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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72 64 251 it is the complementary color RGB 183 191 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72 64 251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 72 64 251 shade: RGB 77 64 246, RGB 94 82 255, RGB 111 100 255, RGB 128 118 255 and RGB 145 136 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72 64 251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 72 64 251 shade: RGB 72 64 251, RGB 55 46 232, RGB 38 28 213, RGB 21 10 194 and RGB 4 0 175

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 72 64 251 shade: RGB 73 65 251, RGB 123 65 251, RGB 173 65 251, RGB 223 65 251 and RGB 251 65 228

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 72 64 251 shade: RGB 73 65 251 and RGB 65 65 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 72 64 251 shade matches the following richer shades: RGB 73 65 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 72 64 251 shade: RGB 73 65 251, RGB 87 80 235, RGB 101 96 219, RGB 116 112 204 and RGB 130 127 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 72 64 251 shade: RGB 65 158 251, RGB 65 108 251, RGB 71 65 251, RGB 120 65 251 and RGB 170 65 251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 72 64 251 shade: RGB 14 4 229, RGB 34 24 250, RGB 73 65 251, RGB 111 105 251 and RGB 150 145 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 72 64 251 shade: RGB 72 64 251, RGB 251 65 207 and RGB 133 251 65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 72 64 251 shade: RGB 72 64 251, RGB 251 71 65 and RGB 65 251 71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 72 64 251 shade: RGB 72 64 251, RGB 251 65 207, RGB 244 251 65 and RGB 65 251 108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 72 64 251 shade: RGB 72 64 251, RGB 251 65 151, RGB 244 251 65 and RGB 65 251 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 75 / 0 / 2

HEX #4840FB

RGB 72 64 251

HSL 242.57, 0.96%, 0.62%

LAB 41.23, 59.93, -90.7

 

Complementary color

CMYK 4 / 0 / 98 / 25

HEX #B7BF04

RGB 183 191 4

HSL 62.57, 0.96%, 0.38%

LAB 74.41, -20.75, 74.85

 

CMYK 69 / 74 / 0 / 4

HEX #4D40F6

RGB 77 64 246

HSL 244.29, 0.91%, 0.61%

LAB 41.05, 58.86, -88.17

 

CMYK 63 / 68 / 0 / 0

HEX #5E52FF

RGB 94 82 255

HSL 244.16, 1%, 0.66%

LAB 46.49, 53.89, -84.22

 

CMYK 56 / 61 / 0 / 0

HEX #6F64FF

RGB 111 100 255

HSL 244.26, 1%, 0.7%

LAB 51.51, 46.23, -75.96

 

CMYK 50 / 54 / 0 / 0

HEX #8076FF

RGB 128 118 255

HSL 244.38, 1%, 0.73%

LAB 56.85, 38.95, -67.26

 

CMYK 43 / 47 / 0 / 0

HEX #9188FF

RGB 145 136 255

HSL 244.54, 1%, 0.77%

LAB 62.38, 32.21, -58.31

 

CMYK 71 / 75 / 0 / 2

HEX #4840FB

RGB 72 64 251

HSL 242.57, 0.96%, 0.62%

LAB 41.23, 59.93, -90.7

 

CMYK 76 / 80 / 0 / 9

HEX #372EE8

RGB 55 46 232

HSL 242.9, 0.8%, 0.55%

LAB 35.19, 61.73, -90.01

 

CMYK 82 / 87 / 0 / 16

HEX #261CD5

RGB 38 28 213

HSL 243.24, 0.77%, 0.47%

LAB 29.53, 62.84, -88.53

 

CMYK 89 / 95 / 0 / 24

HEX #150AC2

RGB 21 10 194

HSL 243.59, 0.9%, 0.4%

LAB 24.55, 62.48, -85.74

 

CMYK 98 / 100 / 0 / 31

HEX #0400AF

RGB 4 0 175

HSL 241.37, 1%, 0.34%

LAB 20.52, 59.75, -81.16

 

CMYK 71 / 74 / 0 / 2

HEX #4941FB

RGB 73 65 251

HSL 242.58, 0.96%, 0.62%

LAB 41.47, 59.5, -90.3

 

CMYK 51 / 74 / 0 / 2

HEX #7B41FB

RGB 123 65 251

HSL 258.71, 0.96%, 0.62%

LAB 45.57, 65.18, -83.4

 

CMYK 31 / 74 / 0 / 2

HEX #AD41FB

RGB 173 65 251

HSL 274.84, 0.96%, 0.62%

LAB 51.42, 72.96, -73.61

 

CMYK 11 / 74 / 0 / 2

HEX #DF41FB

RGB 223 65 251

HSL 290.97, 0.96%, 0.62%

LAB 58.45, 82.02, -61.91

 

CMYK 0 / 74 / 9 / 2

HEX #FB41E4

RGB 251 65 228

HSL 307.42, 0.96%, 0.62%

LAB 61.56, 84.05, -43.87

 

CMYK 71 / 74 / 0 / 2

HEX #4941FB

RGB 73 65 251

HSL 242.58, 0.96%, 0.62%

LAB 41.47, 59.5, -90.3

 

CMYK 74 / 74 / 0 / 2

HEX #4141FB

RGB 65 65 251

HSL 240, 0.96%, 0.62%

LAB 41.01, 58.85, -91.08

 

CMYK 71 / 74 / 0 / 2

HEX #4941FB

RGB 73 65 251

HSL 242.58, 0.96%, 0.62%

LAB 41.47, 59.5, -90.3

 

CMYK 71 / 74 / 0 / 2

HEX #4941FB

RGB 73 65 251

HSL 242.58, 0.96%, 0.62%

LAB 41.47, 59.5, -90.3

 

