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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72 180 176 it is the complementary color RGB 183 75 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72 180 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 72 180 176 shade: RGB 77 180 171, RGB 94 198 190, RGB 111 216 209, RGB 128 234 228 and RGB 145 252 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72 180 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 72 180 176 shade: RGB 72 180 176, RGB 55 162 157, RGB 38 144 138, RGB 21 126 119 and RGB 4 108 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 72 180 176 shade: RGB 71 178 174, RGB 71 178 145, RGB 71 178 116, RGB 71 178 87 and RGB 83 178 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 72 180 176 shade: RGB 71 178 174, RGB 71 153 178, RGB 71 124 178, RGB 71 95 178 and RGB 71 71 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 72 180 176 shade matches the following richer shades: RGB 71 178 174, RGB 51 198 193, RGB 30 219 212 and RGB 10 239 230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 72 180 176 shade: RGB 71 178 174, RGB 91 158 155, RGB 111 138 137, RGB 131 118 118 and RGB 152 97 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 72 180 176 shade: RGB 71 178 115, RGB 71 178 144, RGB 71 178 173, RGB 71 155 178 and RGB 71 126 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 72 180 176 shade: RGB 47 119 117, RGB 59 149 145, RGB 71 178 174, RGB 98 192 189 and RGB 128 204 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 72 180 176 shade: RGB 72 180 176, RGB 87 71 178 and RGB 178 130 71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 72 180 176 shade: RGB 72 180 176, RGB 173 71 178 and RGB 178 173 71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 72 180 176 shade: RGB 72 180 176, RGB 87 71 178, RGB 178 71 76 and RGB 162 178 71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 72 180 176 shade: RGB 72 180 176, RGB 119 71 178, RGB 178 71 76 and RGB 130 178 71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 2 / 29

HEX #48B4B0

RGB 72 180 176

HSL 177.78, 0.43%, 0.49%

LAB 67.39, -31.46, -7.19

 

Complementary color

CMYK 0 / 59 / 57 / 28

HEX #B74B4F

RGB 183 75 79

HSL 357.78, 0.43%, 0.51%

LAB 46.53, 44.09, 20.1

 

CMYK 57 / 0 / 5 / 29

HEX #4DB4AB

RGB 77 180 171

HSL 174.76, 0.41%, 0.5%

LAB 67.4, -31.88, -4.4

 

CMYK 53 / 0 / 4 / 22

HEX #5EC6BE

RGB 94 198 190

HSL 175.38, 0.48%, 0.57%

LAB 73.86, -32.03, -5.21

 

CMYK 49 / 0 / 3 / 15

HEX #6FD8D1

RGB 111 216 209

HSL 176, 0.57%, 0.64%

LAB 80.23, -32.09, -5.95

 

CMYK 45 / 0 / 3 / 8

HEX #80EAE4

RGB 128 234 228

HSL 176.6, 0.72%, 0.71%

LAB 86.52, -32.11, -6.64

 

CMYK 42 / 0 / 2 / 1

HEX #91FCF7

RGB 145 252 247

HSL 177.2, 0.95%, 0.78%

LAB 92.73, -32.08, -7.3

 

CMYK 60 / 0 / 2 / 29

HEX #48B4B0

RGB 72 180 176

HSL 177.78, 0.43%, 0.49%

LAB 67.39, -31.46, -7.19

 

CMYK 66 / 0 / 3 / 36

HEX #37A29D

RGB 55 162 157

HSL 177.2, 0.49%, 0.43%

LAB 60.86, -31.04, -6.33

 

CMYK 74 / 0 / 4 / 44

HEX #26908A

RGB 38 144 138

HSL 176.6, 0.58%, 0.36%

LAB 54.23, -30.38, -5.36

 

CMYK 83 / 0 / 6 / 51

HEX #157E77

RGB 21 126 119

HSL 176, 0.71%, 0.29%

LAB 47.51, -29.36, -4.25

 

CMYK 96 / 0 / 7 / 58

HEX #046C64

RGB 4 108 100

HSL 175.38, 0.93%, 0.22%

LAB 40.69, -27.88, -2.97

 

CMYK 60 / 0 / 2 / 30

HEX #47B2AE

RGB 71 178 174

HSL 177.76, 0.43%, 0.49%

LAB 66.7, -31.23, -7.11

 

