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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72 17 25 it is the complementary color RGB 183 238 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72 17 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 72 17 25 shade: RGB 77 17 20, RGB 94 35 39, RGB 111 53 58, RGB 128 71 77 and RGB 145 89 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72 17 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 72 17 25 shade: RGB 72 17 25, RGB 55 0 6, RGB 38 0 0, RGB 21 0 0 and RGB 4 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 72 17 25 shade: RGB 70 16 24 and RGB 70 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 72 17 25 shade: RGB 70 16 24, RGB 70 16 38, RGB 70 16 53, RGB 70 16 67 and RGB 58 16 70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 72 17 25 shade matches the following richer shades: RGB 70 16 24, RGB 77 9 19 and RGB 84 2 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 72 17 25 shade: RGB 70 16 24, RGB 63 23 29, RGB 56 30 34, RGB 49 37 39 and RGB 42 44 44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 72 17 25 shade: RGB 70 16 53, RGB 70 16 38, RGB 70 16 24, RGB 70 22 16 and RGB 70 37 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 72 17 25 shade: RGB 3 0 1, RGB 36 8 12, RGB 70 16 24, RGB 103 24 35 and RGB 137 32 47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 72 17 25 shade: RGB 72 17 25, RGB 67 70 16 and RGB 16 46 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 72 17 25 shade: RGB 72 17 25, RGB 24 70 16 and RGB 16 24 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 72 17 25 shade: RGB 72 17 25, RGB 67 70 16, RGB 16 70 62 and RGB 19 16 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 72 17 25 shade: RGB 72 17 25, RGB 51 70 16, RGB 16 70 62 and RGB 35 16 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 65 / 72

HEX #481119

RGB 72 17 25

HSL 351.27, 0.62%, 0.17%

LAB 14.67, 26.65, 9.44

 

Complementary color

CMYK 23 / 0 / 3 / 7

HEX #B7EEE6

RGB 183 238 230

HSL 171.27, 0.62%, 0.83%

LAB 90.29, -19.02, -1.84

 

CMYK 0 / 78 / 74 / 70

HEX #4D1114

RGB 77 17 20

HSL 357, 0.64%, 0.18%

LAB 15.64, 28.16, 14.45

 

CMYK 0 / 63 / 59 / 63

HEX #5E2327

RGB 94 35 39

HSL 355.93, 0.46%, 0.25%

LAB 22.75, 27.33, 11.17

 

CMYK 0 / 52 / 48 / 56

HEX #6F353A

RGB 111 53 58

HSL 354.83, 0.35%, 0.32%

LAB 29.99, 26.18, 8.87

 

CMYK 0 / 45 / 40 / 50

HEX #80474D

RGB 128 71 77

HSL 353.68, 0.29%, 0.39%

LAB 37.17, 25.04, 7.14

 

CMYK 0 / 39 / 34 / 43

HEX #915960

RGB 145 89 96

HSL 352.5, 0.24%, 0.46%

LAB 44.25, 24.01, 5.76

 

CMYK 0 / 76 / 65 / 72

HEX #481119

RGB 72 17 25

HSL 351.27, 0.62%, 0.17%

LAB 14.67, 26.65, 9.44

 

CMYK 0 / 100 / 89 / 78

HEX #370006

RGB 55 0 6

HSL 353.45, 1%, 0.11%

LAB 7.46, 27.27, 9.32

 

CMYK 0 / 100 / 100 / 85

HEX #260000

RGB 38 0 0

HSL 0, 1%, 0.07%

LAB 3.72, 16.7, 5.88

 

CMYK 0 / 100 / 100 / 92

HEX #150000

RGB 21 0 0

HSL 0, 1%, 0.04%

LAB 1.44, 6.46, 2.28

 

CMYK 0 / 100 / 100 / 98

HEX #040000

RGB 4 0 0

HSL 0, 1%, 0.01%

LAB 0.23, 1.05, 0.37

 

CMYK 0 / 77 / 66 / 73

HEX #461018

RGB 70 16 24

HSL 351.11, 0.63%, 0.17%

LAB 14.05, 26.28, 9.27

 

CMYK 0 / 77 / 77 / 73

HEX #461010

RGB 70 16 16

HSL 0, 0.63%, 0.17%

LAB 13.89, 25.69, 14.32

 

CMYK 0 / 77 / 66 / 73

HEX #461018

RGB 70 16 24

HSL 351.11, 0.63%, 0.17%

LAB 14.05, 26.28, 9.27

 

CMYK 0 / 77 / 46 / 73

HEX #461026

RGB 70 16 38

HSL 335.56, 0.63%, 0.17%

LAB 14.47, 27.73, -0.43

 

CMYK 0 / 77 / 24 / 73

HEX #461035

RGB 70 16 53

HSL 318.89, 0.63%, 0.17%

LAB 15.11, 29.88, -10.33

 

CMYK 0 / 77 / 4 / 73

HEX #461043

RGB 70 16 67

HSL 303.33, 0.63%, 0.17%

LAB 15.89, 32.36, -19.01

 

CMYK 17 / 77 / 0 / 73

HEX #3A1046

RGB 58 16 70

HSL 286.67, 0.63%, 0.17%

LAB 13.9, 29.77, -24.41

 

CMYK 0 / 77 / 66 / 73

HEX #461018

RGB 70 16 24

HSL 351.11, 0.63%, 0.17%

LAB 14.05, 26.28, 9.27

 

CMYK 0 / 88 / 75 / 70

HEX #4D0913

RGB 77 9 19

HSL 351.18, 0.79%, 0.17%

LAB 14.51, 31.19, 13.66

 

CMYK 0 / 98 / 83 / 67

HEX #54020E

RGB 84 2 14

HSL 351.22, 0.95%, 0.17%

LAB 15.28, 35.52, 17.82

 

