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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 240 110 it is the complementary color RGB 184 15 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 240 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 240 110 shade: RGB 76 240 105, RGB 93 255 124, RGB 110 255 143, RGB 127 255 162 and RGB 144 255 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 240 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 240 110 shade: RGB 71 240 110, RGB 54 222 91, RGB 37 204 72, RGB 20 186 53 and RGB 3 168 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 240 110 shade: RGB 71 240 110, RGB 77 240 71, RGB 123 240 71, RGB 168 240 71 and RGB 214 240 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 240 110 shade: RGB 71 240 110, RGB 71 240 155, RGB 71 240 201, RGB 71 233 240 and RGB 71 187 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 240 110 shade matches the following richer shades: RGB 71 240 110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 240 110 shade: RGB 71 240 110, RGB 87 223 118, RGB 103 207 127, RGB 119 191 136 and RGB 135 175 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 240 110 shade: RGB 124 240 71, RGB 79 240 71, RGB 71 240 107, RGB 71 240 152 and RGB 71 240 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 240 110 shade: RGB 17 211 61, RGB 32 236 79, RGB 71 240 110, RGB 109 243 140 and RGB 147 246 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 240 110 shade: RGB 71 240 110, RGB 71 169 240 and RGB 240 71 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 240 110 shade: RGB 71 240 110, RGB 107 71 240 and RGB 240 107 71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 240 110 shade: RGB 71 240 110, RGB 71 169 240, RGB 240 71 203 and RGB 240 141 71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 240 110 shade: RGB 71 240 110, RGB 71 118 240, RGB 240 71 203 and RGB 240 192 71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 54 / 6

HEX #47F06E

RGB 71 240 110

HSL 133.85, 0.85%, 0.61%

LAB 84.37, -68.97, 50.05

 

Complementary color

CMYK 0 / 92 / 21 / 28

HEX #B80F91

RGB 184 15 145

HSL 313.85, 0.85%, 0.39%

LAB 42.12, 70.06, -26.82

 

CMYK 68 / 0 / 56 / 6

HEX #4CF069

RGB 76 240 105

HSL 130.61, 0.85%, 0.62%

LAB 84.42, -68.78, 52.4

 

CMYK 64 / 0 / 51 / 0

HEX #5DFF7C

RGB 93 255 124

HSL 131.48, 1%, 0.68%

LAB 89.53, -68.36, 49.98

 

CMYK 57 / 0 / 44 / 0

HEX #6EFF8F

RGB 110 255 143

HSL 133.66, 1%, 0.72%

LAB 90.24, -62.12, 41.95

 

CMYK 50 / 0 / 36 / 0

HEX #7FFFA2

RGB 127 255 162

HSL 136.41, 1%, 0.75%

LAB 91.07, -55.12, 33.81

 

CMYK 44 / 0 / 29 / 0

HEX #90FFB5

RGB 144 255 181

HSL 140, 1%, 0.78%

LAB 92.04, -47.5, 25.67

 

CMYK 70 / 0 / 54 / 6

HEX #47F06E

RGB 71 240 110

HSL 133.85, 0.85%, 0.61%

LAB 84.37, -68.97, 50.05

 

CMYK 76 / 0 / 59 / 13

HEX #36DE5B

RGB 54 222 91

HSL 133.21, 0.72%, 0.54%

LAB 78.33, -67.97, 51.43

 

CMYK 82 / 0 / 65 / 20

HEX #25CC48

RGB 37 204 72

HSL 132.57, 0.69%, 0.47%

LAB 72.26, -66.5, 52.71

 

CMYK 89 / 0 / 72 / 27

HEX #14BA35

RGB 20 186 53

HSL 131.93, 0.81%, 0.4%

LAB 66.15, -64.4, 53.72

 

CMYK 98 / 0 / 80 / 34

HEX #03A822

RGB 3 168 34

HSL 131.27, 0.96%, 0.34%

LAB 60.02, -61.54, 54.16

 

