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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72 64 32 it is the complementary color RGB 183 191 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72 64 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 72 64 32 shade: RGB 77 64 27, RGB 94 82 46, RGB 111 100 65, RGB 128 118 84 and RGB 145 136 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72 64 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 72 64 32 shade: RGB 72 64 32, RGB 55 46 13, RGB 38 28 0, RGB 21 10 0 and RGB 4 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 72 64 32 shade: RGB 70 62 31, RGB 70 52 31, RGB 70 41 31 and RGB 70 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 72 64 32 shade: RGB 70 62 31, RGB 67 70 31, RGB 57 70 31, RGB 46 70 31 and RGB 36 70 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 72 64 32 shade matches the following richer shades: RGB 70 62 31, RGB 78 67 23, RGB 86 72 15 and RGB 95 77 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 72 64 32 shade: RGB 70 62 31, RGB 62 57 39, RGB 53 52 48, RGB 45 47 56 and RGB 37 42 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 72 64 32 shade: RGB 70 41 31, RGB 70 52 31, RGB 70 62 31, RGB 67 70 31 and RGB 57 70 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 72 64 32 shade: RGB 13 11 6, RGB 41 37 18, RGB 70 62 31, RGB 98 87 44 and RGB 127 113 57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 72 64 32 shade: RGB 72 64 32, RGB 31 70 31 and RGB 47 31 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 72 64 32 shade: RGB 72 64 32, RGB 31 70 62 and RGB 62 31 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 72 64 32 shade: RGB 72 64 32, RGB 31 70 31, RGB 31 39 70 and RGB 70 31 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 72 64 32 shade: RGB 72 64 32, RGB 31 70 43, RGB 31 39 70 and RGB 70 31 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 56 / 72

HEX #484020

RGB 72 64 32

HSL 48, 0.38%, 0.2%

LAB 27.15, -1.63, 20.69

 

Complementary color

CMYK 18 / 14 / 0 / 13

HEX #B7BFDF

RGB 183 191 223

HSL 228, 0.38%, 0.8%

LAB 77.67, 3.81, -16.89

 

CMYK 0 / 17 / 65 / 70

HEX #4D401B

RGB 77 64 27

HSL 44.4, 0.48%, 0.2%

LAB 27.64, 0.39, 24.33

 

CMYK 0 / 13 / 51 / 63

HEX #5E522E

RGB 94 82 46

HSL 45, 0.34%, 0.27%

LAB 35.23, -0.53, 22.85

 

CMYK 0 / 10 / 41 / 56

HEX #6F6441

RGB 111 100 65

HSL 45.65, 0.26%, 0.35%

LAB 42.58, -1.18, 21.45

 

CMYK 0 / 8 / 34 / 50

HEX #807654

RGB 128 118 84

HSL 46.36, 0.21%, 0.42%

LAB 49.72, -1.67, 20.16

 

CMYK 0 / 6 / 29 / 43

HEX #918867

RGB 145 136 103

HSL 47.14, 0.17%, 0.49%

LAB 56.69, -2.06, 18.97

 

CMYK 0 / 11 / 56 / 72

HEX #484020

RGB 72 64 32

HSL 48, 0.38%, 0.2%

LAB 27.15, -1.63, 20.69

 

CMYK 0 / 16 / 76 / 78

HEX #372E0D

RGB 55 46 13

HSL 47.14, 0.62%, 0.13%

LAB 19.2, -0.6, 21.93

 

CMYK 0 / 26 / 100 / 85

HEX #261C00

RGB 38 28 0

HSL 44.21, 1%, 0.07%

LAB 10.87, 1.09, 16.22

 

CMYK 0 / 52 / 100 / 92

HEX #150A00

RGB 21 10 0

HSL 28.57, 1%, 0.04%

LAB 3.4, 2.46, 5.14

 

CMYK 0 / 100 / 100 / 98

HEX #040000

RGB 4 0 0

HSL 0, 1%, 0.01%

LAB 0.23, 1.05, 0.37

 

CMYK 0 / 11 / 56 / 73

HEX #463E1F

RGB 70 62 31

HSL 47.69, 0.39%, 0.2%

LAB 26.29, -1.47, 20.19

 

