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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72 107 203 it is the complementary color RGB 183 148 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72 107 203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 72 107 203 shade: RGB 77 107 198, RGB 94 125 217, RGB 111 143 236, RGB 128 161 255 and RGB 145 179 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72 107 203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 72 107 203 shade: RGB 72 107 203, RGB 55 89 184, RGB 38 71 165, RGB 21 53 146 and RGB 4 35 127

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 72 107 203 shade: RGB 72 107 203, RGB 72 72 203, RGB 107 72 203, RGB 143 72 203 and RGB 178 72 203

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 72 107 203 shade: RGB 72 107 203 and RGB 72 72 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 72 107 203 shade matches the following richer shades: RGB 72 107 203, RGB 53 98 222 and RGB 34 89 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 72 107 203 shade: RGB 72 107 203, RGB 90 115 184, RGB 109 124 165, RGB 128 133 146 and RGB 147 142 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 72 107 203 shade: RGB 72 179 203, RGB 72 144 203, RGB 72 109 203, RGB 72 74 203 and RGB 104 72 203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 72 107 203 shade: RGB 42 71 150, RGB 51 86 182, RGB 72 107 203, RGB 104 133 212 and RGB 136 159 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 72 107 203 shade: RGB 72 107 203, RGB 192 72 203 and RGB 161 203 72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 72 107 203 shade: RGB 72 107 203, RGB 203 72 109 and RGB 109 203 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 72 107 203 shade: RGB 72 107 203, RGB 192 72 203, RGB 203 166 72 and RGB 82 203 72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 72 107 203 shade: RGB 72 107 203, RGB 203 72 174, RGB 203 166 72 and RGB 72 203 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 47 / 0 / 20

HEX #486BCB

RGB 72 107 203

HSL 223.97, 0.56%, 0.54%

LAB 47.24, 18.26, -53.68

 

Complementary color

CMYK 0 / 19 / 72 / 28

HEX #B79434

RGB 183 148 52

HSL 43.97, 0.56%, 0.46%

LAB 62.92, 3.02, 53.34

 

CMYK 61 / 46 / 0 / 22

HEX #4D6BC6

RGB 77 107 198

HSL 225.12, 0.51%, 0.54%

LAB 47.2, 17.42, -50.87

 

CMYK 57 / 42 / 0 / 15

HEX #5E7DD9

RGB 94 125 217

HSL 224.88, 0.62%, 0.61%

LAB 54.09, 16, -50.63

 

CMYK 53 / 39 / 0 / 7

HEX #6F8FEC

RGB 111 143 236

HSL 224.64, 0.77%, 0.68%

LAB 60.85, 14.82, -50.42

 

CMYK 50 / 37 / 0 / 0

HEX #80A1FF

RGB 128 161 255

HSL 224.41, 1%, 0.75%

LAB 67.5, 13.83, -50.25

 

CMYK 43 / 30 / 0 / 0

HEX #91B3FF

RGB 145 179 255

HSL 221.45, 1%, 0.78%

LAB 73.21, 7.62, -41.23

 

CMYK 65 / 47 / 0 / 20

HEX #486BCB

RGB 72 107 203

HSL 223.97, 0.56%, 0.54%

LAB 47.24, 18.26, -53.68

 

CMYK 70 / 52 / 0 / 28

HEX #3759B8

RGB 55 89 184

HSL 224.19, 0.54%, 0.47%

LAB 40.28, 20.23, -53.94

 

CMYK 77 / 57 / 0 / 35

HEX #2647A5

RGB 38 71 165

HSL 224.41, 0.63%, 0.4%

LAB 33.21, 22.69, -54.15

 

CMYK 86 / 64 / 0 / 43

HEX #153592

RGB 21 53 146

HSL 224.64, 0.75%, 0.33%

LAB 26.1, 25.8, -54.23

 

CMYK 97 / 72 / 0 / 50

HEX #04237F

RGB 4 35 127

HSL 224.88, 0.94%, 0.26%

LAB 19.06, 29.53, -53.95

 