CMYK 70 / 0 / 54 / 6

HEX #47F06E

RGB 71 240 110

HSL 133.85, 0.85%, 0.61%

LAB 84.37, -68.97, 50.05

 

CMYK 68 / 0 / 70 / 6

HEX #4DF047

RGB 77 240 71

HSL 117.87, 0.85%, 0.61%

LAB 84.15, -72.08, 66

 

CMYK 49 / 0 / 70 / 6

HEX #7BF047

RGB 123 240 71

HSL 101.54, 0.85%, 0.61%

LAB 85.5, -61.34, 67.81

 

CMYK 30 / 0 / 70 / 6

HEX #A8F047

RGB 168 240 71

HSL 85.56, 0.85%, 0.61%

LAB 87.53, -46.86, 70.53

 

CMYK 11 / 0 / 70 / 6

HEX #D6F047

RGB 214 240 71

HSL 69.23, 0.85%, 0.61%

LAB 90.35, -29.44, 74.27

 

CMYK 70 / 0 / 54 / 6

HEX #47F06E

RGB 71 240 110

HSL 133.85, 0.85%, 0.61%

LAB 84.37, -68.97, 50.05

 

CMYK 70 / 0 / 35 / 6

HEX #47F09B

RGB 71 240 155

HSL 149.82, 0.85%, 0.61%

LAB 85.01, -61.71, 28.96

 

CMYK 70 / 0 / 16 / 6

HEX #47F0C9

RGB 71 240 201

HSL 166.15, 0.85%, 0.61%

LAB 85.94, -51.75, 6.48

 

CMYK 70 / 3 / 0 / 6

HEX #47E9F0

RGB 71 233 240

HSL 182.49, 0.85%, 0.61%

LAB 84.95, -38.44, -15.48

 

CMYK 70 / 22 / 0 / 6

HEX #47BBF0

RGB 71 187 240

HSL 198.82, 0.85%, 0.61%

LAB 71.67, -15.81, -35.75

 

CMYK 70 / 0 / 54 / 6

HEX #47F06E

RGB 71 240 110

HSL 133.85, 0.85%, 0.61%

LAB 84.37, -68.97, 50.05

 

CMYK 70 / 0 / 54 / 6

HEX #47F06E

RGB 71 240 110

HSL 133.85, 0.85%, 0.61%

LAB 84.37, -68.97, 50.05

 

CMYK 61 / 0 / 47 / 13

HEX #57DF76

RGB 87 223 118

HSL 133.68, 0.68%, 0.61%

LAB 79.68, -58.9, 40.56

 

CMYK 50 / 0 / 39 / 19

HEX #67CF7F

RGB 103 207 127

HSL 133.85, 0.52%, 0.61%

LAB 75.48, -47.42, 30.73

 

CMYK 38 / 0 / 29 / 25

HEX #77BF88

RGB 119 191 136

HSL 134.17, 0.36%, 0.61%

LAB 71.53, -34.28, 20.82

 

CMYK 23 / 0 / 18 / 31

HEX #87AF90

RGB 135 175 144

HSL 133.5, 0.2%, 0.61%

LAB 67.89, -19.83, 11.55

 

CMYK 48 / 0 / 70 / 6

HEX #7CF047

RGB 124 240 71

HSL 101.18, 0.85%, 0.61%

LAB 85.53, -61.06, 67.86

 

CMYK 67 / 0 / 70 / 6

HEX #4FF047

RGB 79 240 71

HSL 117.16, 0.85%, 0.61%

LAB 84.19, -71.71, 66.06

 

CMYK 70 / 0 / 55 / 6

HEX #47F06B

RGB 71 240 107

HSL 132.78, 0.85%, 0.61%

LAB 84.34, -69.36, 51.38

 

CMYK 70 / 0 / 37 / 6

HEX #47F098

RGB 71 240 152

HSL 148.76, 0.85%, 0.61%

LAB 84.96, -62.27, 30.41

 

