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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 227 18 it is the complementary color RGB 184 28 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 227 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 227 18 shade: RGB 76 227 13, RGB 93 245 32, RGB 110 255 51, RGB 127 255 70 and RGB 144 255 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 227 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 227 18 shade: RGB 71 227 18, RGB 54 209 0, RGB 37 191 0, RGB 20 173 0 and RGB 3 155 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 227 18 shade: RGB 71 226 18, RGB 127 226 18, RGB 183 226 18, RGB 226 213 18 and RGB 226 157 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 227 18 shade: RGB 71 226 18, RGB 18 226 21, RGB 18 226 77, RGB 18 226 133 and RGB 18 226 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 227 18 shade matches the following richer shades: RGB 71 226 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 227 18 shade: RGB 71 226 18, RGB 80 206 38, RGB 90 186 57, RGB 100 167 77 and RGB 110 147 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 227 18 shade: RGB 184 226 18, RGB 129 226 18, RGB 73 226 18, RGB 18 226 18 and RGB 18 226 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 227 18 shade: RGB 47 150 12, RGB 59 188 15, RGB 71 226 18, RGB 96 238 47 and RGB 125 241 86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 227 18 shade: RGB 71 227 18, RGB 18 226 212 and RGB 226 18 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 227 18 shade: RGB 71 227 18, RGB 18 73 226 and RGB 226 18 73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 227 18 shade: RGB 71 227 18, RGB 18 226 212, RGB 170 18 226 and RGB 226 18 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 227 18 shade: RGB 71 227 18, RGB 18 177 226, RGB 170 18 226 and RGB 226 66 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 92 / 11

HEX #47E312

RGB 71 227 18

HSL 104.78, 0.85%, 0.48%

LAB 79.8, -71.82, 75.38

 

Complementary color

CMYK 22 / 88 / 0 / 7

HEX #B81CED

RGB 184 28 237

HSL 284.78, 0.85%, 0.52%

LAB 48.43, 82.26, -70.55

 

CMYK 67 / 0 / 94 / 11

HEX #4CE30D

RGB 76 227 13

HSL 102.34, 0.89%, 0.47%

LAB 79.9, -70.96, 76.09

 

CMYK 62 / 0 / 87 / 4

HEX #5DF520

RGB 93 245 32

HSL 102.82, 0.91%, 0.54%

LAB 85.87, -72.63, 78.52

 

CMYK 57 / 0 / 80 / 0

HEX #6EFF33

RGB 110 255 51

HSL 102.65, 1%, 0.6%

LAB 89.43, -71.22, 77.64

 

CMYK 50 / 0 / 73 / 0

HEX #7FFF46

RGB 127 255 70

HSL 101.51, 1%, 0.64%

LAB 90.08, -65.76, 72.82

 

CMYK 44 / 0 / 65 / 0

HEX #90FF59

RGB 144 255 89

HSL 100.12, 1%, 0.67%

LAB 90.86, -59.5, 66.96

 

CMYK 69 / 0 / 92 / 11

HEX #47E312

RGB 71 227 18

HSL 104.78, 0.85%, 0.48%

LAB 79.8, -71.82, 75.38

 

CMYK 74 / 0 / 100 / 18

HEX #36D100

RGB 54 209 0

HSL 104.5, 1%, 0.41%

LAB 73.79, -69.61, 72.21

 

CMYK 81 / 0 / 100 / 25

HEX #25BF00

RGB 37 191 0

HSL 108.38, 1%, 0.37%

LAB 67.77, -66.7, 67.29

 

CMYK 88 / 0 / 100 / 32

HEX #14AD00

RGB 20 173 0

HSL 113.06, 1%, 0.34%

LAB 61.69, -63.26, 62.35

 

CMYK 98 / 0 / 100 / 39

HEX #039B00

RGB 3 155 0

HSL 118.84, 1%, 0.3%

LAB 55.55, -59.24, 57.38

 

