

 

CMYK 39 / 0 / 67 / 15

HEX #85DA47

RGB 133 218 71

HSL 94.69, 0.67%, 0.57%

LAB 79.38, -49.74, 61.61

 

CMYK 21 / 0 / 67 / 15

HEX #ACDA47

RGB 172 218 71

HSL 78.78, 0.67%, 0.57%

LAB 81.49, -35.74, 64.47

 

CMYK 3 / 0 / 67 / 15

HEX #D4DA47

RGB 212 218 71

HSL 62.45, 0.67%, 0.57%

LAB 84.27, -19.74, 68.2

 

CMYK 67 / 0 / 59 / 15

HEX #47DA59

RGB 71 218 89

HSL 127.35, 0.67%, 0.57%

LAB 77.4, -64.17, 51.33

 

CMYK 67 / 0 / 41 / 15

HEX #47DA81

RGB 71 218 129

HSL 143.67, 0.67%, 0.57%

LAB 77.91, -58.31, 32.73

 

CMYK 67 / 0 / 22 / 15

HEX #47DAA9

RGB 71 218 169

HSL 160, 0.67%, 0.57%

LAB 78.66, -50.23, 12.94

 

CMYK 67 / 0 / 5 / 15

HEX #47DAD0

RGB 71 218 208

HSL 175.92, 0.67%, 0.57%

LAB 79.63, -40.5, -6.43

 

CMYK 67 / 13 / 0 / 15

HEX #47BDDA

RGB 71 189 218

HSL 191.84, 0.67%, 0.57%

LAB 71.42, -23.78, -24.19

 

CMYK 67 / 0 / 59 / 15

HEX #47DA59

RGB 71 218 89

HSL 127.35, 0.67%, 0.57%

LAB 77.4, -64.17, 51.33

 

CMYK 77 / 0 / 68 / 7

HEX #36EC4C

RGB 54 236 76

HSL 127.25, 0.83%, 0.57%

LAB 82.54, -73.95, 62.33

 

CMYK 86 / 0 / 75 / 0

HEX #24FE3F

RGB 36 254 63

HSL 127.43, 0.99%, 0.57%

LAB 87.78, -82.04, 72.15

 

CMYK 67 / 0 / 59 / 15

HEX #47DA59

RGB 71 218 89

HSL 127.35, 0.67%, 0.57%

LAB 77.4, -64.17, 51.33

 

CMYK 56 / 0 / 49 / 21

HEX #59C967

RGB 89 201 103

HSL 127.5, 0.51%, 0.57%

LAB 72.81, -52.29, 39.34

 

CMYK 42 / 0 / 37 / 28

HEX #6BB774

RGB 107 183 116

HSL 127.11, 0.35%, 0.57%

LAB 68.21, -37.77, 26.89

 

CMYK 24 / 0 / 21 / 35

HEX #7DA582

RGB 125 165 130

HSL 127.5, 0.18%, 0.57%

LAB 64.07, -20.78, 13.81

 

CMYK 3 / 0 / 3 / 42

HEX #8E938F

RGB 142 147 143

HSL 132, 0.02%, 0.57%

LAB 60.43, -2.6, 1.47

 

CMYK 39 / 0 / 67 / 15

HEX #85DA47

RGB 133 218 71

HSL 94.69, 0.67%, 0.57%

LAB 79.38, -49.74, 61.61

 

CMYK 57 / 0 / 67 / 15

HEX #5DDA47

RGB 93 218 71

HSL 111.02, 0.67%, 0.57%

LAB 77.83, -61.3, 59.51

 

CMYK 67 / 0 / 59 / 15

HEX #47DA59

RGB 71 218 89

HSL 127.35, 0.67%, 0.57%

LAB 77.4, -64.17, 51.33

 

CMYK 67 / 0 / 41 / 15

HEX #47DA80

RGB 71 218 128

HSL 143.27, 0.67%, 0.57%

LAB 77.9, -58.48, 33.22

 