CMYK 0 / 26 / 56 / 73

HEX #46341F

RGB 70 52 31

HSL 32.31, 0.39%, 0.2%

LAB 23.19, 5, 16.34

 

CMYK 0 / 41 / 56 / 73

HEX #46291F

RGB 70 41 31

HSL 15.38, 0.39%, 0.2%

LAB 19.99, 12.25, 12.22

 

CMYK 0 / 56 / 56 / 73

HEX #461F1F

RGB 70 31 31

HSL 0, 0.39%, 0.2%

LAB 17.37, 18.66, 8.71

 

CMYK 0 / 11 / 56 / 73

HEX #463E1F

RGB 70 62 31

HSL 47.69, 0.39%, 0.2%

LAB 26.29, -1.47, 20.19

 

CMYK 4 / 0 / 56 / 73

HEX #43461F

RGB 67 70 31

HSL 64.62, 0.39%, 0.2%

LAB 28.57, -7.92, 22.87

 

CMYK 19 / 0 / 56 / 73

HEX #39461F

RGB 57 70 31

HSL 80, 0.39%, 0.2%

LAB 27.71, -12.68, 21.62

 

CMYK 34 / 0 / 56 / 73

HEX #2E461F

RGB 46 70 31

HSL 96.92, 0.39%, 0.2%

LAB 26.91, -17.58, 20.47

 

CMYK 49 / 0 / 56 / 73

HEX #24461F

RGB 36 70 31

HSL 112.31, 0.39%, 0.2%

LAB 26.32, -21.53, 19.61

 

CMYK 0 / 11 / 56 / 73

HEX #463E1F

RGB 70 62 31

HSL 47.69, 0.39%, 0.2%

LAB 26.29, -1.47, 20.19

 

CMYK 0 / 14 / 71 / 69

HEX #4E4317

RGB 78 67 23

HSL 48, 0.54%, 0.2%

LAB 28.63, -1.31, 27.65

 

CMYK 0 / 16 / 83 / 66

HEX #56480F

RGB 86 72 15

HSL 48.17, 0.7%, 0.2%

LAB 30.99, -0.83, 34.1

 

CMYK 0 / 19 / 94 / 63

HEX #5F4D06

RGB 95 77 6

HSL 47.87, 0.88%, 0.2%

LAB 33.46, 0.35, 39.83

 

CMYK 0 / 11 / 56 / 73

HEX #463E1F

RGB 70 62 31

HSL 47.69, 0.39%, 0.2%

LAB 26.29, -1.47, 20.19

 

CMYK 0 / 8 / 37 / 76

HEX #3E3927

RGB 62 57 39

HSL 46.96, 0.23%, 0.2%

LAB 23.99, -1.16, 12.03

 

CMYK 0 / 2 / 9 / 79

HEX #353430

RGB 53 52 48

HSL 48, 0.05%, 0.2%

LAB 21.68, -0.45, 2.68

 

CMYK 20 / 16 / 0 / 78

HEX #2D2F38

RGB 45 47 56

HSL 229.09, 0.11%, 0.2%

LAB 19.54, 1.45, -6.02

 

CMYK 42 / 34 / 0 / 75

HEX #252A40

RGB 37 42 64

HSL 228.89, 0.27%, 0.2%

LAB 17.55, 4.41, -14.65

 

CMYK 0 / 41 / 56 / 73

HEX #46291F

RGB 70 41 31

HSL 15.38, 0.39%, 0.2%

LAB 19.99, 12.25, 12.22

 

CMYK 0 / 26 / 56 / 73

HEX #46341F

RGB 70 52 31

HSL 32.31, 0.39%, 0.2%

LAB 23.19, 5, 16.34

 

CMYK 0 / 11 / 56 / 73

HEX #463E1F

RGB 70 62 31

HSL 47.69, 0.39%, 0.2%

LAB 26.29, -1.47, 20.19

 

CMYK 4 / 0 / 56 / 73

HEX #43461F

RGB 67 70 31

HSL 64.62, 0.39%, 0.2%

LAB 28.57, -7.92, 22.87

 

