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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72 66 78 it is the complementary color RGB 183 189 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72 66 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 72 66 78 shade: RGB 77 66 73, RGB 94 84 92, RGB 111 102 111, RGB 128 120 130 and RGB 145 138 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72 66 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 72 66 78 shade: RGB 72 66 78, RGB 55 48 59, RGB 38 30 40, RGB 21 12 21 and RGB 4 0 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 72 66 78 shade: RGB 71 65 77, RGB 74 65 77, RGB 77 65 76, RGB 77 65 73 and RGB 77 65 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 72 66 78 shade: RGB 71 65 77, RGB 68 65 77 and RGB 65 65 77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 72 66 78 shade matches the following richer shades: RGB 71 65 77, RGB 71 54 88, RGB 71 42 100, RGB 71 31 111 and RGB 71 19 123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 72 66 78 shade: RGB 71 65 77, RGB 71 77 65, RGB 71 88 54, RGB 71 100 42 and RGB 71 111 30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 72 66 78 shade: RGB 65 66 77, RGB 68 65 77, RGB 71 65 77, RGB 74 65 77 and RGB 77 65 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 72 66 78 shade: RGB 30 27 32, RGB 50 46 54, RGB 71 65 77, RGB 92 84 99 and RGB 112 103 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 72 66 78 shade: RGB 72 66 78, RGB 77 65 69 and RGB 65 77 66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 72 66 78 shade: RGB 72 66 78, RGB 77 71 65 and RGB 65 77 71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 72 66 78 shade: RGB 72 66 78, RGB 77 65 69, RGB 71 77 65 and RGB 65 77 73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 72 66 78 shade: RGB 72 66 78, RGB 77 65 65, RGB 71 77 65 and RGB 65 77 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 15 / 0 / 69

HEX #48424E

RGB 72 66 78

HSL 270, 0.08%, 0.28%

LAB 28.96, 5.23, -6.3

 

Complementary color

CMYK 3 / 0 / 6 / 26

HEX #B7BDB1

RGB 183 189 177

HSL 90, 0.08%, 0.72%

LAB 75.85, -4.29, 5.33

 

CMYK 0 / 14 / 5 / 70

HEX #4D4249

RGB 77 66 73

HSL 321.82, 0.08%, 0.28%

LAB 29.3, 6.14, -2.49

 

CMYK 0 / 11 / 2 / 63

HEX #5E545C

RGB 94 84 92

HSL 312, 0.06%, 0.35%

LAB 36.92, 5.71, -3.15

 

CMYK 0 / 8 / 0 / 56

HEX #6F666F

RGB 111 102 111

HSL 300, 0.04%, 0.42%

LAB 44.28, 5.35, -3.77

 

CMYK 2 / 8 / 0 / 49

HEX #807882

RGB 128 120 130

HSL 288, 0.04%, 0.49%

LAB 51.42, 5.03, -4.36

 

CMYK 3 / 7 / 0 / 42

HEX #918A95

RGB 145 138 149

HSL 278.18, 0.05%, 0.56%

LAB 58.38, 4.75, -4.92

 

CMYK 8 / 15 / 0 / 69

HEX #48424E

RGB 72 66 78

HSL 270, 0.08%, 0.28%

LAB 28.96, 5.23, -6.3

 

CMYK 7 / 19 / 0 / 77

HEX #37303B

RGB 55 48 59

HSL 278.18, 0.1%, 0.21%

LAB 20.99, 5.67, -5.8

 

CMYK 5 / 25 / 0 / 84

HEX #261E28

RGB 38 30 40

HSL 288, 0.14%, 0.14%

LAB 12.57, 6.24, -5.29

 

CMYK 0 / 43 / 0 / 92

HEX #150C15

RGB 21 12 21

HSL 300, 0.27%, 0.06%

LAB 4.3, 5.05, -3.61

 

CMYK 0 / 100 / 50 / 98

HEX #040002

RGB 4 0 2

HSL 330, 1%, 0.01%

LAB 0.27, 1.32, -0.39

 

