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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72 193 54 it is the complementary color RGB 183 62 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72 193 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 72 193 54 shade: RGB 77 193 49, RGB 94 211 68, RGB 111 229 87, RGB 128 247 106 and RGB 145 255 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72 193 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 72 193 54 shade: RGB 72 193 54, RGB 55 175 35, RGB 38 157 16, RGB 21 139 0 and RGB 4 121 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 72 193 54 shade: RGB 71 190 53, RGB 108 190 53, RGB 145 190 53, RGB 182 190 53 and RGB 190 162 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 72 193 54 shade: RGB 71 190 53, RGB 53 190 73, RGB 53 190 110, RGB 53 190 147 and RGB 53 190 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 72 193 54 shade matches the following richer shades: RGB 71 190 53, RGB 56 210 34 and RGB 42 230 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 72 193 54 shade: RGB 71 190 53, RGB 86 171 73, RGB 100 151 93, RGB 115 131 113 and RGB 130 111 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 72 193 54 shade: RGB 145 190 53, RGB 108 190 53, RGB 72 190 53, RGB 53 190 72 and RGB 53 190 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 72 193 54 shade: RGB 47 126 35, RGB 59 158 44, RGB 71 190 53, RGB 96 205 80 and RGB 125 214 112

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 72 193 54 shade: RGB 72 193 54, RGB 53 181 190 and RGB 190 53 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 72 193 54 shade: RGB 72 193 54, RGB 53 72 190 and RGB 190 53 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 72 193 54 shade: RGB 72 193 54, RGB 53 181 190, RGB 172 53 190 and RGB 190 62 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 72 193 54 shade: RGB 72 193 54, RGB 53 140 190, RGB 172 53 190 and RGB 190 104 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 72 / 24

HEX #48C136

RGB 72 193 54

HSL 112.23, 0.56%, 0.48%

LAB 69.32, -58.86, 56.9

 

Complementary color

CMYK 9 / 69 / 0 / 21

HEX #B73EC9

RGB 183 62 201

HSL 292.23, 0.56%, 0.52%

LAB 49.17, 66.2, -48.84

 

CMYK 60 / 0 / 75 / 24

HEX #4DC131

RGB 77 193 49

HSL 108.33, 0.6%, 0.47%

LAB 69.43, -58.07, 58.83

 

CMYK 55 / 0 / 68 / 17

HEX #5ED344

RGB 94 211 68

HSL 109.09, 0.62%, 0.55%

LAB 75.69, -58.79, 58.42

 

CMYK 52 / 0 / 62 / 10

HEX #6FE557

RGB 111 229 87

HSL 109.86, 0.73%, 0.62%

LAB 81.9, -59.22, 57.6

 

CMYK 48 / 0 / 57 / 3

HEX #80F76A

RGB 128 247 106

HSL 110.64, 0.9%, 0.69%

LAB 88.04, -59.44, 56.58

 

CMYK 43 / 0 / 51 / 0

HEX #91FF7D

RGB 145 255 125

HSL 110.77, 1%, 0.75%

LAB 91.24, -55.59, 51.99

 

CMYK 63 / 0 / 72 / 24

HEX #48C136

RGB 72 193 54

HSL 112.23, 0.56%, 0.48%

LAB 69.32, -58.86, 56.9

 

CMYK 69 / 0 / 80 / 31

HEX #37AF23

RGB 55 175 35

HSL 111.43, 0.67%, 0.41%

LAB 63.01, -57.68, 56.94

 

CMYK 76 / 0 / 90 / 38

HEX #269D10

RGB 38 157 16

HSL 110.64, 0.82%, 0.34%

LAB 56.65, -55.85, 55.86

 

CMYK 85 / 0 / 100 / 45

HEX #158B00

RGB 21 139 0

HSL 110.94, 1%, 0.27%

LAB 50.25, -53.16, 53.2

 

CMYK 97 / 0 / 100 / 53

HEX #047900

RGB 4 121 0

HSL 118.02, 1%, 0.24%

LAB 43.8, -49.31, 47.97

 

CMYK 63 / 0 / 72 / 25

HEX #47BE35

RGB 71 190 53

HSL 112.12, 0.56%, 0.48%

LAB 68.33, -58.12, 56.25

 