CMYK 65 / 47 / 0 / 20

HEX #486BCB

RGB 72 107 203

HSL 223.97, 0.56%, 0.54%

LAB 47.24, 18.26, -53.68

 

CMYK 65 / 65 / 0 / 20

HEX #4848CB

RGB 72 72 203

HSL 240, 0.56%, 0.54%

LAB 38.42, 40.18, -67.99

 

CMYK 47 / 65 / 0 / 20

HEX #6B48CB

RGB 107 72 203

HSL 256.03, 0.56%, 0.54%

LAB 41.33, 46.06, -63.11

 

CMYK 30 / 65 / 0 / 20

HEX #8F48CB

RGB 143 72 203

HSL 272.52, 0.56%, 0.54%

LAB 45.34, 53.49, -56.43

 

CMYK 12 / 65 / 0 / 20

HEX #B248CB

RGB 178 72 203

HSL 288.55, 0.56%, 0.54%

LAB 49.99, 61.41, -48.72

 

CMYK 65 / 47 / 0 / 20

HEX #486BCB

RGB 72 107 203

HSL 223.97, 0.56%, 0.54%

LAB 47.24, 18.26, -53.68

 

CMYK 65 / 65 / 0 / 20

HEX #4848CB

RGB 72 72 203

HSL 240, 0.56%, 0.54%

LAB 38.42, 40.18, -67.99

 

CMYK 65 / 47 / 0 / 20

HEX #486BCB

RGB 72 107 203

HSL 223.97, 0.56%, 0.54%

LAB 47.24, 18.26, -53.68

 

CMYK 76 / 56 / 0 / 13

HEX #3562DE

RGB 53 98 222

HSL 224.02, 0.72%, 0.54%

LAB 45.31, 28.18, -67.68

 

CMYK 86 / 63 / 0 / 5

HEX #2259F1

RGB 34 89 241

HSL 224.06, 0.88%, 0.54%

LAB 44, 39.33, -80.59

 

CMYK 65 / 47 / 0 / 20

HEX #486BCB

RGB 72 107 203

HSL 223.97, 0.56%, 0.54%

LAB 47.24, 18.26, -53.68

 

CMYK 51 / 38 / 0 / 28

HEX #5A73B8

RGB 90 115 184

HSL 224.04, 0.4%, 0.54%

LAB 49.37, 10.58, -39.3

 

CMYK 34 / 25 / 0 / 35

HEX #6D7CA5

RGB 109 124 165

HSL 223.93, 0.24%, 0.54%

LAB 52.27, 4.65, -23.68

 

CMYK 12 / 9 / 0 / 43

HEX #808592

RGB 128 133 146

HSL 223.33, 0.08%, 0.54%

LAB 55.52, 0.92, -7.59

 

CMYK 0 / 3 / 14 / 42

HEX #938E7F

RGB 147 142 127

HSL 45, 0.08%, 0.54%

LAB 59.05, -0.86, 8.65

 

CMYK 65 / 12 / 0 / 20

HEX #48B3CB

RGB 72 179 203

HSL 190.99, 0.56%, 0.54%

LAB 67.97, -23.13, -21.23

 

CMYK 65 / 29 / 0 / 20

HEX #4890CB

RGB 72 144 203

HSL 207.02, 0.56%, 0.54%

LAB 57.69, -4.14, -37.11

 

CMYK 65 / 46 / 0 / 20

HEX #486DCB

RGB 72 109 203

HSL 223.05, 0.56%, 0.54%

LAB 47.79, 17, -52.81

 

CMYK 65 / 64 / 0 / 20

HEX #484ACB

RGB 72 74 203

HSL 239.08, 0.56%, 0.54%

LAB 38.88, 38.97, -67.24

 

CMYK 49 / 65 / 0 / 20

HEX #6848CB

RGB 104 72 203

HSL 254.66, 0.56%, 0.54%

LAB 41.04, 45.49, -63.6

 