CMYK 8 / 16 / 0 / 70

HEX #47414D

RGB 71 65 77

HSL 270, 0.08%, 0.28%

LAB 28.53, 5.24, -6.31

 

CMYK 4 / 16 / 0 / 70

HEX #4A414D

RGB 74 65 77

HSL 285, 0.08%, 0.28%

LAB 28.83, 6.45, -5.83

 

CMYK 0 / 16 / 1 / 70

HEX #4D414C

RGB 77 65 76

HSL 305, 0.08%, 0.28%

LAB 29.11, 7.44, -4.73

 

CMYK 0 / 16 / 5 / 70

HEX #4D4149

RGB 77 65 73

HSL 320, 0.08%, 0.28%

LAB 29, 6.79, -2.93

 

CMYK 0 / 16 / 9 / 70

HEX #4D4146

RGB 77 65 70

HSL 335, 0.08%, 0.28%

LAB 28.9, 6.16, -1.12

 

CMYK 8 / 16 / 0 / 70

HEX #47414D

RGB 71 65 77

HSL 270, 0.08%, 0.28%

LAB 28.53, 5.24, -6.31

 

CMYK 12 / 16 / 0 / 70

HEX #44414D

RGB 68 65 77

HSL 255, 0.08%, 0.28%

LAB 28.24, 4.05, -6.78

 

CMYK 16 / 16 / 0 / 70

HEX #41414D

RGB 65 65 77

HSL 240, 0.08%, 0.28%

LAB 27.95, 2.88, -7.23

 

CMYK 8 / 16 / 0 / 70

HEX #47414D

RGB 71 65 77

HSL 270, 0.08%, 0.28%

LAB 28.53, 5.24, -6.31

 

CMYK 19 / 39 / 0 / 65

HEX #473658

RGB 71 54 88

HSL 270, 0.24%, 0.28%

LAB 25.81, 15.26, -17.66

 

CMYK 29 / 58 / 0 / 61

HEX #472A64

RGB 71 42 100

HSL 270, 0.41%, 0.28%

LAB 23.39, 26.23, -29.32

 

CMYK 36 / 72 / 0 / 56

HEX #471F6F

RGB 71 31 111

HSL 270, 0.56%, 0.28%

LAB 21.83, 35.58, -38.97

 

CMYK 42 / 85 / 0 / 52

HEX #47137B

RGB 71 19 123

HSL 270, 0.73%, 0.28%

LAB 20.96, 44.16, -48.08

 

CMYK 8 / 16 / 0 / 70

HEX #47414D

RGB 71 65 77

HSL 270, 0.08%, 0.28%

LAB 28.53, 5.24, -6.31

 

CMYK 8 / 0 / 16 / 70

HEX #474D41

RGB 71 77 65

HSL 90, 0.08%, 0.28%

LAB 31.87, -5, 6.3

 

CMYK 19 / 0 / 39 / 65

HEX #475836

RGB 71 88 54

HSL 90, 0.24%, 0.28%

LAB 35.17, -13.48, 17.62

 

CMYK 29 / 0 / 58 / 61

HEX #47642A

RGB 71 100 42

HSL 90, 0.41%, 0.28%

LAB 38.93, -21.63, 29.12

 

CMYK 36 / 0 / 73 / 56

HEX #476F1E

RGB 71 111 30

HSL 89.63, 0.57%, 0.28%

LAB 42.46, -28.25, 38.76

 

CMYK 16 / 14 / 0 / 70

HEX #41424D

RGB 65 66 77

HSL 235, 0.08%, 0.28%

LAB 28.26, 2.22, -6.77

 

CMYK 12 / 16 / 0 / 70

HEX #44414D

RGB 68 65 77

HSL 255, 0.08%, 0.28%

LAB 28.24, 4.05, -6.78

 

CMYK 8 / 16 / 0 / 70

HEX #47414D

RGB 71 65 77

HSL 270, 0.08%, 0.28%

LAB 28.53, 5.24, -6.31

 

CMYK 4 / 16 / 0 / 70

HEX #4A414D

RGB 74 65 77

HSL 285, 0.08%, 0.28%

LAB 28.83, 6.45, -5.83

 