CMYK 43 / 0 / 72 / 25

HEX #6CBE35

RGB 108 190 53

HSL 95.91, 0.56%, 0.48%

LAB 69.66, -47.85, 58.03

 

CMYK 24 / 0 / 72 / 25

HEX #91BE35

RGB 145 190 53

HSL 79.71, 0.56%, 0.48%

LAB 71.63, -34.51, 60.64

 

CMYK 4 / 0 / 72 / 25

HEX #B6BE35

RGB 182 190 53

HSL 63.5, 0.56%, 0.48%

LAB 74.21, -19.37, 64.04

 

CMYK 0 / 15 / 72 / 25

HEX #BEA235

RGB 190 162 53

HSL 47.74, 0.56%, 0.48%

LAB 67.31, -1.41, 57.55

 

CMYK 63 / 0 / 72 / 25

HEX #47BE35

RGB 71 190 53

HSL 112.12, 0.56%, 0.48%

LAB 68.33, -58.12, 56.25

 

CMYK 72 / 0 / 62 / 25

HEX #35BE49

RGB 53 190 73

HSL 128.76, 0.56%, 0.48%

LAB 68.07, -59.69, 47.64

 

CMYK 72 / 0 / 42 / 25

HEX #35BE6E

RGB 53 190 110

HSL 144.96, 0.56%, 0.48%

LAB 68.54, -54.2, 30.16

 

CMYK 72 / 0 / 23 / 25

HEX #35BE93

RGB 53 190 147

HSL 161.17, 0.56%, 0.48%

LAB 69.25, -46.46, 11.37

 

CMYK 72 / 0 / 4 / 25

HEX #35BEB7

RGB 53 190 183

HSL 176.93, 0.56%, 0.48%

LAB 70.18, -37.07, -6.96

 

CMYK 63 / 0 / 72 / 25

HEX #47BE35

RGB 71 190 53

HSL 112.12, 0.56%, 0.48%

LAB 68.33, -58.12, 56.25

 

CMYK 73 / 0 / 84 / 18

HEX #38D222

RGB 56 210 34

HSL 112.5, 0.72%, 0.48%

LAB 74.22, -68.67, 67.54

 

CMYK 82 / 0 / 94 / 10

HEX #2AE60E

RGB 42 230 14

HSL 112.22, 0.89%, 0.48%

LAB 80.25, -76.97, 76.02

 

CMYK 63 / 0 / 72 / 25

HEX #47BE35

RGB 71 190 53

HSL 112.12, 0.56%, 0.48%

LAB 68.33, -58.12, 56.25

 

CMYK 50 / 0 / 57 / 33

HEX #56AB49

RGB 86 171 73

HSL 112.04, 0.4%, 0.48%

LAB 63, -45.1, 42.03

 

CMYK 34 / 0 / 38 / 41

HEX #64975D

RGB 100 151 93

HSL 112.76, 0.24%, 0.48%

LAB 57.69, -28.91, 25.29

 

CMYK 12 / 0 / 14 / 49

HEX #738371

RGB 115 131 113

HSL 113.33, 0.07%, 0.48%

LAB 53.03, -9.51, 7.78

 

CMYK 2 / 17 / 0 / 48

HEX #826F85

RGB 130 111 133

HSL 291.82, 0.09%, 0.48%

LAB 49.26, 11.68, -9.32

 

CMYK 24 / 0 / 72 / 25

HEX #91BE35

RGB 145 190 53

HSL 79.71, 0.56%, 0.48%

LAB 71.63, -34.51, 60.64

 

CMYK 43 / 0 / 72 / 25

HEX #6CBE35

RGB 108 190 53

HSL 95.91, 0.56%, 0.48%

LAB 69.66, -47.85, 58.03

 

CMYK 62 / 0 / 72 / 25

HEX #48BE35

RGB 72 190 53

HSL 111.68, 0.56%, 0.48%

LAB 68.36, -57.89, 56.29

 

CMYK 72 / 0 / 62 / 25

HEX #35BE48

RGB 53 190 72

HSL 128.32, 0.56%, 0.48%

LAB 68.06, -59.8, 48.07

 