CMYK 60 / 0 / 19 / 30

HEX #47B291

RGB 71 178 145

HSL 161.5, 0.43%, 0.49%

LAB 65.92, -38.72, 7.8

 

CMYK 60 / 0 / 35 / 30

HEX #47B274

RGB 71 178 116

HSL 145.23, 0.43%, 0.49%

LAB 65.31, -45.02, 22.78

 

CMYK 60 / 0 / 51 / 30

HEX #47B257

RGB 71 178 87

HSL 128.97, 0.43%, 0.49%

LAB 64.86, -49.95, 37.31

 

CMYK 53 / 0 / 60 / 30

HEX #53B247

RGB 83 178 71

HSL 113.27, 0.43%, 0.49%

LAB 65.07, -48.98, 45.34

 

CMYK 60 / 0 / 2 / 30

HEX #47B2AE

RGB 71 178 174

HSL 177.76, 0.43%, 0.49%

LAB 66.7, -31.23, -7.11

 

CMYK 60 / 14 / 0 / 30

HEX #4799B2

RGB 71 153 178

HSL 194.02, 0.43%, 0.49%

LAB 59.28, -17.39, -20.53

 

CMYK 60 / 30 / 0 / 30

HEX #477CB2

RGB 71 124 178

HSL 210.28, 0.43%, 0.49%

LAB 50.65, -1, -33.88

 

CMYK 60 / 47 / 0 / 30

HEX #475FB2

RGB 71 95 178

HSL 226.54, 0.43%, 0.49%

LAB 42.37, 16.97, -47.01

 

CMYK 60 / 60 / 0 / 30

HEX #4747B2

RGB 71 71 178

HSL 240, 0.43%, 0.49%

LAB 36.1, 32.3, -57.12

 

CMYK 60 / 0 / 2 / 30

HEX #47B2AE

RGB 71 178 174

HSL 177.76, 0.43%, 0.49%

LAB 66.7, -31.23, -7.11

 

CMYK 74 / 0 / 3 / 22

HEX #33C6C1

RGB 51 198 193

HSL 177.96, 0.59%, 0.49%

LAB 72.85, -38.13, -8.45

 

CMYK 86 / 0 / 3 / 14

HEX #1EDBD4

RGB 30 219 212

HSL 177.78, 0.76%, 0.49%

LAB 79.44, -43.84, -8.92

 

CMYK 96 / 0 / 4 / 6

HEX #0AEFE6

RGB 10 239 230

HSL 177.64, 0.92%, 0.49%

LAB 85.76, -48.14, -9.07

 

CMYK 60 / 0 / 2 / 30

HEX #47B2AE

RGB 71 178 174

HSL 177.76, 0.43%, 0.49%

LAB 66.7, -31.23, -7.11

 

CMYK 42 / 0 / 2 / 38

HEX #5B9E9B

RGB 91 158 155

HSL 177.31, 0.27%, 0.49%

LAB 60.82, -22.02, -5.12

 

CMYK 20 / 0 / 1 / 46

HEX #6F8A89

RGB 111 138 137

HSL 177.78, 0.11%, 0.49%

LAB 55.44, -9.76, -2.65

 

CMYK 0 / 10 / 10 / 49

HEX #837676

RGB 131 118 118

HSL 0, 0.05%, 0.49%

LAB 50.79, 5.01, 1.82

 

CMYK 0 / 36 / 35 / 40

HEX #986163

RGB 152 97 99

HSL 357.82, 0.22%, 0.49%

LAB 47.14, 22.62, 8.18

 

CMYK 60 / 0 / 35 / 30

HEX #47B273

RGB 71 178 115

HSL 144.67, 0.43%, 0.49%

LAB 65.29, -45.22, 23.29

 

CMYK 60 / 0 / 19 / 30

HEX #47B290

RGB 71 178 144

HSL 160.93, 0.43%, 0.49%

LAB 65.9, -38.96, 8.32

 

CMYK 60 / 0 / 3 / 30

HEX #47B2AD

RGB 71 178 173

HSL 177.2, 0.43%, 0.49%

LAB 66.67, -31.51, -6.6

 