CMYK 0 / 16 / 1 / 70

HEX #4D414C

RGB 77 65 76

HSL 305, 0.08%, 0.28%

LAB 29.11, 7.44, -4.73

 

CMYK 6 / 16 / 0 / 87

HEX #1E1B20

RGB 30 27 32

HSL 276, 0.08%, 0.12%

LAB 10.29, 2.72, -2.92

 

CMYK 7 / 15 / 0 / 79

HEX #322E36

RGB 50 46 54

HSL 270, 0.08%, 0.2%

LAB 19.63, 3.69, -4.46

 

CMYK 8 / 16 / 0 / 70

HEX #47414D

RGB 71 65 77

HSL 270, 0.08%, 0.28%

LAB 28.53, 5.24, -6.31

 

CMYK 7 / 15 / 0 / 61

HEX #5C5463

RGB 92 84 99

HSL 272, 0.08%, 0.36%

LAB 36.96, 6.47, -7.48

 

CMYK 7 / 15 / 0 / 53

HEX #706779

RGB 112 103 121

HSL 270, 0.08%, 0.44%

LAB 44.98, 7.27, -8.75

 

CMYK 8 / 15 / 0 / 69

HEX #48424E

RGB 72 66 78

HSL 270, 0.08%, 0.28%

LAB 28.96, 5.23, -6.3

 

CMYK 0 / 16 / 10 / 70

HEX #4D4145

RGB 77 65 69

HSL 340, 0.08%, 0.28%

LAB 28.87, 5.95, -0.52

 

CMYK 16 / 0 / 14 / 70

HEX #414D42

RGB 65 77 66

HSL 125, 0.08%, 0.28%

LAB 31.4, -7.29, 4.93

 

CMYK 8 / 15 / 0 / 69

HEX #48424E

RGB 72 66 78

HSL 270, 0.08%, 0.28%

LAB 28.96, 5.23, -6.3

 

CMYK 0 / 8 / 16 / 70

HEX #4D4741

RGB 77 71 65

HSL 30, 0.08%, 0.28%

LAB 30.56, 1.32, 4.51

 

CMYK 16 / 0 / 8 / 70

HEX #414D47

RGB 65 77 71

HSL 150, 0.08%, 0.28%

LAB 31.55, -6.18, 1.95

 

CMYK 8 / 15 / 0 / 69

HEX #48424E

RGB 72 66 78

HSL 270, 0.08%, 0.28%

LAB 28.96, 5.23, -6.3

 

CMYK 0 / 16 / 10 / 70

HEX #4D4145

RGB 77 65 69

HSL 340, 0.08%, 0.28%

LAB 28.87, 5.95, -0.52

 

CMYK 8 / 0 / 16 / 70

HEX #474D41

RGB 71 77 65

HSL 90, 0.08%, 0.28%

LAB 31.87, -5, 6.3

 

CMYK 16 / 0 / 5 / 70

HEX #414D49

RGB 65 77 73

HSL 160, 0.08%, 0.28%

LAB 31.61, -5.71, 0.76

 

CMYK 8 / 15 / 0 / 69

HEX #48424E

RGB 72 66 78

HSL 270, 0.08%, 0.28%

LAB 28.96, 5.23, -6.3

 

CMYK 0 / 16 / 16 / 70

HEX #4D4141

RGB 77 65 65

HSL 0, 0.08%, 0.28%

LAB 28.75, 5.16, 1.91

 

CMYK 8 / 0 / 16 / 70

HEX #474D41

RGB 71 77 65

HSL 90, 0.08%, 0.28%

LAB 31.87, -5, 6.3

 

CMYK 16 / 0 / 0 / 70

HEX #414D4D

RGB 65 77 77

HSL 180, 0.08%, 0.28%

LAB 31.73, -4.76, -1.61

 

Description

Color code: RGB 72 66 78 | qconv.com Color code: RGB 72 66 78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 66 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 66 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 15 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 15% 0% 69% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - F.F.KARATE - Fédérat...
Link: http://www.ffkarate.fr

48% - Бухгалтерское обслуж...
Link: http://www.xperta.ru

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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