CMYK 69 / 0 / 92 / 11

HEX #47E212

RGB 71 226 18

HSL 104.71, 0.85%, 0.48%

LAB 79.49, -71.51, 75.12

 

CMYK 44 / 0 / 92 / 11

HEX #7FE212

RGB 127 226 18

HSL 88.56, 0.85%, 0.48%

LAB 81.26, -57.28, 77.31

 

CMYK 19 / 0 / 92 / 11

HEX #B7E212

RGB 183 226 18

HSL 72.4, 0.85%, 0.48%

LAB 84.23, -37.09, 80.93

 

CMYK 0 / 6 / 92 / 11

HEX #E2D512

RGB 226 213 18

HSL 56.25, 0.85%, 0.48%

LAB 83.86, -13.11, 82.02

 

CMYK 0 / 31 / 92 / 11

HEX #E29D12

RGB 226 157 18

HSL 40.1, 0.85%, 0.48%

LAB 69.7, 16.01, 71.39

 

CMYK 69 / 0 / 92 / 11

HEX #47E212

RGB 71 226 18

HSL 104.71, 0.85%, 0.48%

LAB 79.49, -71.51, 75.12

 

CMYK 92 / 0 / 91 / 11

HEX #12E215

RGB 18 226 21

HSL 120.87, 0.85%, 0.48%

LAB 78.8, -77.58, 73.84

 

CMYK 92 / 0 / 66 / 11

HEX #12E24D

RGB 18 226 77

HSL 137.02, 0.85%, 0.48%

LAB 79.07, -74.03, 58.09

 

CMYK 92 / 0 / 41 / 11

HEX #12E285

RGB 18 226 133

HSL 153.17, 0.85%, 0.48%

LAB 79.74, -65.98, 32.97

 

CMYK 92 / 0 / 16 / 11

HEX #12E2BE

RGB 18 226 190

HSL 169.62, 0.85%, 0.48%

LAB 80.87, -53.32, 4.88

 

CMYK 69 / 0 / 92 / 11

HEX #47E212

RGB 71 226 18

HSL 104.71, 0.85%, 0.48%

LAB 79.49, -71.51, 75.12

 

CMYK 69 / 0 / 92 / 11

HEX #47E212

RGB 71 226 18

HSL 104.71, 0.85%, 0.48%

LAB 79.49, -71.51, 75.12

 

CMYK 61 / 0 / 82 / 19

HEX #50CE26

RGB 80 206 38

HSL 105, 0.69%, 0.48%

LAB 73.54, -62.49, 66.13

 

CMYK 52 / 0 / 69 / 27

HEX #5ABA39

RGB 90 186 57

HSL 104.65, 0.53%, 0.48%

LAB 67.72, -51.47, 54.28

 

CMYK 40 / 0 / 54 / 35

HEX #64A74D

RGB 100 167 77

HSL 104.67, 0.37%, 0.48%

LAB 62.41, -38.53, 39.55

 

CMYK 25 / 0 / 34 / 42

HEX #6E9361

RGB 110 147 97

HSL 104.4, 0.2%, 0.48%

LAB 57.12, -22.71, 22.45

 

CMYK 19 / 0 / 92 / 11

HEX #B8E212

RGB 184 226 18

HSL 72.12, 0.85%, 0.48%

LAB 84.29, -36.7, 81.01

 

CMYK 43 / 0 / 92 / 11

HEX #81E212

RGB 129 226 18

HSL 87.98, 0.85%, 0.48%

LAB 81.35, -56.64, 77.41

 

CMYK 68 / 0 / 92 / 11

HEX #49E212

RGB 73 226 18

HSL 104.13, 0.85%, 0.48%

LAB 79.53, -71.13, 75.17

 

CMYK 92 / 0 / 92 / 11

HEX #12E212

RGB 18 226 18

HSL 120, 0.85%, 0.48%

LAB 78.79, -77.66, 74.25

 

CMYK 92 / 0 / 68 / 11

HEX #12E249

RGB 18 226 73

HSL 135.87, 0.85%, 0.48%

LAB 79.04, -74.43, 59.64

 