CMYK 60 / 13 / 0 / 30

HEX #479BB2

RGB 71 155 178

HSL 192.9, 0.43%, 0.49%

LAB 59.89, -18.45, -19.61

 

CMYK 60 / 29 / 0 / 30

HEX #477EB2

RGB 71 126 178

HSL 209.16, 0.43%, 0.49%

LAB 51.24, -2.19, -32.96

 

CMYK 61 / 0 / 2 / 53

HEX #2F7775

RGB 47 119 117

HSL 178.33, 0.43%, 0.33%

LAB 45.75, -22.64, -5.62

 

CMYK 60 / 0 / 3 / 42

HEX #3B9591

RGB 59 149 145

HSL 177.33, 0.43%, 0.41%

LAB 56.55, -27.41, -5.88

 

CMYK 60 / 0 / 2 / 30

HEX #47B2AE

RGB 71 178 174

HSL 177.76, 0.43%, 0.49%

LAB 66.7, -31.23, -7.11

 

CMYK 49 / 0 / 2 / 25

HEX #62C0BD

RGB 98 192 189

HSL 178.09, 0.43%, 0.57%

LAB 72.21, -28.53, -7.09

 

CMYK 37 / 0 / 1 / 20

HEX #80CCC9

RGB 128 204 201

HSL 177.63, 0.43%, 0.65%

LAB 77.28, -24.15, -5.95

 

CMYK 60 / 0 / 2 / 29

HEX #48B4B0

RGB 72 180 176

HSL 177.78, 0.43%, 0.49%

LAB 67.39, -31.46, -7.19

 

CMYK 51 / 60 / 0 / 30

HEX #5747B2

RGB 87 71 178

HSL 248.97, 0.43%, 0.49%

LAB 37.38, 35.33, -54.98

 

CMYK 0 / 27 / 60 / 30

HEX #B28247

RGB 178 130 71

HSL 33.08, 0.43%, 0.49%

LAB 57.93, 11.97, 38.73

 

CMYK 60 / 0 / 2 / 29

HEX #48B4B0

RGB 72 180 176

HSL 177.78, 0.43%, 0.49%

LAB 67.39, -31.46, -7.19

 

CMYK 3 / 60 / 0 / 30

HEX #AD47B2

RGB 173 71 178

HSL 297.2, 0.43%, 0.49%

LAB 47.76, 55.97, -37.79

 

CMYK 0 / 3 / 60 / 30

HEX #B2AD47

RGB 178 173 71

HSL 57.2, 0.43%, 0.49%

LAB 69.33, -11.35, 51.69

 

CMYK 60 / 0 / 2 / 29

HEX #48B4B0

RGB 72 180 176

HSL 177.78, 0.43%, 0.49%

LAB 67.39, -31.46, -7.19

 

CMYK 51 / 60 / 0 / 30

HEX #5747B2

RGB 87 71 178

HSL 248.97, 0.43%, 0.49%

LAB 37.38, 35.33, -54.98

 

CMYK 0 / 60 / 57 / 30

HEX #B2474C

RGB 178 71 76

HSL 357.2, 0.43%, 0.49%

LAB 44.93, 43.97, 19.65

 

CMYK 9 / 0 / 60 / 30

HEX #A2B247

RGB 162 178 71

HSL 68.97, 0.43%, 0.49%

LAB 69.45, -20.65, 51.46

 

CMYK 60 / 0 / 2 / 29

HEX #48B4B0

RGB 72 180 176

HSL 177.78, 0.43%, 0.49%

LAB 67.39, -31.46, -7.19

 

CMYK 33 / 60 / 0 / 30

HEX #7747B2

RGB 119 71 178

HSL 266.92, 0.43%, 0.49%

LAB 40.64, 42.43, -49.56

 

CMYK 0 / 60 / 57 / 30

HEX #B2474C

RGB 178 71 76

HSL 357.2, 0.43%, 0.49%

LAB 44.93, 43.97, 19.65

 

CMYK 27 / 0 / 60 / 30

HEX #82B247

RGB 130 178 71

HSL 86.92, 0.43%, 0.49%

LAB 67.31, -33.42, 48.48

 

Description

Color code: RGB 72 180 176 | qconv.com Color code: RGB 72 180 176 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 180 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 180 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 2 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 2% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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