CMYK 19 / 0 / 56 / 73

HEX #39461F

RGB 57 70 31

HSL 80, 0.39%, 0.2%

LAB 27.71, -12.68, 21.62

 

CMYK 0 / 15 / 54 / 95

HEX #0D0B06

RGB 13 11 6

HSL 42.86, 0.37%, 0.04%

LAB 3.05, -0.11, 2.11

 

CMYK 0 / 10 / 56 / 84

HEX #292512

RGB 41 37 18

HSL 49.57, 0.39%, 0.12%

LAB 14.61, -1.58, 13.21

 

CMYK 0 / 11 / 56 / 73

HEX #463E1F

RGB 70 62 31

HSL 47.69, 0.39%, 0.2%

LAB 26.29, -1.47, 20.19

 

CMYK 0 / 11 / 55 / 62

HEX #62572C

RGB 98 87 44

HSL 47.78, 0.38%, 0.28%

LAB 37.11, -1.85, 26.4

 

CMYK 0 / 11 / 55 / 50

HEX #7F7139

RGB 127 113 57

HSL 48, 0.38%, 0.36%

LAB 47.77, -2.33, 32.74

 

CMYK 0 / 11 / 56 / 72

HEX #484020

RGB 72 64 32

HSL 48, 0.38%, 0.2%

LAB 27.15, -1.63, 20.69

 

CMYK 56 / 0 / 56 / 73

HEX #1F461F

RGB 31 70 31

HSL 120, 0.39%, 0.2%

LAB 26.07, -23.28, 19.25

 

CMYK 33 / 56 / 0 / 73

HEX #2F1F46

RGB 47 31 70

HSL 264.62, 0.39%, 0.2%

LAB 15.63, 17.51, -21.75

 

CMYK 0 / 11 / 56 / 72

HEX #484020

RGB 72 64 32

HSL 48, 0.38%, 0.2%

LAB 27.15, -1.63, 20.69

 

CMYK 56 / 0 / 11 / 73

HEX #1F463E

RGB 31 70 62

HSL 167.69, 0.39%, 0.2%

LAB 26.79, -16.14, 0.59

 

CMYK 11 / 56 / 0 / 73

HEX #3E1F46

RGB 62 31 70

HSL 287.69, 0.39%, 0.2%

LAB 17.67, 22.49, -18.38

 

CMYK 0 / 11 / 56 / 72

HEX #484020

RGB 72 64 32

HSL 48, 0.38%, 0.2%

LAB 27.15, -1.63, 20.69

 

CMYK 56 / 0 / 56 / 73

HEX #1F461F

RGB 31 70 31

HSL 120, 0.39%, 0.2%

LAB 26.07, -23.28, 19.25

 

CMYK 56 / 44 / 0 / 73

HEX #1F2746

RGB 31 39 70

HSL 227.69, 0.39%, 0.2%

LAB 16.43, 6.84, -20.58

 

CMYK 0 / 56 / 0 / 73

HEX #461F46

RGB 70 31 70

HSL 300, 0.39%, 0.2%

LAB 18.9, 25.21, -16.36

 

CMYK 0 / 11 / 56 / 72

HEX #484020

RGB 72 64 32

HSL 48, 0.38%, 0.2%

LAB 27.15, -1.63, 20.69

 

CMYK 56 / 0 / 39 / 73

HEX #1F462B

RGB 31 70 43

HSL 138.46, 0.39%, 0.2%

LAB 26.29, -20.99, 12.16

 

CMYK 56 / 44 / 0 / 73

HEX #1F2746

RGB 31 39 70

HSL 227.69, 0.39%, 0.2%

LAB 16.43, 6.84, -20.58

 

CMYK 0 / 56 / 17 / 73

HEX #461F3A

RGB 70 31 58

HSL 318.46, 0.39%, 0.2%

LAB 18.31, 22.77, -8.97

 

Description

Color code: RGB 72 64 32 | qconv.com Color code: RGB 72 64 32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 64 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 64 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 56 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 56% 72% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

65% - BASIC™ Agency | Bran...
Link: http://www.thinkbasic.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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