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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72 44 98 it is the complementary color RGB 183 211 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72 44 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 72 44 98 shade: RGB 77 44 93, RGB 94 62 112, RGB 111 80 131, RGB 128 98 150 and RGB 145 116 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72 44 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 72 44 98 shade: RGB 72 44 98, RGB 55 26 79, RGB 38 8 60, RGB 21 0 41 and RGB 4 0 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 72 44 98 shade: RGB 72 44 98, RGB 87 44 98, RGB 98 44 95, RGB 98 44 80 and RGB 98 44 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 72 44 98 shade: RGB 72 44 98, RGB 57 44 98 and RGB 44 44 98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 72 44 98 shade matches the following richer shades: RGB 72 44 98, RGB 72 32 110, RGB 73 21 121 and RGB 73 9 133

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 72 44 98 shade: RGB 72 44 98, RGB 71 55 86, RGB 71 67 75, RGB 71 78 63 and RGB 70 90 52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 72 44 98 shade: RGB 44 45 98, RGB 57 44 98, RGB 72 44 98, RGB 86 44 98 and RGB 98 44 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 72 44 98 shade: RGB 30 18 41, RGB 51 31 70, RGB 72 44 98, RGB 93 57 127 and RGB 114 69 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 72 44 98 shade: RGB 72 44 98, RGB 98 44 59 and RGB 44 98 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 72 44 98 shade: RGB 72 44 98, RGB 98 72 44 and RGB 44 98 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 72 44 98 shade: RGB 72 44 98, RGB 98 44 59, RGB 70 98 44 and RGB 44 98 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 72 44 98 shade: RGB 72 44 98, RGB 98 45 44, RGB 70 98 44 and RGB 44 97 98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 55 / 0 / 62

HEX #482C62

RGB 72 44 98

HSL 271.11, 0.38%, 0.28%

LAB 23.87, 24.74, -27.24

 

Complementary color

CMYK 13 / 0 / 26 / 17

HEX #B7D39D

RGB 183 211 157

HSL 91.11, 0.38%, 0.72%

LAB 81.34, -18.91, 23.73

 

CMYK 17 / 53 / 0 / 64

HEX #4D2C5D

RGB 77 44 93

HSL 280.41, 0.36%, 0.27%

LAB 24.22, 25.01, -23.36

 

CMYK 16 / 45 / 0 / 56

HEX #5E3E70

RGB 94 62 112

HSL 278.4, 0.29%, 0.34%

LAB 31.8, 24.09, -23.55

 

CMYK 15 / 39 / 0 / 49

HEX #6F5083

RGB 111 80 131

HSL 276.47, 0.24%, 0.41%

LAB 39.17, 23.23, -23.71

 

CMYK 15 / 35 / 0 / 41

HEX #806296

RGB 128 98 150

HSL 274.62, 0.21%, 0.49%

LAB 46.35, 22.46, -23.88

 

CMYK 14 / 31 / 0 / 34

HEX #9174A9

RGB 145 116 169

HSL 272.83, 0.24%, 0.56%

LAB 53.36, 21.76, -24.06

 

CMYK 27 / 55 / 0 / 62

HEX #482C62

RGB 72 44 98

HSL 271.11, 0.38%, 0.28%

LAB 23.87, 24.74, -27.24

 

CMYK 30 / 67 / 0 / 69

HEX #371A4F

RGB 55 26 79

HSL 272.83, 0.5%, 0.21%

LAB 16.08, 25.75, -27.14

 

CMYK 37 / 87 / 0 / 76

HEX #26083C

RGB 38 8 60

HSL 274.62, 0.76%, 0.13%

LAB 8.24, 26.34, -26.64

 

CMYK 49 / 100 / 0 / 84

HEX #150029

RGB 21 0 41

HSL 270.73, 1%, 0.08%

LAB 2.89, 16.62, -21.26

 

CMYK 82 / 100 / 0 / 91

HEX #040016

RGB 4 0 22

HSL 250.91, 1%, 0.04%

LAB 0.76, 4.72, -9.64

 