CMYK 70 / 0 / 18 / 6

HEX #47F0C5

RGB 71 240 197

HSL 164.73, 0.85%, 0.61%

LAB 85.85, -52.71, 8.44

 

CMYK 92 / 0 / 71 / 17

HEX #11D33D

RGB 17 211 61

HSL 133.61, 0.85%, 0.45%

LAB 74.22, -71.24, 59.1

 

CMYK 86 / 0 / 67 / 7

HEX #20EC4F

RGB 32 236 79

HSL 133.82, 0.84%, 0.53%

LAB 82.3, -75.88, 60.84

 

CMYK 70 / 0 / 54 / 6

HEX #47F06E

RGB 71 240 110

HSL 133.85, 0.85%, 0.61%

LAB 84.37, -68.97, 50.05

 

CMYK 55 / 0 / 42 / 5

HEX #6DF38C

RGB 109 243 140

HSL 133.88, 0.85%, 0.69%

LAB 86.63, -58.24, 38.77

 

CMYK 40 / 0 / 31 / 4

HEX #93F6AA

RGB 147 246 170

HSL 133.94, 0.85%, 0.77%

LAB 89.4, -44.74, 27.68

 

CMYK 70 / 0 / 54 / 6

HEX #47F06E

RGB 71 240 110

HSL 133.85, 0.85%, 0.61%

LAB 84.37, -68.97, 50.05

 

CMYK 70 / 30 / 0 / 6

HEX #47A9F0

RGB 71 169 240

HSL 205.21, 0.85%, 0.61%

LAB 66.53, -6.02, -43.78

 

CMYK 0 / 70 / 58 / 6

HEX #F04766

RGB 240 71 102

HSL 348.99, 0.85%, 0.61%

LAB 56.08, 65.83, 20.84

 

CMYK 70 / 0 / 54 / 6

HEX #47F06E

RGB 71 240 110

HSL 133.85, 0.85%, 0.61%

LAB 84.37, -68.97, 50.05

 

CMYK 55 / 70 / 0 / 6

HEX #6B47F0

RGB 107 71 240

HSL 252.78, 0.85%, 0.61%

LAB 44.12, 57.07, -79.67

 

CMYK 0 / 55 / 70 / 6

HEX #F06B47

RGB 240 107 71

HSL 12.78, 0.85%, 0.61%

LAB 61.22, 49, 44.67

 

CMYK 70 / 0 / 54 / 6

HEX #47F06E

RGB 71 240 110

HSL 133.85, 0.85%, 0.61%

LAB 84.37, -68.97, 50.05

 

CMYK 70 / 30 / 0 / 6

HEX #47A9F0

RGB 71 169 240

HSL 205.21, 0.85%, 0.61%

LAB 66.53, -6.02, -43.78

 

CMYK 0 / 70 / 15 / 6

HEX #F047CB

RGB 240 71 203

HSL 313.14, 0.85%, 0.61%

LAB 59.29, 76.3, -33.42

 

CMYK 0 / 41 / 70 / 6

HEX #F08D47

RGB 240 141 71

HSL 24.85, 0.85%, 0.61%

LAB 68.04, 32, 52.19

 

CMYK 70 / 0 / 54 / 6

HEX #47F06E

RGB 71 240 110

HSL 133.85, 0.85%, 0.61%

LAB 84.37, -68.97, 50.05

 

CMYK 70 / 51 / 0 / 6

HEX #4776F0

RGB 71 118 240

HSL 223.31, 0.85%, 0.61%

LAB 52.5, 24.29, -66.13

 

CMYK 0 / 70 / 15 / 6

HEX #F047CB

RGB 240 71 203

HSL 313.14, 0.85%, 0.61%

LAB 59.29, 76.3, -33.42

 

CMYK 0 / 20 / 70 / 6

HEX #F0C047

RGB 240 192 71

HSL 42.96, 0.85%, 0.61%

LAB 80, 5.18, 64.68

 

Description

Color code: RGB 71 240 110 | qconv.com Color code: RGB 71 240 110 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 240 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 240 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 54 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 54% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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