CMYK 72 / 53 / 0 / 41

HEX #2A4796

RGB 42 71 150

HSL 223.89, 0.56%, 0.38%

LAB 32.26, 17.43, -46.62

 

CMYK 72 / 53 / 0 / 29

HEX #3356B6

RGB 51 86 182

HSL 223.97, 0.56%, 0.46%

LAB 39.13, 20.87, -54.62

 

CMYK 65 / 47 / 0 / 20

HEX #486BCB

RGB 72 107 203

HSL 223.97, 0.56%, 0.54%

LAB 47.24, 18.26, -53.68

 

CMYK 51 / 37 / 0 / 17

HEX #6885D4

RGB 104 133 212

HSL 223.89, 0.56%, 0.62%

LAB 56.56, 11.75, -43.86

 

CMYK 38 / 28 / 0 / 13

HEX #889FDD

RGB 136 159 221

HSL 223.76, 0.56%, 0.7%

LAB 65.94, 7.22, -34.03

 

CMYK 65 / 47 / 0 / 20

HEX #486BCB

RGB 72 107 203

HSL 223.97, 0.56%, 0.54%

LAB 47.24, 18.26, -53.68

 

CMYK 5 / 65 / 0 / 20

HEX #C048CB

RGB 192 72 203

HSL 294.96, 0.56%, 0.54%

LAB 52.01, 64.67, -45.38

 

CMYK 21 / 0 / 65 / 20

HEX #A1CB48

RGB 161 203 72

HSL 79.24, 0.56%, 0.54%

LAB 76.53, -33.03, 58.67

 

CMYK 65 / 47 / 0 / 20

HEX #486BCB

RGB 72 107 203

HSL 223.97, 0.56%, 0.54%

LAB 47.24, 18.26, -53.68

 

CMYK 0 / 65 / 46 / 20

HEX #CB486D

RGB 203 72 109

HSL 343.05, 0.56%, 0.54%

LAB 50.02, 54.75, 7.28

 

CMYK 46 / 0 / 65 / 20

HEX #6DCB48

RGB 109 203 72

HSL 103.05, 0.56%, 0.54%

LAB 73.82, -51.22, 54.96

 

CMYK 65 / 47 / 0 / 20

HEX #486BCB

RGB 72 107 203

HSL 223.97, 0.56%, 0.54%

LAB 47.24, 18.26, -53.68

 

CMYK 5 / 65 / 0 / 20

HEX #C048CB

RGB 192 72 203

HSL 294.96, 0.56%, 0.54%

LAB 52.01, 64.67, -45.38

 

CMYK 0 / 18 / 65 / 20

HEX #CBA648

RGB 203 166 72

HSL 43.05, 0.56%, 0.54%

LAB 69.78, 3.18, 52.39

 

CMYK 60 / 0 / 65 / 20

HEX #52CB48

RGB 82 203 72

HSL 115.42, 0.56%, 0.54%

LAB 72.87, -58.48, 53.65

 

CMYK 65 / 47 / 0 / 20

HEX #486BCB

RGB 72 107 203

HSL 223.97, 0.56%, 0.54%

LAB 47.24, 18.26, -53.68

 

CMYK 0 / 65 / 14 / 20

HEX #CB48AE

RGB 203 72 174

HSL 313.28, 0.56%, 0.54%

LAB 52.27, 62.69, -28.06

 

CMYK 0 / 18 / 65 / 20

HEX #CBA648

RGB 203 166 72

HSL 43.05, 0.56%, 0.54%

LAB 69.78, 3.18, 52.39

 

CMYK 65 / 0 / 51 / 20

HEX #48CB64

RGB 72 203 100

HSL 132.82, 0.56%, 0.54%

LAB 72.9, -57.25, 40.82

 

Description

Color code: RGB 72 107 203 | qconv.com Color code: RGB 72 107 203 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 107 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 107 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 47 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 47% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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