CMYK 72 / 0 / 43 / 25

HEX #35BE6C

RGB 53 190 108

HSL 144.09, 0.56%, 0.48%

LAB 68.51, -54.55, 31.15

 

CMYK 63 / 0 / 72 / 51

HEX #2F7E23

RGB 47 126 35

HSL 112.09, 0.57%, 0.32%

LAB 46.51, -42.07, 40.52

 

CMYK 63 / 0 / 72 / 38

HEX #3B9E2C

RGB 59 158 44

HSL 112.11, 0.56%, 0.4%

LAB 57.62, -50.26, 48.55

 

CMYK 63 / 0 / 72 / 25

HEX #47BE35

RGB 71 190 53

HSL 112.12, 0.56%, 0.48%

LAB 68.33, -58.12, 56.25

 

CMYK 53 / 0 / 61 / 20

HEX #60CD50

RGB 96 205 80

HSL 112.32, 0.56%, 0.56%

LAB 74.02, -54.9, 51.61

 

CMYK 42 / 0 / 48 / 16

HEX #7DD670

RGB 125 214 112

HSL 112.35, 0.55%, 0.64%

LAB 78.24, -46.37, 41.99

 

CMYK 63 / 0 / 72 / 24

HEX #48C136

RGB 72 193 54

HSL 112.23, 0.56%, 0.48%

LAB 69.32, -58.86, 56.9

 

CMYK 72 / 5 / 0 / 25

HEX #35B5BE

RGB 53 181 190

HSL 183.94, 0.56%, 0.48%

LAB 67.67, -30.79, -14.56

 

CMYK 0 / 72 / 34 / 25

HEX #BE357E

RGB 190 53 126

HSL 328.03, 0.56%, 0.48%

LAB 45.63, 60.05, -9.74

 

CMYK 63 / 0 / 72 / 24

HEX #48C136

RGB 72 193 54

HSL 112.23, 0.56%, 0.48%

LAB 69.32, -58.86, 56.9

 

CMYK 72 / 62 / 0 / 25

HEX #3548BE

RGB 53 72 190

HSL 231.68, 0.56%, 0.48%

LAB 36.19, 33.17, -64.09

 

CMYK 0 / 72 / 62 / 25

HEX #BE3548

RGB 190 53 72

HSL 351.68, 0.56%, 0.48%

LAB 44.18, 55.22, 21.49

 

CMYK 63 / 0 / 72 / 24

HEX #48C136

RGB 72 193 54

HSL 112.23, 0.56%, 0.48%

LAB 69.32, -58.86, 56.9

 

CMYK 72 / 5 / 0 / 25

HEX #35B5BE

RGB 53 181 190

HSL 183.94, 0.56%, 0.48%

LAB 67.67, -30.79, -14.56

 

CMYK 9 / 72 / 0 / 25

HEX #AC35BE

RGB 172 53 190

HSL 292.12, 0.56%, 0.48%

LAB 45.68, 65.15, -48.12

 

CMYK 0 / 67 / 72 / 25

HEX #BE3E35

RGB 190 62 53

HSL 3.94, 0.56%, 0.48%

LAB 45.15, 50.69, 34.04

 

CMYK 63 / 0 / 72 / 24

HEX #48C136

RGB 72 193 54

HSL 112.23, 0.56%, 0.48%

LAB 69.32, -58.86, 56.9

 

CMYK 72 / 26 / 0 / 25

HEX #358CBE

RGB 53 140 190

HSL 201.9, 0.56%, 0.48%

LAB 55.31, -9.28, -33.52

 

CMYK 9 / 72 / 0 / 25

HEX #AC35BE

RGB 172 53 190

HSL 292.12, 0.56%, 0.48%

LAB 45.68, 65.15, -48.12

 

CMYK 0 / 45 / 72 / 25

HEX #BE6835

RGB 190 104 53

HSL 22.34, 0.56%, 0.48%

LAB 53.06, 30.3, 42.85

 

Description

Color code: RGB 72 193 54 | qconv.com Color code: RGB 72 193 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 193 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 193 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 72 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 72% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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