CMYK 27 / 55 / 0 / 62

HEX #482C62

RGB 72 44 98

HSL 271.11, 0.38%, 0.28%

LAB 23.87, 24.74, -27.24

 

CMYK 11 / 55 / 0 / 62

HEX #572C62

RGB 87 44 98

HSL 287.78, 0.38%, 0.28%

LAB 25.89, 29.38, -23.91

 

CMYK 0 / 55 / 3 / 62

HEX #622C5F

RGB 98 44 95

HSL 303.33, 0.38%, 0.28%

LAB 27.36, 32.24, -19.53

 

CMYK 0 / 55 / 18 / 62

HEX #622C50

RGB 98 44 80

HSL 320, 0.38%, 0.28%

LAB 26.67, 29.44, -10.76

 

CMYK 0 / 55 / 33 / 62

HEX #622C42

RGB 98 44 66

HSL 335.56, 0.38%, 0.28%

LAB 26.13, 27.19, -2.24

 

CMYK 27 / 55 / 0 / 62

HEX #482C62

RGB 72 44 98

HSL 271.11, 0.38%, 0.28%

LAB 23.87, 24.74, -27.24

 

CMYK 42 / 55 / 0 / 62

HEX #392C62

RGB 57 44 98

HSL 254.44, 0.38%, 0.28%

LAB 22.14, 20.34, -30.11

 

CMYK 55 / 55 / 0 / 62

HEX #2C2C62

RGB 44 44 98

HSL 240, 0.38%, 0.28%

LAB 20.9, 16.93, -32.16

 

CMYK 27 / 55 / 0 / 62

HEX #482C62

RGB 72 44 98

HSL 271.11, 0.38%, 0.28%

LAB 23.87, 24.74, -27.24

 

CMYK 35 / 71 / 0 / 57

HEX #48206E

RGB 72 32 110

HSL 270.77, 0.55%, 0.28%

LAB 22.08, 35, -37.92

 

CMYK 40 / 83 / 0 / 53

HEX #491579

RGB 73 21 121

HSL 271.2, 0.7%, 0.28%

LAB 21.33, 43.21, -46.19

 

CMYK 45 / 93 / 0 / 48

HEX #490985

RGB 73 9 133

HSL 270.97, 0.87%, 0.28%

LAB 21.23, 49.91, -53.98

 

CMYK 27 / 55 / 0 / 62

HEX #482C62

RGB 72 44 98

HSL 271.11, 0.38%, 0.28%

LAB 23.87, 24.74, -27.24

 

CMYK 17 / 36 / 0 / 66

HEX #473756

RGB 71 55 86

HSL 270.97, 0.22%, 0.28%

LAB 25.99, 14.07, -16.06

 

CMYK 5 / 11 / 0 / 71

HEX #47434B

RGB 71 67 75

HSL 270, 0.06%, 0.28%

LAB 29.06, 3.47, -4.21

 

CMYK 9 / 0 / 19 / 69

HEX #474E3F

RGB 71 78 63

HSL 88, 0.11%, 0.28%

LAB 32.14, -6.01, 7.95

 

CMYK 22 / 0 / 42 / 65

HEX #465A34

RGB 70 90 52

HSL 91.58, 0.27%, 0.28%

LAB 35.72, -15.34, 19.51

 

CMYK 55 / 54 / 0 / 62

HEX #2C2D62

RGB 44 45 98

HSL 238.89, 0.38%, 0.28%

LAB 21.19, 16.23, -31.7

 

CMYK 42 / 55 / 0 / 62

HEX #392C62

RGB 57 44 98

HSL 254.44, 0.38%, 0.28%

LAB 22.14, 20.34, -30.11

 

CMYK 27 / 55 / 0 / 62

HEX #482C62

RGB 72 44 98

HSL 271.11, 0.38%, 0.28%

LAB 23.87, 24.74, -27.24

 

CMYK 12 / 55 / 0 / 62

HEX #562C62

RGB 86 44 98

HSL 286.67, 0.38%, 0.28%

LAB 25.75, 29.06, -24.15

 