CMYK 69 / 0 / 92 / 41

HEX #2F960C

RGB 47 150 12

HSL 104.78, 0.85%, 0.32%

LAB 54.49, -52.02, 54.84

 

CMYK 69 / 0 / 92 / 26

HEX #3BBC0F

RGB 59 188 15

HSL 104.74, 0.85%, 0.4%

LAB 67.23, -61.96, 65.19

 

CMYK 69 / 0 / 92 / 11

HEX #47E212

RGB 71 226 18

HSL 104.71, 0.85%, 0.48%

LAB 79.49, -71.51, 75.12

 

CMYK 60 / 0 / 80 / 7

HEX #60EE2F

RGB 96 238 47

HSL 104.61, 0.85%, 0.56%

LAB 83.88, -69.06, 73.43

 

CMYK 48 / 0 / 64 / 5

HEX #7DF156

RGB 125 241 86

HSL 104.9, 0.85%, 0.64%

LAB 85.98, -59.96, 62.66

 

CMYK 69 / 0 / 92 / 11

HEX #47E312

RGB 71 227 18

HSL 104.78, 0.85%, 0.48%

LAB 79.8, -71.82, 75.38

 

CMYK 92 / 0 / 6 / 11

HEX #12E2D4

RGB 18 226 212

HSL 175.96, 0.85%, 0.48%

LAB 81.44, -47.42, -5.96

 

CMYK 0 / 92 / 31 / 11

HEX #E2129D

RGB 226 18 157

HSL 319.9, 0.85%, 0.48%

LAB 50.73, 79.64, -20.09

 

CMYK 69 / 0 / 92 / 11

HEX #47E312

RGB 71 227 18

HSL 104.78, 0.85%, 0.48%

LAB 79.8, -71.82, 75.38

 

CMYK 92 / 68 / 0 / 11

HEX #1249E2

RGB 18 73 226

HSL 224.13, 0.85%, 0.48%

LAB 38.52, 43.11, -81.11

 

CMYK 0 / 92 / 68 / 11

HEX #E21249

RGB 226 18 73

HSL 344.13, 0.85%, 0.48%

LAB 48.36, 73.22, 27.65

 

CMYK 69 / 0 / 92 / 11

HEX #47E312

RGB 71 227 18

HSL 104.78, 0.85%, 0.48%

LAB 79.8, -71.82, 75.38

 

CMYK 92 / 0 / 6 / 11

HEX #12E2D4

RGB 18 226 212

HSL 175.96, 0.85%, 0.48%

LAB 81.44, -47.42, -5.96

 

CMYK 25 / 92 / 0 / 11

HEX #AA12E2

RGB 170 18 226

HSL 283.85, 0.85%, 0.48%

LAB 44.9, 79.9, -70.16

 

CMYK 0 / 92 / 86 / 11

HEX #E21220

RGB 226 18 32

HSL 355.96, 0.85%, 0.48%

LAB 47.89, 71.88, 50.33

 

CMYK 69 / 0 / 92 / 11

HEX #47E312

RGB 71 227 18

HSL 104.78, 0.85%, 0.48%

LAB 79.8, -71.82, 75.38

 

CMYK 92 / 22 / 0 / 11

HEX #12B1E2

RGB 18 177 226

HSL 194.13, 0.85%, 0.48%

LAB 67.32, -19.87, -34.94

 

CMYK 25 / 92 / 0 / 11

HEX #AA12E2

RGB 170 18 226

HSL 283.85, 0.85%, 0.48%

LAB 44.9, 79.9, -70.16

 

CMYK 0 / 71 / 92 / 11

HEX #E24212

RGB 226 66 18

HSL 13.85, 0.85%, 0.48%

LAB 51.96, 59.98, 58.91

 

Description

Color code: RGB 71 227 18 | qconv.com Color code: RGB 71 227 18 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 227 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 227 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 92 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 92% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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