CMYK 0 / 77 / 66 / 73

HEX #461018

RGB 70 16 24

HSL 351.11, 0.63%, 0.17%

LAB 14.05, 26.28, 9.27

 

CMYK 0 / 63 / 54 / 75

HEX #3F171D

RGB 63 23 29

HSL 351, 0.47%, 0.17%

LAB 14.16, 20.21, 5.54

 

CMYK 0 / 46 / 39 / 78

HEX #381E22

RGB 56 30 34

HSL 350.77, 0.3%, 0.17%

LAB 14.87, 13.3, 2.74

 

CMYK 0 / 24 / 20 / 81

HEX #312527

RGB 49 37 39

HSL 350, 0.14%, 0.17%

LAB 16.12, 6.07, 0.83

 

CMYK 5 / 0 / 0 / 83

HEX #2A2C2C

RGB 42 44 44

HSL 180, 0.02%, 0.17%

LAB 17.81, -0.89, -0.31

 

CMYK 0 / 77 / 24 / 73

HEX #461035

RGB 70 16 53

HSL 318.89, 0.63%, 0.17%

LAB 15.11, 29.88, -10.33

 

CMYK 0 / 77 / 46 / 73

HEX #461026

RGB 70 16 38

HSL 335.56, 0.63%, 0.17%

LAB 14.47, 27.73, -0.43

 

CMYK 0 / 77 / 66 / 73

HEX #461018

RGB 70 16 24

HSL 351.11, 0.63%, 0.17%

LAB 14.05, 26.28, 9.27

 

CMYK 0 / 69 / 77 / 73

HEX #461610

RGB 70 22 16

HSL 6.67, 0.63%, 0.17%

LAB 15.03, 22.62, 15.8

 

CMYK 0 / 47 / 77 / 73

HEX #462510

RGB 70 37 16

HSL 23.33, 0.63%, 0.17%

LAB 18.64, 13.49, 20.25

 

CMYK 0 / 100 / 67 / 99

HEX #030001

RGB 3 0 1

HSL 340, 1%, 0.01%

LAB 0.19, 0.92, -0.1

 

CMYK 0 / 78 / 67 / 86

HEX #24080C

RGB 36 8 12

HSL 351.43, 0.64%, 0.09%

LAB 5.2, 13.66, 3.06

 

CMYK 0 / 77 / 66 / 73

HEX #461018

RGB 70 16 24

HSL 351.11, 0.63%, 0.17%

LAB 14.05, 26.28, 9.27

 

CMYK 0 / 77 / 66 / 60

HEX #671823

RGB 103 24 35

HSL 351.65, 0.62%, 0.25%

LAB 22.51, 35.55, 13.9

 

CMYK 0 / 77 / 66 / 46

HEX #89202F

RGB 137 32 47

HSL 351.43, 0.62%, 0.33%

LAB 30.78, 44.57, 17.93

 

CMYK 0 / 76 / 65 / 72

HEX #481119

RGB 72 17 25

HSL 351.27, 0.62%, 0.17%

LAB 14.67, 26.65, 9.44

 

CMYK 4 / 0 / 77 / 73

HEX #434610

RGB 67 70 16

HSL 63.33, 0.63%, 0.17%

LAB 28.41, -9.23, 30.5

 

CMYK 77 / 34 / 0 / 73

HEX #102E46

RGB 16 46 70

HSL 206.67, 0.63%, 0.17%

LAB 17.95, -1.78, -18.24

 

CMYK 0 / 76 / 65 / 72

HEX #481119

RGB 72 17 25

HSL 351.27, 0.62%, 0.17%

LAB 14.67, 26.65, 9.44

 

CMYK 66 / 0 / 77 / 73

HEX #184610

RGB 24 70 16

HSL 111.11, 0.63%, 0.17%

LAB 25.6, -27.5, 26.72

 

CMYK 77 / 66 / 0 / 73

HEX #101846

RGB 16 24 70

HSL 231.11, 0.63%, 0.17%

LAB 10.6, 14.71, -29.99

 

CMYK 0 / 76 / 65 / 72

HEX #481119

RGB 72 17 25

HSL 351.27, 0.62%, 0.17%

LAB 14.67, 26.65, 9.44

 

CMYK 4 / 0 / 77 / 73

HEX #434610

RGB 67 70 16

HSL 63.33, 0.63%, 0.17%

LAB 28.41, -9.23, 30.5

 

CMYK 77 / 0 / 11 / 73

HEX #10463E

RGB 16 70 62

HSL 171.11, 0.63%, 0.17%

LAB 26.27, -19.52, -0.23

 

CMYK 73 / 77 / 0 / 73

HEX #131046

RGB 19 16 70

HSL 243.33, 0.63%, 0.17%

LAB 8.58, 21.11, -33.29

 

CMYK 0 / 76 / 65 / 72

HEX #481119

RGB 72 17 25

HSL 351.27, 0.62%, 0.17%

LAB 14.67, 26.65, 9.44

 

CMYK 27 / 0 / 77 / 73

HEX #334610

RGB 51 70 16

HSL 81.11, 0.63%, 0.17%

LAB 27.08, -17.01, 28.72

 

CMYK 77 / 0 / 11 / 73

HEX #10463E

RGB 16 70 62

HSL 171.11, 0.63%, 0.17%

LAB 26.27, -19.52, -0.23

 

CMYK 50 / 77 / 0 / 73

HEX #231046

RGB 35 16 70

HSL 261.11, 0.63%, 0.17%

LAB 10.33, 24.15, -30.34

 

Description

Color code: RGB 72 17 25 | qconv.com Color code: RGB 72 17 25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 17 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 17 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 65 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 65% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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