CMYK 0 / 55 / 3 / 62

HEX #622C5F

RGB 98 44 95

HSL 303.33, 0.38%, 0.28%

LAB 27.36, 32.24, -19.53

 

CMYK 27 / 56 / 0 / 84

HEX #1E1229

RGB 30 18 41

HSL 271.3, 0.39%, 0.12%

LAB 7.85, 12.06, -13.4

 

CMYK 27 / 56 / 0 / 73

HEX #331F46

RGB 51 31 70

HSL 270.77, 0.39%, 0.2%

LAB 16.13, 18.81, -20.91

 

CMYK 27 / 55 / 0 / 62

HEX #482C62

RGB 72 44 98

HSL 271.11, 0.38%, 0.28%

LAB 23.87, 24.74, -27.24

 

CMYK 27 / 55 / 0 / 50

HEX #5D397F

RGB 93 57 127

HSL 270.86, 0.38%, 0.36%

LAB 31.31, 30.58, -33.74

 

CMYK 26 / 55 / 0 / 39

HEX #72459B

RGB 114 69 155

HSL 271.4, 0.38%, 0.44%

LAB 38.2, 36.49, -39.79

 

CMYK 27 / 55 / 0 / 62

HEX #482C62

RGB 72 44 98

HSL 271.11, 0.38%, 0.28%

LAB 23.87, 24.74, -27.24

 

CMYK 0 / 55 / 40 / 62

HEX #622C3B

RGB 98 44 59

HSL 343.33, 0.38%, 0.28%

LAB 25.9, 26.21, 2.12

 

CMYK 55 / 0 / 49 / 62

HEX #2C6232

RGB 44 98 50

HSL 126.67, 0.38%, 0.28%

LAB 36.93, -29.27, 21.93

 

CMYK 27 / 55 / 0 / 62

HEX #482C62

RGB 72 44 98

HSL 271.11, 0.38%, 0.28%

LAB 23.87, 24.74, -27.24

 

CMYK 0 / 27 / 55 / 62

HEX #62482C

RGB 98 72 44

HSL 31.11, 0.38%, 0.28%

LAB 32.73, 7.32, 21.02

 

CMYK 55 / 0 / 27 / 62

HEX #2C6248

RGB 44 98 72

HSL 151.11, 0.38%, 0.28%

LAB 37.37, -24.78, 9.44

 

CMYK 27 / 55 / 0 / 62

HEX #482C62

RGB 72 44 98

HSL 271.11, 0.38%, 0.28%

LAB 23.87, 24.74, -27.24

 

CMYK 0 / 55 / 40 / 62

HEX #622C3B

RGB 98 44 59

HSL 343.33, 0.38%, 0.28%

LAB 25.9, 26.21, 2.12

 

CMYK 29 / 0 / 55 / 62

HEX #46622C

RGB 70 98 44

HSL 91.11, 0.38%, 0.28%

LAB 38.23, -20.76, 27.2

 

CMYK 55 / 0 / 15 / 62

HEX #2C6253

RGB 44 98 83

HSL 163.33, 0.38%, 0.28%

LAB 37.65, -22.01, 3.1

 

CMYK 27 / 55 / 0 / 62

HEX #482C62

RGB 72 44 98

HSL 271.11, 0.38%, 0.28%

LAB 23.87, 24.74, -27.24

 

CMYK 0 / 54 / 55 / 62

HEX #622D2C

RGB 98 45 44

HSL 1.11, 0.38%, 0.28%

LAB 25.73, 23.87, 11.93

 

CMYK 29 / 0 / 55 / 62

HEX #46622C

RGB 70 98 44

HSL 91.11, 0.38%, 0.28%

LAB 38.23, -20.76, 27.2

 

CMYK 55 / 1 / 0 / 62

HEX #2C6162

RGB 44 97 98

HSL 181.11, 0.38%, 0.28%

LAB 37.78, -17.19, -5.96

 

Description

Color code: RGB 72 44 98 | qconv.com Color code: RGB 72 44 98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 44 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 44 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 55 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 55% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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