CMYK 67 / 0 / 23 / 15

HEX #47DAA7

RGB 71 218 167

HSL 159.18, 0.67%, 0.57%

LAB 78.62, -50.68, 13.93

 

CMYK 80 / 0 / 71 / 32

HEX #22AD33

RGB 34 173 51

HSL 127.34, 0.67%, 0.41%

LAB 62.05, -59.21, 50.26

 

CMYK 80 / 0 / 71 / 18

HEX #29D03D

RGB 41 208 61

HSL 127.19, 0.67%, 0.49%

LAB 73.49, -68.35, 58.42

 

CMYK 67 / 0 / 59 / 15

HEX #47DA59

RGB 71 218 89

HSL 127.35, 0.67%, 0.57%

LAB 77.4, -64.17, 51.33

 

CMYK 53 / 0 / 47 / 12

HEX #6AE178

RGB 106 225 120

HSL 127.06, 0.66%, 0.65%

LAB 80.89, -55, 41.24

 

CMYK 40 / 0 / 34 / 9

HEX #8CE898

RGB 140 232 152

HSL 127.83, 0.67%, 0.73%

LAB 84.77, -43.68, 30.54

 

CMYK 67 / 0 / 59 / 14

HEX #48DB5A

RGB 72 219 90

HSL 127.35, 0.67%, 0.57%

LAB 77.74, -64.21, 51.28

 

CMYK 67 / 21 / 0 / 15

HEX #47ACDA

RGB 71 172 218

HSL 198.78, 0.67%, 0.57%

LAB 66.45, -14.93, -31.83

 

CMYK 0 / 67 / 48 / 15

HEX #DA4771

RGB 218 71 113

HSL 342.86, 0.67%, 0.57%

LAB 52.51, 60.13, 8.77

 

CMYK 67 / 0 / 59 / 14

HEX #48DB5A

RGB 72 219 90

HSL 127.35, 0.67%, 0.57%

LAB 77.74, -64.21, 51.28

 

CMYK 59 / 67 / 0 / 15

HEX #5947DA

RGB 89 71 218

HSL 247.35, 0.67%, 0.57%

LAB 40.72, 48, -72.81

 

CMYK 0 / 59 / 67 / 15

HEX #DA5947

RGB 218 89 71

HSL 7.35, 0.67%, 0.57%

LAB 54.56, 49.49, 36.07

 

CMYK 67 / 0 / 59 / 14

HEX #48DB5A

RGB 72 219 90

HSL 127.35, 0.67%, 0.57%

LAB 77.74, -64.21, 51.28

 

CMYK 67 / 21 / 0 / 15

HEX #47ACDA

RGB 71 172 218

HSL 198.78, 0.67%, 0.57%

LAB 66.45, -14.93, -31.83

 

CMYK 0 / 67 / 8 / 15

HEX #DA47C9

RGB 218 71 201

HSL 306.94, 0.67%, 0.57%

LAB 55.71, 70.84, -38.13

 

CMYK 0 / 46 / 67 / 15

HEX #DA7647

RGB 218 118 71

HSL 19.18, 0.67%, 0.57%

LAB 60.17, 35.19, 42.62

 

CMYK 67 / 0 / 59 / 14

HEX #48DB5A

RGB 72 219 90

HSL 127.35, 0.67%, 0.57%

LAB 77.74, -64.21, 51.28

 

CMYK 67 / 41 / 0 / 15

HEX #4780DA

RGB 71 128 218

HSL 216.73, 0.67%, 0.57%

LAB 53.86, 10.35, -51.62

 

CMYK 0 / 67 / 8 / 15

HEX #DA47C9

RGB 218 71 201

HSL 306.94, 0.67%, 0.57%

LAB 55.71, 70.84, -38.13

 

CMYK 0 / 26 / 67 / 15

HEX #DAA247

RGB 218 162 71

HSL 37.14, 0.67%, 0.57%

LAB 70.32, 11.7, 53.88

 

Description

Color code: RGB 72 219 90 | qconv.com Color code: RGB 72 219 90 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 219 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 219 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 59 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 59% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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