CMYK 63 / 66 / 0 / 8

HEX #5750EB

RGB 87 80 235

HSL 242.71, 0.79%, 0.62%

LAB 43.89, 47.89, -77.29

 

CMYK 54 / 56 / 0 / 14

HEX #6560DB

RGB 101 96 219

HSL 242.44, 0.63%, 0.62%

LAB 47.3, 35.72, -62.64

 

CMYK 43 / 45 / 0 / 20

HEX #7470CC

RGB 116 112 204

HSL 242.61, 0.47%, 0.62%

LAB 51.45, 24.83, -47.36

 

CMYK 31 / 32 / 0 / 26

HEX #827FBC

RGB 130 127 188

HSL 242.95, 0.31%, 0.62%

LAB 55.64, 15.25, -31.56

 

CMYK 74 / 37 / 0 / 2

HEX #419EFB

RGB 65 158 251

HSL 210, 0.96%, 0.62%

LAB 63.79, 3.26, -54.13

 

CMYK 74 / 57 / 0 / 2

HEX #416CFB

RGB 65 108 251

HSL 226.13, 0.96%, 0.62%

LAB 50.47, 33.66, -75.55

 

CMYK 72 / 74 / 0 / 2

HEX #4741FB

RGB 71 65 251

HSL 241.94, 0.96%, 0.62%

LAB 41.35, 59.33, -90.5

 

CMYK 52 / 74 / 0 / 2

HEX #7841FB

RGB 120 65 251

HSL 257.74, 0.96%, 0.62%

LAB 45.27, 64.77, -83.9

 

CMYK 32 / 74 / 0 / 2

HEX #AA41FB

RGB 170 65 251

HSL 273.87, 0.96%, 0.62%

LAB 51.03, 72.45, -74.26

 

CMYK 94 / 98 / 0 / 10

HEX #0E04E5

RGB 14 4 229

HSL 242.67, 0.97%, 0.46%

LAB 29, 72.39, -98.65

 

CMYK 86 / 90 / 0 / 2

HEX #2218FA

RGB 34 24 250

HSL 242.65, 0.96%, 0.54%

LAB 33.76, 73.91, -102.59

 

CMYK 71 / 74 / 0 / 2

HEX #4941FB

RGB 73 65 251

HSL 242.58, 0.96%, 0.62%

LAB 41.47, 59.5, -90.3

 

CMYK 56 / 58 / 0 / 2

HEX #6F69FB

RGB 111 105 251

HSL 242.47, 0.95%, 0.7%

LAB 52.34, 42.12, -72.4

 

CMYK 40 / 42 / 0 / 1

HEX #9691FC

RGB 150 145 252

HSL 242.8, 0.95%, 0.78%

LAB 64.77, 27.38, -52.84

 

CMYK 71 / 75 / 0 / 2

HEX #4840FB

RGB 72 64 251

HSL 242.57, 0.96%, 0.62%

LAB 41.23, 59.93, -90.7

 

CMYK 0 / 74 / 18 / 2

HEX #FB41CF

RGB 251 65 207

HSL 314.19, 0.96%, 0.62%

LAB 60.6, 81.21, -33.52

 

CMYK 47 / 0 / 74 / 2

HEX #85FB41

RGB 133 251 65

HSL 98.06, 0.96%, 0.62%

LAB 89.09, -62.93, 73.55

 

CMYK 71 / 75 / 0 / 2

HEX #4840FB

RGB 72 64 251

HSL 242.57, 0.96%, 0.62%

LAB 41.23, 59.93, -90.7

 

CMYK 0 / 72 / 74 / 2

HEX #FB4741

RGB 251 71 65

HSL 1.94, 0.96%, 0.62%

LAB 57.46, 67.17, 44.17

 

CMYK 74 / 0 / 72 / 2

HEX #41FB47

RGB 65 251 71

HSL 121.94, 0.96%, 0.62%

LAB 87.28, -77.42, 69.14

 

CMYK 71 / 75 / 0 / 2

HEX #4840FB

RGB 72 64 251

HSL 242.57, 0.96%, 0.62%

LAB 41.23, 59.93, -90.7

 

CMYK 0 / 74 / 18 / 2

HEX #FB41CF

RGB 251 65 207

HSL 314.19, 0.96%, 0.62%

LAB 60.6, 81.21, -33.52

 

CMYK 3 / 0 / 74 / 2

HEX #F4FB41

RGB 244 251 65

HSL 62.26, 0.96%, 0.62%

LAB 95.42, -22.85, 81.79

 

CMYK 74 / 0 / 57 / 2

HEX #41FB6C

RGB 65 251 108

HSL 133.87, 0.96%, 0.62%

LAB 87.58, -73.72, 54.74

 

CMYK 71 / 75 / 0 / 2

HEX #4840FB

RGB 72 64 251

HSL 242.57, 0.96%, 0.62%

LAB 41.23, 59.93, -90.7

 

CMYK 0 / 74 / 40 / 2

HEX #FB4197

RGB 251 65 151

HSL 332.26, 0.96%, 0.62%

LAB 58.53, 74.86, -4.34

 

CMYK 3 / 0 / 74 / 2

HEX #F4FB41

RGB 244 251 65

HSL 62.26, 0.96%, 0.62%

LAB 95.42, -22.85, 81.79

 

CMYK 74 / 0 / 35 / 2

HEX #41FBA4

RGB 65 251 164

HSL 151.94, 0.96%, 0.62%

LAB 88.35, -64.83, 28.89

 

Description

Color code: RGB 72 64 251 | qconv.com Color code: RGB 72 64 251 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 64 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 64 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 75 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 75% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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